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TOOLS. COMPRISING A CAR POLISHING MACHINE, A PORTABLE SAW HORSE, SANDER, DRILLS ETC (AS NEW)

A cordless drill, belt sander etc (3)

A Nu-Tool six belt and nine disc sander

A Record disc sander and four other electrical hand tools (5)

A writing Tray with raised back enclosing brass sander, ink pot and pen holder on turned feet, 8 1/2 in wide

A 19th Century Continental Owl Condiment or Sander and a 19th Century Box and Cover shaped as a Bee.

A Staffordshire blue and white printed round ink stand, inset with a round sander, ink-pot and box and cover, 16.5cm diameter, circa 1830. Provenance: Property of the Mrs G.D. Otto

A Black and Decker sander and a jigsaw.

CINEMA POSTERS, selection, 1950`s-1990`s, inc. All Round Reduced Personality 1978 Helke Sander Dc, Blue Ice 1992 Michael Caine (Quad), Blue In The Face 1995 Harvey Keitel (US 1-Sheet), Boesman And Lena 1973 Athol Fugard Dc, Carrie 1976 Sissy Spacek (Quad), Cement Garden 1993 Charlotte Gainsbourg (Quad), Crossplot/A Professional Gun 1969 Roger Moore (Quad), Doctor In The House 1954 Dirk Bogarde (UK 1-Sheet), Dreamscape 1984 Dennis Quaid (US 1-Sheet), Just A Gigolo 1978 David Bowie (Quad), Light Years Away 1981 Trevor Howard (Quad), My Wife`s Husband 1963 Fernandel (Uk) (Quad), Neon Bible 1997 Terence Davies (Quad), No Time For Sergeants 1958 Andy Griffith (Quad), One More Time 1970 Sammy Davis Jr. (Quad), Papa`sdelicate Condition 1963 Jackie Gleason (Quad), Reluctant Astronaut 1967 Don Knotts (Quad), Snow White And The Seven Dwarfs 1993 Re-Release Disney (Quad), Thelma And Louise 1991 Susan Sarandon (US 1-Sheet), Where The Green Ants Dream 1984 Werner Herzog (Quad), original folds, VG to EX, 20

Performance Power Tools PP210 GL combined electric 230 volt grinder and sander.

Kinzo 250volt belt and disc sander with integral motor, box of spare belts, looks little used.

A late 18th century travelling ink set, unmarked, circa 1760, the shagreen case of rectangular form, the hinged cover opens to reveal an unmarked silver mounted inkwell and sander, a pen and a desk seal, length 7.2cm.

A George III silver inkstand, by Matthew Boulton, Birmingham 1805, rectangular form, gadroon borders, with a central chamber stick and a later unmarked silver mounted inkwell and sander, glass body, on four ball feet, length 22.3cm, approx. weight 18oz.

A Chinese export underglaze blue cylindrical sander, Qianlong (1736-1795), decorated with the ‘Hundred Antiques’ pattern, the top with ribbon-tied Buddhist emblems, 6.3cm high, 7.7cm diameter

Two late 19th Century Presentation Pewter Tankards, inscribed “Jesus Coll Challenge Pairs 1888” and “Scratch Fours 1887”; together with a further Pewter Sander and small compressed circular Teapot (4)

A bench mounted saw and sander; together with a Merlin Brook motor.

SILVER - AN ASIAN SILVER COLOURED METAL SANDER of barrel form, all over repousse worked with scrolls and foliage, 55mm high

A FERN BS 702 BELT SANDER WITH POLISHER ATTACHMENT

Vintage Battery and Hand Sander

A selection of air operated Tools: Spray Gun, Sander, Grinder and other accessories

AUGUSTINUS, Aurelius (St., 354-430). De civitate Dei. Commentary by Thomas Waleys and Nicolaus Trivet. Venice: [Bonetus Locatellus], for Octavianus Scotus, 18 February 1489/90. [Bound second with:] AUGUSTINUS, Aurelius. De trinitate Dei. [Basel]: Johann Amerbach, 1489. Two works in one volume, super-chancery 2° (317 x 215mm). De civitate: Gothic types, full-page woodcut on A1v depicting St. Augustine and the two cities of God and Satan, 9-line initial space opening text, smaller initial spaces with guide-letters, publisher's device at end. De trinitate: Gothic types, some Greek. 2- to 6-line initial spaces with printed guide-letter. (Some dampstaining and soiling, mostly marginal, wormholes at front and back, an occasional light stain.) Contemporary Paris blind-tooled calf over bevelled wooden boards by Hemon Lefevre, St. Sebastian panel at centre [Gid/Laffitte 199] (worn, small wormholes). Provenance: occasional early annotations -- Guido Lucas, 2 December 1544 (inscription at front) -- early purchase note and other inscriptions -- Fratres de Chamberain coenobita -- Ainsault (late ?17th-century inscription) - Besnier (?18th-century inscription) -- André Himpe (De Gulden Passer 2003, nos. 13 and 15). A fresh copy in a contemporary panel-stamped binding by Hemon Lefevre, active at Paris c. 1493-1503. HC 2065 and 2037; GW 2889 and 2926; BMC V 437 and III 751; BSB-Ink A-862 and A-877; Bod-inc A-531; Sander 670; Essling 73; Goff A-1245 and A-1343. View on Christie's.com

BOCCACCIO, Giovanni (1313-1375). Genealogiae deorum. -De montibus silvis, fontibus. Venice: Bonetus Locatellus for Octavianus Scotus, 1494/95. Super-chancery 2° (290 x 190mm). Roman type. 13 full-page woodcut genealogical trees opening the first 13 books, woodcut initials, publisher's device at end. (Corners repaired with text loss of 8 lines on verso of leaf a1 and with loss of a few words from leaf a2 to a7, closed worm track in upper margin of first 10 leaves, a few small wormholes and light waterstaining, some marginal, some woodcuts shaved.) Late 18th-century calf (upper spine repaired retaining part of old spine, a few small wormholes, rubbed, corners bumped, front joint cracked). Provenance: contemporary marginal annotations, Biblioteca Corsinia Vetus (stamp on title verso). Fourth edition of the full text, and the first to contain the full-page woodcut diagrams illustrating the genealogy of the pagan gods. The woodcuts were next used in a 1497 reprint by Manfredus de Bonellis. HC *3321; GW 4478; BMC V, 444 (IB. 22904); BSB-Ink B-586; Klebs 190.3; Essling 799; Sander 1077; Goff B-753. View on Christie's.com

An early 19c painted cylindrical inkwell/sander 4.5"h.

A mid 19th century ebonised inkstand, two handles flanking the slatted roll top which opens to reveal a brass topped sander flanked by ink bottles, 28cm (11in) wide

A boulle and rosewood desk set, comprising; a rectangular inkstand, with a pair of glass ink bottles with hinged covers, 12.25in (31cm) w., a green leather lined tray, a set of scales stamped `S.MORDAN & Co LONDON`, a leather bound blotter, and other smaller, a pair of book ends, a roller blotter, a stamp box, a cylindrical pot, a photograph frame, a domed lid box with sander grille and a drawer, three pieces engraved initials. (12)

Ovidius Naso (Publius) de Tristibus 5 fine woodcut vignettes woodcut decorated initials some large and handsomely decorated some water-staining to upper corners of a few ff. for the most part light and marginal but more pronounced to fol. LII-LIIII and fol. LX-LXVI here just within text and a little darker in shade occasional spotting 20th century boards brown morocco label to spine [Censimento 16 CNCE 59460; cf. Sander 5356] small folio [?Venice] [?Joannes Tacuinus da Trino & Joannes Rubeus] [?1515] *** A very good copy of a rare and handsome edition attributed by Sander to Tacuino and Giovanni de`Rossi. The "Sorrows" are five books of elegiac poetry written during Ovid`s exile at Tomis expressing his sadness and isolation and justifying his poetical style and content. It is thought that his exile by Augustus was brought about by his discussion of the crime of adultery in his Ars Amatoria which sailed close to the wind of the emperor`s moral legislation.

Set of six graduated Chinese cylindrical lidded Jars, a lidded Soap Dish with internal strainer, and square section Sander and Brush Pot

Heiting (Manfred, ed.). Paul Outerbridge, 1896-1958, 1st ed., Cologne, 1999, colour and b&w plates, orig. cloth in d.j., together with Kramer (Robert), August Sander, Photographs of an Epoch, 1904-1959, preface by Beaumont Newhall, 1st ed., New York, 1980, b&w plts. from photos, orig. cloth in sl. spotted d.j., plus Bendavid-Val (Leah), Propaganda & Dreams, Photographing the 1930s in the USSR and the US, 1st ed., edition Stemmle, 1999, b&w illusts. from photos, orig. cloth in d.j., plus Ruby (Jay), The World of Francis Cooper, Nineteenth-Century Pennsylvania Photographer, 1st ed., Pennsylvania, 1999, b&w illusts. from photos., orig. cloth in d.j., all 4to, plus other mostly modern large-format photography monographs and related, publishers include Aperture, Penn State Press, Thames & Hudson, etc. (40)

A 19th Century brass book-shape Travelling Ink for inkwell and sander, (one with glass missing), the exterior with white metal trim, 2 1/2in high

A Victorian 1854 Pattern Infantry Officer`s Sword, the 83cm single edge plain fullered steel blade stamped on the rib "REG.H. SANDER. 2/8 BATTN.WEST YORKS. REGT. JUNE 1915", the nickel plated gothic hilt pierced with royal cypher, wire bound fish skin grip and with leather scabbard

Angelo (Domenico) L`Ecole des Armes 1763 47 engraved plates list of subscribers ink stain to upper magrin of title occasional staining to plates most marginal but encroaching on platemark in several instances modern black calf over old cloth part of original backstrip laid down on spine boards rubbed [Lipperheide 2974; Sander 23] R. and J. Dodsley 1763; with a separate cloth-bound vol. of the French text oblong folio(2)

* Various Artists- "18 Small Prints"; 1973, Published by Bernard Jacobson Gallery, 1973, fifteen prints from the original set of eighteen, in various media, including works by Ivor Abrahams, Bernard Cohen, Robyn Denny, Nigel Hall, Gordon House, Bill Jacklin, Eduardo Paolozzi, Peter Phillips, Dieter Roth, Richard Smith, William Tillyer, Peter Blake, Ken Price, Richard Hamilton and Ludwig Sander, in the original perspex box, all signed and numbered `12/100`, lacking the examples by Patrick Caufield, David Hockney and Ed Ruscha, 21x15cm, ea., all approx. (15) (may be subject to Droit de Suite)

A Coalbrokedale-type porcelain floriform inkstand, modelled with a leaf-shaped pen-tray, a tulip-shaped inkwell, a convolvulus taperstick-holder and a ranunculus sander and cover, 18.5cm in length, circa 1835 (some small chips and cracks)

Wallendorf porcelain: a blue and white inkstand, with fitted inkwell and sander, on five bun feet (one missing, and with minor chips), 16 1/4in. (16cms) wide.

INCUNABULA -- ISIDORUS HISPALENSIS (d.636). Ethymologiae. De summo bono. Venice: Bonetus Locatellus for Octavius Scotus. 11 December 1493. Small 2° (280 x 200mm). 100 leaves, 66 lines and headline, types 130 G., 74 G., and 80 Gk., double columns, full-page woodcut of the consanguinity on ff5v, small woodcut diagrams and symbols, woodcut initials, mostly ornamental, a few historiated, printer's device at end (full-page woodcut shaved at margins, lower margin of title repaired, worming in inner margin and gutter throughout, mostly repaired, light, mainly marginal waterstaining, a few stains). Later vellum (new endpapers, lightly soiled and rubbed). Provenance: old marginal annotations (some shaved). BMC V 442; Hain *9280; Sander 3527; Goff I186. View on Christie's.com

SOLINUS, Caius Julius. De situ orbis terrarum. Pesaro: Hieronymus Soncino, 31 January 1512. 2° (304 x 215mm). (Title lightly soiled, light waterstaining throughout, heavier towards the end). Adams S1390. [Bound after:] STRABO (63 BC-24 AD). De situ orbis. Venice: Philippus Pincius, 13 July 1510. 2° (304 x 215mm). Woodcut on title of a master and 4 pupils all seated at their desks, woodcut initials, some large, and including an initial 'A' on n3r which is the upside-down upsilon used in Callierges' Etymologicon magnum, Venice, 1499. (Light waterstaining, heavier from gathering S on, a few leaves lightly browned). Adams S1900; Sander 7091. 2 works bound together. 18th-century polished calf (spine repaired). Solinus' important compendium of curiosities and wonders of the ancient world, bound with a later edition of Strabo's great geographical encyclopedia. View on Christie's.com

VITRUVIUS POLLIO, Marcus (c.80-70 B.C.- c.15 B.C.). Architettura. Vetruvio in volgar lingua. Perugia: Giano Bigazzini, 1536. 2° (281 x 200mm). Woodcut architectural title, woodcut portrait of the printer and 81 woodcut illustrations in the text, including two repetitions (some light, mostly marginal spotting and soiling). 18th-century sheep, flat spine gilt in compartments (covers detached, large loss of leather on the upper board, spine ends chipped). First edition of Caporali's translation. The only kown work to have been printed by Bigazzini, this edition comprised the first five of the ten books of Vitruvius. The woodcuts are free copies (reduced or enlarged) of the Cesariano's Como, 1521 edition, with 8 subjects added although the cuts of Milan cathedral were excluded. Berlin Kat. 1805; Brunet V:1330; Cicognara 706; Fowler 400; Mortimer Italian 546; Sander 7700. View on Christie's.com

BOCCACCIO, Giovanni (1313-1375). Il Decamerone, edited by Lodovico Dolce. Venice: Gabriel Giolito de Ferrari, 1552. 2 parts, 8° (207 x 138mm). Woodcut illustrations. (Title-page laid down, with subtitle excised and supplied in manuscript, T3v a little soiled, AA2-3 slightly stained, margins cut close.) Later 18th-century red morocco (spine browned and chipped, extremities rubbed). Provenance: William Beckford (purchaser's note: 'June 1808 Beckford, Sale at L. & S. 3-13-6'; pencilled shelf mark 'H. 6. North') -- S.F. Widdrington of Newton Hall (bookplate). BECKFORD'S COPY of Dolce's edition, with cuts derived from the 1533 Venice edition. The manuscript subtitle reads: 'Nuovamente alla sua vera lettione ridotto per M. Lodovico Dolce'. cf. Essling 649; Sander 1071. View on Christie's.com

SILVER A SELECTION OF NINE ASSORTED SILVER AND BASE METAL CABINET ITEMS comprising a PILL CASE on chain, hallmarked, a BROOCH fashioned as a dolphin, hallmarked, a silver backed BUFFER, a MINIATURE CUP, unmarked, an ASIAN SANDER, unmarked and TWO PIERCED D ECORATED DISHES and a PLATED KINGS PATTERN PICK

A mid-Victorian silver sander or pounce pot, the engine turned cylindrical body raised on a knopped stem and circular foot, London 1875.

Sander (Henry Frederick Conrad). Reichenbachia. Orchids Illustrated and Described, Volume 1, Second Series, St. Albans, 1892, forty-eight chromo. plts. heightened with gum arabic, two plts. with tissue guard adhered, and approx. twelve plts. with small traces of tissue guard adhered, text illusts., half-title, text in English, French, and German, two text leaves and two plates detached (with consequent edge-fraying to former, and a few marginal nicks to one of the plts.), marbled endpapers, t.e.g., remainder rough-trimmed, contemp. maroon half morocco gilt, rubbed, folio. Nissen 1722. Provenance - see following lot. (1)

Sander (Henry Frederick Conrad). Reichenbachia. Orchids Illustrated and Described, Volume 1, First Series, St. Albans, 1888, forty-eight chromo. plts. heightened with gum arabic, after drawings by Henry G. Moon and others, approx. five plts. with small traces of tissue guard adhered, letterpress illusts., half-title, text in English, French, and German, re-guarded throughout, marbled endpapers, a.e.g., contemp. green morocco gilt, some rubbing and marks, folio. Nissen 1722. Inscribed on the dedication leaf: `J. Whillans with compl. from F. Sander’. Provenance: given to the vendor’s great grandfather, Thomas Whillans, while he was Head Gardener for the ninth Duke of Marlborough at Blenheim Palace, between 1886 and 1904. Sander’s `Reichenbachia’ (named after celebrated orchidologist Heinreich Gustav Reichenbach) is one of the most celebrated and gloriously illustrated books on orchids ever produced. The care lavished on the project was enormous: Sander had twenty orchid collectors working simultaneously in Brazil, Columbia, Peru, Ecuador, Mexico, Madagascar, New Guinea, Burma and Malaya; and the blocks for the plates were hand-made from wood, with as many as twenty inks used in the production of the chromolithographs. The overall cost to Sander was said to have been well over £7, 000, and he often remarked in later years that the project nearly ruined him. (1)

A Victorian silver filigree inkstand, by Gervase Wheeler, Birmingham 1841, rectangular form, pierced filigree borders, with a silver mounted blue glass inkwell and sander, and with a central taper stick, the underside with a later date, on four bun feet, length 13.4cm, approx. weight 3.9oz.

Goldie (British, b.1965). Trying To Find Samantha, 2008. Spray paint, emulsion, blow torch and sander on canvas. Signed and numbered 1/2 on reverse, 100cm x 80cm (39½ x 31½in). Provenance: Eddie Lock. This lot is accompanied by a certificate of authenticity from Eddie Lock

A MINIATURE BIRCH MODEL OF A WILLIAM AND MARY ESCRITOIRE 19cm h, early 20th c; a German porcelain yellow ground inkwell and cover and desk sander, painted with watteauesque scenes; a Japanese gilt porcelain model of a cat; two Canton painted enamel boxes and covers and a small quantity of ornamental items++Escritoire with chipped cornice and other faults, inkwell cracked, the remaining items in variable condition

A Victorian silver sander of plain cylindrical form by George Unite Birmingham 1881.

A Champion Elettra 160 chainsaw together with a belt sander

* Various Artists- "18 Small Prints"; 1973, Published by Bernard Jacobson Gallery, 1973, sixteen prints from the original set of eighteen, in various media, including works by Ivor Abrahams, Bernard Cohen, Robyn Denny, Nigel Hall, Gordon House, Bill Jacklin, Eduardo Paolozzi, Peter Phillips, Dieter Roth, Richard Smith, William Tillyer, Peter Blake, Ken Price, Richard Hamilton, Ludwig Sander and Ed Ruscha in the original perspex box, all signed and numbered `12/100`, lacking the examples by Patrick Caufield and David Hockney, 21x15cm, ea., all approx. (16) (may be subject to Droit de Suite)

A 19th Century treen sander, 13cm

19th century German porcelain desk set in the form of parent and child in period costume lifting off to reveal mustachioed inkwell and sander on a gilt decorated oblong base, 12cm

19th century German porcelain desk set in the form of "Seated Mother Teaching Child Alphabet" lifting off to reveal inkwell and sander, 16cm high

Belt driven sander attachment and odds

An ELU sander and 2 other tools

Two electric sander/grinder wheels

A circular saw and a sander both by BOSCH

Two belt sanders and an orbital sander

A ERBAUER belt sander

Miquita belt sander, palm sander and a router.

A Royal Doulton cabinet plate, painted with study of pink orchids titled verso "Dendrobium Nobile. Sander" signed D Dewsberry, within raised and gilded rococo scroll borders, 24cm across and two similar examples titled "Odontoglossum Alexandra" and "Cypripedium Lawrenceanum". (3).

Sander, Nicholas. De Visibili Monarchia Ecclesiae Libri VIII, Wirceburgi 1592; with De Clave David sev Regno Christi Libri Sex, Wirceburgi 1592, bound as one. Full blind-stamped calf, Latin text, folio. Visit www.dnfa.com for condition reports.