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Lot 931
A QUANTITY OF ASSORTED PRINTS ETC, to include reproduction Jacques Tati film posters, Picasso poster print 'Yello jug 1931', vintage Gauguin poster print, Van Gogh self-portrait print, 19th century topographical prints, engraving of the Royal Academy after John Carter, an engraving of Noorder Kerk, a Chinese silk picture of flowers and insects, portraits after Holbein, framed tiles, Ghiglion-Green print of Paris, picture frames etc
Lot 939
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include landscape oils on canvas signed W. Ray including a view of Ladybower reservoir, watercolours and prints by Cordelia Mary Penrose Sikes, works are dated 1943 to 1981, subjects include landscapes and a harbour scene, pencil sketches and watercolours signed G. Sikes, open edition Pablo Picasso print 'Mother and Child', an indistinctly signed linocut print 'Black Sailfin', Abraham Raimbach (1776-1834) an engraving print after David Wilkie 'The Cut Finger' published 1819, a William IV needlework sampler by 'Harriet West aged 12 1835', a central motto is bordered by the alphabet, trees, vases and a repeat pattern border, approximate size 56cm x 56cm - condition report: holes to the top corners, discolouration across the whole surface, 19th century topographical prints etc (box and loose)
Lot 2072
David Wilde (British, 1918-1974): acrylic on board, The Spinney Sunset, image 60 x 45cm, overall 63 x 48cm. Wilde became well known on the Continent as a genius of erotic art. With his work being exhibited alongside that of Picasso and Dali in Paris. In those days the nature of his erotic work meant that it could not be shown publicly in the UK. He called himself Wilde and notoriously lived the high life in London. Often enjoying the company of various celebrities and members of the aristocracy, before returning home to his life in Manchester. Not available for in-house P&P
Lot 1553
Dalí, SalvadorFigueras, 1904 - Cadaques, 1989Blattgröße: 65 x 50 cm, o. R."Picasso: A ticket for glory", 1974. Radierung und Pochoir auf Rives Bütten aus der Folge "After 50 years of surrealism". In Bleistift unten rechts signiert und unten links nummeriert "F 84/195". Prägestempel: Transworld Art.Michler/Löpsinger, 670 c.Sammlung, Nordrhein-Westfalen.
Lot 224
Zervos (Christian) L'Art de l'Époque du Renne en France, plates and illustrations, many full- or double-page, original cloth, slight bumping to spine extremities, dust-jacket, a little rubbed, slight creasing to edges, Paris, 1959 § Penrose (Roland) Picasso: His Life and Work, first edition, frontispiece, plates, bookplate, original cloth, slight bumping to spine extremities, dust-jacket, one or two short marginal tears, chipping and creasing to edges, 1958 § R. F. cet ouvrage a été édité par le Gouvernement Français a l'occasion de la visite en France de Leurs Majestés Britanniques ..., out-of-series copy from an edition of 1000, full-page illustrations, original paper wrappers, slight chipping and creasing to edges, remnants of glassine wrapper, Paris, 1938; and others, art, architecture or illustrated, v.s. (c.100)
Lot 171
An exceptional oil on canvas painting by Brazilian-born artist Fernando de Jesus Oliveira, known professionally as Ferjo. This vibrant and surreal composition pays homage to Pablo Picasso, blending elements of Cubism with Ferjo's signature dreamlike style. The artwork features a central Picasso-inspired portrait framed by a whimsical, surreal room adorned with floating objects, including butterflies, strawberries, and fragmented spheres. Ferjo's use of bright, bold colors and meticulous detail evokes a sense of both nostalgia and modern innovation, making this piece a dynamic addition to any collection. Signed by the artist in the lower right corner, the painting is set within a complementary gilded frame that enhances its visual impact. Ferjo's ability to create captivating, dreamlike spaces has made him a sought-after contemporary surrealist. Ferjo is an acclaimed Brazilian-American surrealist artist renowned for his masterful blend of realism and fantasy. Born in 1946, he trained at the Pennsylvania Academy of Fine Arts, where he refined his unique style that often draws on the influences of art historical giants such as Picasso, Dali, and Matisse. His works often depict dreamlike interior spaces populated with unexpected elements, creating a sense of wonder and curiosity. Ferjo's paintings are celebrated for their technical precision, imaginative compositions, and vibrant use of color. His works have been exhibited internationally and are highly collectible. Signature on lower right. Artwork dimensions with frame: 39"L x 41"H x 2.50"W. Artist: Ferjo (Brazilian b. 1946)Issued: c. 2000Dimensions: See DescriptionCountry of Origin: BrazilCondition: Age related wear.
Lot 175
This captivating limited edition serigraph on paper titled Pichet au Damier Soupiere Jaune is by the acclaimed French modernist Marcel Mouly. Numbered 243 out of an edition of 300, the artwork features Mouly's signature use of bold, saturated colors and dynamic shapes. The still life composition, with its vibrant checkerboard-patterned pitcher, fruit, and other objects, exudes a sense of energy and movement, characteristic of Mouly's expressive style. Elegantly presented in a glossy black lacquer frame, this piece is ready to enhance any collection. Marcel Mouly (1918-2008) was a celebrated French artist known for his contributions to Modernism and the Fauvist movement. A student of the great Modernist traditions, Mouly drew inspiration from artists like Henri Matisse and Pablo Picasso. His works are characterized by a masterful use of color, abstract forms, and dynamic compositions, bridging the gap between tradition and innovation. Mouly's career spanned over six decades, during which he exhibited extensively in Europe and the United States. His works are included in numerous prestigious collections, including the Museum of Modern Art in Paris. Recognized as one of the last great modern masters of the 20th century, Mouly's legacy continues to captivate art enthusiasts worldwide. Signature and edition number on lower edge. Artwork dimensions with frame: 45"L x 35"H x 1.50"W. Artist: Marcel Mouly (French 1918-2008)Dimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.
Lot 170
This vibrant and surrealistic giclee on canvas entitled Magic Windowsill by renowned Brazilian artist Ferjo captures a whimsical interior scene filled with bright colors, playful light, and surreal elements. The composition draws the viewer into a dynamic interplay between realistic settings and dreamlike imagery, exemplified by the detailed butterfly, colorful tropical fish, and geometric objects scattered throughout the space. The artwork is framed in a gold-tone ornate frame with floral carvings, complementing the luminous tones of the painting and enhancing its display presence. Fernando de Jesus Oliveira, widely known as Ferjo, is celebrated for his distinctively surrealistic and imaginative paintings. His works often merge vivid realism with fantastical elements, creating dreamlike environments that captivate audiences worldwide. A protege of Salvador DalÃ's and a student of cubism, Ferjo incorporates homages to iconic artists like Picasso, Matisse, and Van Gogh in his pieces, often blending their styles with his unique artistic voice. Born in Brazil, Ferjo has exhibited his works internationally, gaining acclaim for his technical mastery and ability to create imaginative worlds. His paintings are widely sought after by collectors and art enthusiasts alike. Signature and edition number on lower edge. Artwork dimensions with frame: 20.75"L x 17.25"H x 1.50"W. Artist: Ferjo (Brazil b. 1946)Issued: 2001Dimensions: See DescriptionCountry of Origin: BrazilCondition: Age related wear.
Lot 81
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 66 x 51 cm, R."Vallauris", 1952. Linolschnitt in Grün auf dünnem Velin. Ausstellungsplakat. In der Druckvorlage unten links signiert. Auflage: 500 Exemplare. Herausgeber: Arnéra, Vallauris.Czwiklitzer, 11. Bloch, 1257.Privatsammlung, Baden-Württemberg.
Lot 86
Picasso, PabloMalaga, 1881 - Mougins, 197324 x 18 cm, R."Portrait de Max Jacob", 1953. Lithografie auf Bütten. In rotem Farbstift unten rechts signiert und unten links in Bleistift nummeriert II/X.Bloch, 743.Ketterer Kunst, Hamburg, Auktion 18. 5. 2001, Lot 611.Sammlung Kerstan, Baden-Württemberg.Privatsammlung, Baden-Württemberg.
Lot 100
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 50 x 66 cm; 41,5 x 52 cm, o. R."Personnage assis et personnage couché", 1956. Lithografie auf Bütten. In Bleistift unten rechts signiert und unten links nummeriert 12/50 sowie im Stein datiert "18. 4. 56".Bloch, 798.Privatsammlung, Baden-Württemberg.
Lot 2063
David Wilde (British, 1918-1974): acrylic on board, Fire in a Cornfield, image 17 x 22cm, overall 31 x 36cm. Wilde became well known on the Continent as a genius of erotic art. With his work being exhibited alongside that of Picasso and Dali in Paris. In those days the nature of his erotic work meant that it could not be shown publicly in the UK. He called himself Wilde and notoriously lived the high life in London. Often enjoying the company of various celebrities and members of the aristocracy, before returning home to his life in Manchester. Not available for in-house P&P
Lot 2026
David Wilde (British, 1918-1974): acrylic on board, Llanfairfechan, image 22 x 27cm, overall 36 x 41cm. Wilde became well known on the Continent as a genius of erotic art. With his work being exhibited alongside that of Picasso and Dali in Paris. In those days the nature of his erotic work meant that it could not be shown publicly in the UK. He called himself Wilde and notoriously lived the high life in London. Often enjoying the company of various celebrities and members of the aristocracy, before returning home to his life in Manchester. Not available for in-house P&P
Lot 438
ALBERT SKIRA, ITALIAN PAINTING; three volumes comprising 'From Caravaggio to Modigliani', 'The Creators of the Renaissance' and 'The Renaissance: Critical Studies' by Lionello Vinturi, also three volumes of 'The History of Modern Painting' comprising 'From Baudelaire to Bonnard', 'Matisse Munch Rouault', and 'From Picasso to Surrealism' (6).
Lot 995
ANTES, HORST (geb. 1936 in Heppenheim; der Maler, Bildhauer und Grafiker lebt in Karlsruhe), Farblithografie: "An Pablo Picasso zum 25.10.1971", Farblithografie auf BFK Rives, mit Trockenstempel, unten rechts mit Bleistift handsigniert "Antes" und unten links limitiert 76 / 100. Literatur: Lutze 665. Charakteristische Arbeit des Künstlers, der sich in Abkehr vom Informel einer figurativen Kunst zuwandte und seine Dartstellungen des Menschen um 1965 auf die Kopfform reduzierte; seine sogenannten Kopffüßler, die zu seinem Markenzeichen wurden, waren u. a. beeinflusst vom Primitivismus, der Art Brut oder von Arbeiten der COBRA-Gruppe, besonders auch durch Kachina-Puppen der Puebloindianer. Antes studierte bei HAP Grieshaber an der Akademie der Bildenden Künste in Karlsruhe Malerei. Blattgröße ca. 75,5 x 57 cm, Druck 66,5 x 50,8 cm (Farbfrischer Druck; linker und unterer Rand außerhalb der Darstellung leicht lichtrandig, obere rechte Ecke leicht verschmutzt).
Lot 230
* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), MAGIC VILLAGE NO.7 oil on board, signed, titled and dated 1994 versoframedimage size 29cm x 38cm, overall size 34cm x 43cmLabel verso: Gimpel Fils, London Note: Davie was a Scottish painter, he as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.
Lot 556
Jaime Avila (Colombian, b. 1966). Diptych of analog photographs with light installation titled "La Vida es una Paserela (Picasso)" depicting two scenes: one of a city street and one of a figure walking through a crosswalk, 2002-2005. Edition 1/5.(Each) Sight; height: 29 1/2 in x width: 43 in. Framed; height: 44 1/2 in x width: 31 1/2 in x depth: 2 3/4 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Framed under glass; light wear to the frame including adhesive residue along the glass. Not inspected out of frame. The plug part of the lighting component has become detached from one of the works; the lighting element has not been tested. The other work does not have a lighting element.
Lot 370
Charles Biederman, born Karel Joseph Biederman (American, 1906-2004). Ink and gouache on Arches paper painting titled "Sculpture Model" depicting abstracted shapes in red and blue, 1937. Signed and dated "Paris 2/37" along the lower left; titled along the lower right. With a Menconi & Schoelkopf, New York, gallery label affixed to the verso.Provenance: Estate of Charles Biederman.Lot Essay:Born to Czech parents in Cleveland in 1906, Biederman was involved in the American art scene for his entire life. He briefly studied at the Cleveland Art Institute and the School of the Art Institute of Chicago (SAIC) before dropping out and moving to New York. It was there that he met and was included in shows with other influential artists of the time including Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw.For nine months from 1936-37 Biederman studied in Paris. It was here that he met and was influenced by leading artists including Picasso, Mondrian, and Miro. He was initially influenced by the works of Fernand Leger before moving away from his style and towards totally abstract, geometric compositions. The movements of Cezanne, Post-Impressionism, and Cubism informed the evolution of his style. And while he started out painting, he abandoned two-dimensional for more sculptural works by the end of 1937.In 1941 he married Mary Moore Biederman and in the following year he moved to Red Wing, Minnesota, where he would spend the rest of his life. In the 1950s, he created the term "Structurism" to help define his works from Constructivism and De Stijl. Many prominent collections around the world contain Structurist Reliefs including The Whitney Art Museum, The Metropolitan Museum of Art, and The Tate, London.In 2004, Beiderman died at the age of 98 and his estate was subsequently given to the Weisman Art Museum on the University of Minnesota - Twin Cities campus. They have organized traveling exhibitions of his works.Sight; height: 18 in x width: 14 in. Framed; height: 23 in x width: 20 in x depth: 1 1/2 in.Condition: The colors are bold and bright. There are no visible tears or restorations. The sheet is toned. Some light creases along the lower edge. Housed under a non-acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Lot 371
Charles Biederman, born Karel Joseph Biederman (American, 1906-2004). Painted aluminum 'Structurist Relief' sculpture titled "Untitled (#6)" depicting a three-dimensional geometric abstract composition in bright colors against a mint-green background, 1983-85. Signed, dated, and titled along the verso. With a custom moving crate. With a Menconi & Schoelkopf, New York, gallery label affixed to the crate.Provenance: Estate of Charles Biederman.Lot Essay:Born to Czech parents in Cleveland in 1906, Biederman was involved in the American art scene for his entire life. He briefly studied at the Cleveland Art Institute and the School of the Art Institute of Chicago (SAIC) before dropping out and moving to New York. It was there that he met and was included in shows with other influential artists of the time including Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw.For nine months from 1936-37 Biederman studied in Paris. It was here that he met and was influenced by leading artists including Picasso, Mondrian, and Miro. He was initially influenced by the works of Fernand Leger before moving away from his style and towards totally abstract, geometric compositions. The movements of Cezanne, Post-Impressionism, and Cubism informed the evolution of his style. And while he started out painting, he abandoned two-dimensional for more sculptural works by 1937.In 1941 he married Mary Moore Biederman and in the following year he moved to Red Wing, Minnesota, where he would spend the rest of his life. In the 1950s, he created the term "Structurism" to help define his works from Constructivism and De Stijl. Many prominent collections around the world contain Structurist Reliefs similar to the artwork offered here including The Whitney Art Museum, The Metropolitan Museum of Art, and The Tate, London.In 2004, Beiderman died at the age of 98 and his estate was subsequently given to the Weisman Art Museum on the University of Minnesota - Twin Cities campus. They have organized traveling exhibitions of his works.Height: 42 1/2 in x width: 31 3/4 in x depth: 11 in.Condition: The colors are bold and bright. There are no major losses, bends, or repairs. There is one minute paint loss to the upper-most purple square.
Lot 129
After Pablo Picasso(Spanish, 1881-1973)Nude female figure kneeling (Marie-Thérèse) looking at a sculpture of figures surrounding a horse,etching, plate 66 of the Vollard Suite, originally published 5 April 1933, this edition posthumously published by the Mulheim Museum in the Ruhr Valley, Germany, 1992,auto signed, and numbered 255/300,30 x 37.5cms, 60 x 70cms total in frame.
Lot 119
An exquisite original color lithograph on watermarked Arches paper after Pablo Picassos 1932 oil painting Nature morte a la fenetre. Printed by Master Chromist Laurent Marcel Salinas and part of a limited edition of 500. Publication text on verso. Hand signed in graphite on lower right by Marina Picasso: Collection Marina Picasso. Blindstamped by Picasso Family Estate on lower right. Edition number on lower left: 302/500. Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: 1982Dimensions: 22"L x 30"HCondition: Age related wear.
Lot 176
▲ Pablo Picasso (Spanish, 1881-1973), 'Sujet poisson' ('Fish subject') (AR 139), c.1952, a red clay earthenware pitcher modelled as a fish, with black and white engobe decoration, from the edition of 500, inscribed 'Edition Picasso', with the Edition Picasso and Madoura stamps,24cm wide11cm deep11.5cm highCondition ReportWith some minor rubbing and surface marks throughout commensurate with use. There is a small firing crack to the mouth of the fish. Some kiln debris to the handle commensurate with manufacture.
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