We found 20394 price guide item(s) matching your search
There are 20394 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
20394 item(s)/page
Lot 1215
A pair of 19th century mahogany Chippendale style side chairs, each with foliate and scroll carved top rails, moulded stiles, carved and pierced splat backs, drop in seats upholstered in floral tapestry material, serpentine front rails and raised on moulded legs of square chamfered section.
Lot 326
An early 20th century mahogany Chippendale style pedestal desk, the bow fronted top with inset leather centre and gadrooned edge over three frieze drawers, on two pedestals of three short graduated drawers, raised on short cabriole legs terminating in a ball and claw foot, 137cm wide, 76cm high, 76cm deep
Lot 48
A set of 18th Century pierced mahogany hanging shelves, the sides with pierced Chinese, Gothic and Chippendale period fretwork, 71cm x 97cm wide,(28" x 38") high Condition Report: This lot is in un-restored condition and is in need of a good clean, it has a deep red patina as seen on the attaches image, the fretwork is in good condition excepting a repair to the top right hand side with a few repairs to the fret ends.
Lot 6126
Chippendale style mahogany dining suite(lot of 15) Chippendale style mahogany dining suite, featuring an imposing extension table with five leaves rising on cabriole legs having carved shell knees terminating on pad feet. Together with 14 side chairs having eared crests, pierced splats, upholstered seats, and cabriole front legs with ball and claw feet 42"h. Table: 28.5"h. x 14` 1"l. (extended) x 43.5"d. Provenance: Property from the Estate of Frank N. and Frances D. Alioto, San Francisco, CAStarting Price: $1500
Lot 6386
Chippendale style ribbon back armchairChippendale style ribbon back armchair early 19th century, mahogany with brown velvet upholstery. Having an intricatly carved and pierced ribbon and bow splat and curved arms. Rising on carbriole legs with acathus carved knees and modified ball feet with carved medallions. 39"h. x 29.5"w. x 20.5"d.Starting Price: $200
Lot 1346
A Pair of George III Carved Mahogany Chippendale Revival Foldover Card Tables, the hinged lids enclosing a modern green baize lined interior, concertina action pivoting legs above a fluted frieze with C scroll spandrels, raised on blind fret later decorated chamfered legs, 91cm by 46cm by 73cm 1346 card tables Table 1 - blind fret decoration later. Top with general scratches and bruises. Green baize interior modern. Scissor action side rail with various repairs. Structurally sound. Small sections of moulding missing. Minor repair on folding hinges. Nice and flat. Table 2 - bruising and scratches to top consistent with age. Modern green baize. Decorative brackets on both tables a later feature. Small repairs to scissor action side rails. Both table structurally sound. 080313
Lot 1363
A Carved Mahogany Chippendale Style Armchair, late 19th century, the acanthus ribbon tied decorative splat above outswept arms with carved eagle hand grips, above an overstuffed seat, raised on carved cabriole forelegs with scrolling toes, 62cm by 48cm by 102cm Mahogany of decent quality and a nice weight. General bruising through framework consistent with age. Splat with natural? joins. Back left leg with minor patch/repair. Seat fabric in good condition. 260113
Lot 1411
A Pair of Chinese Chippendale Revival Satinwood and Parcel Gilt Painted Armchairs, early 20th century, richly painted overall with a pagoda top rail, gothic tracery pierced splat, silk covered drop-in seats, raised on square chamfered forelegs with pierced spandrels, 52cm by 40cm by 101cm; and A Pair of Matching Single Chairs, 48cm by 40cm by 102cm Armchair 1 - in unrestored condition, so slightly tired. Timber slightly faded and dry condition. Paintwork slightly rubbed, particularly the arms. Seat fabric split and worn. General bruising to framework and legs. Armchair 2 - similar condition. Natural? gaps in joints. Chair 1 - seat upholstery very poor. Rather tired. Framework with bruising and variations in colour. Paintwork with natural? crazed effect. Back of chair faded. Chair 2 - bruising and losses to the framework. Back of chair faded. Seat upholstery poor, needs recovering and re-springing. Brusing to legs. Chairs are structurally sound and a good weight. 140113
Lot 1413
A Chinese Chippendale Revival Satinwood and Japanned Display Cabinet on Stand, early 20th century, painted with Oriental figures in a landscape, the three-quarter pierced gallery above a pagoda frieze and two glazed doors enclosing a modern velvet lined interior, the stand with square chamfered legs, block feet and shaped understretcher, 115cm by 37cm by 210cm Good cosmetic condition throughout. General repair work and restoration consistent with age. Finials later? Repair work to front support. Pediment with natural? crazing effect to paintwork. Overall good condition. 140113
Lot 1416
A Set of Chippendale Revival Mahogany and Parcel Gilt Three-Tier Hanging Shelves, the pagoda top above chamfered supports and fret cut galleries, 80cm by 97cm Small losses and minor repairs throughout. Left finial repaired. Part of left hand section of fretwork gallery missing. Small repairs throughout the gallery. Section missing from right hand lower section. 230113
Lot 1470
Arthur Brett of Norwich: A Set of Fourteen Reproduction Chippendale Style Dining Chairs, circa 1990, the gothic tracery pierced splats above green close nailed overstuffed seats, 55cm by 47cm by 97, including two carvers Frames highly polished and generally good condition. But several chair stretchers and legs with some wear and bruising. Several chair seat leathers have dried out and cracked slightly. Chairs comply with current fire regulations with safety label to underside. 080313
Lot 1474
Arthur Brett of Norwich: A Set of Sixteen Mahogany Chippendale Style Dining Chairs, circa 1990, the C scroll pierced splats above blue floral silk damask overstuffed seats, raised on acanthus carved cabriole forelegs with claw and ball feet, 56cm by 42cm by 98cm, including two carvers Comply with fire regulations, safety batch ID labels to underneath. Chairs highly polished and generally in very good condition, only minor bruises and losses. Seats clean condition. 080313
Lot 1502
A George III Mahogany Cellaret on Stand, by Gillows, circa 1790, the hinged domed lid crossbanded in tulipwood within boxwood strung lines, enclosing a compartmentalised interior, with original brass carrying handles, stamped Gillows Lancaster, the lock by J Bramah, the stand of fluted form with flowerheads at each corner, on plain brass cappings and castors, 59.5cm by 46cm by 78cm The stand formerly reduced in height, but now raised to its original dimensions using the 1788 Gillows sketch and 18th century mahogany; the interior compartments re-arranged but retaining the original timbers. From 1789/90 until the mid 1790`s Gillows used two blocks, such as used on the present cellaret, to make the stamp GILLOWS LANCASTER, which narrows its date of manufacture to c. 1790 - 1795. This drawing of the cellaret is retained in the Gillow Archives housed by the City of Westminster Archives Centre, volume 344, number 94, pages 238-239, published in 1787-1788. It is described as a Guardevine with trunk to hold 9 bottles, with a loose frame, rail flutes and taper legs with lid. The estimated costs are given as follows: Feb 14th 1788 - a Guardevine with trunk lid; 8 ft of ¾ inch mahogany and birch vin[ee]r - 10s 9d; 2½ ft of 1 inch mahogany - 4s 4½d; 2 ft of ¼ inch mahogany the same - 2 s 2d; 1 ft of 1 inch ditto the legs - 10½d; 2? ft of ½ inch ditto the bottom - 1s 1¾d; 1 pair of stop hinges - 1s 0d; 1 lock and escutcheon - 1s 5d; 1 pair of lifting handles - 2s 2d; 1 sett of sockett castors ? inch - 2s 6d; 1 small cock - 5½d; 3 dozen of ¾ inch and ½ inch screws - 4d; 17 pound of lead at 3d per pound - 4s 3d; Lining ditto Mr Stewart - 5s 9d; Making ditto Henry Walling, Compute - 19s 6d; Rails fluted & carved rows per Mr Gibson - 4 s 9d; Total cost: £3 1s 3½d. Henry Walling was apprenticed for 7 years from 5.3.1770 to Henry Baines and William Bruce, cabinet makers of Lancaster. He became a freeman in 1779-1780. In 1785, with 32 other workmen, he signed the Gillow wage agreement. His work is recorded at Gillows from c. 1785-1796. Henry Gibson (1736-1797) was apprenticed to Christopher Walker, joiner and cabinetmaker of Lancaster, from 10.6.1753. He probably began working for Robert Gillow & Son on completing his apprenticeship. He was described by Richard Gillow in December 1789 as their best carver. Note on Joseph Bramah: Originally a cabinet maker, Joseph Bramah (1748-1814) patented a lock in 1784 which, due to its complex design, remaining unpicked for more than 50 years. As such it was a popular choice for pieces of furniture which held valuables, such as fine wine. Note on Gillows: Gillows and the furniture they made are renowned for several reasons. First, the quality of construction is considerably higher than that of the majority of contemporary cabinet-making firms. Second, with the firm`s proximity to the port of Liverpool and the trading links to the West Indies, the firm was actively (and very profitably) engaged in the importation of not only top quality mahogany, satinwood and other timbers, but also in the sale of British goods to Jamaica and the importation of other West Indian produce for sale in Britain. Third, the innovation of their designs and the preservation of the designs` uniqueness were highly important to the success of the business. If a pattern book was published, its designs were anyone`s (a problem often encountered when attempting to attribute furniture without a secure provenance to Thomas Chippendale). Because Gillows never published their designs, they were always striving for novelty and protecting their patterns from industrial espionage. Gillows` sober and restrained designs, the exceptionally high quality of timber and workmanship, and the exclusivity of their patterns have contrived to create in Gillows the quintessential English cabinet-making firm of the late 18th and 19th century. Good colour and condition throughout. Top with very minor bruising, all consistent with age. Very fine natural split on brackets and stand. Rejoined (as full catalogued). Small bruising around legs, fluted frieze and moulding consistent with age. 080313
Lot 422
EDWARD RUCKER (C1712-1774) AND OTHERS AFTER THOMAS CHIPPENDALE (1718-1779) THREE PLATES FROM THE GENTLEMAN AND CABINET MAKER~S DIRECTOR engravings with margins^ 1753 and 59^ 23 x 36cm ++In apparently fine condition unexamined out of the frame. Ready to hang in gilt and yellow washlined mount and ebonised^ reeded frames with the label of the O~Shea Gallery
Lot 295
A set of twelve 19th Century mahogany dining chairs in the Chippendale manner, the shaped top rails with scrolling foliate carved decoration above a pierced scrollwork decorated back splat and drop-in seat, raised on collared square supports united by stretchers (10 plus 2 carvers) CONDITION REPORTS Wear, scuffs, knocks and chips. Various splits/repairs. Various previous repairs and replacement sections, including one 'new' top rail which has been made/carved in a similar style but does differ and is a different colour. Some movement to the frames. Some drop-in seats not a good fit, and seats appear to have been fairly recently re-covered.
Loading...-
20394 item(s)/page