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Lot 13
Pablo PICASSO (1881-1973), D’après.Mougins, Cheval mourant entouré d'une famille de saltimbanques. Modèle de 1931.Aquatine en rouge sur papier japon. Signée dans la planche et numérotée 9/175 en bas à droite.32 x 49 cm la feuille.Edition Studio D’Arte Perna, Milano.Bibliographie : Cat.-rais.: Bloch, No. 235 / Baer, No. 206.Provenance : succession de l’éditeur Valentino Perna.
Lot 4
Pablo PICASSO (1881-1973), D’après Le peintre et le modèle boudeur Lithographie en noir sur papier vélin, d'après une gravure de Pablo Picasso Signée dans la planche 50 x 33,5 cm environ (c.19.68" x 13.18") Numérotée au crayon / 1200 exemplaires (numéro 128/1200) Datée 28 septembre 1968 dans la planche (Non encadrée)
Lot 185
Arnold Herstrand (American, 1925-1989). Mixed media collage on board titled "Double Picasso" depicting a Picasso inspired cubist still life, doubled, 1967. Initialed and dated along the lower right. Signed and titled along the verso. Herstrand was the former president of the Minneapolis College of Art and Design. In later years he worked as an art dealer in New York, helping to establish an office for the French-based Galerie Maeght.Unframed; height: 21 3/4 in x width: 35 in. Framed; height: 22 1/2 in x width: 35 3/4 in x depth: 1 1/2 in.Condition:The item is in good condition with no visible creases, or major cracks or losses. No visible sign of restoration when inspected under UV light. There is a minor paint loss along extreme edges against the frame. To the lower left corner, there is a line stretch and the underlying board is seen through. Crack to the center margin, measuring 1 inch. Along the upper margin, there is a horizontal line mark that is original from the board. The wooden frame is loosely attached to the canvas; the frame comes off along the right margin. Wear to the frame.
Lot 14
Henri Cartier-Bresson (1908–2004) was a French photographer widely regarded as one of the pioneers of modern photojournalism. Born on August 22, 1908, in Chanteloup-en-Brie, France, Cartier-Bresson played a crucial role in shaping the field of documentary photography and the art of capturing "the decisive moment."Here are some key points about Henri Cartier-Bresson:1. **Founding Member of Magnum Photos:** Henri Cartier-Bresson co-founded Magnum Photos in 1947 along with Robert Capa, David Seymour, George Rodger, and William Vandivert. Magnum is a renowned international photographic cooperative.2. **"Decisive Moment":** Cartier-Bresson is famous for coining the term "the decisive moment" (French: "le moment décisif"). This concept emphasizes capturing the perfect moment when all elements of a scene come together to create a compelling and powerful image.3. **Early Life and Painting:** Before turning to photography, Cartier-Bresson studied painting. He was influenced by Surrealism and the works of artists like André Breton and Pablo Picasso. His early interest in the visual arts contributed to the composition and aesthetics of his photographs.4. **Travel Photography:** Cartier-Bresson traveled extensively throughout his career, capturing moments from different cultures and countries. His travels took him to places such as India, China, the United States, and the Soviet Union.5. **Capturing History:** Cartier-Bresson documented many significant events in the 20th century, including the Spanish Civil War, the liberation of Paris, the funeral of Mahatma Gandhi, and the Chinese Civil War.6. **Book Publications:** Cartier-Bresson published several books, including "The Decisive Moment" ("Images à la sauvette"), which became a classic in the field of photography. His other notable books include "The World of Henri Cartier-Bresson" and "Europeans."7. **Film:** In addition to photography, Cartier-Bresson worked in the film industry. He directed several documentaries, including "Victoire de la Vie" and "Southern Exposures."8. **Awards and Honors:** Cartier-Bresson received numerous awards for his contributions to photography, including the Overseas Press Club Award, the Hasselblad Award, and the Grand Prix National de la Photographie in France.9. **Later Years and Legacy:** In his later years, Cartier-Bresson focused more on drawing and painting. He passed away on August 3, 2004, in Montjustin, France. His legacy lives on through his iconic photographs, his influence on photojournalism, and the enduring impact of Magnum Photos.Henri Cartier-Bresson's work continues to inspire generations of photographers, and his contributions to the art of photography have left an indelible mark on the medium. His ability to capture the essence of a moment with precision and artistry remains a benchmark for photographers around the world.Verso is blank.
Lot 107
Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 6.25 x 12 (image), 13.2 x 6.25 (sheet). Printed circa 1970sVerso is blank.Mounted to archival quality paper.
Lot 8
Paul Cézanne (1839–1906) was a French Post-Impressionist painter whose work laid the foundation for the transition from 19th-century art to the revolutionary styles of the 20th century. Born in Aix-en-Provence, France, Cézanne's artistic career began in the mid-19th century, and he played a crucial role in the development of modern art.Cézanne's early works were influenced by Impressionism, but he eventually moved away from its emphasis on capturing fleeting moments and light effects. He developed a unique style that focused on geometric forms, spatial relationships, and the manipulation of color and perspective.Some of Cézanne's well-known paintings include "Mont Sainte-Victoire," "The Card Players," and "Still Life with Apples." His landscapes and still lifes are celebrated for their exploration of form, structure, and the use of color planes, which would become foundational elements of Cubism and other modern art movements.Cézanne's approach to painting had a profound impact on artists such as Pablo Picasso and Georges Braque, who later developed Cubism. Despite facing initial rejection and criticism, Cézanne's work gained recognition in the later years of his life, and he is now considered one of the most influential figures in the history of art. His innovative techniques and emphasis on form over color had a lasting impact on the trajectory of modern art.
Lot 1177
Pablo Picasso (1881-1973) was a renowned Spanish painter, sculptor, printmaker, ceramicist, and stage designer who is widely regarded as one of the most influential artists of the 20th century. He is best known for co-founding the Cubist movement and for his contributions to Surrealism.Picasso's artistic career spanned over seven decades, during which he produced an estimated 50,000 artworks, including paintings, sculptures, ceramics, drawings, and more. His work is characterized by his innovative approach to form, color, and perspective, often pushing the boundaries of traditional artistic techniques.Some of Picasso's most famous works include "Les Demoiselles d'Avignon" (1907), a groundbreaking painting that is considered a precursor to Cubism, and "Guernica" (1937), a powerful anti-war mural depicting the bombing of the town of Guernica during the Spanish Civil War. These and many other works by Picasso continue to be celebrated and studied in the art world.Picasso's artistic style evolved throughout his career, and he experimented with various techniques and mediums. He was also highly prolific and produced works in different periods, including the Blue Period, Rose Period, African art-inspired Period, and later, his Cubist and Surrealist phases.In addition to his contributions as an artist, Picasso's influence extended beyond the art world. He was an important figure in shaping modern art and had a profound impact on subsequent generations of artists. His legacy and artistic achievements continue to be celebrated and studied to this day. Measures 12.8 x 10.5.Printed circa 1980s.
Lot 821
Glasobjekt "Colomba" nach Pablo Picasso. Ausführung Egidio Costantini, Fucina degli Angeli Murano, M. 20. Jh. Auf Standfuß liegender, spitz zulaufender ovoider Korpus sowie konischer Hals. Rotes Glas, plastische Aufschmelzungen in Schwarz, lüstrierend. Unterseitig am Standfuß umlaufend eingeritzt "E. Costantini P. Picasso Fucina degli Angeli Venezia 1954". H. 38,5 cm. - Lit.: M. Barovier: Venetian Art Glass, 2004, Abb. 237.
Lot 18
Etchings titled 347 Series Volumes 1 & 2.. Published by Randon House/Maecenas Press, New York. Picasso embarked on a series of etchings creating approximately one per day. First edition Volumes 1 & 2 of Picasso's masterful 347 series of etching and aquatints presented in the original clam shell case with purple velveteen lining, original exterior cream lined cloth, titles on spines and cover in gilt, top edge gilt and purple endpaper, as issued. Sight size 11.5" x 16.5" each volume.
Lot 3151
Reisewecker, "Dupont", Modell "Picasso". Kanneliertes, vergoldetes, rechteckiges Metallgehäuse, mittig mit schwarzer "laque de chine"-Einlage, darauf Portrait bzw. Faksimile der Unterschrift von Picasso in Weiß. Nach oben ausklappbares, halbrundes Uhrengehäuse. Zifferblatt mit schwarzem "laque de chine" und gravierten, arabischen Ziffern auf vergoldetem Kranz. Quarzwerk (Funktion nicht geprüft, da Batterie zu erneuern). L. Gebrauchsspuren. Ex. 041/500 der limitierten Auflage aus dem Jahr 1998. 4 bzw. 7,5x 7,5x 1,5 cm
Lot 3774
Picasso, Pablo (1881 Malaga - Mougins 1973) "Le Verre d'Absinthe" (Nature morte à l'Absinthe). Farbaquatintaradierung/Velin d'Arches (l. Altersspuren, gebräunt, PP.-Rand), re. u. mit Bleistift sign. sowie li. u. Ex. 254/300, li. u. mit dem Verlegertrockenstempel des "Atelier Crommelynck, Paris", um 1965. Plattenrand ca. 49,4x 60,8 cm, Blattmaß ca. 64x 75,5 cm (l. beschnitten). PP., R.
Lot 3775
Picasso, Pablo (1881-1973) Zwei Lithographien: a) Blatt aus der Serie "Tristan Tzara: De Memoire d'Homme". Lithographie/Arches (l. gebräunt). Ca. 32,8x 24,5 cm. PP. (montiert) und b) "Paloma", Rückseite der Flügelmappe zu "Picasso Lithographe II", 1950, herausgegeben A. Sauret. L. Altersspuren. Ca. 32,3x 24,5 cm.
Lot 23
Daniel Henry Kahnweiler. The Sculptures of Picasso, first edition, 214 black and white plates and images by Brassai, original publishers pictorial boards, 4to, London: Rodney Phillips & Co, 1949.inscription to front free endpaper, light spotting, the edges of the pictorial boards are rubbed with those areas showing against the black covers.
Lot 537
Pablo Picasso, 1881 Málaga – 1973 MouginsGROSSE PICASSO-TERRAKOTTAPLATTEDurchmesser: 43 cm.Verso Prägestempel „MADOURA – ORIGINALE DE PICASSO“, Auflagenbezeichnung 87/200., Modellnummer F. 210.Spiegel und Fahne reliefiert, im Spiegel abstrahiertes Gesicht, Mattbemalung und Glanzglasur in Braun, Cremeweiß und Zarttürkis. (1381011) (11))
Lot 540
Fernand Léger, 1881 Argentan/ Orne – 1955 Gif-sur-YvetteLA CHAISE ET LA VACHEGouache auf Büttenpapier.Blattmaß: 34 x 51 cm.Rechts unten mongrammiert und datiert „F.L. 52“.Im Passepartout, hinter Glas gerahmt.Beigegeben ein Zertifikat mit der Nr. FL-202001-000232 des Comité Léger, Paris, 29. Januar 2020, in Kopie.Das Motiv mit dem Stuhl, auf dem ein Hut liegt, und der Kuh findet sich mehrfach im Werk des berühmten Künstlers wieder.Fernand Léger war ein französischer Maler, Bildhauer, Grafiker, Keramiker und Filmregisseur. Sein Frühwerk wird dem Kubismus zugeordnet, insbesondere beeinflussten ihn Picasso und Georges Braque. Ab den 1920er-Jahren integrierte er zunehmend figurative Elemente in seine Gemälde. 1937 wurden einige seiner Bilder als „Entartete Kunst“ aus Museen beschlagnahmt. Sein Spätwerk hatte Einfluss auf die amerikanischen Künstler der Pop Art, etwa Roy Lichtenstein. (1390193) (18)Fernand Léger, 1881 Argentan/ Orne – 1955 Gif-sur-YvetteLA CHAISE ET LA VACHE Gouache on laid paper. Sheet dimensions: 34 x 51 cm.Monogrammed and dated “F.L. 52” lower right.Accompanied by a certificate with no. FL-202001-000232 from the Comité Léger, Paris, 29 January 2020, in copy. The motif of the chair with a hat and the cow can be found several times in the famous artist’s oeuvre.
Lot 541
Fernand Léger, 1881 Argentan/ Orne – 1955 Gif-sur-YvettePROJET POUR UNE COMPOSITION MURALEGouache auf Papier.Blattmaß: 26 x 36,5 cm.Rechts unten monogrammiert und datiert „F.L. 54“.Hinter Glas gerahmt.Beigeben eine Mitteilung über die Aufnahme des vorliegenden Werkes in das in Vorbereitung befindliche Werksverzeichnis des Künstlers unter der Nr. FL-2022-01-000323 durch das Comité Léger, Paris, 27. Januar 2022, unterzeichnet von Nicolas Thénier, President des Comité Léger, in Kopie. Fernand Léger war ein französischer Maler, Bildhauer, Grafiker, Keramiker und Filmregisseur. Sein Frühwerk wird dem Kubismus zugeordnet, insbesondere beeinflussten ihn Picasso und Georges Braque. Ab den 1920er-Jahren integrierte er zunehmend figurative Elemente in seine Gemälde. 1937 wurden einige seiner Bilder als „Entartete Kunst“ aus Museen beschlagnahmt. Sein Spätwerk hatte Einfluss auf die amerikanischen Künstler der Pop Art, etwa Roy Lichtenstein. (1390192) (18)Fernand Léger, 1881 Argentan/ Orne – 1955 Gif-sur-YvettePROJET POUR UNE COMPOSITION MURALE Gouache on paperSheet dimensions: 26 x 36.5 cm.Monogrammed and dated “F.L. 54” lower right.Accompanied by a notification of the inclusion of the present painting in the catalogue raisonné of the artist which is currently being prepared under no. FL-2022-01-000323 by the Comité Léger, Paris, 27 January 2022, signed by Nicolas Thénier, President des Comité Léger, in copy.
Lot 23
Alejandro Jesus Obregon Roses (Spanish/Columbian, 1920-1992). Acrylic on board painting titled "Condor Chico (Small Condor)" depicting an abstracted Andean condor, 1968. Signed along the lower left. Titled and dated along a label affixed to the verso.Provenance: Center for Inter-American Relations Art Gallery, New York, 1970; Private Minnesota Collection.Lot Essay:Alejandro Obregon was born in Spain but spent the majority of his life in Columbia. His early years were spent in Barranquilla, Columbia as well as Liverpool, England. His early artistic career was influenced by Picasso, Goya, and Graham Sutherland. While he was influenced by European artists, his subject matter often focused on Andean imagery including condors, guitars, and bulls.The condor, a subject to which Obregon returned often, has appeared in nearly 50 canvases during his career. His first condor was painted in 1959. The motif referred not only to the coat of arms of Columbia but to the idea of the might of nature, the ideal of liberty, and the power of vitality.In the 1950s, he became associated with a period of artistic renewal in Columbia. Five artists, dubbed the "Big Five," came to be icons of this time. They included Obregon, Enrique Grau, Fernando Botero, Eduardo Ramirez Villamizar, and Edgar Negret.Height: 8 1/2 in x width: 10 1/2 in.
Lot 26
Charles Biederman, born Karel Joseph Biederman (American, 1906-2004). Painted aluminum 'Structurist Relief' sculpture titled "Untitled (#2)" depicting a three-dimensional geometric abstract composition in bright colors against a solid white background, 1989. Signed, dated 1989 and 1991, and titled along the verso. The artwork comes with a custom-built crate for shipping.Provenance: Private Minnesota Collection.Lot Essay:Born to Czech parents in Cleveland in 1906, Biederman was involved in the American art scene for his entire life. He briefly studied at the Cleveland Art Institute and the School of the Art Institute of Chicago (SAIC) before dropping out and moving to New York. It was there that he met and was included in shows with other influential artists of the time including Alexander Calder, John Ferren, George L.K. Morris, and Charles Green Shaw.For nine months from 1936-37 Biederman studied in Paris. It was here that he met and was influenced by leading artists including Picasso, Mondrian, and Miro. He was initially influenced by the works of Fernand Leger before moving away from his style and towards totally abstract, geometric compositions. The movements of Cezanne, Post-Impressionism, and Cubism informed the evolution of his style. And while he started out painting, he abandoned two-dimensional for more sculptural works by 1937.In 1941 he married Mary Moore Biederman and in the following year he moved to Red Wing, Minnesota, where he would spend the rest of his life. In the 1950s, he created the term "Structurism" to help define his works from Constructivism and De Stijl. Many prominent collections around the world contain Structurist Reliefs similar to the artwork offered here including The Whitney Art Museum, The Metropolitan Museum of Art, and The Tate, London.In 2004, Beiderman died at the age of 98 and his estate was subsequently given to the Weisman Art Museum on the University of Minnesota - Twin Cities campus. They have organized traveling exhibitions of his works.Artwork; height: 43 in x width: 32 in x depth: 10 1/2 in. Crate; height: 55 1/4 in x width: 43 3/4 in x depth: 19 in.
Lot 11
Pablo Picasso (Spanish, 1881-1973). Etching and aquatint on wove paper titled "Bande dessinee," from the 347 Series, 1968. Pencil signed along the lower right; numbered 18/50 along the lower left. Printed by Aldo and Piero Crommelynck and published by Galerie Louise Leiris, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Bloch 1491.Lot Essay:Pablo Picasso stands as one of the most renowned and prolific artists of the 20th century, whose innovative and groundbreaking work revolutionized the course of Western art. Born in Malaga, Spain, Picasso demonstrated exceptional artistic talent from a young age and received formal training at various art academies. His early works, influenced by Symbolism and the Blue and Rose Periods, showcased his versatility and mastery of traditional techniques.Picasso's career underwent a seismic shift with the advent of Cubism, a movement he co-founded alongside Georges Braque. Cubism shattered conventional notions of perspective and representation, presenting multiple viewpoints simultaneously and breaking objects down into geometric forms. Picasso's seminal work "Les Demoiselles d'Avignon" (1907) marked a turning point in art history, foreshadowing the radical innovations that would follow.Throughout his prolific career, Picasso continued to push artistic boundaries, experimenting with diverse styles and mediums, including sculpture, ceramics, and collage. His involvement with Surrealism and his exploration of African and Iberian art further enriched his artistic vocabulary.Notably, Picasso's "347 Series," produced in 1968, is a testament to his relentless experimentation. This series comprises 347 etchings created within a span of just seven months - from March 16 to October 8, 1968 - showcasing Picasso's extraordinary output and his ability to innovate even in his later years. Picasso's 347 Series works are among the last hand-signed etchings and engravings the artist created and were dedicated to his friend, Jamie Sabartes.Picasso's influence transcended the confines of the art world, shaping the cultural landscape of the 20th century and beyond. His legacy as a visionary artist, innovator, and provocateur continues to resonate, inspiring generations of artists and sparking dialogue about the nature of creativity and artistic expression. Through his relentless pursuit of innovation and his fearless embrace of experimentation, Picasso left an indelible mark on art history, cementing his status as a titan of modernism and one of the most enduring figures in the pantheon of great artists.Sight; height: 22 3/4 in x width: 17 3/4 in. Framed; height: 35 3/4 in x width: 30 3/4 in.
Lot 10
Pablo Picasso (Spanish, 1881-1973). Etching and aquatint on wove paper titled "L'Atelier, avec un hibou et un envoye officiel (The Studio, With an Owl and an Official Envoy)," plate 65 from the 347 Series. Pencil signed along the lower right; numbered 18/50 along the lower left. Printed by Aldo and Piero Crommelynck and published by Galerie Louise Leiris, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Bloch 1544; Baer 1561.Lot Essay:Pablo Picasso stands as one of the most renowned and prolific artists of the 20th century, whose innovative and groundbreaking work revolutionized the course of Western art. Born in Malaga, Spain, Picasso demonstrated exceptional artistic talent from a young age and received formal training at various art academies. His early works, influenced by Symbolism and the Blue and Rose Periods, showcased his versatility and mastery of traditional techniques.Picasso's career underwent a seismic shift with the advent of Cubism, a movement he co-founded alongside Georges Braque. Cubism shattered conventional notions of perspective and representation, presenting multiple viewpoints simultaneously and breaking objects down into geometric forms. Picasso's seminal work "Les Demoiselles d'Avignon" (1907) marked a turning point in art history, foreshadowing the radical innovations that would follow.Throughout his prolific career, Picasso continued to push artistic boundaries, experimenting with diverse styles and mediums, including sculpture, ceramics, and collage. His involvement with Surrealism and his exploration of African and Iberian art further enriched his artistic vocabulary.Notably, Picasso's "347 Series," produced in 1968, is a testament to his relentless experimentation. This series comprises 347 etchings created within a span of just seven months - from March 16 to October 8, 1968 - showcasing Picasso's extraordinary output and his ability to innovate even in his later years. Picasso's 347 Series works are among the last hand-signed etchings and engravings the artist created and were dedicated to his friend, Jamie Sabartes.Picasso's influence transcended the confines of the art world, shaping the cultural landscape of the 20th century and beyond. His legacy as a visionary artist, innovator, and provocateur continues to resonate, inspiring generations of artists and sparking dialogue about the nature of creativity and artistic expression. Through his relentless pursuit of innovation and his fearless embrace of experimentation, Picasso left an indelible mark on art history, cementing his status as a titan of modernism and one of the most enduring figures in the pantheon of great artists.Sight; height: 17 3/4 in 21 1/4 in. Framed; height: 26 1/2 in x width: 30 1/4 in.
Lot 9
Pablo Picasso (Spanish, 1881-1973). Etching and aquatint on wove paper titled "Homme allonge, avec deux femmes, evoquant les rapports d'un vieux clown et d'une jeune fille (An Elongated Man with Two Women Telling Tales of an Old Clown and a Young Girl)," plate 18 from the 347 Series, 1968. Pencil signed along the lower right; numbered 45/50 along the lower left. Printed by Aldo and Piero Crommelynck and published by Galerie Louise Leiris, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Bloch 1498; Baer 1514.Lot Essay:Pablo Picasso stands as one of the most renowned and prolific artists of the 20th century, whose innovative and groundbreaking work revolutionized the course of Western art. Born in Malaga, Spain, Picasso demonstrated exceptional artistic talent from a young age and received formal training at various art academies. His early works, influenced by Symbolism and the Blue and Rose Periods, showcased his versatility and mastery of traditional techniques.Picasso's career underwent a seismic shift with the advent of Cubism, a movement he co-founded alongside Georges Braque. Cubism shattered conventional notions of perspective and representation, presenting multiple viewpoints simultaneously and breaking objects down into geometric forms. Picasso's seminal work "Les Demoiselles d'Avignon" (1907) marked a turning point in art history, foreshadowing the radical innovations that would follow.Throughout his prolific career, Picasso continued to push artistic boundaries, experimenting with diverse styles and mediums, including sculpture, ceramics, and collage. His involvement with Surrealism and his exploration of African and Iberian art further enriched his artistic vocabulary.Notably, Picasso's "347 Series," produced in 1968, is a testament to his relentless experimentation. This series comprises 347 etchings created within a span of just seven months - from March 16 to October 8, 1968 - showcasing Picasso's extraordinary output and his ability to innovate even in his later years. Picasso's 347 Series works are among the last hand-signed etchings and engravings the artist created and were dedicated to his friend, Jamie Sabartes.Picasso's influence transcended the confines of the art world, shaping the cultural landscape of the 20th century and beyond. His legacy as a visionary artist, innovator, and provocateur continues to resonate, inspiring generations of artists and sparking dialogue about the nature of creativity and artistic expression. Through his relentless pursuit of innovation and his fearless embrace of experimentation, Picasso left an indelible mark on art history, cementing his status as a titan of modernism and one of the most enduring figures in the pantheon of great artists.Sight; height: 18 1/4 in x width: 14 in. Framed; height: 32 1/2 in x width: 28 1/4 in.
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