We found 5215 price guide item(s) matching your search

A boxed Bosch sander, Makita drill, various drill bits, hardware etc (2 boxes)

A 19th century French ormolu desk stand With a hinged lidded inkwell and sander, a pen rest to the front, the body with guilloché moulding to the edge, outstepped corners and laurel swags.30cm wide x 19cm deep x 14cm highQty: 1Some oxidisation and various marks to the surface. In generally good condition overall.

A 19th century French inkwell With a hinged lidded inkwell and sander, the rectangular stand with guilloché decorated borders, outset corners and laurel swags.20cm wide x 13cm deep x 8cm highQty: 1Minor oxidisation marks overall. In generally reasonable condition considering age and use.

A Skil 1600W, 240V hot air gun with attachments in fitted plastic case and a Challenge electric sander with dust collector

A Black & Decker KA15OK 240V mouse sander with various attachment's and sanding strips in fitted plastic case (unused)

A Fein MSXE 636 sander with various Fein attachments and instruction guide

5 verschiedene "Jil Sander" (Hand-) Taschen. In Größe, Farbe, Ausführung, Material und Erhalt variierend. 4x Leder, max. Größe ca. 28 x 37 cm (ohne Henkel)

AN ASSORTMENT OF TOOLS TO INCLUDE AN ORBITAL SANDER, A DRILL AND A DREMMEL STYLE DRILL

AN ASSORTMENT OF ITEMS TO INCLUDE AN ELECTRIC SANDER, A BOSCH DRILL AND WALKMEN ETC

2 boxes of tools including Bosch sander, vice and hedge trimmers

Draper 16" fretsaw together with Wickes pillar drill,Performance Power 150mm bench grinder & 50mm Sander, Ponceuse Triangulaire, Black & decker grinder and wood planer

Naerok Bandsaw together with Black & Decker Proline circular saw, Bosch PEX 115a orbit sander and Black & decker bd66 plunge router

A Ryobi EOS-2410N sander in fitted plastic case

A Scheppach belt and disc sander with accessories and spare sanding sheets.

A mixed box of tools and accessories including small bench grinder, palm sander, tabletop vice, blades, screws, drill bits etc

A quantity of air tools and accessories including a cut off tool, air sander, rotary tool, ToolTech nail gun with pins and nails etc

A COLLECTION OF BOXED PERFUMES, ETC, comprising Ghost 'Summer Dream' eau de parfum 50ml (sealed), Ghost 'Captivating' eau de toilette 30ml (sealed), Sisley 'Soir de Lune': two x eau de parfum 100ml (both sealed) and three x body cream 150ml (one without box has very little of its contents remaining, the other two are in un-sealed boxes and may be partially used but appear more full), Giorgio Armani 'Acqua di Gio' eau de toilette 5ml (has most of its contents), Emporio Armani deodorant spray 150ml (may be partially used), 'Giorgio Beverly Hills' antiperspirant deodorant 50ml (may be partially used) and soap with soap dish 100g (soap sealed inside packaging) and two x Jill Sander 'Sun' eau de toilette 75ml (both un-sealed, one partially used, the other fairly full) (13) (Condition Report: generally ok, see description)

A group of boxed tools including Power Devil router, power jigsaw and hot air gun, Black & Decker sander, Parkside electric nailer / stapler, etc. (1 box)

Tools and hard ware including bench saw, sander, battery charger, hand saws etc

A Clark Contractor Sheet Orbital Sander

A Toledo TPD-10-400 drill; a Black & Decker BD1880E sander and a Ferm JSV-650P jigsaw

August Sander (Herdorf 1876 – 1964 Köln). Der Maler Gottfried Brockmann, Köln. 1924Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 18,7 cm (9 ⅞ × 7 ⅜ in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: Ausst.-Kat.: Zeitgenossen. August Sander und die Kunstszene der 20er Jahre im Rheinland. Köln, Josef-Haubrich-Kunsthalle; Kiel, Kunsthalle, 2000, Titel und S. 6, Abb.1 (dort betitelt: Der Maler vor dem Bild 'Kriegskrüppel und Hure', entstanden um 1923) / Die Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.): August Sander. Menschen des 20. Jahrhunderts. München 2002, Band V: Die Künstler, S. 149Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung. Untere rechte Bildecke mit winziger, kaum merklicher Druckstelle durch rückseitige Handschrift.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

August Sander (Herdorf 1876 – 1964 Köln). Der Dadaist Raoul Hausmann, Berlin. 1928Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 17,7 cm (9 ⅞ × 7 in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: Gunther Sander (Hg.): August Sander. Menschen des 20. Jahrhunderts. Portraitphotographien 1892-1952. München 1994, T. 317Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung. Sehr schwache kleine Griffspur unterhalb der Hand, ca. 1 cm lang, sichtbar nur im Streiflicht.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

August Sander (Herdorf 1876 – 1964 Köln). Der Maler Otto Dix, Köln. 1928Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 17,2 cm (9 ⅞ × 6 ¾ in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: Gunther Sander (Hg.): August Sander. Menschen des 20. Jahrhunderts. Portraitphotographien 1892-1952. München 1994, T. 327 (dort datiert: 1928)Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

Umbo (d.i. Otto Umbehr) (Düsseldorf 1902 – 1980 Hannover). Portfolio III. 1927/30Portfolio mit 10 Silbergelatineabzügen von Christine Sander unter Aufsicht von Umbo, 1980. Von 17,2 × 12,8 cm (27,9 × 17,8 cm) bis 29,3 × 22 cm (35,5 × 28 cm) (6 ¾ × 5 in. (11 × 7 in.) bis 11 ½ × 8 ⅝ in. (14 × 11 in.)). Je im Bild unten rechts mit schwarzer bzw. weißer Tusche signiert. Je in Passepartout montiert, auf Passepartoutinnenseite je mit Bleistift Titelangabe. Zusammen in Original-Leinenkassette (53,3 x 41,5 x 3,5 cm) mit einliegendem, 4-seitigen Titelblatt mit Werk- und Editionsangaben, darauf rückseitig mit Bleistift nummeriert.Eines von fünf nummerierten Künstlerexemplaren außerhalb der Edition von 50 Exemplaren, hg. von der Galerie Rudolf Kicken, Köln, 1980. [2057]Provenienz: Nachlass UmboLiteratur und Abbildung: Herbert Molderings: Umbo. Otto Umbehr 1902-1980. Düsseldorf 1995, Titel und T. 53 (Unheimliche Strasse), T. 13 (Ruth mit Maske), T. 18 (Portrait Willis Bock), T. 23 (Kolja Wassilieff malt Valeska Gert), T. 62 (Strandleben), T. 63 (Selbstporträt am Strand), T. 75 (Grock), T. 82 (Träumende), T. 84 (Ohne Titel (Pantoffeln)), T. 87 (Artistenprobe) / Ausst.-Kat.: Umbo, Fotograf. Hannover, Sprengel Museum; Berlin, Berlinische Galerie, 2019/20, Titel (hinten) und S. 89 (Ohne Titel (Selbstporträt)), S. 25 (Rut. Maske), S. 34 (Porträt Willis Bock), S. 62 (Träumende (auch Puppenklinik)), S. 63 (Pantoffeln), S. 72 (Ohne Titel, aus der Reportage "Dr. philh.c. Grock"), S. 81 (Kolja Wassilieff malt Valeska Gert), S. 86 (Schattenwander), S. 90 (Am Strand (auch Straßenleben)), S. 96 („Umbo knipst Artisten", in: Das Leben, 1931/32, H. 7, Januar, S. 26, dort betitelt: Eine Zigarettenlänge Ruhepause während der Probe)Folgende Motive sind in dem Portfolio enthalten: Selbst, um 1930 / Rut Maske, 1927Portrait W.B., 1928Kolja Wassilieff malt Valeska Gert, 1928Träumende. 1928/29Pantoffeln, 1928/29Berliner Artistenschule, 1930Unheimliche Strasse, 1928Am Strand (Strandleben), 1928Clown Grock, 1928/29Zustandsbericht: In sehr gutem Zustand. Je schwach seidenmattes Papier. Einzelne wenige Kanten schwach wellig. Clown Grock: Blattränder etwas stärker gewellt, Unterkante mit einigen leichten vertikalen Knickspuren. Am Strand: Untere linke Ecke im Blattrand mit kleinem Rest von Papierklebestreifen. Original-Leinenkassette mit Schmutz- und Abriebspuren.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

August Sander (Herdorf 1876 – 1964 Köln). Der Maler Anton Räderscheidt, Köln. 1926Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 18,3 cm (9 ⅞ × 7 ¼ in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: Gunther Sander (Hg.): August Sander. Menschen des 20. Jahrhunderts. Portraitphotographien 1892-1952. München 1994, T. 318 (dort datiert: 1927) / Ausst.-Kat.: Zeitgenossen. August Sander und die Kunstszene der 20er Jahre im Rheinland. Köln, Josef-Haubrich-Kunsthalle; Kiel, Kunsthalle, 2000, S. 103, Abb. 113 / Die Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.): August Sander. Menschen des 20. Jahrhunderts. München 2002, Band V: Die Künstler, S. 113Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung. Im unteren linken Eckbereich hauchfeine diagonale Kratzlinie, ca. 7 cm lang, wahrnehmbar nur aus nächster Nähe im Streiflicht.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

August Sander (Herdorf 1876 – 1964 Köln). Der Maler Heinrich Hoerle porträtiert den Boxer Hein Domgörgen, Köln 10. August. 1932Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 19,3 cm (9 ⅞ × 7 ⅝ in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: Gunther Sander (Hg.): August Sander. Menschen des 20. Jahrhunderts. Portraitphotographien 1892-1952. München 1994, T. 319 (dort datiert: ca. 1927) / Ausst.-Kat.: Zeitgenossen. August Sander und die Kunstszene der 20er Jahre im Rheinland. Köln, Josef-Haubrich-Kunsthalle; Kiel, Kunsthalle, 2000, S. 26, Abb. 24Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

August Sander (Herdorf 1876 – 1964 Köln). Der Maler Jankel Adler, Köln. 1924Silbergelatineabzug von Gerd Sander, 1986. Agfa-Papier. 25,2 × 18,5 cm (9 ⅞ × 7 ¼ in.). Im Bild unten links Prägestempel des Photographen: „AUG. SANDER KÖLN–LINDENTHAL“. Umlaufend schmaler schwarzer Tuscherand. Rückseitig von unbekannter Hand mit Bleistift beschriftet. An der Oberkante auf Karton (43,8 x 33,8 cm) montiert, darauf rückseitig von unbekannter Hand mit Bleistift beschriftet sowie Etikett des August Sander Archive: „AUGUST SANDER, MENSCHEN DES ZWANZIGSTEN JAHRHUNDERTS" / „© COPYRIGHT 1986 AUGUST SANDER ARCHIVE, 51 GREENE ST., NEW YORK, N.Y. 10013".[2025]Literatur und Abbildung: August Sander: Antlitz der Zeit. 60 Aufnahmen deutscher Menschen des 20. Jahrhunderts. München 1990, T. 50 (dort datiert: 1928) / Gunther Sander (Hg.): August Sander. Menschen des 20. Jahrhunderts. Portraitphotographien 1892-1952. München 1994, T. 325 (dort datiert: 1928) / Die Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.): August Sander. Menschen des 20. Jahrhunderts. München 2002, Band V: Die Künstler, S. 121 / Die Photographische Sammlung/SK Stiftung Kultur, Köln (Hg.): August Sander. Antlitz der Zeit. 60 Fotos Deutscher Menschen. Mit gesammelten Rezensionen von 1929-1933. München 2019, T. 50Zustandsbericht: In sehr gutem Zustand. Seidenmattes Papier. Mimimale Druckstelle an Oberkante (ca. 0,5 cm breit) durch rückseitige Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

Black and decker grinder and side sander in working order

Vintage Stanley 497 heavy duty belt sander in working order

Collection of Tools to include Hitachi Drill, Circular Saw and a Ferm Sander

A Challenger MP4992 240v plane, a Challenge 730w 240v belt sander, a Triton 240v random orbital sander, a Challenge Xtreme portable folding work bench, Black and Decker 240v hand drill.

A large collection of power tools, including Earlex paper stripper, contents of black tray box, Black and decker stapler, plane, heat gun and sander, Draper, bench grinder, Bosch ripsaw, Performance power sander and Weller soldering iron

A Makita 240v M992 belt sander with sand paper and a 110v Makita circular saw with power pack

One tray containing 50+ various Matchbox blister packed diecast vehicles to include Lamborghini Galardo police car, a Quick Sander MBX Artic Medic Vehicle, 2015 Kawasaki TERYX4, Porsche 918 Spyder, and others

00 gauge kit built 2 rail Ivatt 2MT, in BR black, late crest, no.41287, fitted with wire brake rodding, etched shoes, sander detail, Portescape motor, and wiper pickups. The loco has been built and painted to an excellent standard and is in near-mint condition, housed in a generic card box.

Two kit-built locos, including a Nu-cast 0-4-0 Tank ex-Midland railway, Johnson class 1116A, in LMS black, No. 41516, built and painted to a very good standard, fitted with 3 link couplings, a single stage open framed motor and gearbox, brake and sander detail, with wiper pickups to both sides of the loco. The cab requires some attention with solid buffers. Together with a 2-6-4 Stainer tank loco, 2 cylinder, 4MT built from a Nu-cast kit to a high standard, fitted with a Mashima motor on a 2-stage gearbox, with some level of brake and sander detail, with wiper pickups to one side of the loco, suggesting the body is live, no backhead, and is in good condition.

Dutch Incunabula - Werner Rolevinck, The Ark of Noah - 1480 / Description: Incunabula sheet with hand painted rubrifications and initials in red. Sheet from the Dutch translation of Werner Rolevinck, "Fasciculus tempororum" , printed in 1480 and published by Johann Veldener in Utrecht. The sheet is with no doubt from this edition as no other Dutch reprints are known. The First edition in Latin printed by Arnold Therhoernen (1474) Larger oldcoloured woodcut of the Ark floating on the water. Indication of the use of the compartments in Dutch: The section for the tamed animals, the section for the birds and humans, the section for the wild animals. / Dimensions: 5,00 x 11,60 cm -- 28,00 x 20,00 cm sheet / Condition: A laid paper sheet in good condition. Moderate thumbing to the left corner. / Literature: Essling 277; Sander 6526; Goff R-261 ----- As a rule, incunables are not known for their exuberant look and content. However, the chronicle Fasciculus temporum is a positive exception to this general rule. It is a masterpiece, both in terms of typography and illustrative art. As a rule, incunables are not known for their exuberant look and content. However, the chronicle Fasciculus temporum is a positive exception to this general rule. It is a masterpiece, both in terms of typography and illustrative art. It goes without saying that religious views and opinions played a major part in Rolevinks’s history of the world and it is therefore not surprising that it starts with God’s creation of the world. The text is illuminated with many beautiful woodcuts. For instance we find illustrations of Noah’s Ark, the city of Nineve, the Ark of the Covenant, the tabernacle and many Biblical genealogies. But also ‘profane’ matters and cities are immortalized such as overviews of the royal families of France and England and cities including Rome, Constantinople, and London.... The incunable is a Dutch translation, printed in 1480 and published by Johann Veldener, publisher in Utrecht. There were no other Dutch reprints which suggests that the work was less popular in the Low Countries. Possibly Veldener was already involved in the first print of 1474, which rolled off the press in Cologne at Arnold Therhoernen. ..... the Fasciculus temporum is a synthesis between the religious and worldly history, a form quite common in the era of Humanism. However, emphasis is on the non-profane history, not surprising considering Rolevinck’s background. As sources for his text he used the Chronicon Pontificum et Imperatorum by Martin von Troppau, the Speculum historiale by Vincent van Beauvais and the anonymous Rudimentum noviciorum. ... (source of the description: Special collections - Utrecht University) / Medium: Woodcut on incunabula printed page /Circa: 1480

Belcari (Fea). La Vita del Beato Giovanni da Siena, fondatore dell' Ordine di Poveri Giesuati, composta per Fea Belcari, e da lui dedicata al Magnifico Giovanni di Cosimo de Medici. Et inoltre, un'opera, nella quale si contiene parte della vita d'alcuni servi di Giesu Cristo e quali furono nella Compagnia di detti Poveri Giesuati, Siena: Calisto Francesco di Simione Bindi, 27 October 1541, 90 unnumbered leaves, A-K8, L10, title within decorative woodcut border, two large woodcut initials (to A1 and A2 versos), and small woodcut illustration to A2 recto, occasional marks and small ink stains, light marginal water stains (mainly to margins), later plain limp vellum, small 4to (binding measures 21 x 14.5 cm)QTY: (1)NOTE:Brunet I,738; Sander 857; Gamba 101: "Il testo e di maggior integrita di quello che si ha nella seguente edizione romana".First Sienese edition printed in the vernacular of the life of Saint Giovanni Colombini of Siena, a prosperous merchant and senator of the city, who abandoned his business affairs for a life of apostolic poverty, service and sermonising. Written between 1448 and 1449, the Vita del Beato Giovanni Colombini was first printed in 1477.

Mixed Lot: Various electric tools to include two cordless drills, sander, Bosch router and a glue gun (5)

Three pieces of woodworking equipment, to include a sander, pillar drill and mounted fret saw.

A quantity of electric tools to include a nail gun, Wolf sander, drill, a transformer box, and other items of equipment.

A Ferm FVM-250 electric sander and a Elu MOF96 electric router

A cased AEG HBS 1000E electric belt sander along with a cased Hitachi DV 18DGL combi drill.

A Draper 370W Bobbin Sander.

Three boxes of assorted hand tools and accessories to include drill bits, paintbrushes, assorted sander sheets, mallets, chisels, etc.

A TRAY CONTAINING HAND, POWER AND AUTOMOTIVE TOOLS, including Black and Decker drill, sander, jigsaw and angle grinder, Bosch and a Wickes sanders (all PAT pass and working), Draper and Clarke Torque wrenches, two Record G Clamps, an Acorn plane etc (one box)

A vintage Jil Sander black wool skirt, lined (36) and a vintage Chanel silk chiffon skirt with box pleats in soft ecru, chiffon lining (38), both items worn (2)

Waldhorn und Tenorhorn. Deutsch 20. Jh. Messing, bez. „K.(arl) Deimer“ / „Sander“, eines im Koffer, das andere in Tragetasche, L=53 / 78 cm. (Gebrauchsspuren / Funktion ungeprüft)

A Bosch multi sander (cased) and a hot air gun.

Sommermantel, Jil Sander. Korallfarbener, sommerlicher Gehrock, Obermaterial 41% Seide, 59% Wolle. Stehkragen, verdeckter Reißverschluss, durchgehend bis zur Mitte, zwei eingenähte Taschen, gerade Silhoutte. Innenmaterial 100% Seide. Kaum Tragespuren. Made in Italy. Konfektionsgröße 38-40. Rückenlänge ca. 98 cm.

An 18th-century Vizagapatam worked Macassar ebony and penworked ivory Anglo-Indian deed box, the top inlaid with a central spray and within borders of flowers and vines, the hinged cover opening to reveal a lift-out tray and concealed sovereign drawers. 56 cm wide x 40 cm deep x 14 cm high, 10.5 kg gross weightIvory certification reference M14H94FL.Please be aware, that if you are bidding from outside of the UK, the receiving country may have restrictions on the transportation of Ivory across their international borders. The top panel has an old crack across the centre that is filleted and secured but could use a sympathetic colour job to blend it in. The top also has a smaller fine crack near the floral border. The inlay is slightly recessed in places but seems intact. Some wood around the inlay is a little chipped (ebony is brittle in use).The front top mould is bumped to the corner at one end, the front bottom moulding has a fine crack.The right-hand top return moulding has a corresponding bump where it mitres into the front moulding, and the bottom return mould on the same side.The back top moulding has a rather clumsy composition repair near the hinge and the bottom moulding has an old scarf jointed repair.The left-hand side has some well-done splices to the top and bottom return mouldingsAll faces of the carcass are without cracks or splits or missing inlay.The interior of the cover shows old cracks between planks that make up the "Wide Boarded" top, The underside looks to have strange bloom like a vapor bloom from a CA glue, the removable insert i n the base shows some old CA glue repairs, this would account for the bloom (it rubs off )The facia is intact but the lock is missing.The interior is fitted with probably the original silver-plated and glass sander and inkwell and two other close-plated and glass potsThe central removable tray has a chip that has been crudely glued back and I can see evidence of glue fixing the bottom board of this tray.The hidden (ish!) sovereign drawers are intact but could do with easing to make them easily opening.The bottom panel is intact without splits.Please see the extra images that illustrate the above points. 

TARTAGLIA, Nicolo (c.1499-1557). La Nova Scientia, Venice, 1558, woodcut illustrations, diagrams and initials [bound with 2 other works by the same author], 4to, contemporary vellum. Please see the full description below.TARTAGLIA, Nicolo (c.1499-1557).  La Nova Scientia ... con una gionta al terzo Libro. Venice: [no publisher], 1558. Full-page woodcut allegorical illustration on the title, woodcut illustrations, diagrams and initials. Adams T-191; Norman 2053; PMM 66: "Tartaglia's 'The New Science' stands at the threshold of a new age in the history of mechanics ... [The author] deals with ballistics, surveying, engineering and fortification ..."; Riccardi I, 496; Sander 7191. The work was first published in 1537. [Bound with:]  Quesiti, et Inventioni Diverse ... Sopra gli Tiri delle Artiglierie, et altri suoi varii accidenti. [No place: no date]. Woodcut illustrations, diagrams and initials (lacking the first signature (A1-4), including the title, the work commencing at B1 (paginated "5") and ending at AA4 (paginated "94")). Adams T-183; Norman 2055. [And:]  Regola Generale di Solevare Ogni fondata Naue & nauilii con Ragione. Venice: "Per Curtio Troiano de i Nauò," 1562. Adams T-186; Norman 2056. A richly-illustrated work on the salvaging of shipwrecks. 3 works bound in one volume, 4to (208 x 155mm). Contemporary limp vellum with yapp edges, titles in later manuscript on the spine (stained, with some worming). Provenance: old illegible library stamps; old illegible signature on first title; old stub at the front with shelf numbers; modern institutional label on front pastedown; modern library shelf label at the foot of the spine.

[*] Sander, August -- Strassenarbeiter (Street workers) c. 1928; Monteur (Mechanic) 1929. 2 gelatin silver prints on Agfa paper, printed by Gunther Sander 1970s. 23,3 x 17,4 cm and 24 x 13,5 cm. Each annotated in felt-tip pen on the verso.These images are part of group II, "Der Handwerker" (Tradesmen), portfolio II/10 and II/11 of "Menschen des 20. Jahrhunderts". They belong to August Sander's wide-ranging venture to portray various people of German society and create a collection of types. – Some buckling in upper edge, a few handling marks throughout, traces of previous mounting on the verso, otherwise in good condition.Lit.: Susanne Lange/Gabriele Conrath-Scholl (eds.). August Sander. Menschen des 20. Jahrhunderts (study volume). Munich 2001, ill. pp. 122 and 124.

A sander, hammer drill, and jigsaw together with two boxes of tools and accessories.

AN ASSORTMENT OF POWER TOOLS TO INCLUDE AN XTREM JIGSAW, A BLACK AND DECKER DRILL AND A SANDER ETC

AN ELECTRIC DRILL, A BLACKSPUR SANDER AND A CRAFT KNIFE SET

AN ELECTRIC FOX WORK BENCH SANDER

SIX ASSORTED POWER TOOLS TO INCLUDE A BLACK AND DECKER SANDER, SCREW DRIVER AND HEAT GUN ETC

1956 Hungary v Poland international friendly match programme 15 July 1956 at the Nepstadium, Budapest accompanied by letter from Hungarian Football Federation dated 2 May 1957 and signed by Cyorgy Houti (general secretary) and Sander Barcs (President) plus Hungarian FA envelope stamped/franked; fair/good. (3) NB: Ferenc Puskas and Sandor Kocsis in the team.