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A George III mahogany serving table in the Chippendale taste, the plain top above a plain apron with moulded edge and pierced spandrels to square legs and block feet, 182.5 cm wide x 81 cm high CONDITION REPORTS Basically sound. Pierced spandrels all either later editions or replacements. Glass top obviously not original. The single piece top with various old marking, glass ring marks, dents, scratches etc together with newer scratches to the surface of the polish - see images for further information. Frieze with various signs of ear and dirt giving some discolouration variously throughout. Legs in similar condition as are feet - see images for further information.
A pair of George III mahogany card tables in the manner of Thomas Chippendale, the plain fold-over tops with flower head carved egg and dart edging, opening to reveal a plain red baize-lined interior over a plain frieze with ribbon-carved edging and concertina action, raised on moulded and chamfered square supports with acanthus carved spandrels to shaped block feet, 96 cm wide (Provenance: the property of the Raymond Barker family late of Fairford Park Gloucestershire) CONDITION REPORTS 96 cm x 47 cm and 73.5 cm tall. The first table is bowed on the top with various splits to it, repaired section to the back at the top - see images. Baize with some stains and small rips, the edges with some small chips. some cracks to the veneer on the sides, a small piece of moulding missing to the back right edge and some damage to the moulding on the front edge. some moulding missing to the back left edge, damage to the veneer on the sliding mechanism. Various general signs of wear and tear throughout. the next table again with bowed top, various small scratches, impressed marks etc throughout. Repaired section to the back edge and some moulding missing to the sides in various places including heavily to one side in particular
A set of eight Chippendale style mahogany dining chairs, to include two open arm and six single chairs, each with scrolling serpentine cresting rail above pierced vase shaped and ribbon bow splat backs, the drop -in seat cushions covered in cut moquette, raised on acanthus carved cabriole legs terminating in claw feet.
A George V silver and enamel fitted mahogany lady's dressing cabinet, hinged cover th mirror to verso, enclosing a hand mirror, a pair of hair brushes, a pair of clothes brushes, a powder bowl, a trinket box and an atomiser, above a drawer with a manicure set, the Chippendale Revival cabinet with beaded borders and brass ribbon-tied ring handles, rectangular undertier, outswept tapered square legs, 83cm high, 48.5cm wide, Walker & Hall, Sheffield 1926
A set of six George III carved mahogany dining chairs in the Chippendale taste:, the backs with serpentine top rails with flowerhead and foliate ornament centred by shells, having central pierced and interlocked scroll splats and upholstered stuff-over seats in green leather on square legs, united by stretchers. ( the seats with later oak back stretcher rails)
A George III mahogany breakfront library bookcase, in the manner of Thomas Chippendale,the ogee moulded cornice above a Greek key and drop pendant carved cornice, a pair of Gothic arched glazed astragal doors enclosing three adjustable shelves, flanked by two doors enclosing adjustable shelves, the projecting base with a pair of moulded panelled doors, rosettes at each corner, enclosing a shelf flanked by four drawers on either side, on a moulded plinth, 247cm wide, 55cm deep, 248cm high., later wired for lighting. Illustrated.Provenance: Apter-Fredericks Ltd., 265-267 Fulham Road, London, 1 December 1994.·The diamond pattern pattern glazing bars echo those on a pattern by Thomas Chippendale, published in The Gentleman and Cabinet-Maker's Director, 1762, p. 49.
A Brass mounted cushion shaped mirror in the 17th Century style, early to mid 20th Century The oblong mirror with decorative cresting rail with cherub decoration, height 65cm, width 53cm, Chippendale style mahogany framed wall mirror with Hoho bird decoration, height 75cm, width 46cm and a further Georgian style mahogany framed wall mirror with gilt decoration, height 87cm, width 44.5cm. (3)
*ATTRIBUTED TO ROBERT EDGE PINE (1730-1788) PORTRAIT OF DR RICHARD GUY half length, in a red coat, red waistcoat trimmed with gold braid and lace, frilled shirt, feigned oval bears later label on verso: Richard Guy/Member of the Corporation of Surgeons/Published a work on Cancer,1762,/Painted by Sir Nathaniel Dance R.A. oil on canvas 76 cm by 62 cm; 29 1/2 in by 24 in in a carved and gilt wood Chinese Chippendale style frame Provenance Hon Mrs. B.H. Burns, by whom sold Sotheby's 20 March 1963, lot 168 Ellis and Smith, Grafton Street, their sale Christie's, 25 May 1934, lot 126 Dr. Richard Guy was an authority on the treatment of cancer in the mid eighteenth century. He advocated non-surgical approaches, using a series of medicines to attack tumors especially in breast and maxillofacial cancers. In 1762 he published Practical Observations on Cancers and Disorders of the Breast, the work alluded to on the label, which discussed the use of medications to combat breast cancer, and claimed over one hundred successful cures without surgery. In March 1767, the year of his death, he had published a letter in The London Magazine (p. 116) on the treatment of facial cancer. Dr. Guy was buried at St Mary Woolnoth on the 4th of October 1767, and in November 1892, when Bank underground station was built under the church, his remains were moved to Ilford Cemetery.

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20395 item(s)/page