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AN EARLY 20TH CENTURY FRENCH CONSOLE TABLEWith serpentine marble top over a wrought iron base 84cm wide; 70cm high; 33.5cm deepThe marble is 33.5cm deep and the mirror plate top is 32cm deep Overall in good condition. The cipollino marble top with a few scuffs and scratches, and the odd fissure. The gilding to the frame is slightly chipped in areas and some oxidisation in places. There is a mirror glass plate which fits neatly into the lip of the frame more securely, and is possibly original to the console frame. The mirror plate with numerous scuffs, scratches and patches of oxidisation. The marble top rests on the top edges of the lip and slightly overhangs the edge; this is probably an association. Please see additional images on www.bellmans.co.uk.
A Regency style walnut console table, with moulded rectangular top above a detailed freize, on two lion head monopodia legs, height 90cm, length 150cm, depth 46cm.Additional InformationThe top with a few light blemishes and marks and a patina of light scratches. The straight edge of the top with several losses to the veneer. Other general scuffs and wear to the legs, overall fair, with no evidence of woodworm
Victor VV-405 Orthophonic Console Talking machine that plays 78 RPM records. Arm, head, hinges and needle cup have bright gold tone finish, typical of high end Orthophonic models. Numbered - 5952. Not available in auction hall, item will be shipped from Las Vegas, USA. Please contact us for viewing options. Video link - https://youtu.be/_mDb5W71TUg Size: 87,5 x 94 x 52 cm. Condition: Very Good.
Oak floor standing bookcase, the glazed top section with double doors enclosing two shelves, panelled cupboard under, raised on shaped plinth base (W67cm, H181cm, D47cm) together with a telescopic wrought metal standard lamp with scrolled decoration (H156cm) and a Georgian mahogany demi lune console table, with boxwood and ebonised string inlay, raised on square tapered supports (W116cm, D67cm, H78cm)
A white painted cast iron garden console table, with a shaped white marble top146w x 58d x 84h cmCondition report: Overall is solid and complete. The marble is intact, but heavily marked and weathered. The base is bolted together in sections and has two bolts missing, so is loose. The paint is dull and flaked, with rust showing from underneath. It stands securely once put against a wall. Collected from a local house move.
Full title: A polychromed and gilded wooden console in the shape of a kneeled Atlas figure, Italy, 17th C.Description: H.: 37 cm - L.: 38 cmÊ Provenance: - The Davioud-Larminet collection, Lille, France.Ê Expert: Laurence Fligny.Condition reports and additional images:The absence of a condition report does not imply that a lot is in perfect condition. Reports are published on request, on our website www.rm-auctions.com. High resolution images, further detailed images and natural daylight images, when requested, will be made available on our website www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
A GEORGE II GILTWOOD CONSOLE TABLE second quarter 18th century, The rectangular grey-veined white marble top above a echinus moulding and key pattern frieze, supported by an eagle with spread wings standing on a rocky base, on a square pedestal, restorations, regilt, 91cm high x 143cm wide x 76cm deepProvenance: with Hotspur, London, 1998.The use of an eagle as a support for a table was popularised in England by William Kent (1685/6 - 1748), the remarkable designer of furniture, objects, landscapes and architect. Kent’s designs drew on his decade in Italy from 1709-1719, spent mostly in the studio of the painter G. B. Chiari. On one of these last trips he travelled - at breakneck speed - with his fellow Yorkshireman (both were from the East Riding) Richard Boyle, 3rd Earl of Burlington (1694-1753) who was to provide patronage for Kent throughout his architectural career: Kent rose to the position of Deputy Surveyor of the King’s Works in the Office of Works, the department of the Royal Household responsible for architecture and buildings.Kent’s design for an eagle table support is likely to be derived from designs by Giovanni Giardini, published in Disegni Diversi, 1714 - in particular an elaborate table which featured an eagle with spread wings in the centre. Kent later used this design in an engraved tailpiece for Alexander Pope’s translation of Homer’s Odyssey, 1725-26. The earliest recorded eagle tables of this type were made for the Duke of Beaufort, between 1728-1733 by John Phillips, a carver, who was paid £444 9s 6d for work at Badminton House, Gloucestershire. Thomas Moore wrote to Dudley Ryder in 1734 about “an Eagle frame and Top Carved and guilded in burnished gold” which cost £12 (see catalogue entry to the pair of eagle tables in the Victoria & Albert Museum W.21-1945.1-2). Benjamin Goodison (1700-1767), whose workshop was at the ‘Golden Spread Eagle’ on Long Acre was one cabinet-maker who made furniture designed by Kent at Kensington Palace for George I (eg. the frame for Tintoretto’s The Muses RCIN 7405476) and for Frederick, Prince of Wales, probably at The White House, Kew (designed by Kent). While no eagle tables are known to have been made by Goodison, a pair of eagle tables was supplied around 1725 for Dudley North, at Glemham Hall, Suffolk (see Christie’s London, 12 November 1998, lot 80 - sold £150,000).

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26055 item(s)/page