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Lot 1
MILLER (HENRY) Tropic of Cancer, 1st edition, original beige cloth, spine darkened, split to upper joint (but still tight), endpapers foxed, Paris, The Obelisk Press, Sept., 1934. This copy has the bookplate of Florent Fells, and loose inside is an eleven line autograph card to him from Henry Miller, in French, dated Big Sur, California, 2/9/57. Florent Fells was an art critic and historian, author of several books and friend of Picasso. Also in this lot is: MILLER (HENRY) The Rosy Crucifixion, Book One Sexus, Volumes Four and Five, no. 2777 from 3,000, again with Fell's bookplate, original cloth, Paris, The Obelisk Press, 1949 LOCATION CABINET
Lot 1
Pablo Picasso, 1881-1973, PLAT AU RAISIN, signed on the reverse, painted and glazed ceramic platter, 24.2 by 31.7cm.; 9.5 by 12.5in. Executed in 1948, this work is unique. Provenance, Galerie Louise Leiris, Paris, Literature, Georges Ramie, Ceramica de Picasso, Barcelona 1974, p.32, no. 61, illustrated ,
Lot 1
Pablo Picasso, 1881-1973, LA DANSE (AR NO. 400), stamped Empreinte Originale de Picasso, Madoura Plein Feu and inscribed Edition Picasso Madoura on the base, painted and partially glazed white earthenware platter, 31.5 by 39cm.; 12.375 by 15.375in. Conceived on 1st August 1957 in an edition of 400.
Lot 1
Pablo Picasso, 1881-1973, VISAGE DE PROFIL (AR NO. 209), inscribed 19.12.53; stamped Edition Picasso, Madoura Plein Feu, inscribed Edition Picasso, Madoura, R-154 and numbered 81/150 on the base. painted and partially glazed terracotta vase, height: 25cm.; 9.75in. Conceived on 19th December 1953 in a numbered edition of 150.
Lot 1
Pablo Picasso, 1881-1973, VISAGE AU TRAIT OBLIQUE (AR NO. 589), stamped Empreinte Originale de Picasso, Madoura Plein Feu, numbered 7/100 and inscribed J.126C on the reverse, painted and partially glazed terracotta tile, 21.5 by 21.5cm.; 8.5 by 8.5in. Conceived between December 1968-January 1969 in a numbered edition of 100.
Lot 1
Property of a European Estate: Pablo Picasso, 1881-1973, VISAGE AUX YEUX RIEURS (AR NO. 608), stamped Edition Picasso, Madoura Plein Feu, inscribed Editiion Picasso, Madoura and numbered 160/350 on the base, painted and partially glazed ceramic pitcher, height: 32.5cm.; 12.75in. Conceived on 9th January 1969 in a numbered edition of 350. à
Lot 1
Otto Freundlich, 1878-1943, COMPOSITION, signed with the initials, gouache on paper, 28.5 by 17cm. 11.25 by 6.75in. Otto Freundlich was born in Stolp (now Stupsk in Poland) in 1878. He initially studied History of Art in Munich and Berlin before turning to painting at the age of 27. His early influences included Die Brucke and Die Blaue Reiter movements in Germany. In 1909 he moved to Paris where he became influenced by young artists such as Picasso, Braque and Gris. During this time, he became increasingly interested in abstract art, joining the group Abstraction-Creation. He also worked on stained glass at Chartres cathedral which perhaps served to influence his later kaleidoscope paintings through their fragmented designs. A victim of Nazism, Freundlich's art was condemned as degenerate and many works were destroyed from 1937 onwards. He continued to paint until he was captured in Paris and sent to Lublin-Maidanek concentration camp where he died in 1943. Provenance, Jeanne Freundlich Kosnich-Kloss, Paris (the artist's wife), Pierre Bourru, Saint-Germain-en-Laye (acquired from the above), Acquired from the above by the present owner circa 1990, To be included in the forthcoming supplement to the Catalogue raisonne epuise d'Otto Freundlich being prepared by Edda Maillot.
Lot 1
Pablo Picasso, 1881-1973, TETE DE CLOWN, signed, dated Arles, le 22.9.57 and dedicated Pour Fan Fan, ball-point pen on printed page, 18.4 by 13cm.; 7.25 by 45.125in. Executed on 22nd September 1957 on the frontispiece of Mostra di Pablo Picasso, Catalogo ufficiale by Lionello Venturi published in Rome in 1954. The authenticity of this work has been confirmed by Maya Widmaier Picasso. # 3000-3500, 163. Raoul Dufy, 1877-1953, PENSeES FOND BLANC, stamped with the initials and with the Bianchini-Ferier mark and inscribed entente 51385bis, gouache on paper, 57 by 49cm.; 22.5 by 23.25in. Bianchini-Ferier was a textile studio in Lyon for which Dufy made designs to be translated into elaborate and highly decorative colourfully printed fabrics. As the artist said "Nowhere else but in fabrics do we have the pleasure of witnessing the optical phenomena of lines and colours... It is here that we can enjoy the grace of a beautiful unfolding line, like a delightful melody" (quoted in Dora Perez-Tibi, Dufy, London, 1989, p. 111) , Provenance, Bianchini-Ferier, Lyon , à
Lot 1
Apollinaire (Guillaume). Alcools, Poèmes (1898-1913), 1st ed., Paris, 1913, b&w frontis. by Picasso (some foxing, mostly to tissue guard), this copy numbered 399 to title verso, untrimmed, orig. printed yellow wrappers, upper wrapper with top outer corner chipped with sl. loss, small closed tear to foot of rear joint, without loss, one or two closed tears to head of spine, with small chip to head of upper joint, 8vo (1)
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12359 item(s)/page