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Early 20th century Mahogany Glazed Display Cabinet in the Chippendale manner, with pierced carved broken swan neck pediment, over two astragel galzed doors opening to three adjustable shelves and fabric lined interior, raised on a stand with cabriole legs and ball and claw feet, 115cm wide x 38cm deep x 218cm high
A set of eight reproduction carved mahogany Chippendale style dining chairs including two with arms, with carved and pierced backs and drop-in seats on cabriole legs with claw and ball feet (8).Condition Report: General scuffs and wear throughout consistent with age and use, some patent residue to the surface and seat covers with some marks.
A contemporary George III style extending dining table, 74.5cm high, 175cm extending to 251.5cm long, 112cm wide; a set of six Chippendale inspired dining chairs, comprising four side chairs and a pair of carvers, the side chair 102cm high, 56cm wide, the seat 44cm deep, the carver 102cm high, 63cm wide, the seat 50cm wide and 43cm deep (7)
An early 20th century walnut veneered drop-front bureau with curved shaped top, leather inset fall front enclosing a fitted interior of small central cabinet and four small shaped drawers beneath pigeonholes, over small central drawer, shell frieze apron, on cabriole Chippendale-style legs, 100 x 72 x 50cm.Condition Report: Several scratches, marks and knocks to the exterior but generally good. Slight discolouration in places. The interior however has a small section that has lost its staining and the leather insert is badly scratched.
Early 20th American Chippendale style carved mahogany chest with a gadrooned top, shell panel door flanked by 4 short drawers, with 3 graduated long drawers below, flanked by fluted quarter pilasters, on a gadrooned base, cabriole legs, claw and ball feet, and castors, labelled "Geo. C. Flint Co., West 23rd St. N.Y.", 139.5 x 102 x 58cm overall
A 1920s silver dressing table ring box, having a subtly domed hinged lid with Chippendale rim and centred by an engraved vacant foliate cartouche, its interior coral plush lined, standing on three short scroll legs, Adie Brothers, 6 cm x 3 cm, 79 g, together with a similar smaller box, (latter a/f)
FINE CHIPPENDALE STYLE MAHOGANY KIDNEY-SHAPED KNEEHOLE DESK, HAMPTON & SONS LATE 19TH CENTURY of freestanding form, the reniform top with a moulded edge and a green leather writing surface with a gilt and embossed border, above a central concave drawer over a panelled recess and flanked by banks of four bowfront drawers, continuing to the sides and back with panels and cupboard doors richly carved with flower and foliate scrolls, all flanked and divided by fluted pilasters with foliate block capitals, below and a further central bowfront long frieze drawer flanked by dummy drawers, on a plinth base with castors, bearing an ivorine trade label HAMPTON & SONS/ PALL MALL EAST/ LONDONDimensions:153cm wide, 78cm high, 77cm deepNote: Note: William Hampton reputedly founded the company in the 1830s, and was joined in the business by his sons George and William in 1869 when they operated from premises at 8 Pall Mall. Advertising as 'cabinet makers, upholsterers, bed & mattress makers, carpet warehousemen, retailers and antique dealers', by the end of the century the company had acquired other notable firms like James Coulson & Co., Goodall, Lamb, and Heighway, and Robson & Sons, Ltd. Hampton & Sons were themselves bought by Waring & Gillow, but continued to trade under the same name. They specialised in furnishing ships, institutions, and hotels, and included the Cunard liners Queen Elizabeth and Queen Mary as clients, as well as the new Royal Yacht Britannia in 1952. In London they furnished the Dorchester and May Fair Hotels, and farther afield the palaces of Prince Nizam of Hyderabad and the Maharaja of Kashmir.
A GEORGE III MAHOGANY AND UPHOLSTERED STOOL IN THE MANNER OF THOMAS CHIPPENDALE, CIRCA 1780 44cm high, 53cm wide, 39cm deep Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The frame appears to be solid and stable overall, the upholstery is later applied and this is in a condition that reflects its lack of significant age and light use in a domestic setting. the upholstery has been removed to the underside to one corner and the rails are visiblePlease refer to additional images for visual reference to condition Condition Report Disclaimer
Property of John Kenworthy-Brown FSA (lot 9, 18, 65, 272-319, 388-397 and 560)John Kenworthy-Browne is an art historian specialising in architecture and sculpture, principally from the neoclassical period. He was educated at Ampleforth College and Wadham College, Oxford, followed by the Courtauld Institute in London. John was the first National Trust curator at Dyrham Park, Gloucestershire, which he opened to the public in 1961. The Queen Mother visited Dyrham on 16th March 1962, and she was pictured with him outside the Assembly Rooms during the visit. After his time at Dyrham, John joined Christies where he catalogued furniture, and it was at Christies that he first became fascinated with sculpture.John has published numerous articles in Apollo, Burlington Magazine, The British Art Journal, Sculpture Journal and Country Life. He wrote the sculpture entries for The Age of Neo-Classicism Exhibition in 1972. He also published Chippendale and his Contemporaries (1975), and he was the co-author of Three Centuries of Furniture (1972) and The Country House Guide (1979). His work on a publication on the British sculptor Joseph Nollekens was cut short by an accident, and it is for Johns care that the following 61 lots are being sold.A Bow white porcelain figure of an abbess, c.1755, seated reading a large tome, wearing flowing robes and habit, with traces of silvered crucifix on a chain around her neck, 15cm highProvenance: E. & J. Handley Collection, no. B. 27, according to paper label applied to the base.Property of John Kenworthy-Brown FSA.Condition Report: The abbess is missing the thumb, forefinger and little finger on her left hand. A couple of firing cracks to the base and to the back of her garments, and also underneath her protruding foot. Pitting and bubbling of glaze present to the whole figure. The decoration of beads and pendant to her front is heavily worn.
Property of John Kenworthy-Brown (lot 9, 18, 65, 272-319, 388-397 and 560)John Kenworthy-Browne is an art historian specialising in architecture and sculpture, principally from the neoclassical period. He was educated at Ampleforth College and Wadham College, Oxford, followed by the Courtauld Institute in London. John was the first National Trust curator at Dyrham Park, Gloucestershire, which he opened to the public in 1961. The Queen Mother visited Dyrham on 16th March 1962, and she was pictured with him outside the Assembly Rooms during the visit. After his time at Dyrham, John joined Christies where he catalogued furniture, and it was at Christies that he first became fascinated with sculpture.John has published numerous articles in Apollo, Burlington Magazine, The British Art Journal, Sculpture Journal and Country Life. He wrote the sculpture entries for The Age of Neo-Classicism Exhibition in 1972. He also published Chippendale and his Contemporaries (1975), and he was the co-author of Three Centuries of Furniture (1972) and The Country House Guide (1979). His work on a publication on the British sculptor Joseph Nollekens was cut short by an accident, and it is for Johns care that the following 61 lots are being sold.A Queen Anne walnut side chair, c.1710, with shaped splat backrest, drop in seat, raised on cabriole legs, with shell carving, to pad feetProvenance: The Property of John Kenworthy-Browne FSACondition Report: Many splits to veneer on backrest, particularly around the top, large split running up the length of the backrest, large knock to the top of the back, split to back left side, knocks, marks and scratches to all woodwork, split under front side of frame, split to front right foot, split to left seat block, splits to veneer on frame, gouges and dark stains to woodwork, upholstery is in good condition, minor tear to fabric underneath seat, signs of old woodworm to later stretcher, one sign of very minor woodworm to underside of frame (there is one hole near the later stretcher that is on the frame itself)

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