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A Chippendale Revival carved mahogany birdcage action tilt top tripod table

A pair of Chippendale Revival carved mahogany elbow chairs

''Rhinocerotype Chippendale'' Salvador Dali (Entwurf), Cristallerie Daum , 1972 Pâte de verre in Gelb- und Brauntönen, formgeschmolzen. Bez.: Dali - DAUM MADE IN FRANCE - 123/150 (erhaben formgeschmolzen). H. 33,5 cm Eines von insgesamt 150 Exemplaren.

MAHOGANY SIDEBOARD OF CHIPPENDALE DESIGN,with raised gallery back above three short drawers flanked by cupboard doors, on cabriole supports to paw feet, 183cm wide

Reproduction Chippendale-style occasional table with fretwork decoration, 63cm x 42.5cm x 68cm high

Set of six mahogany Chippendale style chairs (4 + 2 arm) together with a reproduction twin-pillar D-end dining table with single leaf (206cm extended length)

A box of assorted vintage glass ware. To include: 1930's Davidson Chippendale glass, decanters, bowls, crystal candlestick & coloured glass dressing table pots.

A pair of Hepplewhite style mahogany open armchairs with shield shaped backs, outscrolling arms and tapered legs (upholstery differs) both stamped "C BAKER CHIPPENDALE HOUSE BATH" (2)Provenance:Landwade Hall, Exning, Suffolk

A set of six Chippendale Revival mahogany dining chairs, each with a shaped cresting rail above a shaped and pierced splat, drop-in seat, square forelegs, H-stretcher, 98cm high, 52cm wide, the seat 37cm deep (6)

A Chippendale Revival mahogany commode open armchair, shaped cresting rail carved and applied with acanthus, shaped and pierced splat carved with mythical creatures, bell husks and further acanthus, outswept arms terminating in scroll hand rests, hinged cane seat, shaped apron, cabriole forelegs, ball and claw forefeet, 109cm high, 74cm wide, the seat 44cm wide and 46cm deep

A Chippendale Revival mahogany serpentine side cabinet, gadrooned top above a pair of rectangular door centred by flame veneered roundels, enclosing a pair of drawers, chamfered legs with pierced brackets to angles, 93cm high, 107cm wide, 54cm deep, c.1925

A set of ten Chippendale Revival mahogany dining chairs, comprising a pair of carvers and eight side chairs, the carver 99.5cm high, 61cm wide, the seat 48cm wide and 42cm deep, the side chair 97.5cm high, 58cm wide, the seat 49cm wide and 41cm deep (10)

A set of four Chippendale Revival mahogany dining chairs, of broad proportions, each with a cupid's bow cresting rail above a shaped and pierced splat, stuffed-over upholstery, Chinese inspired 'blind fretwork' square forelegs, 94.5cm high, 59cm wide, the seat 41cm deep (4)

A set of twelve Provincial Chippendale Revival oak dining chairs, comprising a pair of carvers and ten side chairs, Cupid's bow cresting rails, shaped and pierced splats centred by heart motifs, drop-in seats, square legs, H-stretchers, the carver 96cm high, 66.5cm wide, the seat 46cm wide and 44cm deep, the side chair 95.5cm high, 49cm wide, the seat 40cm wide and 36cm deep, 19th century

A set of eight Chippendale Revival mahogany dining chairs, comprising a pair of carvers and six side chairs, each with a cupid's bow cresting rail carved and applied with acanthus, shaped and pierced imitation intersecting splats carved with bell husks, drop in seats, cabriole forelegs carved to the knees with acanthus, ball and claw forefeet, the carver 101cm high, 62cm wide, the seat 40cm wide and 39cm deep, the side chair 98cm high, 61cm wide, the seat 43cm wide and 38cm deep (8)

A George II Revival walnut kneehole desk, rectangular top with moulded edge above a long frieze drawer and a cupboard door to niche, flanked by six short drawers, outlined with herringbone stringing, brass swing handles, Chinese Chippendale inspired bat wing escutcheons, bracket feet, 77cm high, 79cm wide, 47cm deep

A Chippendale Revival triple chair back sofa, shaped cresting rail, shaped and pierced splats carved with C-scrolls and leaves, serpentine arms terminating in scroll hand rests, stuffed-over upholstery, cabriole forelegs carved to the knees with acanthus, ball and claw forefeet, 95cm high, 144cm wide, the seat 122cm wide and 48cm deep, c.1900

A George III mahogany Chippendale-style carver armchair with pierced vase splat back and upholstered seat on square legs

A George III Chippendale style carved mahogany wine table with circular pie crust top, wrythen baluster stem and three acanthus capped legs with claw and ball feet (a/f), 33cm

A GEORGE III MAHOGANY CHIPPENDALE STYLE NEOGOTHIC ELBOW CHAIR, THE DROP IN SEAT WITH FLOWER CENTRED DIAMOND DIAPER ON A BEIGE GROUND ABOVE THE CANTED SQUARE LEGS. H 97 X W 69 D 50cms

A 19th C. MAHOGANY FLAP TOP TABLE ON A TURNED COLUMN AND QUADRIPARTITE PLINTH. W 48 x D 38 x H 71cms. TOGETHER WITH A 19th C. OAK CHIPPENDALE TASTE ELBOW CHAIR

A set of four single and two carver mahogany Chippendale-style dining chairs with pierced vase splat backs and upholstered seats on carved cabriole legs

A set of six Chippendale style mahogany dining chairs, each with upholstered seat in varying material.

Pair of Chippendale style mahogany dining chairs, with fret carved slats, raised on claw on ball supports, together with three mahogany ladderback chairs and a pair of elm seated stick back kitchen chairs (7)

A MAHOGANY CHIPPENDALE STYLE CARVER CHAIR ON BALL AND CLAW FRONT FEET

A Chippendale Revival mahogany open armchair

A set of five 19th Century mahogany Chippendale style dining chairs with moulded backs over shaped upholstered seats on moulded square supports united by stretchers (4 plus 1 carver), together with another similar set (also 4 plus 1 carver)

A 19th Century East Anglian elm and fruitwood carver chair, an Oxford bar back carver chair, Chippendale style mahogany framed carver chair, Hepplewhite style Provincial oak panel seated dining chair, upholstered stool on barley-twist supports, cane seated stool on cabriole legs to pad feet, white painted and carved two tier occasional table, rush seated beech framed child's elbow chair, a carved walnut framed dining chair in the 18th Century Continental manner with drop-in seat on cabriole front legs to claw and ball feet and an oak rectangular stool on trestle supports

A set of eight Edwardian mahogany framed Chippendale-style dining chairs, with carved backs and drop-in seats, raised on front ball and claw feet (6+2).

Set of four Chippendale style dining chairs on cabriole legs and ball and claw feet ( drop in seats are missing). (4)(B.P. 21% + VAT)

Two Chippendale-style mahogany dining chairs, each with shaped & pierced back, padded drop-in seat, & on square legs; together with a pair of Georgian-style mahogany dining chairs with pierced & shaped ladder backs, padded sets, & on moulded square legs with plain stretchers.

ANTIQUE MAHOGANY TWO SEATER COUCH, 93cms H, 109cms W, 42cms D the seat, in the style of Chippendale and an Edwardian two tier occasional table on shaped supports, 67.5cms H, 71cms W, 50cms D

A mahogany Chippendale style silver or centre table with pierced gallery and stretchers 50 x 72cm.

A Chippendale style mahogany tripod table or urn stand.

A set of four Chippendale Revival mahogany dining chairs

A Chippendale Revival carved mahogany corner chair

Set eight (6+2) Chippendale style walnut dining chairs, shaped crest rail with carved floral roundels over pierce carved splat, red velvet upholstered seats, raised on leaf carved cabriole supports with ball and claw feet W75cm (max)

Late 20th century rectangular walnut double pedestal extending dining table, with three additional leaves, raised on four leaf carved splayed supports (281cm x 112cm, H78cm) together with a set of six (4+2) Chippendale style dining chairs with upholstered seats (W67cm)

Early 20th century Chippendale style mahogany framed wing back armchair, upholstered in stripped and herringbone pink fabric, with squab cushion, raised on shell and acanthus carved cabriole front supports W87cm, Hight to seat 51cm

Set six Georgian mahogany dining chairs, Chippendale design, shaped cresting rails relief carved with foliate motifs over Gothic type pierced splats, over stuffed upholstered seats in blue fabric, square front supports with inner chamfer joined by plain stretchers, seat width - 56cm, seat height - 49cm, total height - 97cm

A set of four Chippendale style chairs with oatmeal colour upholstered seats

A good late 19th century carved mahogany side table, in the Chippendale style, with shaped top above a pierced frieze and cabriole legs ending in ball and claw feet, 116cm wide.

A George III provincial walnut Chippendale style dining chair

A George III mahogany astragal glazed standing corner cupboard in the Chippendale taste, with pierced broken swan neck pediment, of impressive proportions, 110cm wide by 65cm deep (approximately) by 242cm high

A Chippendale style mahogany fold over table

A set of 8 reproduction Chippendale design dining chairs (6 and 2)

A 19th century Chippendale armchair with rush seat

A British Chippendale style set of 10 carved beech Dining chairs upholstered in brown leather, two of which with arms, mid 20th century, H96cm. (10)

A Chippendale style oblong stool upholstered with embroidery 63x35cm, H43cm, together with an Epstein style bedside table and another bedside table, all mid century (3)

A MID-VICTORIAN WALNUT DISPLAY CABINET-ON-STAND mid-19th century, of George II style, the rectangular top with scrolled corner brackets, above a mirrored frieze and a pair of glazed doors with quatrefoil borders, enclosing a grey watered-silk lined interior with four shaped adjustable shelves, the lower section with a pair of glazed doors below a quatrefoil-pierced gadrooned waist moulding, on quatrefoil pierced legs with pierced angle brackets, 215cm high x 107cm wide x 37cm deep .Provenance: The Brymer family at Ilsington House, Puddletown, DorsetThe cabinet-on-stand is characteristic of the ‘Chippendale Revival’ style, which was popular in the 1830s and 1840s after John Weale claimed his collection of engravings published c. 1834 were after Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director, 1759-1764, when in reality they were fanciful reimaginings (see Bowett & Lomax, Thomas Chippendale: A celebration of British Craftsmanship and Design, ~2018, p. 192, no. 8.5). This coincided with a revival of interest in the Gothic style of decoration and architecture, encouraged by the contemporary publications of the leading Gothic revivalist architect A. W. N. Pugin and others. Whilst Pugin encouraged a medievalist approach to decoration, others sought to revive earlier popular styles including the great age of English furniture, epitomised by the work of Thomas Chippendale. Chippendale’s famous ‘Violin’ Bookcase at Wilton House, Wiltshire, also included a mirror in its door; the compact china cabinet supplied for the 5th Earl of Dumfries for Dumfries House, Ayrshire in the late 1750s is designed in a loosely exotic style.   

A Georgian mahogany Chippendale style side chair along with an oak long stool with caned top along with a similar example with woven rush seat. H.78cm

A pair of Georgian mahogany Chippendale style open armchairs with pierced back splat on chamfered square section supports. H.95cm

A mahogany Chippendale style X framed armchair with pierced and carved vase shaped back splat. H.93cm

A pair of early 20th century Chinese Chippendale style gilt framed mirrors with pagoda tops, chamfered, reeded, floral uprights and scrolled foliage to the base, 96cm high x 46.5cm wideCondition:Mirror 1, chip to left hand side of the canopy, minor chips gildingMirror 2, some edges have white paint on them, minor chips to the gilding

AN IMPRESSIVE VICTORIAN MAHOGANY QUARTER-CHIMING LONGCASE REGULATORSmith and Sons, London, mid 19th centuryThe substantial four double-screwed columnar pillar triple train movement with plates measuring 9.75 by 10.25 inches and six-spoke wheel crossings throughout, the going train with Harrison's maintaining power and deadbeat escapement regulated by mercury jar compensated pendulum incorporating fine beat adjustment to crutch, the quarter train chiming on a graduated nest of eight bells and the hour sounding on a large coiled gong, the 12 inch circular single-sheet silvered brass Roman numeral dial with subsidiary seconds and STRIKE/SILENT, FULL CHIME/WESTMINSTER CHIME selection dials to the centre signed SMITH & SONS., ST. JOHN'S SQUARE., CLERKENWELL., with blued steel spade hands set within canted silvered bezel, the substantial case with ogee-capped concave-sided upstand, stylised twist baton carved cavetto cornice and repeating scroll decorated frieze over recessed quadrant panels around the dial aperture to hood door flanked by canted angles and with deep-set foliate scroll pierced arched sound frets to sides, the trunk with urn finials over complex top mouldings and repeating split baton frieze to throat above arch-glazed door enclosing silvered pendulum beat scale flanked by Egyptian style faceted three-quarter columns with stylised leafy caps and flared moulded bases, the plinth of inverted breakfronted form decorated with crisply moulded panels to front over tall skirt with complex upper mouldings.217cm (85.5ins) high, 66cm (26ins) wide, 34cm (13.5ins) deep.  The clockmaking business of John Smith and Sons of Clerkenwell can trace its roots back to 1780 however gained much greater significance when they became established in St. John's Square, at the former manufactory of Colonel Mangier, from 1844. The firm ran extensive workshops which incorporated a dedicated brass foundry, clock case workshop and assembly areas for the various types of clocks produced and was featured in the 20th September 1851 issue of the Illustrated London News in an article entitled Visit to a Clerkenwell Clock Factory. At the Great Exhibition held that year they exhibited a year going calendar clock and another chiming clock, chiming on 8 bells and striking on a gong. Ultimately John Smith and Sons perhaps became best known for their skeleton clocks, many of which illustrated in their 1865 catalogue including models based on Litchfield Cathedral and York Minster, however they also produced many fine chiming bracket clocks, longcase regulators, wall clocks and public clocks. The business continued to produce clocks until 1938 when, due to the decline in demand for mechanical timepieces, they diversified to become specialist material stockholders and still continue in this role today.It has been traditionally thought by vendor's family that the current lot was exhibited at the 1851 Great Exhibition. Although there is no evidence to support this, the movement and case are certainly of very fine quality hence would warrant this belief. Interestingly a quarter chiming longcase clock shown by Smith and Sons at the Paris 1900 Exhibition survives in the collection of The National Trust at Castle Drogo, Devon (object/902584). This clock also has a three train four pillar movement with Harrison's maintaining power, mercury jar pendulum and chimes the quarters on eight bells or four gongs, and is housed in an elaborate Chippendale style gilt brass mounted mahogany case.Condition Report: Lot 135The movement is in fine clean fully working condition having being relatively recently serviced (prior to the former owner's death). The level of mercury in the pendulum needs topping-up (is low) and there is staining to the interior of the glass jar. The dial generally is in fine clean condition but does have a couple of light spots of tarnishing.The case is in fine condition with faults limited to the small section of angled cornice moulding to the front right hand side being detached (just need gluing back on!); one small section (approx 1 inch) of the unusual repeating block decoration to the trunk door missing; a small loss to the front left hand corner top moulding of the base and a small loss to the left hand side fret. Otherwise faults are very much limited to minor bumps, scuffs, slight shrinkage and wear (most notably to the skirt) commensurate with age and use.Clock is complete with pendulum, three weights, case key and winder.Maximum dimensions at base - width 67cm (26.5ins), depth 35cm (13.75ins). Condition Report Disclaimer

A set of four Chippendale style early 20thC mahogany ladder back single dining chairs, with drop-in seats, raised on channeled square legs, united by an H frame stretcher.

A pair of Regency oak and elm country dining chairs, a Chippendale style mahogany single chair, and a Dutch flame mahogany and marquetry dining chair, with floral decoration. (4)

A Chinese Chippendale style gilt wood wall shelf, 22cm high, together with a brass lyre shaped twin branch candle wall light, 27cm high. (2)

A large modern wall mirror in the Chippendale style, with large open scalloped shell to the top and a flowing border of C-scroll laurels, with smaller C-scrolls in a border, 117cm.

Reproduction Chippendale style mahogany shelves, three heights, lower section with two drawers, height 112cm, width 36cm, depth 19cm, and a corner shelf.