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Picasso, Pablo - - Sabartés, Jaime. A los toros mit Picasso. Text von Jaime Sabartés. Mit 103 Abbildungen und 4 ganzseitigen (1 farbigen) Original-Lithographien von Picasso. Monte Carlo, Sauret, 1961. 153 S., 1 (weißes) Bl. 25,3 x 32,5 cm. Illustrierte Original-Leinwand im illustrierten Original-Pappschuber (dieser an den Ecken leicht bestoßen und leicht beschabt).Bloch 1014-1017 - Bloch livres 108 - Goeppert-Cramer 113 - Mourlot 346 f. - Der Text und die Abbildungen wurden von Draeger Frères, die Original-Lithographien von Mourlot gedruckt, davon eine in 24 Farben. - Tadelloses Exemplar der deutschen Ausgabe.

Picasso, Pablo - - Toros a Vallauris. Programms der Fiesta taurine vom 4. August 1957 "sous la présidence d'honneur de Pablo Picasso. Von Pablo Picasso und Jean Cocteau auf dem Vorderdeckel signiert. Mit montierter farbiger Deckelillustration, photographischem Porträt von Picasso und einer Abbildung nach einer Stierkampf-Zeichnung sowie beiliegender Photographie vom Stierkampf. 1957. 4 Bl. 15,5 x 10,5 cm. Original-Karton mit Fadenheftung (Hinterdeckel mit Papierabrieb, leicht gebräunt und knickspurig).Seltenes, hier von Picasso und Cocteau signiertes Programmheft für den Stierkampf in Vallauris, bei dem Picasso der Ehrenpräsident war. Picassos Begeisterung für den Stierkampf spiegelt sich vielfach in seinem künstlerischen Werk wieder. - Die Unterschrift von Cocteau ziemlich blass. - Papierbedingt gebräunt, 2 Seiten leicht angerändert.

A studio pottery bowl, impressed Ekeby, pattern no.2128  8"dia; and another plate of Picasso influence  6"dia

* DAN STEPHEN (SCOTTISH 1921 - 2014), PORTRAIT OF PICASSO AT 90 oil on canvas, signed, titled and dated 1971 versoframedimage size 51cm x 41cm, overall size 68cm x 58cm

A gouache after Picasso 46 x 31cm and a watercolour after Dali 18 x 24cm

Three vintage silk scarves - Seta Pura, Picasso and Sheila Clough

A framed and glazed print after Picasso of a female nude. Dated 5.9.56 VI in the print, 99cm x 39cm

Four volumes relating to Picasso including Georges Bloch volume III catalogue of the printed graphic works 1904-1967 and Art Council 1981 Picasso's Picassos

A collection of art reference books relating to Picasso (9)

A collection of art books relating to the artists Pablo Picasso and Henri Matisse

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 26 x 30 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 26 x 30 cm.

Toegeschreven aan Pablo Picasso (1881-1973) Figuren en paard ets, 9 x 12,3 cm. [1] attributed to Pablo Picasso (1881-1973), etching

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 23 x 28 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 23 x 28 cm.

Toegeschreven aan Pablo Picasso (1881-1973) Figuren ets, hele blad 23 x 17 cm. [1] attributed to Pablo Picasso (1881-1973), etching, full sheet size 23 x 17 cm.

Picasso, Pablo (1881-1973).Druckgraphik 18/500; seitliche Skizze, Halbportrait, unten mittig bezeichnet "Picasso" und nummeriert "18/50". Rahmen vorne oben restauriert. Gerahmt unter Glas mit Passepartout; Bildmaße ca. 21 x 21 cm, Rahmenmaße 45,5 x 45,5 cm; nicht geöffnet. Gewicht ca. 2,18 kg.

AFTER PABLO PICASSO "Paysage au ciel bleu" AKA "Bacchanal with pair of lovers" lino cut bearing signature within the print bottom left, image size 38.5 cm x 46 cm

STYLE OF PABLO PICASSO, ABSTRACT HEAD ON A STAND, OIL ON BOARD, HEIGHT 97CM

After Pablo Picasso. Don Quixote, monochrome print, 49.5cm x 35cm.

Two Tiffany & Co silver rings, designed by Paloma Picasso, 14g, size M, O Good condition

Pablo Picasso (1881-1973), nach, ''Vive la Paix'', Lithographie nach der Tuschzeichnung auf Papier, u. re. im Druck sign., gebräunt, 63 x 50 cm, hinter Glas ger. 69 x 54 cm

Pablo Picasso (1881-1973), nach, ''Friedenstaube'', Farblithographie, u. re. im Druck sign. u. dat. 10. mai 1962, gebräunt u. min. fleckig, 53 x 75 cm, hinter Glas ger. 55 x 78 cm

Pablo Picasso (1881-1973), ''La Danse du Berger'', 1959, Der Tanz des Schäfers, Lithographie auf genarbtem Papier, im Stein signiert und datiert ''17.11.59'', 47 x 37 cm, hinter Glas ger. 68 x 51 cm

Pablo Picasso (1881-1973), nach, ''Pan'', Offset nach der Lithographie von 1948, u. re. im Druck sign., hinter Glas ger. 52 x 42 cm

PABLO PICASSO, 'Guapo Picador, seated Picador and three other Picasso Toros studies' lithographs, 35cm x 26cm, largest, framed. (5)

PABLO PICASSO, 'Deux Buveurs Catalans, Minotaure Buveur et Femmes and three other studies' lithographs, 19cm x 23cm x 26cm x 36cm and various, framed.

AFTER PABLO PICASSO (Spanish 1881-1073) 'Le Coq', off set lithograph, 51.5cm x 37.5cm, framed.

PABLO PICASSO (Spanish 1881-1973) 'The Flowers of Peace, 1958', lithograph in colour on wove paper, signed and dated in the plate, 65cm x 50cm, framed.

PABLO PICASSO (Spanish 1881-1973) 'Flowers, 1961', lithograph in colour on wove paper, signed and dated in the plate, 65cm x 50cm, framed. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Mother and Child, signed in the plate, lithograph and pochoir 1946, ref 15 drawings, printed by Albert Carman French vintage Montparnasse frame, 33.5cm x 25cm. (Subject to ARR - see Buyers Conditions)

AFTER PABLO PICASSO, Rare portrait de Mme Z Jacqueline Roque on silk, ref: Spadem, 86cm x 84cm.

PABLO PICASSO, Sylvette, offset lithograph signed in the plate, vintage French frame, 67cm x 37cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Il pasto, edition 200, rare pochoir suite: Venti pochoirs, 1955, French vintage frame, 21cm x 28cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, Bacchanal with four clouds, linocut, 1962, suite: Linogravures French vintage Montparnasse frame, 27cm x 32.5cm.

Two Picasso Royal Academy exhibition posters, Picasso and Paper and Summer Exhibition, Eddy Kamuanga Llunga, 20 x 30", unframed

Henri Matisse "Jazz", 20 lose Doppelblätter mit den Scherenschnitten von 1947, originalgetreues, limitiertes Faksimile von 2009 Henri Matisse, 1869 Le Cateau-Cambrésis - 1954 Cimiez/Nizza, französischer Maler, Grafiker, Zeichner und Bildhauer. Er zählt mit Pablo Picasso zu den bedeutendsten Künstlern der Klassischen ModerneIm Jahre 1947 veröffentlichte Henri Matisse das Künstlerbuch „Jazz“. Es handelt sich dabei um eine Sammlung von Papierschnitten. Der Taschenverlag hat 2009 ein limitiertes Werk veröffentlicht, das aus einem Faksimile des Künstlerbuches „Jazz“ und dem Buch „Cut-outs“ besteht. Ziel des Verlags bei der Jazz-Ausgabe, die aus losen Blättern besteht, war dem Original möglichst nahe zu kommen. Um eine farbgetreue Wiedergabe zu erreichen, wurden 18 speziell angemischte Farben hergestellt. Der Druck erfolgte auf losen Bögen mit einer beeindruckenden Oberflächen - Haptik in einer italienischen Papierfabrik, hier: Die 20 losen Doppelblätter mit den berühmten Scherenschnitten; einige Blätter mit leichten, kaum störenden, rückseitigem Feuchtigskeitsrändern, 10 Blätter oben links, meist nur rückseitig oder auf den Textseiten, wasserrandig - nur eine einzige Darstellung ist vorderseitig links oben dadurch beeinträchtigtFormat: 60,0 x 38,6 cm

Pablo Picasso (nach) & Joan Miró, 25 Lithographien aus GaleriennachlassPablo Picasso, nach, 1881 - 1973, Verve Vol. 8, Nr. 28-39, 1954, Suite de 180 Dessins de Picasso, The Human Comedy, 28 November 1953 au 3 Février 1954, 15 Farblithographien, dazu Titelseite, Blattgröße 35,5 x 26 cm, dazu Einband "Carnet de la Califnornie" 1959, mit Altersspuren // Joan Miró, 1893 - 1983, Lithographe, 4 Einzelblätter und 5 Bögen aus Lithographe I, Nr. III, VI, VIII, IX, X

Georges Braque, "Verre et Journal" und Pablo Picasso „Le Goût du Bonheur“George Braque, 1882 - 1963, "Verre et Journal", Farblithographie/Velin, 39 x 28 cm, Trockenstempel Maeght Editeur Paris, nummeriert 64/300, lichtrandig, o. Rahmen sowie Pablo Picasso, 1881 - 1973, Männerporträt II aus „Le Goût du Bonheur“, Farblithographie, Blattgröße 33 x 25 cm und 32,5 x 25 cm, im Druck datiert 16.5.64 und nummeriert II

Wassily Kandinsky - Franz Marc - Pablo Picasso, 3 frühe lithographische Drucke (u.a. Piper/ München) nach Originalen, 2 x gerahmtWassily Kandinsky (1866 - 1944) " Petits Mondes" von 1922, 62 x 62 cm, Druck um 1960, zeitgenöss. gerahmt -- Franz Marc (1880 - 1916), Liegende Gazelle (1914), 40 x 46 cm, seltener, früher Piper- Druck um 1930 in schöner Erhaltung -- Pablo Picasso (1881 - 1973), "Colombe volant" von 1952, 55 x 70 cm, Druck um 1960, zeitgenöss. gerahmt

Interessantes Graphikkonvolut mit 30 Arbeiten der Moderne und einem Original, u.a. Ludwig Wilding (mit Katalog), K. G. Pfahler, Hap Grieshaber, Fritz Köthe30 moderne Graphiken und ein Original, darunter: Martin Conrath, 3 x Ludwig Wilding mit Katalog, Arcangelo, Paul Wunderlich, Michael Langer, Hap Grieshaber, Gunter Reski, 2 x Georg Karl Pfahler, Rudi Baerwind, Arnuf Wallner, Pablo Picasso, Marc Vaux, 3 x Nils Haglund, 4 x Fritz Köthe, Günther Dohr - Selbstbesichtigung empfohlen!

Eugeniusz Zak (Polish, 1884-1926)A Young Man in Profile signed 'Eug. Zak' (upper left)mixed media on paper46.0 x 37.5 cm (18 1/8 x 14 3/4 in).framed 52.5 x 43.75 x 3.5 cm (20 2/3 x 17 1/5 x 1 2/5 in).Footnotes:ProvenanceVladimir Raykis, Galerie Zak, Paris. Alfred Tarski, Berkeley, California (acquired from the previous September 17, 1958).Estate of Eva Kristina Ehrenfeucht (by family descent from the previous).N.B.Born in Belarus to Polish-Jewish parents, Eugeniusz Zak studied art in Paris at the École des Beaux-Arts under Jean-Léon Gérôme and at the Académie Colarossi with Albert Besnard. He worked on idyllic landscapes and Arcadian scenes populated by shepherds and fishermen during this time. With the outbreak of World War I, Zak moved to Poland. During the following period he painted several works depicting the same sitter in the same position. One of these is the well-known Young Acrobat, 1919 (sold at Skinner Boston in 2017 and previously exhibited at Towarzystwo Zachety Sztuk Pieknych, Warsaw), which bears many similarities to the present painting. These paintings all depict a solemn figure in a sparse interior setting and recall Pablo Picasso's Rose and Blue Period paintings, as well as the elongated figures of Amedeo Modigliani's works. Often associated with the group of early twentieth-century artists known as the École de Paris, Zak was sure to have been familiar with the works of Picasso and Modigliani. Zak's stylized and graceful figures also bear the influence of his interest in Renaissance artists like Sandro Botticelli. Returning to Paris in 1923, Zak's works maintained the nostalgic and melancholic tone he had adopted during the war.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com

Eugeniusz Zak (Polish, 1884-1926)A Young Man in Profile signed 'Eug. Zak' (upper right)oil on canvas mounted on paperboard53.0 x 37.0 cm (20 7/8 x 14 9/16 in).framed 41.0 x 57.0 x 3.0 cm (16 1/8 x 22 3/8 x 1 1/5 in).Footnotes:ProvenanceVladimir Raykis, Galerie Zak, Paris. Alfred Tarski, Berkeley, California (acquired from the previous September 17, 1958).Estate of Eva Kristina Ehrenfeucht (by family descent from the previous).N.B.Born in Belarus to Polish-Jewish parents, Eugeniusz Zak studied art in Paris at the École des Beaux-Arts under Jean-Léon Gérôme and at the Académie Colarossi with Albert Besnard. He worked on idyllic landscapes and Arcadian scenes populated by shepherds and fishermen during this time. With the outbreak of World War I, Zak moved to Poland. During the following period he painted several works depicting the same sitter in the same position. One of these is the well-known Young Acrobat, 1919 (sold at Skinner Boston in 2017 and previously exhibited at Towarzystwo Zachety Sztuk Pieknych, Warsaw), which bears many similarities to the present painting. These paintings all depict a solemn figure in a sparse interior setting and recall Pablo Picasso's Rose and Blue Period paintings, as well as the elongated figures of Amedeo Modigliani's works. Often associated with the group of early twentieth-century artists known as the École de Paris, Zak was sure to have been familiar with the works of Picasso and Modigliani. Zak's stylized and graceful figures also bear the influence of his interest in Renaissance artists like Sandro Botticelli. Returning to Paris in 1923, Zak's works maintained the nostalgic and melancholic tone he had adopted during the war.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com

Eugeniusz Zak (Polish, 1884-1926)A Man with a Cravatunsigned; collections label from Zbioryz T Rudnickich (affixed to the backing board) graphite on paper 31.0 x 25.0 cm (12 3/16 x 9 13/16 in).framed 43.0 x 34.5 x 2.0 cm (16 11/12 x 13 3/5 x 4/5 in).Footnotes:ProvenanceVladimir Raykis, Galerie Zak, Paris. Alfred Tarski, Berkeley, California (acquired from the previous September 17, 1958).Estate of Eva Kristina Ehrenfeucht (by family descent from the previous).N.B.Born in Belarus to Polish-Jewish parents, Eugeniusz Zak studied art in Paris at the École des Beaux-Arts under Jean-Léon Gérôme and at the Académie Colarossi with Albert Besnard. He worked on idyllic landscapes and Arcadian scenes populated by shepherds and fishermen during this time. With the outbreak of World War I, Zak moved to Poland. Often associated with the group of early twentieth-century artists known as the École de Paris, Zak was sure to have been familiar with the works of Picasso and Modigliani. Zak's stylized and graceful figures also bear the influence of his interest in Renaissance artists like Sandro Botticelli. Returning to Paris in 1923, Zak's works maintained the nostalgic and melancholic tone he had adopted during the war.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com

Eugeniusz Zak (Polish, 1884-1926)The Lovers signed 'Eug. Zak' (lower right)tempera and pastel on paper44.0 x 36.5 cm (17 5/16 x 14 3/8 in).framed 46.0 x 53.0 x 3.0 cm (18 1/8 x 20 3/4 x 1 1/4 in).Footnotes:ProvenanceVladimir Raykis, Galerie Zak, Paris. Alfred Tarski, Berkeley, California (acquired from the previous September 17, 1958).Estate of Eva Kristina Ehrenfeucht (by family descent from the previous).N.B.Born in Belarus to Polish-Jewish parents, Eugeniusz Zak studied art in Paris at the École des Beaux-Arts under Jean-Léon Gérôme and at the Académie Colarossi with Albert Besnard. He worked on idyllic landscapes and Arcadian scenes populated by shepherds and fishermen during this time. With the outbreak of World War I, Zak moved to Poland. Often associated with the group of early twentieth-century artists known as the École de Paris, Zak was sure to have been familiar with the works of Picasso and Modigliani. Zak's stylized and graceful figures also bear the influence of his interest in Renaissance artists like Sandro Botticelli. Returning to Paris in 1923, Zak's works maintained the nostalgic and melancholic tone he had adopted during the war.Along with his wife, Maria, Jewish-American logician and mathematician Alfred Tarski was an avid collector of Polish art and amassed an impressive collection of works from some of Poland's most influential artists. Like many artists in their collection, Mr. Tarski was born in Warsaw, Poland to Jewish parents in 1901. Mr. Tarski was educated in Poland at the University of Warsaw and became a member of the Lwów–Warsaw School, one of the most important schools of Polish logic and philosophy, and of the Warsaw School of Mathematics. In 1929 he married Maria Witkowska and they began collecting art. Maria worked as a courier for the army in the Polish–Soviet War. They had two children together, and in 1939 the family immigrated to the United States where Mr. Tarski taught and carried out research in mathematics at the University of California, Berkeley until his death in 1983.For further information on this lot please visit Bonhams.com

A MAGNIFICENT AND LARGE GREEN JADE MYTHICAL BEASTQing DynastyThe imposing animal carved recumbent with large bulbous eyes beneath bushy brows, a wide mischievous grin revealing fangs, the accentuated spine terminating with the large bushy tail sweeping across its left haunch, its paws neatly tucked beneath the large body, the stone of mottled dark olive-green tone with russet veins. 32cm (12 1/2in) long; 8550g. Footnotes:清 青玉瑞獸Provenance: Milly von Friedländer-Fuld (1866-1943), Berlin (this lot is sold with the permission of the heirs of Milly von Friedländer-Fuld)Auktion Van Marle & Bignell, The Hague, 20-25 October 1941, lot 1384Kunsthandel v.Veen, AmsterdamSpink and Son Ltd., LondonBluett and Sons Ltd., London, 15 November 1984A British private collection, and thence by descentPublished, Illustrated and Exhibited: Chinesische Kunst, Berlin, 1929, p.394, no.1086Somerset House, 1979來源： Milly von Friedländer-Fuld (1866-1943)舊藏，柏林(該拍品經 Milly von Friedländer-Fuld 繼承人許可出售)Auktion Van Marle & Bignell，海牙，1941年10月20-25日，拍品編號1384Kunsthandel v.Veen，阿姆斯特丹倫敦古董商Spink and Son, Ltd.倫敦古董商Bluett and Sons Ltd.，1984年11月15日英國私人收藏，並由後人保存迄今展覽著錄：《中國藝術》，柏林，1929年，第394頁，編號1086Somerset House, 1979年Milly Antonie von Friedländer-Fuld was born in the Netherlands in 1866, the daughter of the banker Elias Jacob Fuld and his wife Lina. Her father, a native of Frankfurt, ran the Amsterdam bank Becker & Fuld together with Carl Becker, which maintained close ties with the Rothschild Bank in Frankfurt. According to a list from 1913, the family was one of the wealthiest families in Germany. The family's town house on Pariser Platz was furnished in a manner befitting its status and contained a constantly growing art collection, which was later to include paintings by van Gogh, Picasso, Gauguin, but also by French Impressionists such as Manet and Monet, which belonged to her daughter Marie-Anne von Goldschmidt-Rothschild. Milly's husband, Fritz von Friedländer-Fuld was known for his collection of gold and silver objects, such as rare boxes, nécessaires, flacons and watches, parts of which he had exhibited in Berlin in 1906. The present lot was loaned by Milly von Friedländer-Fuld and exhibited in the seminal Chinesische Kunst exhibition of 1929 in Berlin. This exhibition was amongst the first major exhibitions of Chinese art in Europe. It included 1270 works of art, on loan from some of the greatest museums such as the Asian Art Museum in Berlin, the Louvre and Guimet in Paris, the Rijksmsueum in Amsterdam, the National Museum in Stockholm, as well from some of the leading collectors and dealers such Adoplhe Stoclet, George Eumorfopoulos and C.T. Loo, to name a few. After her husband's death in 1917, Milly Antonie von Friedländer-Fuld initially moved to the Netherlands and France. However, the palace and its inventory remained in the family and was used by her as well as her daughter Marie-Anne von Goldschmidt-Rothschild and her family, who still resided there in June 1938. Following Hitler's rise to power, the palace was forcibly sold to Albert Speer, on behalf of the German Reich, and much of the family's property was seized. In August 1939 ten trucks left Berlin with inventory and art objects to Amsterdam for storage at De Gruyter & Co. - likely also including the present lot. These were later seized as well and similarly to the fate of the objects in Palais Friedländer in Berlin, were sold at auction between 1941 and 1942. After the occupation of the Netherlands by the Germans, Milly Antonie von Friedländer-Fuld fled to France, and died in Cannes in 1943. The jade mythical beast which was sold in The Hague at Marle & Bignell in October 1941 to a Dutch dealer, made its way to the UK and sold through London dealers Spink & Son and Bluett's & Sons to a British collector. It is now sold with the agreement of the British collector's family and the heirs of Milly Antonie von Friedländer-Fuld.The present lot is remarkable for its extremely large size (32cm long) and weight (8.55kg) and anthropomorphic face. Large jade animal carvings include both animals and mythical beasts; the former such as water buffaloes, horses and elephants and the latter, mythical creatures such as Buddhist lions, qilin and luduan. See for example S.C.Nott, Chinese Jade Throughout the Ages, London, 1975, pls.241, 391, 392, 394, 395 and 397. See also a pale green and russet jade carving of a bixie, Ming dynasty, with closely related humanoid face, which was sold at Bonhams London, 17 May 2012, lot 25.It is extremely rare to find animals and beasts of such striking size, and although widely published and much admired, exceptionally large jade animals such as the present lot, in fact, form a very select and unusual group within the tradition of Chinese jade carving. Usually carved with great sensitivity and naturalness, such pieces have been traditionally dated to the late Ming to early Qing period, based upon a number of factors: the similar mid-green or occasionally greyish colour of the pieces suggest that they were sourced before the quelling of Xinjiang in 1759 gave access to fine and large raw jades sent in as tribute from the new vassal region. See a large jade figure of a horse, late Ming/early Qing dynasty, illustrated by J.Rawson, Chinese Jade from the Neolithic to the Qing, London, 1995, pl.26:20, and also a large jade buffalo, late Ming or Qing dynasty, illustrated in Ibid, pl.26:19.For further information on this lot please visit Bonhams.com

A large framed silk of the original painting by Picasso. 89x88cm

Gemporia - a diamond Sweet Venom collection snake ring, another similar each set with graduated diamond accents, others, Cappuccino flint, Meteorite, Picasso Jasper, agate etc, all silver/white metal shanks, sizes J-Q, (8).

Zelda Norte 'Indian Landscape' artwork, Zelda had collections in Murray Edward college, Cambridge  Zelda is very well known in art circles.  She studied with Picasso I believe, and is regarded as a pioneer in sculpture by women and I suspect by Jews, hence her inclusion in the New Hall (now Murray Edwards) collection. 63x83cm pencil signed and numbered in margin

Zelda Norte artwork ' arithmetic of sound' 63x83cm collection in Murray Edwards college, Cambridge Zelda is very well known in art circles.  She studied with Picasso I believe, and is regarded as a pioneer in sculpture by women and I suspect by Jews, hence her inclusion in the New Hall (now Murray Edwards) collection. pencil signed and numbered in margin

After Pablo Picasso (1881-1973) Home et Femme Nue, 1967, framed bookplate, 17.5 x 14.5 cm (i), frame 40 x 32 cm, together with a further bookplate print after Henri Matisse (1869-1954) Femme Endormie, 1936, 18 x 26 cm, frame 34 x 40 cm (2)

After Pablo Picasso (1881-1973) 6 Book Plate lithographs from the Vollard Suite, 28 x 21.8 cm (SH) (6), to include: Plate 72: Nude model and sculptures Plate 73: model and large sculpture viewed from behind Plate 78: Seated woman and woman viewed from behind Plate 84: Minotaur caressing a woman Plate 86: Woman gazing at the seated Minotaur Plate 88: Wounded Minotaur VI

A collection of British, French and Dutch Art and Design books and catalogues,comprising:Erno Goldfinger - 'British Furniture Today', 1951, two copies;'De Toegepaste Kunsten in Nederland', 1931;Kleine Cultuur Bibliotheek, 1934;'Le Salon' 1930, 1933, 1934, 1939;'The Royal Academy Illustrated', 1925 and 1930;'Pictures of' 1911, 1912, 1913, 1914, 1915;'Henri Mahaut - Picasso' 1930;and nineteen others (qty.)Condition ReportAll used and worn. Some RA ones are missing covers.

▴ Pablo Picasso (Spanish, 1881-1973),'Visage' (A.R. 290), a ceramic bowl, centred to the inside with a face, the outside with incised panels, inscribed 'Edition Picasso/Madoura',13cm diameterConceived in 1955 and executed in an edition of 500. Literature: Alain Ramié, 'Picasso: Catalogue of the Edited Ceramic Works 1947-1971', Galerie Madoura, 1988, no. 290.Condition ReportRubbing to the underside of the bowl. Minor chip to the top rim, roughness and rubbing to the top rim.Acquired by the vendor's late father during the 1980s from auction. 

‡ JONATHAN HUNT (British, 20th Century) mixed media - abstract, 56 x 76cms, watercolour - Picasso / cubist-style portrait of a seated female, 63.5 x 52cms, together with watercolour - still life vase of flowers, signed lower right, 55.5 x 52.5cms Provenance: deceased estate Gwynedd Comments: framed and glazed

A collection of posters, including: Tate Gallery David Hockney: A Retrospective Exhibition poster, October 1988- January 1989; Francis Kyle Gallery Philip Hughes Exhibition poster, May- June 1989; 'Bust and Palette, 1925 - Pablo Picasso' poster, DACS 1994; and others, each unframed.

Pen and ink sketch, ‘Portrait de Maria Dalbaicin’, indistinctly signed and dated ‘94, Details verso regarding Pablo Picasso, 37 x 54cm; Barry Ebner (Contemporary) etching, Nude female, embossed blind stamp for B.a.D. San Diego, limited edition 3/7 signed in pencil, whole leaf 19.5cm x 11cm and Tessa Christie (b.1941) abstract oil on board, ‘Conflict’, 57 x 58cm

A print by Pablo Picasso

Pablo Picasso (Málaga 1881 – 1973 Mougins). „Peintre et demi-figure et modèle au chignon“. 1966/68Aquatinta auf Velin. 24,6 × 38 cm (39,2 × 49,7 cm) (9 ⅝ × 15 in. (15 ⅜ × 19 ⅝ in.)). Signiert.Baer 1407 B/b/2 (von C).–Einer von 50 nummerierten Abzügen. Paris, Galerie Louise Leiris, 1968. [3195]Zustandsbericht: Ex. 8/50. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Im Passepartoutausschnitt schwach gebräunt. Stellenweise schwache Schmutzflecken. Rückseitig in der linken Blatthälfte ein schwacher Fleck. Rückseitig entlang des Blattrands umlaufend Klebebandrest einer ehemaligen Montierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.

PABLO PICASSO, L'Atelier De Cannes, rare lithograph printed in colours on wove paper, signed and dated in the plate 1958, Mourlot, 44cm x 31cm, French Montparnasse frame. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, 'Bust de femme avec auto portrait', gicleé lithograph, 58cm x 49cm, signed, framed. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, 'Still life with guitar', giclee, signed 'collection domaine Picasso', numbered 115/500, framed. (Subject to ARR - see Buyers Conditions)