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Paper & Papermaking.- Stevens-Nelson Paper Corp. Specimens: A Catalogue, samples, illustrations, many colour, tissue guards, some light offsetting, price list loosely inserted, original morocco-backed marbled boards, uncut, board slip-case (worn and split), New York, 1953 § Morris (Henry) The Bird & Bull Commonplace Book, number 75 of 255 copies, brass token in pocket at end, with prospectus and A.L.s. from the author/printer to the collector Samuel Rosenthal loosely inserted, original cloth-backed marbled boards, slip-case (a little faded), North Ills, Pa., Bird & Bull Press, 1971 § Barcham Green (J.) Papermaking by hand in 1953, number 28 of 130 copies, original wrappers loose in pocket of original board folder with 16 reproductions of photographs of papermaking loosely inserted in facing pocket, Seaton, Old School Press, 2017; and another on printing punctuation, v.s. (4)⁂ The first includes book covers, title pages, graphics, letterheads, advertisements etc. designed or printed by Goudy, Rudge, Updike, Rogers, Cleland, Dwiggins and others (some European); illustrators include Picasso, Leger and Henry Moore.
MOURLOT, Fernand (1895-1988). A Même la Pierre. Fernand Mourlot. Lithographe. Text de Castor Seibel. Paris: Pierre Bordas et Fils, 1982. 4to (306 x 240mm). Coloured lithographed illustrations by Matisse, Miró, Picasso and others. Unbound, as issued, in original coloured lithographed wrappers, original cloth box. NUMBER 80 OF 150 COPIES SIGNED BY MOURLOT AND SEIBEL. 6426
Pablo Picasso, (Spanish, 1881-1973), "Jeune Sculpteur Grec avec sa Sculpture: un Homme et un Ephebe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Picasso watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 10.5"h x 7.5"w, sheet: 17.75"h x 13.25"w
Pablo Picasso, (Spanish, 1881-1973), "Sculpture d'un Jeune Homme a la Coupe (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 14.25"h x 11.5"w, sheet (unframed): 17.75"h x 13.25"w
Pablo Picasso, (Spanish, 1881-1973), "Minotaure Mourant (from Vollard Suite)," 1933, printed in 1939, etching on Montval paper with Vollard watermark, pencil signed lower right, from edition of 260, printed by Lacouriere, Paris, published by Vollard, Paris, plate: 7.5"h x 10.5"w, sheet: 13.25"h x 17.75"w
Pablo Picasso lithographic print (Mourlot) circa 1958, Pablo Picasso print circa 1956 (Ambrose Vollard) 2 x Elisabeth Frink lithographic prints circa 1975, Henry Moore Shelter print circa 1940, Paul Klee print, Salvador Dali Print circa 1953, Henri Matisse print circa 1935, Georges Braque lithographic print circa 1958 (Mourlot). 9 in total all mounted but unframed, approx overall sizes 16 x 12 inches.
Twelve (12) items of assorted jewelry, including Paloma Picasso, Linda Hesh, Mignon Faget, and Tane. 1st-2nd items: Two (2) Tiffany & Co. sterling items, including a pair sterling "X" earrings by Paloma Picasso for Tiffany with maker's marks en verso, and a sterling heart shaped snuff bottle with maker's mark on neck. 3rd item: Pair of designer 'penny bucket' earrings by Linda Hesh, with miniaturized linked copper pennies cascading out of overturned buckets. Maker's name and sterling mark en verso. 4th item: Mignon Faget sterling shell shaped pendant with maker's signature engraved en verso, on a sterling box chain. 11 1/4" L including pendant. 5th item: European small square pill box with wave pattern to exterior, marked "800" next to an illegible mark on inner edge opposite the hinge. 6th item: Mexican sterling open bangle bracelet with gold gilt cabochon decoration to top. Maker's mark for Tane Mexican silver to underside. 6 3/4" interior circumference. 7th item: Pair marked sterling earrings consisting of gadrooned loops with gold gilt decoration. 8th item: sterling silver ribbed ring with clear stone, size 6 1/2. 9th-12th items: Four (4) sterling bracelets. Includes three (3) marked sterling on clasps, one woven bracelet, 7" interior circumference, and two hinged bangles with safety chains, both with 6 3/4" interior circumference; one (1) open bangle with turquoise decoration, 6 1/2" interior circumference, unmarked but tests as sterling. All items range from 1" dia to 2 1/2" H x 2 1/2" W x 1 1/2" D. 7.765 weighable troy ounces. All items late 20th or early 21st century. Provenance: Private Knoxville, TN collection. CONDITION: Overall good condition, minor wear, on all items. 9th-12th items: Some turquoise pieces loose in mounts.
Paul Calle (American, 1928 - 2010) and Chris Calle (American, B. 1961) "Artists Proclaim Distinctness of 20th Century" Signed lower right. Original Mixed Media painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 60? Artists Proclaim Distinctness of the 20th Century stamp issued April 15, 1997. Along with amazing advances in technology, science and medicine, the 20th century began with artists looking at the world -- and representing it -- in new ways. One of the most influential 20th century art movements was Cubism. Unlike traditional art that was clearly understood and appreciated in terms of style, subject matter and composition, a Cubist work demanded viewer participation, was much more interpretive and allowed the observer to experience the art through imagination and subjective understanding. In 1907, Spanish artist Pablo Picasso, working in France, created the first influential Cubist work, Les Demoiselles d'Avignon, shown in the background of this painting. Other influential artists of the era include Henri Matisse, Georges Braque and Wassily Kandinsky. Image Size: 11.75 x 17.25 in. Overall Size: 18 x 23.25 in. Unframed. (B15633 / B15635)
(See below for english version)„Salut Pablo“. 1973Farbserigrafie auf Papier. 50 × 64 cm (55,6 × 76 cm) ( 19 ⅝ × 25 ¼ in. (21 ⅞ × 29 ⅞ in.)). Signiert.Nicht bei Chenivesse.–Einer von 90 nummerierten Abzügen. Ein Blatt (von 31) der Mappe: Hommage à Picasso. Berlin, Propyläen Verlag, und Rom, Pantheon Presse, 1973. [3030]Zustandsbericht: Ex. 25/90. In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.„Salut Pablo“. 1973Colour silkscreen on paper. 50 × 64 cm (55,6 × 76 cm) ( 19 ⅝ × 25 ¼ in. (21 ⅞ × 29 ⅞ in.)). Signed.Not in the catalogue raisonné by Chenivesse.–One of 90 numbered prints. One sheet (of 31) from the portfolio: Hommage à Picasso. Berlin, Propyläen Verlag, and Rome, Pantheon Presse, 1973. [3030]Condition report: No. 25/90. In good condition. The sheet edges are without tears or losses. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Winifred Nicholson (British, 1893-1981)White Violets signed, titled and dated 'White Violets/Winifred Nicholson/1922' (verso)pencil and oil on board45.7 x 54.7 cm. (18 x 21 1/2 in.)Footnotes:ProvenanceWith Austin Desmond Fine Art, London, April 1984, where acquired byReuters Group Plc, where acquired by the family of the present ownerPrivate Collection, U.K.ExhibitedLondon, Mansard Gallery, Seventeenth Exhibition of the London Group, 16 October-11 November 1922London, W.B. Paterson Gallery, Paintings by Benjamin and Winifred Nicholson, May-June 1923, cat.no.27Ascot, Austin Desmond Fine Art, Aspects of Modern British Art, 24 March–28 April 1984, cat.no.40After Winifred and Ben Nicholson married in November 1920 they spent their honeymoon travelling around Italy looking for somewhere to live, eventually settling on a house at Castagnola, near Lugano, in the Italian speaking part of Switzerland. Here they spent three winters, travelling back to England via Paris where they admired works by Cézanne, Picasso, Braque, Rousseau, Matisse and Derain, absorbing what they had seen and experimenting furiously. Winifred described Paris as 'electric with innovation ... Its creative energy was not to be believed, so we always went back to Villa Capriccio and brooded our ideas'. (See Sebastian Barassi 'The Allure of the South: the Nicholsons in Italy and Switzerland, 1920-23' in Art and Life: Ben Nicholson, Winifred Nicholson, Christopher Wood, Alfred Wallis, William Staite Murray, 1920-1923, Philip Wilson Publishers, London, 2014). Many of the paintings then made have not survived, and White Violets, which was exhibited at the London Group show in the autumn of 1922 is the earliest known work from this pivotal moment in Winifred Nicholson's development. Winifred's White Violets and Ben Nicholson's 1922 (Bread) (Tate) give an indication of how closely the husband and wife worked together, but it was Winifred's painting which came to 'flowering point' the following winter, notably in Cyclamen and Primula (Kettle's Yard, Cambridge) and also exploring translucent white light, in an astonishing period of creativity that Winifred was never able to repeat. Winifred later wrote, 'You know how much I like buds, the beginnings of things, with all the promise to come implied, but not yet stated.' White Violets, with its white buds hovering expectantly and which introduces so many of Winifred's favourite ideas and themes, can be seen symbolically as just such a beginning with the promise implied. We are grateful to Jovan Nicholson for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
PICASSO, Pablo(1881 Málaga/Spanien - 1973 Mougins/Frankreich) 3 lineare Werke3 Lithografien. Im Stein signiert. Gerahmt & hinter Glas je 48 x 48 cm. Auf ein Minimum reduzierte Körperpartien, mit Bleistift nummeriert; Po: 184/500, weibliche Scham: 230/500, Gesicht: 102/500 Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus.
MATISSE, Henri(1869 Le Cateau Cambrésis - 1954 Nizza) Blue NudeFarblithografie, Affiche. In der Platte signiert. In der Platte datiert: (19)52. 60 x 45 cm. Gerahmt & hinter Glas 61,5 x 51,5 cm. Aus einer Serie von etwa 12 abstrakten Aktfiguren, die wie Skulpturen wirken. Schlichter verglaster Rahmen Matisse, Maler, Grafiker, Illustrator und Bildhauer. Studierte an der Académie Julian in Paris. Gründete 1908 die "Académie Matisse". Zählt mit Pablo Picasso zu den bedeutendsten Künstlern der Klassischen Moderne * Partnerauktion Bergmann.
Popham (A.E.). Correggio's Drawings, 1st edition, Oxford University Press for the British Academy, 1957, numerous monochrome illustrations, original pale blue cloth gilt, 4to, together with Turner (Nicholas). Florentine Drawings of the Sixteenth Century, 1st edition, British Museum, 1986, colour and monochrome illustrations, original brown cloth gilt in dust wrapper, 4to, plus Kaufmann (Thomas DaCosta). Drawings from the Holy Roman Empire 1540-1680, Princeton University Press, 1982, monochrome illustrations, original blue cloth gilt in dust wrapper, 4to, and others related on Renaissance and later drawings, including From Schongauer to Holbein, Master Drawings from Basel and Berlin, Washington, National Gallery of Art/Hatje Cantz, 1999, Jakob Rosenberg, Great Draughtsmen from Pisanello to Picasso, Cambridge, Massachusetts, Harvard University Press, 1959, Diane DeGrazia, Correggio and His Legacy, Sixteenth-Century Emilian Drawings, Washington, National Gallery of Art, 1984, etc., some original cloth, but including many paperbound editions, 4to/8vo (Qty: 38)
Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Barcelona Suite (Danseuse naine) [Musee Picasso]". Medium: Color offset lithograph. Date: Composed 1966. Dimensions: Overall size: 29 1/4 x 20 3/4 in. (743 x 527 mm).Lot Note(s): Edition of 20,000. Cream wove paper. Very wide margins. Fine impression. Fair to good condition; some creasing and handling marks. Literature/catalogue raisonne: Czwiklitzer 234 (1970 ed.);Czwiklitzer 274 (1981 ed.); Rodrigo 148. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Image copyright © Artists Rights Society (ARS), New York. [26975-5-100]
Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]
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12359 item(s)/page