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PICASSO 1962 ORIGINAL LINO CUT PRINT, gilt box gold frame published by Galerie Louise Leiris, 25.5cm x 31cm.

JAMES ALEXANDER WOOD (SCOTTISH b.1931), THE MODERN PAVILLION OVER THE LILY POND oil on canvas, signed and dated 1999 75cm x 99cm Framed JAMES ALEXANDER WOOD (SCOTTISH b.1931), THE FAMOUS WHITE DRESS oil on board, signed and dated 1998 76cm x 63cm Framed and under glass JAMES ALEXANDER WOOD (SCOTTISH b.1931), THE STOREROOM FLAMENCO DANCER oil on board, signed and dated 1999 72.5cm x 48cm Framed and under glass JAMES ALEXANDER WOOD (SCOTTISH b.1931), ABORIGINAL URBAN ABSTRACT oil on board, signed and dated 2001 49cm x 60cm Framed and under glass JAMES ALEXANDER WOOD (SCOTTISH b.1931), THE LEUICA GATE oil on canvas, signed and dated 1996, titled and dated verso 51cm x 76cm Framed and under glass JAMES ALEXANDER WOOD (SCOTTISH b.1931), AFTER PICASSO, DON QUIXOTE oil on paper, signed and dated 1996 83.5cm x 58cm Framed and under glass JAMES ALEXANDER WOOD (SCOTTISH b.1931), INTIMATE DISCUSSIONS oil on board, signed and date 2000 in pen 34cm x 26cm Framed and under glass

A colour print after Picasso, parents and child, 14ins x 10ins

A Picasso print La Lecture, a Picasso Nude print and a Klimt print (3)

Three folios of 1950s prints including early twentieth century artists such as Picasso, Kandinsky, Modigliani, etc.

Sonia Handford (1925-2010): Figures mending nets, oil on board. Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls' Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903-1988) where she received the 'Painting with Merit' award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty's Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.

RAOUL DUFY 'The Band', a poster print published by School Prints Ltd and printed in Great Britain by W S Cowl Ltd, 50cm x 76cm together with a print After Picasso 'Composition', 50cm x 75cm (2)

AFTER PABLO PICASSO - An original exhibition poster 'Picasso Galerie Madoura - Le Plan - Vallauris, Decembre 1966 - Fevrier 1967' printed by Mourlot, corners with original fixings, 72cm x 51cm. From the estate of Vivienne & Arnold Haskell

Pablo Picasso engraving - Limited Edition 270 - 1947 Dos contes suite, Birth of the Little Centaur - Ram's Head watermark in paper - ref: Cramer - Image size 33cm x 26cm - Framed size 45cm x 37cm Condition report: Recently framed and mounted, good condition

A large quantity of art related books with illustrations and photographs, by various authors to include works on Picasso, Matisse, Bauhaus, 20th century posters, Cetanne, L.S. Lowry, Turner, Modigliani and many more.

A large quantity of art related books with illustrations and photographs by various authors to include works on Matisse, Paul Klee, Picasso, Bonnard and books on "Persian Miniatures", "Naive Art" and architecture.

A large quantity of art related books with illustrations and photographs by various authors to include works on "Picasso Cubism", Chagall, Matisse, Soutine etc.

Pablo Picasso, untitled, 1926, woodcut, possibly by Georges Aubert, on Basingwerk parchment, c. 12 x 16cm

A signed print by Pablo Picasso front the Volland Suite series   This is hand signed

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), VILLAGE MYTHS NO. 16 gouache on paper, signed, titled and dated February 83 90cm x 73cm Mounted, framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

AFTER PABLO PICASSO (1881-1973) "Le gout du bonheur : 15.9.64.III : profile of man in fur hat", monochrome lithograph, unsigned, another similar dated "15.9.64/I", another similar dated "7.10.64.II", and another dated "20.9.64.IV", monochrome lithographs, all unsigned (ARR), together with AFTER PABLO PICASSO (1881-1973) "Le gout du bonheur : 25.4.64 : seated nude", monochrome lithograph, unsigned, together with another dated "4.5.64.I : couple in embrace", and another dated "27.9.64 : figure walking", monochrome lithographs, unsigned (ARR) and AFTER PABLO PICASSO (1881-1973) "Le gout du bonheur : nude study", monochrome lithograph, unsigned, together with another "Hand and scratch marks", (ARR), AFTER MARC CHAGALL (1887-1985) "The Wedding", "Woman and cockerel with vase of flowers in blue", "Woman and child on horse with figure sleeping in foreground by cottage" and "Figure with horse", colour prints, (ARR), together with IN THE 20TH CENTURY VORTICIST MANNER - a collection of five studies, chromolithographs, unsigned

A pair of Picasso style plaques in black frames

Lissitzky (El, and Arp, Hans). Die Kunstismen. Les Ismes de l'art. The Isms of Art, 1914-1924, Zurich, Munich & Leipzig, Eugen Rentsch, 1925, 48 pages with monochrome illustrations, typography and layout by El Lissitzky, printed in red and black, some scattered spotting, original printed wrappers over plain white wrappers, with design by El Lissitzky, frayed and chipped to edges, with some loss to spine and extremities (the front cover image generally intact), slim 4to Bolliger Dokumentations-Bibliothek, I, 16. The text, printed in English, French and German, outlines the principal movements of modern art from cubism, futurism, abstraction, and dada to purism, neo-classicism and constructivism, with illustrations after works by Picasso, Braque, Gris, Leger, Arp, Moholy-Nagy, Kandinsky, Malevich, De Chirico, Delaunay, Ernst, Mondrian, El Lissitzky, Tatlin, etc. (1)

A set of three abstract prints, a Picasso style needlework, an H D Goverts artist's proof etching, an abstract oil on canvas, and six other pictures (12)

636 Carrà, Carlo. Interessante gruppo di documenti autografi del periodo futurista di Carrà a cominciare da un bell’articolo autografo firmato ‘Il Sorvegliante di Turno C.D. Carrà’ con molte correzioni, 4 pagine in 4°. ‘Il sovra e sottoscritto C.D.Carrà pittore futurista italiano d’anni 33 avverto i signori Octave Mirabeau Arsene Alessandre Friedrick Krantz Adolfo Venturi Corrado Ricci Ugo Ojetti Vittorio Pica Benedetto Croce […] e le altre innumerevoli nullità in materia di critica pittorica che ogni qualvolta scrivo e parlo di problemi plastici lo faccio unicamente perché ciò mi fa piacere e che in me è lontana ogni illusione pedagogica d’illuminarli sia sull’arte del passato sia su quella moderna, e più andrà lontano da me il desiderio di liberarli dalle innumerevoli sciocchezze della loro pseudo critica – specie di stupido foot-ball giocato col luogo comune’. Poi continua per affermare la rottura col passato di Matisse, Derain e Picasso per ‘far trionfare le differenze fondamentali che divide il nostro dinamismo plastico-futurista dalle ricerche a fondo statico di questi nostri gloriosi predecessori’. Nel lotto anche una lettera indirizzata a Carrà da Antonio Foschini direttore de “Il Fuoco”, il primo numero della rivista “Tendenza” e una deliziosa cartolina autografa di Gino Severini a Carlo Carrà al quale dichiara di appoggiare il movimento: ‘Bravi, Benone. Sono con voi, approvo ogni vostra violenza. Bisogna finirla …’ commentando poi che il ‘Sor Gonnelli è un impiccione, manca per lo meno di ordine e chiarezza’. Bell’insieme futurista! € 1.200,00

A silver necklace and earrings by Paloma Picasso for Tiffany & Co, designed as stylised hearts, earrings approx 2 x 1.5cm, in Tiffany pouches and box.

Tiffany & Co. An 18 carat gold and amethyst bracelet by Paloma Picasso for Tiffany & Co, facsimile signature and Tiffany mark, amethyst approx 30mm long, bracelet approx 19cm long, 78.8 gms.

Tiffany & Co. A pair of 18 carat gold haematite earrings by Paloma Picasso for Tiffany & Co, signed, haematite approx 15mm diameter, weight approx 30.9 gms.

A pair of Ray-Ban onyx WO804 vintage sunglasses,with original case,together with a pair of Paloma Picasso Retrosun transparent yellow sunglasses,with original case (2)

Pablo Picasso (1881-1973), Vase Deux Anses Hautes, 1952, a white earthenware vase, painted in grey and black, from an edition of 400, impressed marks for Madoura, signed Editions Picasso, 38cm high Note: 'Vase with two high handles' was conceived as part of a series of ceramics designed by Picasso from the end of the 1940s. He worked at the Madoura works in Vallauris, southern France, run by Suzanne and Georges Ramie, and commissioned them to reproduce his designs which he formed over the subsequent 25 years. This 1952 edition represents a female figure, in Picasso's typically abstract style. The basic vase form is based on Classical examples, which Picasso reinvented using his painted design to turn the handles in to arms, the foot into feet and the neck into a head. This example hints towards Picasso's interest in tribal art and totemic figures, exemplified in his 1907 masterpiece Les Demoiselles D'Avignon, now in the MOMA, New York. Picasso's ceramic reinterpretation of the confident, nude female form, hands on hips, creates an assertive and striking composition. Note: Artist Resale Rights apply

DOLMEN/KERRIGAN, ANTHONY.At The Front Door of the Atlantic, with frontispiece by Picasso, FIRST EDITION, Dolmen 145 April 1969, in cloth.

Sonia Handford (1925-2010): Three large oil still life studies featuring pumpkins, each signed. Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls' Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903-1988) where she received the 'Painting with Merit' award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty's Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.

Sonia Handford (1925-2010): Figures mending nets, oil on board. Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls' Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903-1988) where she received the 'Painting with Merit' award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty's Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.

PABLO PICASSO (SPANISH 1881-1973) Visage geometrique aux traits , 1956 unglazed white earthenware diameter: 42.3 cm (16 5/8 in.) stamped, marked, and numbered Madoura Plein Feu/Empreinte Originale de Picasso/A 103 24/100 on base

PABLO PICASSO (SPANISH 1881-1973) La danse , 1957 glazed earthenware diameter: 39 cm (15 3/8 in.) dated lower center; inscribed Edition Picasso Madoura , stamped Madoura Plein Feu / Edition Picasso on base

ALEXANDRA PREGEL (RUSSIAN 1907-1984) A Quiet Still Life , oil on canvas 97 x 71 cm (38 1/4 x 28 in.) signed lower center LOT NOTES Alexandra Nicolaevna Pregel was born on December 15, 1907 in Helsinki, Finland.Ê Her parents had relocated to Finland early on as political exiles from the Czar's government.Ê With the Revolution in 1917, Pregel's family moved back to Russia where here father Nikolai Avksentev became Minister of the Interior in the Kerensky government.Ê After the Bolsheviks took power, in 1919, Pregel left Russia for France with her mother Maria and her stepfather Mikhail Tseitlin.Ê Tseitlin was a famous intellectual, author, and poet, and his home in Paris became a gathering place for the Russian intellectual elite in exile.Ê Regular visitors to their house included Natalia Goncharova, Leon Bakst, Mikhail Larionov, Marevna and others.Alexandra's friendship with Natalia Goncharova was particulary close. Pregel had originally met Goncharova in 1912, and kept contact contact both as a student and friend to Goncharova throughout her life, until Goncharova's death in 1962. Pregel also studied painting at the Montparnasse studio of the Russian artists Vasily Shukhaev and Alexander Yakovlev beginning in 1921. During this time, many of the famous Montparnasse artists were also frequent visitors to the Tseitlin/Pregel household, including Diego Rivera, Amadeo Modigliani, Pablo Picasso, and Emile Antoine Bourdelle. Pregel exhibited in many important exhibitions in Paris throughout the 1930s, but after the Nazis occupied Paris, Pregel fled Paris with her husband Boris Pregel, a physicist working in the field of radioactive materials, to the United States.Ê It is worth noting that Pregel and her husband left Paris in June 1940 on the very day that the German army occupied the city.Ê Unfortunately, more than 300 hundred of Pregel's paintings and drawings were confiscated and lost to the German occupation.In New York, Pregel and her husband settled in an apartment overlooking Central Park.Ê She had her first U.S. exhibition in 1943 which was held at the New School for Social Research in New York.Ê Pregel was accepted to the American National Association of Women Artists in 1944 and exhibited across the country in several notable exhibitions, including the 1948 "Painting in the United States" exhibition in Pittsburgh which featured works by Pregel along with artists like Georgia O'Keeffe and Salvador Dali.Ê Later in her career in the U.S., Pregel's paintings were exhibited at annual exhibitions including at the Milch Gallery, Wildenstein Gallery, and National Academy of Design.Ê Pregel also illustrated for influential Russian emigre publications like Novosel'e and Novyi Zhurnal, and for Jewish related projects such as a Passover Hagada that was published in Israel in 1965.Ê More and more interest in Pregel's fascinating life and work has come about in recent years, including important exhibtions in the United States, Israel, and Russia.

After Picasso, a 23.5cm diameter plate, transfer decorated with a female face, hand and Dove of Peace, the reverse with facsimile signature.

‡ Richard Hamilton R.A. (1922-2011) Picasso’s Meninas, from Homage à Picasso Signed, titled and numbered EA 7/15 Etching with aquatint 57 x 49cm Provenance: Sotheby’s, 1st July 1998, Lot 768 Elizabeth Harvey Lee from whom bought in 2000 The estate of Peter J. Rankin

‡ Pablo Picasso (Spanish 1881-1973) La Magie Quotidienne Signed and numbered 24/70 Etching, Bloch 1460, Baer 1505 22 x 32cm (plate size) Provenance: Christie’s, 18 June 1981, Lot 531 ++One small fox mark upper right margin otherwise good condition

Pablo Picasso 1881-1973 Lithograph Signed in pencil 'Hands with flowers, bouquet of Peace' 64 cm x 48 cm

Pablo Picasso 1881-1973 Lithograph Signed in pencil 'Dove of Peace rising from Devastation' 55 cm x 71 cm

Pablo Picasso 1881-1973 Lithograph Signed in pencil 'La Grand Maternite', stamped Edition Combat Pour La Paris, Copyright S.P.A.D.E.M. Paris. 63 cm x 48.5 cm

Pauline Brown?? depicting figures in a beach scene together with three further prints in the style of Picasso.

PICASSO (Pablo). Verve. 2 revues grand in-4° consacrées à Picasso:1)&nbsp N° 25 et 26 (vol. VII).&nbsp Picasso à Vallauris 1949-1951. Paris Verve 1951. Cartonnage d'éditeur couv. rempliée illustrée par Picasso2) N° 29 et 30 (vol. VIII).&nbsp Suite de 180 dessins de Picasso. Paris Verve 1954.&nbsp Cartonnage d'éditeur illustré par Picasso. Bien complet des 164 dessins en héliogravure par Draeger et des 16 lithographies en couleurs tirées par Mourlot Frères. Bel exemplaire en très bon état malgré un manque au dos

PICASSO (Pablo). Cinq sonnets de Pétrarque avec une eau-forte de Picasso et les explications du traducteur. La Fontaine de Vaucluse 1947. 1 vol. in-4° sous couverture blanche rempliée imprimée en noir et rouge. Tirage à 110 exemplaires celui-ci n° 66 portant la mention manuscrite à l'encre bleue: ?Garde-toi de l'homme angulaire? (chaque exemplaire porte un proverbe différent). Bel exemplaire en très bon état complet de l'eau-forte de Picasso

PICASSO (Pablo) - DIDEROT (Denis). Mystification ou histoire des portraits.&nbsp Paris Les éditeurs français réunis 1954.1 vol. in-8° en ff. sous emboîtage chemise et étui cartonnés. Tirage à 530 exemplaires celui-ci non numéroté mais signé au crayon par Picasso. Bien complet de ses 4 dessins de Picasso reproduits en lithographies dans l'atelier de Fernand Mourlot

Bruno Donzelli (1941) "Ormare" hommage à Picasso et Rauschenberg &nbsp technique mixte sur toile signée et datée (19)87 contresignée titrée et datée au verso 23 5x30 cm

Pablo Picasso (1881-1973) d'après Danseuse et picador pl. 10 du recueil&nbsp Toros &nbsp lithographie signée et datée 11.6.(19)60 sur la pierre contresignée au crayon graphite 43x53 5 cm (à vue).&nbsp Le recueil Toros&nbsp a été&nbsp publié en 1960 il est composé d'un poème de Pablo Neruda illustré par 15 lavis de Picasso.

Pablo Picasso (1881-1973) d'après &nbsp Festival Mondial de la Jeunesse et des Etudiants pour la Paix Berlin 1951 sérigraphie couleur sur coton 73x80 cm

Antoinette Holland (Dutch, 1921 - 2011) Still life with fruit and vases, oil on board, signed dated 1977, 36.5 x 44.5 cm, framed Notes Antoinette Holland Haggenburg was born in Arnhem, Holland, she was the second of thirteen brothers and sisters. Her father was the headmaster of the local school. Antoinette began painting at the age of nine, inspired by her grandfather who was also an artist. She spent many hours painting and drawing with her grandfather, he was her first teacher. Painting was Antoinette's passion, during her life, she painted more than a thousand oil paintings. 1938 - 1943 Academy of Art and Design, Arnhem, Holland 1947 Antoinette travelled to England to learn English and then on to South Africa 1957 Married Alexander Holland and moved to Tunbridge Wells 1959 Birth of daughter Rosalind 1965 - 1973 Attended art classes at the Adult Education Centre, Tunbridge Wells. Teacher: Morris Weidman 1974 - 1987 Member of the Royal Tunbridge Wells Art Society, The Pantiles, Tunbridge Wells 1987 Moved to Spain were she remained until her death in November 2011 SOLO EXHIBITIONS 1975 First solo exhibition, Adult Education Centre, Tunbridge Wells 1979 Tunbridge Wells Museum, Library and Art Gallery, Tunbridge Wells 1981 Royal Tunbridge Wells Art Society, The Pantiles, Tunbridge Wells 1983 University of Arnhem, Holland 1984 Cultureel Centrum, Arnhem, Holland 1985 Trinity Art Centre, Tunbridge Wells 1989 British Royal Society Club, Benalmadena, Spain 1992 Hotel Don Carlos, Marbella, Spain 1995 Casa de la Cultura Pablo Ruiz Picasso, Benalmadena, Spain 1996 Clinica Buchinger - Wilhelmi, Marbella Spain 1998 PYR Hotel , exhibition centre, Marbella, Spain GROUP EXHIBITIONS During her life she has participated in numerous group exhibitions, many of which include the above mentioned locations of Tunbridge Wells. She also frequently exhibited at the Pantiles Open Air Exhibiton CURRENT PERMANENT EXHIBITIONS Casa de la Cultura Pablo Ruiz Picasso, Benalmadena, Spain Biblioteca Publica Municipal, Benalmadena, Spain PRIVATE COLLECTIONS Works held in private collections in Canada, Australia, South Africa, Egypt, New Zealand, Sweden, Finland, Ireland, Holland, Spain, Germany, USA and the UK.

Antoinette Holland (Dutch, 1921 - 2011) Tulips, oil on board, signed and dated 1984, 61 x 46 cm together with Pink Carnations, oil on board, signed dated 1995, 46 x 38 and Daffodils, oil on board, signed and dated 1984, 40 x 51 cm, each framed (3) Notes Antoinette Holland Haggenburg was born in Arnhem, Holland, she was the second of thirteen brothers and sisters. Her father was the headmaster of the local school. Antoinette began painting at the age of nine, inspired by her grandfather who was also an artist. She spent many hours painting and drawing with her grandfather, he was her first teacher. Painting was Antoinette's passion, during her life, she painted more than a thousand oil paintings. 1938 - 1943 Academy of Art and Design, Arnhem, Holland 1947 Antoinette travelled to England to learn English and then on to South Africa 1957 Married Alexander Holland and moved to Tunbridge Wells 1959 Birth of daughter Rosalind 1965 - 1973 Attended art classes at the Adult Education Centre, Tunbridge Wells. Teacher: Morris Weidman 1974 - 1987 Member of the Royal Tunbridge Wells Art Society, The Pantiles, Tunbridge Wells 1987 Moved to Spain were she remained until her death in November 2011 SOLO EXHIBITIONS 1975 First solo exhibition, Adult Education Centre, Tunbridge Wells 1979 Tunbridge Wells Museum, Library and Art Gallery, Tunbridge Wells 1981 Royal Tunbridge Wells Art Society, The Pantiles, Tunbridge Wells 1983 University of Arnhem, Holland 1984 Cultureel Centrum, Arnhem, Holland 1985 Trinity Art Centre, Tunbridge Wells 1989 British Royal Society Club, Benalmadena, Spain 1992 Hotel Don Carlos, Marbella, Spain 1995 Casa de la Cultura Pablo Ruiz Picasso, Benalmadena, Spain 1996 Clinica Buchinger - Wilhelmi, Marbella Spain 1998 PYR Hotel , exhibition centre, Marbella, Spain GROUP EXHIBITIONS During her life she has participated in numerous group exhibitions, many of which include the above mentioned locations of Tunbridge Wells. She also frequently exhibited at the Pantiles Open Air Exhibiton CURRENT PERMANENT EXHIBITIONS Casa de la Cultura Pablo Ruiz Picasso, Benalmadena, Spain Biblioteca Publica Municipal, Benalmadena, Spain PRIVATE COLLECTIONS Works held in private collections in Canada, Australia, South Africa, Egypt, New Zealand, Sweden, Finland, Ireland, Holland, Spain, Germany, USA and the UK.

After Picasso - Abstract watercolour

Pablo Picasso engraving - Limited Edition 270 - 1947 Dos contes suite, Birth of the Little Centaur - Ram's Head watermark in paper - ref: Cramer - Image size 33cm x 26cm - Framed size 45cm x 37cm Condition report: Recently framed and mounted, good condition

Pablo Picasso - Lithograph and Pochoir 1946 - The Picnic Basket - signed in the plate, printed by Albert Carmen - Limited Edition 500 - Image size 31cm x 21cm - Framed size 53cm x 43cm Condition report: Recently framed and mounted, good condition

**A Picasso Book, published in 1963 by arrangement with Editions Cercle d'Art, Paris Picasso ''Les Dejeuners''. with reproduced drawings and paintings, also bearing a facsimile Picasso signature on opening pages and dated 4-9-64. Text by Douglas Cooper, distributed by Harry N. Abrams, New York and complete with protective sleeve.

Pablo Picasso (1881-1973) - Madoura, Piatto in terracotta decorato a cloisonné con vaso, ori e piante stilizzati. sul fronte, in maniera speculare, 22 % 56; sul retro 104/300 Madoura Plein Feu emprente originale de Picasso. Dimensione cm 25x25

After Picasso Abstract still life and a portrait Colour prints, a pair 26cm x 20.5cm (2)

Lynn Chadwick (1914-2003) - Homage to Picasso lithograph printed in colours, 1971, signed and dated in pencil, numbered 63/80, published by Propyläen-Verlag, Berlin, on Rives paper, the full sheet printed to the edges, sheet 770 x 560 mm (30 1/4 x 22 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973) - L'Atelier de Cannes (B.794) lithograph printed in colours, 1958, printed and published by Mourlot, Paris on Arches paper, the full sheet printed to the edges, 450 x 320 mm (17 3/4 x 12 5/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973) - Un poème dans chaque livre de Paul Eluard (C.109) lithograph, 1956, signed in pencil, numbered 99/100, on wove paper, with full margins, 237 x 155 mm (9 3/8 x 6 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973) - La Petite Corrida lithograph printed in colours, 1957, from Hommage à Picasso, published by XXieme Siècle, Paris, on wove paper, with margins, sheet 318 x 248 mm (12 1/2 x 9 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973)(after) - Collages Aquarelles Gouaches (CZW.143) offset lithographic poster printed in colours, 1958, printed by Mourlot, Paris, on wove paper, the full sheet printed to the edges, sheet 665 x 475 mm (26 1/4 x 18 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973)(after) - Peintures Vauvenargues (CZW.206) offset lithograph printed in colours, 1962, printed by Mourlot, Paris, on wove paper, with full margins, sheet 700 x 500 mm (27 1/2 x 19 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973)(after) - 172 Dessins Récenzs; Arles Musée Réattu; Exposition de Lithographies (CZW.446) three offset lithographic posters printed in colours, 1971-73, each printed by Mourlot, Paris, each on wove paper with full margins, overall size 720 x 500 mm (28 3/8 x 19 3/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Pablo Picasso (1881-1973)(after) - L'Homme a la Fraise (CZW.448) lithographic poster printed in colours, 1973, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 680 x 505 mm (26 3/4 x 19 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.