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After Pablo Picasso (1881-1973) - Wood cut - “Pose de Modele” - Interior scene with classical artist sketching a seated woman, 7.75ins x 8.75ins, signed and dated 1926 in plate, in walnut and gilt moulded frame and glazed

A Picasso style Vase

Boeck (Wilhelm and Sabartes, Jaine) Picasso, 1955, col. plts. tipped-in, num. b & w illusts. from photos., orig. cloth in frayed d.j., folio, together with Biggs (John R.), Woodcuts, Wood-Engravings, Lino Cuts and Prints by Related Methods of Relief Print Making, 1st ed., 1958, num. illusts., orig. cloth in chipped d.j., 8vo, with other misc. art reference (3 shelves)

After Pablo Picasso- 'Girl and Mirror'; etching, signed within the plate and numbered 91/100 in pencil, 38x27cm. Note: part of the suit to illustrate the poems 'Les Amours De Picasso' 1963 by Genevieve Laporte.

Pablo Picasso: (Spanish 1881 - 1973) a signed coloured lithograph entitled Illustration I, showing cross legged nude and artist with easel, signed in pencil lower left, printed 3.2.54, with certificate of authenticity from gallery verso, framed, from Edition Mourlot, Paris 1954, 10 1/4 in by 14 in.

Pablo Picasso (1881 - 1973) by and after, Editions, coloured print, signed in pencil, certificate, 19cm x 21cm

'Picasso Cubicism 1907-1917' by Josep Palau I Fabre, first published in the United States of America in 1900 by Rizzoli International; 'Good Bye Picasso', David Douglas Duncan; 'Picasso Picasso's' by David Douglas Duncan; and 'Art Today' by Edward Louis Smith

LEVINSON (ANDRE) THE DESIGNS OF LEON BAKST FOR THE SLEEPING PRINCESS..., 54 mounted colour plates, portrait plate by Picasso, limited edition of 1000 copies, original vellum backed blue cloth, folio, Benn, London, 1923.

SAURAT (DENIS) DEATH AND THE DREAMER, cloth, dustwrapper, 8vo, 1946; Stein (Gertrude) Picasso, cloth, dustwrapper, 8vo, 1939; Whistler (Laurence) The World's Room, illustrated by Rex Whistler, cloth, dustwrapper, 8vo, 1949; Piper (John) British Romantic Artists, original printed card covers, dustwrapper, 8vo, 1942; Parsons (Denys) It Must Be True, illustrated by Ronald Searle, cloth, dustwrapper, 8vo, 1954 (5).

After Pablo Picasso- 'Femme dans un Fauteuil et Guitariste', 'Femme Couchee et Homme a la Guitare', 'Picador et Toreo' and 'Picador et Taureau', originally publ. 1958-60, these examples from a later edition; linocuts printed in colours, 31.7x37.5cm., ea., (4), (unframed). The first edition of 45 linocuts were exhibited at Galerie Louise Leris and the Hanover Gallery in 1960

After Pablo Picasso- 'Man', from 'La Guerre et la Paix', folio publ. by Cercle des Arts, Paris, 1959, 22x13cm:After Georges Braque- 'Collage' from Derriere le Mirroire, publ. by Maeght, Paris, 1952, printed by Mourlot, 36x25cm

A Poole pottery charger, "Picasso", designed by Niki Masserela, diameter 41cm

Madoura Pottery Edition Picasso jug of slender elongated form, having hand painted brown and black decoration depicting a woman's head, 31cm high

Daix (Pierre and Rosselet, Joan). Picasso. The Cubist Years, 1907-1916. A Catalogue Raisonne of the Paintings and Related Works, Thames & Hudson, 1979, num. col. and b & w illusts., orig. cloth in d.j., together with Rowell (Margit and Wye, Deborah), The Russian Avant-Garde Book, 1910-1934, Museum of Modern Art, New York, 2002, num. col. and b & w illusts., orig. boards (rear cover scratched), square 4to, plus Passuth (Crisztina), Moholy-Magy, pub. Thames & Hudson, 1985, num. col. and b & w illusts., orig. cloth in d.j., 4to, with other modern art, many in d.j.s, G/VG (approx. 65)

Pablo Picasso (1881-1973) Illustration I (3.2.54) Colour lithograph Edition Mourlot Paris 1954 24cm x 32cm

Pablo Picasso (1881-1973) Seated lady Colour reproduction Editions Paris 1946 Signed in pencil 21cm x 14cm With certificate of authenticity.

Pablo Picasso (1881-1973) Abstract portrait Colour reproduction Editions Paris 1946 Signed in pencil 20cm x 16.5cm

PICASSO. Heliogravure print, monochrome, ‘Nude and Masked Cupid’, signed in pencil Picasso, 12.25’ x 9.25’, framed.

A PICASSO TYPE POTTERY PLATE, impressed P.B., 10 1/2" and an Oriental stoneware plaque, 11"

Richard Pettibone, b. 1938, PICASSO, ETCHING FROM THE "347 SERIES", signed, titled and dated 1984, acrylic and enamel on canvas, 25.5x25.5cm.; 10x10in.

Picasso (Pablo). Suite de 180 Dessins de Picasso, Verve, nos. 29-30, 1954, col. litho. title, col. and b&w plts., orig. col. litho. pict. boards with design by Picasso, lower joint partially worn, folio (1)

*Picasso (Pablo, 1881-1923). 'Composition', colour lithograph, pub. School Prints, c. 1950, approx. 405 x 760 mm, framed and glazed (1)

Duncan (David Douglas). Picasso's Picassos. The Treasures of La Californie, pub. London, 1961, port. frontis., num. tipped-in col. reprods., orig. canvas in frayed d.j., together with Cooper (Douglas), Picasso Theatre, Weidenfeld & Nicolson, 1968, tipped-in col. plts., num. b & w illusts., orig. pict. canvas with printed glassine d.j., plus Picasso, His Recent Drawings, 1966-1968, Preface by Rene Char, text by Charles Feld, 1969, num. col. and b & w illusts., orig. pict. cloth with printed glassine d.j., all 4to, with other modern art, mostly Picasso and Hockney (21)

Picasso (Pablo, 1881-1923). Toros y Toreros, Texte de Louis Miguel Dominguin et une etude de Georges Boudaille, 1st English ed., pub. Thames & Hudson, 1961, numerous colour and b&w reprods. and illusts. to text, title, endpapers and covers designed by Picasso, orig. cloth, a little rubbed and some minor marks, folio, together with Berger (Klaus), Odilon Redon, Fantasy and Colour, trans. Michael Bullock, 1st English ed., 1964, numerous tipped-in colour plates, b&w illusts., orig. cloth, a little rubbed and sl. faded to spine, 4to, plus Reade (Brian), Beardsley, pub. Studio Vista, 1967, numerous b&w plts. and illusts., orig. cloth, a little rubbed, 4to, and other various art reference, mostly 19th and 20th c. interest, including Phaidon, and Thames & Hudson publications, etc. (84)

After Pablo Picasso, 1889-1973 - ‘Femme dans un Fauteuil et Guitariste’; linocut in brown and black, 28.1 x 34.5cm: together with one other linocut by Picasso titled ‘Femme Couchee et Homme a la Guitare’, 1959, 30.8 x 37cm., both unsigned, (2), (unframed). Both these linocuts were part of a suite of 45 produced between 1958-60 and exhibited at the Galerie Louise Leiris and the Hannover Gallery in 1960, (cat no. 13 and 14)

Pablo Picasso Illustration III (29.1.54) Lithograph Signed in pencil, with certificate

Pablo Picasso (1881-1973) Colour reproduction print Signed in pencil 29cm x 21cm With certificate of authenticity

Pablo Picasso (1881-1973) Reproduction colour print Signed in pencil 29cm x 21cm With certificate of authenticity

A pair of 11in. circular ware plates, hand-painted contemporary bust portraits of male figures, signed Picasso, inscribed on the reverse 'Centenario Picasso Procumiva'.

Alexandra Exter 1884-1949 the bridge signed in Latin l.r. oil on canvas 116 by 73cm.45.5 by 28.75in. Provenance Mrs. Stohl the nurse of the artist; Bought from Mrs. Stohl by the present owner in the early 1980s Exter was neither a Cubist or Futurist or Constructivist or Suprematist or Purist and there lies her deep originality: she made use of these methods to further her research and surpassed them all.' Jean Chauvelin. Alexandra Exter was an artist of many disciplines spanning painting sculpture book illustration and set design. During her studies in Paris she befriended some of the leading figures of the European Avant-garde such as Pablo Picasso Sonia Delaunay Fernand Leger and Max Jacob. ÊExter herself became pivotal in the transfer of Western theories on Cubism and Futurism to Russia and from 1921-24 she taught colour workshops at the Higher Artistic-Technical Workshop (VkhuTeMas). As a result of her work for the Kamernyi Theatre Moscow she to the fore as one of theatre's most innovative designers. With its strong cubist influences and architectural details the offered lot shares many similarities with Exter's compositions from the 1930s and 1940s. This desolate unpopulated landscape echoes the increasing solitude which Exter felt towards the end of her life. For comparable works please see J.Chauvelin (Ed.) Alexandra Exter Chevilly-Larue: Max Milo Editions 2003 p361

Bakst Leon--Andre Levinson L'Oeuvre de Leon Bakst pour La Belle au Bois Dormant preface by Andre Levinson Paris: M. de Brunoff 1922 quarto the side edge uncut two title-pages with headers one signed by the artist and publisher twenty-two pages fifty-five plates including a Portrait of Leon Bakst by Pablo Picasso signed and dated 1-4-22; numbered 395 from a series of 500 395 by 290mm. 15.5 by 11.5in

Two Tiffany & Co silver bangles "Love and Kisses" cuff-bangle designed as noughts and crosses stamped Paloma Picasso the other "Atlas" full bangle with Roman numerals one to twelve boxed

Pablo Picasso two unframed lithographs Don Quixote 25.5 x 19.5 ins.

Picasso lithograph Head of a woman signed in the plate 23 x 17 ins.

Pablo Picasso (Spanish, 1881-1973) Nude and masked Cupid Heliogravure, Edition Mourlot, Paris 1954 Signed 32cm x 24cm With certificate of authenticity, Fine Line Art Corp

Pablo Picasso (Spanish, 1881-1973) Female head study Lithograph, Editions: Monte Carlo, Du Livre, Fernand Mourlot, 1961 Signed 29cm x 20cm With certificate of authenticity, QUW Gallery & Jazz Fine Arts

Pablo Picasso (Spanish, 1881-1973) Female study Colour lithograph, Editions: Monte Carlo, Du Livre, Fernand Mourlot 1961 Signed 23cm x 17cm With certificate of authenticity, QUW Gallery & Jazz Fine Arts

Cocteau, Jean. Cock and Harlequin, London 1921. Wrappers, illustrated by Picasso, 8vo plus four others by the author. (5)

After Picasso, a Large Madoura pottery earthenware pitcher, purchased new from Madoura pottery by vendor c1950s, the white ground with abstract bird and female composition painted and partially glazed, height 43cm, impressed mark 'Madoura' and Plien Feu to underside (af).

British school, late 20th century- 'Lady Diaz', mixed media on paper; indistinctly signed and inscribed, 69x45cm; together with a similar mixed media study by the same hand: together with two studies in oils on canvas in the manner of Picasso and Cezanne, (4)

After Pablo Picasso- Study of a figure; reproduction print in colours, in a gilded glazed frame, 57x43cm: together with two black and white reproduction prints after the same hand, (3)

A Clarice Cliff Bizarre plate decorated in the "Picasso Melons" pattern, diameter 22.5cm

Pablo Picasso, 1881-1973 VISAGE NO. 197 (AR NO. 494) inscribed Edition Picasso, Madoura, No. 197 and numbered 129/500 on the reverse painted and glazed white eathenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 500.

Pablo Picasso, 1881-1973 VISAGE NO. 0 (AR NO. 458) inscribed Edition Picasso, Madoura, No. 0 and numbered 267/500 on the reverse painted and glazed white earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 500.

Pablo Picasso, 1881-1973 SERVICE POISSON (AR NO. 22) stamped Madoura Plein Feu, inscribed Edition Picasso and numbered 40 on the underside painted and glazed soup tureen diameter: 32cm.; 12.625in. Conceived in 1947 in an edition of 300.

Pablo Picasso, 1881-1973 CHOUETTE (AR NO. 543) stamped Edition Picasso, Madoura Plein Feu, inscribed Edition Picasso, Madoura, R 141 and numbered 495/500 on the underside painted and partially glazed vase 30 by 22.5cm.; 11.625; by 8.875in. Conceived in 1968 in a numbered edition of 500.

Pablo Picasso, 1881-1973 VISAGE (AR NO. 288) stamped Edition Picasso, Madoura Plein Feu and inscribed Edition Picasso, Madoura on the underside painted earthenware pitcher height: 31.5cm.; 12.25in. Conceived in 1955 in an edition of 500.

Pablo Picasso, 1881-1973 PASE DE CAPE (AR NO. 417) stamped Empreinte Originale de Picasso, Madoura Plein Feu and numbered 37/50 on the reverse painted and partially glazed earthenware plate diameter: 42cm.; 16.5in. Conceived on 1st July 1959 in a numbered edition of 50.

Pablo Picasso, 1881-1973 PASE DE MULETA (AR NO. 428) stamped Empreinte Originale de Picasso, Madoura Plein Feu and numbered 25/50 on the reverse painted terracotta plate diameter: 42cm.; 16.5in. Conceived on 1st July 1959 in a numbered edition of 50.

Pablo Picasso, 1881-1973 COGIDA (AR NO. 429) stamped Empreinte Originale de Picasso, Madoura Plein Feu and numbered 25/50 on the reverse painted terracotta plate diameter: 42cm.; 16.5in. Conceived on 1st July 1959 in an edition of 50.

Pablo Picasso, 1881-1973 PICADOR (AR NO. 426) stamped Empreinte Originale de Picasso, Madoura Plein Feu and numbered 25/50 on the reverse painted terracotta plate diameter: 42cm.; 16.5in. Conceived on 1st July 1959 in an edition of 50.

Pablo Picasso, 1881-1973 VASE DEUX ANSES HAUTES (AR NO. 141) stamped Edition Picasso, Madoura Plein Feu and inscribed Edition Picasso painted and partially glazed earthenware pitcher 38.5 by 17cm.; 15.125; by 6.625in. Conceived in 1952 in an edition of 400.

Pablo Picasso, 1881-1973 BOUTEILLE GRAVeE (AR NO. 249) inscribed Edition Picasso, Madoura and numbered 36/300 on the underside painted and partially glazed earthenware vase height: 43.5cm.; 17.125in. Conceived in 1954 in a numbered edition of 300.

Pablo Picasso, 1881-1973 VISAGE NO. 125 (AR NO. 477) inscribed Edition Picasso, Madoura, No. 125 and numbered 140/150 on the reverse painted and glazed earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 150.

Pablo Picasso, 1881-1973 VISAGE NO. 130 (AR NO. 479) inscribed Edition Picasso, Madoura, No. 130 and numbered 500/500 on the reverse painted and glazed white earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 500.

Pablo Picasso, 1881-1973 FEMMES FLEURS (AR NO. 50) stamped Edition Picasso, Madoura Plein Feu, inscribed Edition Picasso, Madoura, R 152 and numbered 111/175 on the underside painted and glazed earthenware pitcher 33.5 by 21cm.; 13.125; by 8.25in. Conceived in 1948 in a numbered edition of 175.

Pablo Picasso, 1881-1973 VISAGE NO. 46 (AR NO. 466) inscribed Edition Picasso, Madoura, No. 46 and numbered 149/150 on the reverse painted and partially glazed white earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 150.

Pablo Picasso, 1881-1973 PETITS VISAGES NO. 57 (AR NO. 468) inscribed Edition Picasso, Madoura, No. 57 and numbered 150/150 on the reverse painted and partially glazed earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 150.

Pablo Picasso, 1881-1973 VISAGE (AR NO. 290) inscribed Edition Picasso, Madoura on the underside painted and glazed earthenware bowl diameter: 13cm.; 5.125in. Conceived in 1955 in an edition of 500.

Pablo Picasso, 1881-1973 PETITI CHEVAL NO. 61 (AR NO. 470) inscribed Edition Picasso, Madoura, No. 61 and numbered 100/150 on the reverse painted and partially glazed white earthenware plate diameter: 25cm.; 9.875in. Conceived in 1963 in a numbered edition of 150.