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PAIR OF MAHOGANY SERVING TABLES, LATE 19TH / EARLY 20TH CENTURY each of Irish Chippendale design, with scroll decoration and clam shell motifs, with two short side by side drawers, on cabriole legs to ball and claw feet84cm high, 115cm wideQty: 2In overall fair condition. Age related wear and surface scratches. Dents to wood. Some chips to wood. Additional images now available.
An Oak Singer cupboard, 102cm high, 57cm wide, 104cm wide with folded worktop and sewing machine together with a large Georgian style mahogany extendable dining table, featuring quartered veneered top with cabriole legs in the Chippendale style, measuring 78cm high, 135cm wide without centre panel, 170cm with (1)
Rogers (J. M., editor). The Topkapi Saray Museum, 4 volumes, 1st U.S. edition, Boston: Little Brown and Company, 1988, numerous colour illustrations, original uniform cloth in dust jackets & slipcases, folio, together with:Evans (Nancy Goyne), Windsor-Chair Making in America, from craft shop to consumer, 1st edition, Hanover: University Press of New England, 2006, numerous monochrome illustrations, original cloth in dust jacket, covers very lightly rubbed to the head, folio, plusRaulet (Sylvie), Van Cleef & Arnels, 1st U.S. edition, New York: Rizzoli, 1987, numerous colour & monochrome illustrations, original cloth in dust jacket, spine lightly rubbed to the head, folio, andBell (J. Munro), Chippendale, Sheraton and Hepplewhite Furniture Designs, London: Gibbing and Company, 1900, numerous etched illustrations, some light toning throughout, top edge gilt, original gilt decorated green cloth, boards & spine slightly rubbed, folio, and other late 19th Century to modern antiques, interiors & architecture reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folioQTY: (6 shelves & a carton)
Society of Upholsterers. The IId. Edition of Genteel Houshold Furniture, In the Present Taste with an addition of several Articles never before Executed, by a Society of Upholsterers, Cabinet-Makers, &c. Containing Upwards of 350 Designs on 120 Copper Plates ... printed for Robt. Sayer, [1765], engraved title-page (dusty) and 120 copper engraved plates, contemporary blue wrappers, crude brown paper reback, some soiling and wear, 8voQTY: (1)NOTE:There appear to be several issues of this rare 18th-century pattern book, which was first published in 1760 with 60 plates. Little appears to be known about the Society, but it is thought to have been a group of the most fashionable furniture makers and designers in London. Robert Manwaring probably contributed most of the chair designs (the first 28 plates were reprinted in his Chair-Makers Guide in 1766). Other designs have been attributed to Thomas Johnson, William Ince and John Mayhew, Thomas Chippendale, Matthias Lock and Matthias Darley.
Set of six (4+2) 19th century Chippendale-design mahogany dining chairs, shaped cresting rail over pierced bulbous vase-shaped splat, burgundy leather upholstered seats with brass stud trim, on square tapering supports united by H-stretchersDimensions: Height: 95cm Length/Width: 55cm Depth/Diameter: 48cm
An extremely fine 19th Century mahogany pedestal Desk, in the Chippendale Revival style, the crossbanded rectangular top with a tooled leather writing surface and a double inverted breakfront top, with an ornate frieze with carved and interlaced pattern and flower heads, incorporating three mock and three frieze drawers raised on two very ornate panelled pedestals, each with four cluster columns one to each corner, and with three drawers to either side and with three opposing mock drawers, the inner and outer pedestal sides with ornate carvings and mouldings, all raised on two leaf carved and moulded plinths with rounded corners, 76cms x 147cms (30'' x 58''). (1)
Ephemera, Business Catalogues, a selection of 23 mainly early 20thC catalogues to include 1955 Shanks Bathrooms, 1982 Timothy Whites, 1931 Pathescope Safety Film, 1959 Freemans Catalogue with A. Games designed cover, 1937 Harrods Food Book, Chippendale Furniture Workshop brochures (4), 1894 Veritys Ltd Light Fittings catalogue and more, together with a selection of price lists and leaflets (mixed condition)
A set of six mahogany dining chairs, 20th century, (1 + 5) in the Chippendale style, each with serpentine drop in blue and red wool seats, labelled 'Hampton & Sons Ltd, Pall Mall East, London', armchair 60cm wide 58cm deep97cm high, seat 50cm, singles, 50cm wide 55cm deep92cm high, seat 47cm (6)Condition ReportWith wear and usage.
A George III mahogany elbow chair in the country Chippendale style - the shaped top-rail with carved 'horns', over a pierced vase splat, shaped arms with scroll carved terminals and a drop-in seat, raised on square chamfered front legs with an H-stretcher, 64 cm wide, 100.5 cm high.* The chair is structurally sound and the seat has recent upholstery. There is some old (inactive) worm to the softwood seat rails and to the top of the front right leg. Later corner blocks added to reinforce the seat rails and old dowelled repairs to the joints of the front legs and front rail. There are also some old, well executed repairs to the splat shoe piece on the back, to a break at the joint of the left arm and the back and to the side of the left arm, just above the support (see photos).
Robbe & Berking, Restbesteck, 925er Silber, Modell "Alt-Chippendale", 20. Jh., 14-teilig, bestehend aus: 5 Speisemesser, 4 Speisegabeln, 4 Kaffeelöffel, Tortenheber. Jeweils gepunzt: Herstellermarke, Feingehalt sowie Halbmond/Krone, L.: ca. 12,9-23,3 cm, Gesamtgewicht: ca. 813 g, Gewicht ohne Messer: ca. 448 g, min. Alters- und Gebrauchsspuren.
Bremer Silberwarenfabrik, Rest Speisebesteck, 800er Silber, Modell "Chippendale", 88-teilig, 20. Jh. (vers. Epochen), bestehend aus: 7 Speisemesser, 8 Speisegabeln, 12 Vorspeise-Gabeln/ -Löffel/ -Messer, 12 Kaffeelöffel, 12 Dessertgabeln, 8 Mokkalöffel, Soßenkelle, 2 vers. Vorlegegabeln, Buttermesser, Käsemesser, jeweils punziert: Herstellermarke, Feingehalt sowie Halbmond/Krone, L.: ca. 12,5 - 21,2 cm. Dazu 2 Vorlegeteile im gleichen Design (Löffel und Heber), 800er Silber, Gebrüder Köberlin. Gesamtgewicht: ca. 3479 g, Gewicht ohne Messer: ca. 2443 g, leichte Alters- und Gebrauchsspuren.
Early 20th century pair of Chippendale design mahogany elbow chairs, shaped cresting rail carved with foliate cartouches and scrolled leaves, pierced and interlaced Gothic splat, shaped arms with scroll carved terminals, leather upholstered seat with stud band, cartouche carved cabriole supports with ball and claw feet Dimensions: Height: 99cm Length/Width: 64cm Depth/Diameter: 57cm
George III Chippendale design brass bound mahogany wine cooler of oval form, the coopered body enclosed by two brass brands, with lead liner to interior, fitted with twin lion mask ring handles, raised on square tapering supportsDimensions: Height: 56cm Length/Width: 64cm Depth/Diameter: 51cm
Early 20th century Chippendale design mahogany serpentine chest, shaped moulded top carved with repeating flower head motifs, fitted with brushing slide over four graduating cock-beaded drawers, pierced and foliate moulded handle plates with scrolled swan neck handles, canted upright corners carved with flower heads and strapwork, on canted ogee bracket feetDimensions: Height: 83cm Length/Width: 99cm Depth/Diameter: 51cm
A set of six Irish mahogany dining chairs, by James Hicks, in the manner of Thomas Chippendale, last quarter 19th century, the splat backs to velour upholstered seats, on carved legs joined by fret work stretchers, each with makers plaque James Hicks, antique warehouse, 5 lr pembroke st, Dublin (6)Footnotes: Note: James Hicks set up his business in Lower Pembroke Street in 1894, having worked previously in Tottenham Court Road, London. He described himself as 'Cabinet Manufacturer, Collector and Restorer of Chippendale, Adam and Sheraton furniture'.Condition Report: all with scratches, stains and old gouges, three with repairs to the front cross stretcher, all structurally sound
A George III Chippendale Period brass-bound mahogany octagonal cellaret with moulded edge, the hinged top opening to reveal the original lead foiled lined and partitioned fittings, and a pair of folding bale handles to the opposing sides, supported by short square section fluted legs with brass off-set castors with compressed leather wheels. 47 cm wide x 73 cm overall height.Some splits to the wood in places, to both parts. No key present. Some splits to the brass, as shown. Structurally sound, with generla light wear throughout, commensurate with age and use.
Y A GEORGE III ROSEWOOD, HAREWOOD, SABICU AND MARQUETRY WRITING TABLE IN THE MANNER OF JOHN COBB, CIRCA 1770 The front slide with an inset writing surface, a mahogany lined side frieze drawer, veneered to all sides 77cm high, 72cm wide, 45cm deepProvenance: Private Collection, Phillimore Gardens, London Pierre Langlois, introduced French designs to London, such as this table, in the 1750s and Thomas Chippendale supplied a related 'Lady's ... writing table' to Nostell Priory in 1766, in this French fashion, see Christopher Gilbert, The Life & Work of Thomas Chippendale, Cassell/Christie's, 1978. The marquetry and design of the present table suggests London court cabinet maker John Cobb (1715-1778) who made and supplied such furniture specifically with related floral marquetry in the 1760s.For a table with related woods, diagonal crossbanding, oval of flowers, foliate sprays, apron shape, crossed palms and husk swag marquetry see Christie's, London, Important English Furniture, 8th June 2006, lot 116, (£26,400 incl BP).For another example relating to the present table see Christie's, London, Important English Furniture, 4th July 2002, Lot 49, (£6,573 incl. BP). Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Various old veneer repairs - see images. Gilt metal mounts appear original. Small handles to the slide are possible old replacements. The inset baize to the slide is a replacement and has some wear and marks. One of the 'stoppers' to a rear corner of the slide is detached. No key is present but lock to side drawer is open. Some later screws to the interior of the carcass securing the base to the top. Two later screws to the underside of one frieze. All feet with small amounts of filler to the tips in the area between the timber and sabots. Top can lift from the base very slightly at one front corner.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A CARVED GILTWOOD AND CARTON PIERRE MIRROR LATE 18TH OR EARLY 19TH CENTURY 145cm high, 75cm wide The present lot draws inspiration from various 18th century mirror designs from notable 18th century designers such as Ince & Mayhew, John Vardy, Thomas Johnson, Thomas Chippendale, John Linnell and William Duffour. Amongst the contemporary London carvers, gilders and papier-mâché makers, perhaps the most celebrated was William Duffour (d. 1784) of Berwick Street (see G. Beard and C. Gilbert (eds), Dictionary of English Furniture Makers: 1600-1840, Leeds, 1986, p. 258). A sketch for a mirror by Thomas Johnson that shares similar motifs to the present lot is illustrated in E. White, Pictorial Dictionary of British 18th Century Furniture Design, 1990, p.386, pl. 98.
A GEORGE III MAHOGANY AND CROSSBANDED SIDE TABLE IN THE MANNER OF THOMAS CHIPPENDALE, LATE 18TH CENTURY 80cm high, 137cm wide, 67cm deep Provenance: John Thompson Antiques, Knaresborough, April 1993 The Estate of a deceased Gentleman. A copy of the receipt will be made available to the successful purchaser.

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