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Click here to subscribeAn Edwardian mahogany carver dining chair of Chippendale design, the acanthus carved and moulded crest rail above peirced splat back, well carved elbow rests and upholstered seat, raised on square tapered supports carved with hair bells, united by chamfered supports (H94cm) together with another similar chair (H101cm)
IN THE MANNER OF RILEY, MAHOGANY METAMORPHIC DINING/BILLIARDS TABLE, LATE 19TH / EARLY 20TH CENTURY the oblong top rotating on a central axis to reveal a raised baized lined slate bed table with netted pockets, over four turned and reeded column supports, along side a boxed set of Crystalate billiard balls, a triangle, a score board, three brushes, further accessories, and a set of eight 19th century Chippendale style dining chairs (including two carvers)To see the table action click here: the billiards table approx. 202cm x 99cm cushion to cushion The table is particularly sun bleached to one end, one support has been left as is and is similarly faded, all the others appear to have been stained as they are much darker than the main timber, this appears to have been in different stages as two of these supports demonstrate a notable craquelure in the varnish; table itself appears ok, does demonstrate expected wear and tear from use and age but overall commensurate with what is to be expected. The majority of the chairs are loose including both carvers, the seats are 20th century faux leather, in my opinion they do demonstrate later staining/varnish, at least in certain areas, while others areas are faded, two with breaks to splats which have been somewhat crudely repaired, further relatively heavy general wear with some chips, scuffs, abrasions etc
Eight Chippendale Style Mahogany Dining Chairs Set of eight 19th century mahogany Chippendale design dining chairs, six standard with two carvers, shaped top rail with pierced and carved splat back, serpentine fronted drop-in seats, on cabriole legs with scrolled acanthus carved knees and ball and claw feetCarver: 64.5cm wide, 55cm deep, 100cm high. Standard: 60cm wide, 55cm deep, 99cm highSome loose joints to the chair legs
A George III mahogany chest on chest, circa 1770; the upper section with dentilled cornice and blind fretwork frieze in Chinese Chippendale style; above two short and three graduated long drawers; flanked by canted and fluted angles; the lower section with brushing slide and three further drawers, all with brass swing handles; on ogee bracket feet; 193cm high, 113cm wide, 59cm high
A set of eight carved stained beechwood dining chairs in the Chippendale style, late 19th century; the backs with shaped and moulded top rails, centered by a palmette, with pierced central splats with ribbon tide and tassel ornament, with upholstered slip in seats, and gadrooned seat rails, on cabriole legs headed with acanthus leaf ornament, terminating in claw and ball feet; including a pair of elbow chairs with outswept arm supports; the dining chairs 105cm high, 62cm wide, height to the seat 47cm; the elbow chairs 107m high, 68cm wide, height to the seat 51cm
A CHIPPENDALE STYLE CARVED MAHOGANY CARVER CHAIR 19th century, decorated with flower heads, swags, acorns and oak leaves, the cabriole front supports with claw and ball feet, 100cm high, 76cm wide, 65cm deep. Condition Report : One rear support lacking corner moulding block; old repair to top rail. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A GREEN PAINTED AND PARCEL GILT MAHOGANY FOUR POSTER BED THE TWO FRONT POSTS POSSIBLY BY THOMAS CHIPPENDALE, THIRD QUARTER 18TH CENTURY, THE CORNICE SECOND QUARTER 19TH CENTURY The antique printed cotton pelmet, hangings, back and valence lined with 'Devon' printed cotton lining cloth by Robert Kime Ltd, the canopy interior and hangings with white embroidered voile, with Turkish tasselled fringe tiebacks, the box base covered with woven striped linen fabric, together with a pair of brass 'Paris' lights by Robert Kime Ltd fitted to the back bedposts, and a white cotton bed cover woven with leaves, flowerheads and with a crocheted border, and a pair of late 19th/early 20th century woven striped silk cushions 260cm high, 198cm wide, 225cm deep Provenance: Supplied to Sir Rowland Winn, 4th Bt (1706-1765) or his son, Sir Rowland Winn 5th Bt (1739-1785), Nostell Priory, Yorkshire and by descent at Nostell, until sold Christie's, London, 22nd January 2009, lot 107, where purchased by Robert Kime.This bed has reeded, antique-fluted and plinth-supported mahogany pillars (now japanned) that are by repute designed by Thomas Chippendale (d. 1779) to harmonise with the George III 'Roman' fashion introduced at Nostell Priory, Yorkshire by the court architect Robert Adam (d. 1792). His related engraved pattern of 1759 featured in Chippendales third edition of The Gentleman and Cabinet-Maker's Director, 1762 (pl. 90). In the 2009 sale the bed was sold with a cornice featuring a handwritten label '4 POST CHIPPENDALE BED (HEIRLOOM) GREEN ROOM F', and a box spring base with label inscribed 'NOSTELL PRIORY WAKEFIELD 20/11/80'. Both were removed by Robert Kime during the restoration and remodelling of the bed.Chippendale supplied another bed japanned in green and gold for Sir Rowland Winn, 5th Bt. (d. 1785) for Nostell Priory, Yorkshire in 1771 and invoiced on 6 May 1771 as 'To A Dome Bedstead with Rich Carv'd Cornices, feet Posts and Sundry other ornaments, Japan'd Green & Gold with shap'd Rail &c on Castors £54.10' (C. Gilbert, The Life and Work of Thomas Chippendale, London, 1978, I, p. 191 & II, p. 28). Another bed was supplied by Chippendale that year for £3.6 (loc. cit.) and a pair of 'fluted bedposts 8ft' was listed in 'A List of Furniture for different Apartments', delivered before August 1767 (ibid., p. 181). Condition Report: Overall there are some scratches, marks, knocks, cracks, abrasions and minor repairs consistent with age and use.There are some losses, restorations and observations including: There are later elements including to the top of the cornice and the back of the headboard; some fabric including the printed cotton and striped base fabric has some fading; the printed fabric with some water marks and other aged discolouration; the white marcella type woven cotton fabric covering the headboard with some marks; the back bedposts drilled to hold the reading lights; the stripe woven silk cushions with some water marks and wear including to the corners; some discolouration to the ticking mattress; the voile pelmet of some age, the voile curtains to the back bedposts by Robert Kime Ltd. The green and parcel gilt paint later applied and refreshed in some areas; scratches and flaking of the paint reveals the underlying dark wood, probably mahogany. There are some holes to the top of the fluted bed posts from previous canopy fittings.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Suite de six chaises en acajou, dans le goût de Thomas Chippendale. Angleterre, époque George IIIA dossier mouvementé et ajouré à décor de draperie, rosaces et rinceaux feuillagés. Elle repose sur des pieds avants cambrés à enroulements.H: 94 cm - L: 61 cm - P: 47 cm Suite of six George III mahogany dining-chairs England in the manner of Thomas Chippendale. For further information on this lot please visit Bonhams.com
Suite de quatre chaises en acajou dans le goût de Thomas Chippendale. Angleterre, époque George IIIA dossier plat ajouré à décor de moulures et rinceaux feuillagés, les ceintures et les pieds droits avants sculptés d'entrelacs et de rosaces.H: 95 cm - L: 58 cm - P: 50 cm Suite of four George III mahogany chairs, in the manner of Thomas Chippendale Footnotes: Provennace Malett & Son, Londres, 26 septembre 1960.For further information on this lot please visit Bonhams.com
Suite de six chaises et une paire de fauteuils en acajou de style Chippendale. Angleterre, fin XIXe - début XXe siècleA dossier ajouré à quatre arcatures, les accotoirs à enroulements et pieds droits moulurés réunis par une entretoise.H. 97.5 cm - L. 66 cm - P. 51 cmA set of six chairs and a pair of mahogany Chippendale style armchairs, England end of 19th - early 20th century.For further information on this lot please visit Bonhams.com
A SET OF MAHOGANY SERPENTINE WALL SHELVESIN CHINESE CHIPPENDALE STYLE, 19TH CENTURYwith four graduated tiers and turned spindle galleries, with pierced fretwork ends106.6cm high, 79cm wide, 205.5cm deepProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A GEORGE III MAHOGANY URN STAND IN CHIPPENDALE STYLE, THIRD QUARTER 18TH CENTURYwith a pierced fret laminated gallery above a pull-out slide, on bracketed fluted tapering legs united by a pierced 'X' stretcher 62.4cm high, 31cm wide, 30.8cm deepProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
A RARE EARLY GEORGE III SCOTTISH LABURNUM LIBRARY 'RAEBURN' ARMCHAIR IN CHIPPENDALE STYLE, POSSIBLY BY FRANCIS BRODIE, C.1760-70the moulded frame carved with leaves and scrolls, with a padded drop-in back and seat, on cabriole legs with fan-fluted decoration and knurled toesProvenance By repute, this 'Raeburn' armchair was formerly at the Palace of Holyroodhouse.Catalogue NoteThe term 'Raeburn' is used colloquially in Scotland to define a type of armchair known as 'Gainsborough' in England. The term derives from the name of the Scottish 18th-century portraitist Sir Henry Raeburn (1756-1823).From a Private Collection, West Yorkshire, formed in the 1970s and 1980s.
A George III mahogany longcase clockc.1775, by John Holmes of London, the hood with a sphere finial above a break-arch moulding, with a glazed door flanked by canted front edges and glazed side panels, the flame-veneered arched door above a panelled base and stepped plinth, the 12-inch silvered dial set with Roman numerals and centrally inscribed 'Holmes, London', with a strike/ silent function, a subsidiary seconds dial and a calendar aperture, the twin-train movement with five knopped pillars, maintaining power, anchor escapement and offset pivoted crutch, the wooden rod 'Ludlam' pendulum suspended from a substantial bridge on the backplate, with a massive gilt-painted lead disc-shaped bob, above a calibrated brass sphere for rating, 50cm wide26cm deep226cm highJohn Holmes is recorded as having worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'.For an almost identical example, see Christie's, 'Important Clocks and Marine Chronometers', 20 February 2008, lot 99. Another similar example with an enamel and brass dial sold in these rooms 23 March 2022, lot 598.Literature: T Robinson, 'The Longcase Clock', 1981, p.168; T Mercer, 'Chronometer Makers of the World', 1991, p.165; T Reid, 'Treatise on Clock and Watch Making', 1832, p.404, pp.432-453.Condition ReportA few small knocks, tiny splits and areas of light cosmetic wear to the case commensurate with age and use. Some light wear, tiny scratches and marks to the dial. The clock was purchased at auction in 2016 and was subsequently worked on by Brian Baskerville, and we are told has since been running well in the vendor's home prior to consignment. Ticks and strikes when wound, however we feel that the clock may benefit from a light service by the successful purchaser. Please see additional photos.
A 19TH CENTURY MAHOGANY TWIN PEDESTAL DINING TABLE, with two additional leaves and supports, open length 260cm x closed length 167cm x depth 107cm x height 74cm, along with a set of eight Chippendale style dining chairs, in the manor of Henkel Harris, including two carvers (condition report: minor surface marks to all, some scuffs to chairs) (11)
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