We found 20395 price guide item(s) matching your search

A contemporary mahogany fret carved wall mirror in the Chippendale taste, 90 x 54cm

A Regency mahogany and floral brass inlaid barback single dining chair; together with a 19th century mahogany Chippendale style dining chair; a 19th century mahogany Heppelwhite single dining chair; and a Victorian mahogany barback scroll elbow chair (4)

A set of four circa 1900 mahogany Chippendale style dining chairs

A 19th century mahogany Chippendale style single elbow chair; together with three further 19th century mahogany Chippendale style dining chairs (4)

A Chippendale style mahogany elbow chair

Five lacquered Chinese Chippendale style, faux bamboo chairs

An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1901, in the form of a chair, embossed Chippendale design on cabriole legs, 5.7cm high

A set of eight 20th century Chippendale style carved mahogany dining chairs, to include a pair of elbow chairs.

George v heavy tea tray of plain polished oval form having 'Chippendale' rim and two scrolled and loop handles, uninscribed, 41cm x 65cm maximums, Birmingham 1915 by Elkington & Co, 2900g

Elizabeth II shaped circular salver with 'Chippendale' edge supported on four paw feet, presentation inscription to centre dated 1962, 31cm dia, 595g

Elizabeth II waiter of shaped square form with 'Chippendale' edge supported on four pad feet engraved to the centre with facsimile signatures and presentation inscription dated 1969, 27cm x 27cm, London 1969 maker J.C.L , 775g

A set of six mahogany Chippendale-style dining chairs with pierced vase splat backs and upholstered seats on cabriole legs

A set of six Chippendale-style painted and parcel gilt "cockpen" side chairs and a matching table with an octagonal plate glass top. The chairs with lattice backs and split cane seats and removable celadon satin squabbs on moulded square supports. 134 cm wide the table x 77 cm overall height of the table.Private London estateSome minor knocks and scratches to the paint finish one cane seat has a glue repair and all of the other seats have the odd broken cane visible from the reverse but non have ugly gaping holes to the cane panels, the chairs were being used up until very recently.See the images detailing the damage from the underside.

A Chippendale style mahogany whatnot, with a Pagoda roof over shelves with turned supports, above a single drawer. H.91 W.33 D.17cm.

A walnut Chippendale design fret carved wall mirror, with gilt central motif and cushion frieze, 78cm x 39cm 

A 19th century mahogany bureau bookcase, dentil cornice above a pair of glazed doors enclosing three adjustable shelves and three small drawers, the base with a fall front enclosing small drawers and pigeonholes above four long drawers, swan neck handles, Chinese Chippendale design batwing escutcheons, skirted base, 213cm high, 117cm wide, 56cm deep

A set of six Edwardian Chippendale style mahogany dining chairs with pierced gothic tracery splats over drop in upholstered seats raised on claw and ball forelegs

A good quality reproduction Old English style oak oval folding occasional table with gateleg action, raised on turned bobbin supports and sledge feet, the top 72cm x 53cm, together with a Georgian oak box stool with hinged lid, shaped apron on cabriole supports and a Chippendale revival dressing stool with repeating lattice pattern upholstered seat, raised on square cut fluted and moulded supports with pierced fretwork brackets (3)

A Chippendale revival mahogany flight of hanging wall shelves with architectural broken swan neck pediment flanked by pierced fretwork gothic tracery sides and partially enclosed by a pair of rectangular glazed panelled doors, 62 cm wide x 15 cm deep x 114 cm high

A pair of Chippendale-style mahogany dining chairs with pierced splat backs & padded drop-in seats, on square chamfered legs with H-stretchers.

A Chippendale influenced mahogany standing bookcase, dental cornice above two astragal glazed doors, enclosing four adjustable shelves with sawtooth fitting, over two frieze drawers with brass lion mask ring handles, raised on tapering supports united with a single shelf. 19th century. 182cm H x 109cm W x 37cm D 

A Chippendale design oak glazed bookcase, out-swept cornice above two astragal glazed doors enclosing line fitted adjustable shelves, on a moulded fitted base with two astragal glazed doors enclosing adjustable shelves, raised on carved bracket feet. 19th century. 194cm H x 112cm W x 31cm D

A Chippendale style crossbanded mahogany extending dining table, cartouche shaped top, carved frieze raised on cabriole legs. 77cm H x 188cm W (236cm with one extending leaf) x 112cm D

A George III Chippendale style elbow chair and similar standard chair

Chippendale design mahogany tilt top occasional table, with reeded column and leaf carved triple splay supports with ball and claw feetDimensions: Depth/Diameter: 78cm

Four 19th century Chippendale design dining chairs, the shaped cresting rail over pierced splat, drop n upholstered seatsDimensions: Length/Width: 48cm  Depth/Diameter: 45cm

Chippendale style fold out table

A mahogany partners desk with inlet leather top with gold embossing in chippendale style4 foot wide 20th Century

SET OF SIX 19TH CENTURY MAHOGANY CHIPPENDALE-STYLE DINING CHAIRS,with carved and scrolled top rails above pierced splat backs, with drop-in burgundy leatherette upholstered seats and raised on stretchered supports (6)

A silver salver with Chippendale style border, Birmingham, 1940, William Suckling, raised on four scroll feet, 26.7cm dia., approx. weight 18.7oz Please refer to department for condition report

An Edwardian Chinese Chippendale revival circa. 1900's mahogany bureau. The bureau being raised on bracket feet with a bank of drawers under fall front bureau having appointed interior above. Measures approx. 101cm x 76cm x 42cm. 

AN EDWARDIAN MAHOGANY CHIPPENDALE REVIVAL DRESSING STOOL, upholstered seat on square chamfered legs with corner brackets and pierced stretchers and a mahogany caned top DUET STOOL, 28" x 14" (2). £30-£50

A MODERN YEW WOOD EXTENDING DINING TABLE, 71X40" (LEAF 23") AND SIX CHIPPENDALE STYLE DINING CHAIRS

George V silver card salver, applied with a Chippendale border supported on four scroll feet having a presentation engraved centre. 21cm diam, hallmarked Sheffield 1918, makers mark for the Atkin Brothers. 320gms

Mahogany twin pedestal extending dining table and leaf together with a set of four Chippendale style dining chairs.

Chippendale style occasional table with galleried top

Set of eight Edwardian Chippendale Revival carved mahogany dining chairs together with a dismantled dining table

Late Victorian mahogany occasional table, in the manner of Chippendale, serpentine top with pierced gallery, blind fretwork, the legs joined by a further shelf, damages, the top 35 x 35cm height 70cm.

A Chippendale style mahogany graduated hanging wall shelf

A mahogany Chippendale style fret carved wall mirror

An early 20th century Chinese Chippendale style mahogany cheval mirror, width 83cm height 175cm

Two 19th century Mahogany Chippendale style Dining Chairs, one being a carver, together with Three Victorian Mahogany Balloon Back Chairs

A Set of Twelve Chippendale Design Carved Mahogany Dining Chairs, late 19th century, with later recovered drop-in seats, the shell carved top rails above C scroll and interlaced pierced splats, with plain seat rails, on square fluted forelegs joined by an H stretcher50cm by 41cm by 97cm

S Underhill of W-Hampton (Wolverhampton) 8 day longcase clock with 14" still arch dial Arabic numerals. In an associated Chippendale-style case made of mahogany with lovely carvings and veneers. 26" x 96" x 10" deep. Samuel Underhill recorded as working in Wolverhampton between 1826-34Condition report.Movement and case do not belong together. The case is of fine quality and very imposing some inlay missing and scratches and marks due to age. Movement is working but not tested. 

An Edward VII Chippendale Revival mahogany bookcase

An Edward VII Chippendale Revival mahogany two drawer writing table

An Edward VII Chippendale Revival mahogany side cabinet, with carved blind fret decoration

Standuhr Chippendale Mahogany Long-Case Clock by Thomas Wisswall of London, um 1900, wurde am 21.3.1976 als Chippendale Mahogany Long-Case Clock verkauft, Mahagonigehäuse mit Messingapplikationen, Platinenwerk aus Messing, Pendel mit zwei Gewichten, Schlag auf Glocke, mit Halbstunden- u. Stundenschlag, Zifferblattschild aus floral durchbrochen gearbeitetem Messing, partiell vergoldet, rundes versilbertes Zifferblatt mit arab. u. röm. Zahlen, kleiner Sekunde u. separater Datumsanzeige, oberhalb Zeiger zum An- u. Ausschalten d. Glocke, H 2,40 m, Gehäusemaß 48 x 24 cm, Originalrechnung der London Galerie 1976, Werner Isensee KG, von 14.000 DM liegt bei, nur Selbstabholung oder Spedition. 3050-001

A pair of Chinese Chippendale style mahogany hanging shelves with fretwork side panels three tiers and two drawers carved in low relief, height 92cm width 51cm depth 21.5cm

A set of eight George III style mahogany dining chairs, 20th century, in the Chippendale taste, with pierced and carved splats on square chamfered legs, including two carvers (8).

An Edwardian Chippendale style high back corner chair with carved detail. Decoratively shaped support spindles, ball & claw foot to front leg and reupholstered seat. Approx. 103cm tall.

A George III style mahogany canted rectangular tilt top tripod table, lattice pierced gallery, foliate carved baluster column and tripod cabriole legs carved with foliate knees, ball and claw feet, approx 75.5cm high x 61.5cm wide, in the Chippendale manner

A large and imposing George III mahogany commode attributed to a St. Martin's Lane of London cabinet maker1770-1785, probably the forerunner to a design by Thomas ShearerThe large inverted breakfront central bank of drawers of serpentine form, the overhanging half-veneered top with an ogee moulded edge, above four long graduated oak-lined drawers flanked by two smaller banks totalling eight drawers, each bank comprising four short graduated oak-lined drawers, over a reverse ogee moulded plinth base, on shaped ogee bracket feet, the Rococo handles are 18th century, 164cm wide x 67cm deep x 106cm high, (64 1/2in wide x 26in deep x 41 1/2in high)Footnotes:The present lot appears to be closely comparable to a design by Thomas Shearer from his 1788 publication, 'Cabinet-Makers' London Book of Prices', which is illustrated in R. Fastnedge, Shearer Furniture Designs, 1962, London, pl. 17, fig. 1 & p.22. This same drawing also appears replicated in the Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, pl. 20 fig. 1, p.185. The offered commode has certain characteristics which have traditionally been solely associated with the documented output of Thomas Chippendale's workshop, especially during the third quarter of the 18th century. Two examples of these elements which are evident on the present chest are the use of red wash to the secondary timbers in parts, as well as the incorporation of 'stacked' or 'laminated blocking' to the bracket feet.However, following research undertaken in more recent years, it appears to have been the case that a number of cabinet makers operating in England during the second half of the 18th century employed many of the same or similar constructional features as Thomas Chippendale. At that time the vast majority of such firms, which were producing fashionable furniture to an extremely high standard largely but not exclusively for a wealthy and/or noble clientele, were located on St. Martin's Lane in London (or at least within its immediate environs). Aside from Chippendale, it is recorded that cabinet makers and 'upholsterers' as prominent and historically important as William Hallett, John Channon, William and John Linnell, William Vile and John Cobb, Benjamin Goodison and James Paine had their businesses located in this historically renowned area of the city. Another aspect of this striking commode is the exceptional quality of its densely grained mahogany timber which is particularly notable with regard to the half veneered top. Whilst the top itself, with its strikingly overhanging rear ends, elegant shaping overall and lovely moulded edge, is certainly reminiscent of some of Chippendale's finest output of the 1760s and 1770s.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A George III mahogany tripod table of 'English Rococo' designThe hexagonal tilt-top with a flowerhead-and-ribbon moulded edge, on a part-cluster column and part-acanthus and bellflower wrapped baluster, each alternating column of the upper part with flowerhead-and-ribbon carving, with three adjoining addorsed twin C-scroll form downswept legs, each leg carved with foliate sprays and bead-and-reel, terminating in scroll feet and brass castors, the top and base possibly associated, 79cm wide x 78cm deep x 69cm high, (31in wide x 30 1/2in deep x 27in high)Footnotes:A mahogany tripod table with a comparable addorsed C-scroll base to the offered lot is illustrated in R. Edwards, The Dictionary of English Furniture, Vol III, 2000, New York, fig. 14, p. 206 and also appears in C.C. Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1989, Woodbridge, p. 302. Edwards dates the table circa 1750 whereas Stevens and Whittington refer to it as circa 1765. Another variant with this distinctive type of base features in L. Synge, Mallett's Great English Furniture,1991, London, fig. 123, p. 111. A tripod table with a twin-scrolled base and carved column similar to those elements on the present model sold Christie's, New York, 16 April 2002, Important English Furniture, lot 329. Further notable related examples include the following tripod tables sold: Sotheby's, New York, 16-17 April 1998, lot 901; Christie's, London, 6 July 2000, lot 104; Sotheby's, London, 26 November 2003, Important English Furniture, lot 49 and Sotheby's, London, 3 December 2013, A Gentleman's Collection, lot 346.Designs for 'English Rococo' candle stands with comparable C-scrolled terminations include various drawings by Thomas Chippendale, The Gentleman and Cabinet-Maker's Director (1763), third edition, pl.'s CXX, CXXII & CXLIV and Genteel Household Furniture in the Present Taste, a Society of Upholsterers (1765), second edition, pl. 72 from Part III. Whilst further designs for candle stands, tripods (then referred to as 'claw tables') and even fire screens with related bases also feature among drawings produced by William Ince and John Mayhew, The Universal System of Household Furniture, 1762, pl.'s XIII and LXVII and Genteel Household Furniture in the Present Taste, (1765), second edition, pl. 38 from Part II & pl. 91 from Part III.LiteratureR. Edwards, The Dictionary of English Furniture, Vol III, 2000, New York.C.C. Stevens and S. Whittington, 18th Century English Furniture, The Norman Adams Collection, 1989, Woodbridge.L. Synge, Mallett's Great English Furniture,1991, London.The Pictorial Dictionary of British 18th Century Furniture Design, compiled by E. White, 2000, Woodbridge, pp.'s 287, 303-306 & 318.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Großes Tablett "Dresdener Barock", Wilkens, Bremen, 1. Hälfte 20. Jh.925/-Silber, ca. 1360 g; ovale Form mit passigem Profilrand in sog. "Dresdner Barock"- oder "Chippendale"-Form; Oberfläche teils etwas berieben, 2 kleine Druckstellen; Maße 48,3 x 38 cm; verso gravierte Modell-Nr. "2718 48/38", Silberstempel mit Krone und Halbmond und Herstellermarke.

A Chippendale-style chiming grandmother clock: the three-train eight-day duration, spring-driven movement striking the hours and chiming the quarters on four rod gongs, the backplate stamped with the makers trademark, the initials LFS within a clock wheel, for the German clockmaking company Lorenz Furtwängler Söhne, and numbered 122920, with the eight-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and retailers name Baker, Wigan, with cast-brass capitals to the four corners, the arch with a silvered bob engraved Tempus Fugit, with decorative blued steel hands, the mahogany Chippendale-style case with a swan-neck pediment, fluted columns to the hood and trunk, carved decoration to the base moulding, a raised shaped panel to the base and all standing on carved bracket feet, height 190cm.

A 19th century mahogany bureau bookcase, dentil cornice above a pair of glazed doors enclosing three adjustable shelves and three small drawers, the base with a fall front enclosing small drawers and pigeonholes above four long drawers, swan neck handles, Chinese Chippendale design batwing escutcheons, skirted base, 213cm high, 117cm wide, 56cm deep

A 19TH CENTURY SMALL MAHOGANY PEMBROKE TABLE on slender turned legs, 58cm wide, a George III mahogany tea table and a country Chippendale mahogany dining chair (3)

A LARGE EDWARDIAN CHIPPENDALE REVIVAL MAHOGANY DINING TABLE by James Phillips, Bristol, on stout carved cabriole legs, with three leaves and wind-out screw and chain action (defective)117 x 292cm (extended) (note; the action has been altered and needs work)

Two Chippendale style wall mirrors