Sammlung: von 12 Bdn. Photographie, versch. Formate u. Einbde. ╔Enthält:╗ Prouve,J. Meubles. Köln, Taschen 1991. - Favrod,C.H. u. A.Rouvinez. Images. Wie in einem Spiegel. Katalog Elysee Museum Lausanne 1994. - Friedrich,J. Berlin, 13. August 1990. Bln., Constructiv 1990. - Groebli,R. Visionen. Sulgen, Niggli 1992. - List,H. Hellas. Mchn., Schirmer/Mosel 1993. - Arbus,D. Ohne Titel. Ffm., Zweitausendeins 1995. - Annie Leibovitz 1970-1990. Ebda. 1991. - Matz,R. Räume oder das museale Zeitalter. Köln, DuMont 1990. - Sander,A. Menschen des 20. Jahrhunderts. Mchn., Schirmer Mosel 1980. - Danto,A.C. Mapplethorpe. Ebda. 1992. - Foch,E. Berge der Photographen, Photographen der Berge. Bern, Benteli 1990. - Barney,M. The cremaster cycle. Köln, Ludwig 2002. - Gute Ex., tls. OVP.
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Sammlung: von 10 Kochbüchern, versch. Formate u. Einbde. ╔Enthält:╗ Allestein,E. Das beste bürgerliche Kochbuch... 20. verm. u. verb. Aufl. Gera, Kanitz 1899. - Meier,E. Die moderne Küche. Hbg., Meißner 1898. - Sander,H. Neues praktisches Kochbuch ... 4. verb. u. verm. Aufl. Bielefeld u. Lpz. 1883. - Haertel,W. Die praktische Köchin. Verm. u. verb. Aufl. Hainichen, Hoffmann (um 1890). - Bogs,M. Praktisches Koch-Buch... 5. Aufl. Bln., Mosse 1898. - Dähnhardt,E. Supp, Gemüs und Fleisch. 54. verm. u. verb. Aufl. Darmstadt, Köhler 1912. - Davithis,H. (= Pseud.) Neues und bewährtes illustr. Kochbuch... Stereotyp-Ausg. Reutlingen, Enßlin u. Laiblin (um 1885). - Weber,E. (d.i. L.Voigt). Bürgerliches Kochbuch... Neueste (14.) verb. Aufl. Lpz., Voigt (um 1870). - Beck,C. Taschenbuch der Kochkunst. Bln. 1886. - Liebig's Fleisch- Extract in der bürgerlichen Küche (200 Rezepte), o.J. - Versch. starke Gebrauchsspuren.
MACROBIUS, Ambrosius Aurelius Theodosius. Macrobii in somnium Scipionis ex Ciceronis. VI. libro de rep. eruditissima explanatio. Eiusdem Saturnaliorum libri VII. Venice, heirs of Aldo Manuzio and Andrea Torresano, April 1528In-8vo, 165 x 105 mm. Full smooth vellum binding of 17th century with coat of arms on the center of covers. Gilt title on Morocco label on spine. Blue edges. Gilt princely coat of arms on covers with an helmet surmounted by a shield with lion and eagle; Handwritten note on titlepage: “ex-libris Joh. Baptista Axolij 1646”. Leaves [16], 322, [2]. Collation: [*]8 of which 7 and 8 are blank leaves, a-z8, &8, A-Q8, R4 with leaf R3 blank. Italic, roman and Greek type. 8 black woodcut diagrams in the text including a zodiac diagram, all in accordance with Macrobius' precepts recommending the use of images to convey knowledge. On leaf k5(r) a half-page map of the globe with a representation of the winds (for Greenland we find the word Thila), in a way, brings together Neoplatonic knowledge by dividing the earth into five distinct climatic zones with the inhabited world north of the Equator, to the south there is an imaginary continent, the Antipodes, which is supposed to balance the continental masses, making it the first map to depict a southern continent. Complete specimen of the four blank maps in very good condition. The first and only rare Aldine edition of these three astronomical treatises of considerable importance, two by Macrobius and the third by Censorinus, which report alternative conceptions to the Ptolemaic Vulgate. Scipio's Dream, which forms the bulk of the sixth book of Cicero's De Republica, is perhaps the best known passage because, unlike the rest of the work, it has come down to us virtually intact. It was Macrobius' commentary on this Dream that allowed the transmission of Cicero's text: if the commentary itself contained only excerpts, later copyists included the entire text in their manuscripts. In the Commentary on Scipio's Dream, Macrobius, born around 370 in Sicca in Numidia, deals with the soul and the constitution of the universe by giving a Neo-Platonic interpretation of a famous passage from Cicero's Republic. The Saturnalia is a philosophical dialogue on history, mythology, literature and science. The edition also contains the only treatise that has come down to us from Censorinus, a Latin grammarian of the 3rd century: De die natali, which contains valuable insights into both the customs of the Romans, dealing with the birth and life of man, days, months, years, religious rites, etc., and the state of science at the time, with considerations of chronology, astronomy, natural history and music. This is the first Aldine impression of Censorino's work; Aldo the Younger gave a new edition, annotated by him, in 1581.Adams, M-62; Brunet, III, 1286; Houzeau/Lancaster 1055 & 1046; Renouard, p. 165, n° 2; Sander 4080; Texas 228 (from the library of Derwent Coleridge); The Aldine Press, cat. 251; UCLA, 251; USTC, 839413; Cfr. The Mapping of The World, cat. 13.
Vigerius (Marcus) Decachordum Christianum, collation: aa8 a10 b-z8 &8 A10 B-E8 F10 AA BB8, aa8 blank, title and author's arms within woodcut border signed F.V., 10 full-page metalcuts, that of the Nativity signed 'L' and that of Pentecost signed 'F.V.', all within one of two repeated woodcut borders, 33 smaller metalcuts illustrating the life of Christ, all but two criblé, initial spaces with guide-letters, repair to upper margin of title, the odd small marginal repair, some spotting (or occasional foxing) and staining, water-stained at end, mostly to lower inner gutters and lower margins, but just encroaching on text on occasions, lightly browned, late 19th / early 20th century vellum, leather title label to spine (rubbed), upper joint just starting, but holding firm, folio (304 x 204mm.), Fano, Hieronymus Soncinus, 1507. *** A wide-margined copy of the first edition of what is considered to be the finest book from the press of Soncino, the first printer at Fano. Vigerius joined the Franciscan order while his great uncle (the future Pope Sixtus IV) was general of the order, and it was to Sixtus IV that he owed his advancement. He was made bishop of Senigallia in 1476, Governor of Castel Sant'Angelo, and a cardinal in 1505. Vigerius returned to his studies in 1506, producing the Decachordum, a treatise on asceticism following the life of the Holy Family, which he dedicated to his cousin Pope Julius II. Our copy with foliation correct on f. lxxix (unlike the Harvard copy) and incorrect on f. lxxxix (reads lxxxiiii (corrected by hand in ink), as in the Garden copy); and with seventh and eighth chorda incorrectly headed sixth and seventh (corrected by hand in ink).Provenance: Leo Samuele Olschki (1861-1940), Italian antiquarian bookseller and publisher (book label to front pastedown ‘N. 17818 (ms.); Ecrin. H9 (ms.)’); early 20th century German book label to front pastedown ‘Bibliothek Nr: E. 2087 (ms.); Bandanzahl :1 (ms.); Abteilung: Alte Drücke (ms.)’.Literature: Adams V746; De Marinis, Livres à figures italiens 214; Mortimer Italian 537; Sander 7589; EDIT 16 CNCE 32811.
Boccaccio (Giovanni) Genealogiae...cum demonstrationibus in formis arborum designatis. Eiusdem de montibus & sylvis, de fontibus: Iacubus: & fluminibus, collation: a-t8 u10, 162ff., complete, 62/63 lines per page, Roman letter, 13 full-page woodcut genealogical trees, numerous woodcut initials, printer’s device on final leaf, lower margin of a6 cut away (no loss of text), slight worming to inner margin of first 10 leaves, just touching text block in places, title with ink inscription erased causing ink stain to verso, h1 with several words similarly inked out causing slight ink stain, some light marginal staining, occasional ink marginalia, later blind-stamped vellum, spine with raised bands and double morocco labels, yapp edges, in modern cloth drop-back box, folio (300 x 208mm.), Venice, Bonetus Locatellus for Octavianus Scotus, 1494.*** Boccaccio's great work of mythography, including, in the last two books, his defence of poetry and much autobiographical matter. The genealogical trees of the pagan gods are found in the only surviving autograph manuscript and are regarded as the earliest secular ones.Provenance: James Wyllie Guild and John Hadden Hindley (bookplates on rear pastedown).Literature: HC *3321; GW 4478; BMC V, 444 (IB. 22904); BSB-Ink B-586; Klebs 190.3; Essling 799; Sander 1077; Goff B-753.
* Natural History. A Collection of approximately 80 prints & engravings, 18th & 19th century, engravings and lithographs of fish, birds, botany, insects and fruit, with examples by or after, De Bry, Curtis, Lewin, Fullarton, Day, Gaucher, Edwards, Donovan, Van Geel and Sander, various sizes and conditionQTY: (approx.80)
JUNGBLUT, JOHANN('J. Sander')1860 Saarburg - 1912 DüsseldorfTitel: Winterabend. Technik: Öl auf Leinwand. Montierung: Doubliert. Maße: 47 x 72,5cm. Bezeichnung: Signiert unten links: "J. Jungblut". Rahmen: Rahmen. Provenienz:Privatbesitz, Deutschland. Voraussichtliche Versandkosten für dieses Los: Deutschland: 92,00 Euro inkl. 14,69 Euro MwSt EU: 120,00 Euro inkl. 19,16 Euro MwSt Weltweit: 190,00 Euro inkl. 30,34 Euro MwSt zzgl. VersandversicherungErläuterungen zum Katalog Johann Jungblut Deutschland Düsseldorfer Schule 2.H. 19.Jh. Gemälde Rahmen Winter Malerei Niederrhein
August Sander (1876-1964), ''Der Maler Gottfried Brockmann'', Fotografie, Bromsilbergelatine, 1924/1986, auf Agfa-Papier, u. li. der Prägestempel ''Aug. Sander Köln Lindenthal'', erschien innerhalb des berühmten Porträtwerks ''Menschen des zwanzigsten Jahrhunderts'', fliegend auf Karton mont., dieser verso mit Etikett ''Copyright 1986 August Sander Archive NY'', 25 x 18,5 cm, Karton 43,5 x 34 cm

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