We found 20395 price guide item(s) matching your search
There are 20395 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
20395 item(s)/page
Lot 389
A pair of George III carved mahogany side chairs, each with a shaped top rail and pierced splat and drop in seat, on acanthus carved cabriole legs, terminating in claw and ball feet. An almost identical chair is illustrated in English Furniture by Geoffrey Wills, page 4, identified as a Chippendale design circa 1750
Lot 1906
A late Victorian Chippendale revival Display Cabinet on stand, the top having pierced fret cut pediment over applied floral moulded frieze, the pair of opposing twelve pane geometrically glazed doors with wooden glazing bars opening to reveal two glass shelves. The bow fronted table base having moulded top with flight of two applied moulded front drawers with ornate brass plate handles, standing on tapering square legs with lower shaped tier and spade feet. 30 1/8'' wide x 72'' high x 18 1/4'' deep
Lot 546
A Chippendale period mahogany tea caddy. With bronze swing handle and escutcheon, with three internal compartments and raised on a moulded plinth, 24cm wide. Condition Report. To be used as a guide only. Back left corner of the cover lacking some moulding. Hinges missing some screws and loose. Lock lacking and two original escutcheon pins with one replaced.
Lot 917
A nineteenth century Chippendale revival floor standing corner cupboard. With swan neck pediment, astrigal glazed, blind fret carved side panels and raised on bracket feet, 195cm high. Condition Report. To be used as a guide only. No key. One glass pane cracked. Slight loss to the urn finials.
Lot 1372
A set of ten reproduction mahogany dining chairs, including two carvers, Chippendale style with open strapwork splats, carved and reeded rails, raised on cabriole legs with ball and claw feet, drop in seats upholstered in green foliate fabric, a/f one painted white, several with loose joints, 62 by 58 by 99cm high. (10)
Lot 2281
A pair of Chippendale style mahogany child's chairs 20th Century each with leaf carved curvilinear cresting rails above pierced foliate vase splats, padded drop in seats, leaf carved aprons raised upon front canthus leaf cabriole legs terminating in claw and ball feet, shaped outset rear legs, minor damage to shaped ear of one chair. 64cms highx37x32cms.
Lot 67
A George III marquetry work table , circa 1760 and later , in the manner of Pierre Langlois , the serpentine shaped hinged top inlaid with with a wreath and bow motif opening to a fitted teapoy interior above conforming frieze, and cabriole supports united by a breakfront undertier, the whole on brass caps and castors, 66cm high, 51cm wide, 39cm deep Provenance: Private Collection, Oxfordshire The design of this work table reflects the French fashion promoted from the 1750s by the Tottenham Court Road ebeniste or cabinet-maker Pierre Langlois (d. 1767). The bold use of swags of marquetry bellflowers alongside exotic timbers also demonstrates similarities to the work of John Cobb. Thomas Chippendale supplied a related table, veneered in tulip and rose woods, for Nostell Priory, Yorkshire and invoiced it in 1766 as: A Lady s commode writing table made of tulip and rosewood with a slider cover d with Green Cloth 5.14.0 (C. Gilbert, The Life and Work of Thomas Chippendale London, 1978, fig.436).
Lot 58
A George III mahogany, rosewood and goncalo alves serpentine desk, circa 1770, the tooled leather inset above an arrangement of nine drawers around the recessed kneehole cupboard, the rear panel quarter veneered and decorated with foliate marquetry, on outswept tapering legs and sabots at the front, 73cm high, 122cm wide, 57cm deep Provenance: A deceased estate, Kent This desk relates to a dressing commode attributed to Henry Hill of Marlborough. See Lucy Wood, Catalogue of Commodes , The Lady Lever Art Gallery, 1994, No.4, pages 64-73. The overall design, mounts, style of marquetry and use of exotic timbers of the commode all bear relation to the current desk. The fine marquetry motifs used to the rear panel of the current desk also bear similarity in treatment to those decorating the corners of the side panels of the commode in Wood s book. See also a related pair of commodes (No.15) pages 154-160 Designed in an elegant George III picturesque fashion, this desk and many related pieces evolved from French Commode Table patterns such as appeared in Thomas Chippendale s, The Gentleman and Cabinet-Maker s Director , 1754 (pls. XLIII and XLV). Henry Hill of Marlborough was active from 1740 until his death in 1778 and was based in the town of Marlborough in Wiltshire. Henry Hill established himself not only as a cabinetmaker, but also a coach-maker, an auctioneer, an estate agent and an insurance company representative. He had a large client list which included members of the aristocracy such as the Duke of Somerset at Maiden Bradley, the Earl of Radnor at Longford Castle and Lord Methuen at Corsham Court, Wiltshire.
Lot 70
AN EIGHT PIECE CHIPPENDALE STYLE MAHOGANY DINING SUITE comprising six chairs each with a pierced vertical splat above an upholstered drop in seat on cabriole legs, the dining table of rectangular form with one loose leaf on cabriole legs, the sideboard of rectangular bowed outline with frieze drawers and cupboards, dining table 75cm (h) x 194cm (w) x 106cm (d), sideboard 112cm (h) x 168cm (w) x 50cm (d)
Loading...-
20395 item(s)/page