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After Pablo Picasso, Mother and child, print together with another print after Picasso, (2)

Assorted scent accessories including a Cartier card case, Guerlain solid scent, Nina Ricci silhouette style solid perfume, scent bottles, Ungaro, Christian Dior and Pablo Picasso brooches, Loris Azzaro charm bracelet, various pin brooches including Cartier and Rochas, miniature cut glass scents, Lanvin pendants, Yves Saint Laurent fashion braclet make-up palette, clip on earrings etc

Bronze figure on black marble base. Owl to Picasso. 21st century. Dimensions: H 22.5 cm. In good condition.

Pablo Picasso (1881-1973) Two lithographic prints, one plate signed 'Exposition Maison D' La Pensee Francaise' 1955, published in 1957, the other Galerie Louise Leiris 1957 published in 1957. Both mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.

Make & Model: Citroen C3 Picasso ExclDate of Reg: ST10 EAPColour: Redcc: 1397MoT: 06-12-2021Fuel Type: PETROLMileage: 54kTransmission: MANUALSummary: Three registered keepers. Seven service stamps and one handwritten entry with the last entry July 2021 at 54,289 milesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149539

Make & Model: Citroen C4 Gr Picasso VTR+ HDIDate of Reg: FL11 ZNCColour: Bluecc: 1560MoT: 26-06-2022Fuel Type: DIESELMileage: 127kTransmission: MANUALSummary: Two registered keepers with the last registered since June 2014. Five service stamps with the last recorded November 2020 at 115,232 miles. Selection of old MoT certs and invoicesVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149569

Make & Model: Citroen C4 Gr Picasso PlatinumDate of Reg: ST13 ZTCColour: Silvercc: 1560MoT: 12-02-2022Fuel Type: DIESELMileage: 79kTransmission: MANUALSummary: Two registered keepers with the last keeper since June 2016. Seven service stampsVehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149440

Pablo Picasso, Sylvette David in green chair, signed in the plate. plate 30.5cm x 25.5cm, mounted and framed, 56.5cm x 50cm.

A pair of vintage A Bulzoni snakeskin shoes, size 38, with similar handbag; a black and purple Radley handbag, shoulder strap; another handbag; and a quantity of vintage scarves, to include 'The "Fairest Cape of All"' hand-painted map of South Africa by Monica Wilson, signed and dated 1953, plus Pierre Cardin, Chanel, Kreier, Christian Lacroix, Guy Laroche, Norma Legge, Paloma Picasso, Schiaparelli, mainly silk.

*Françoise Gilot (French, b.1921)'Procession', 1963signed 'F. Gilot' l.l., inscribed 'Cortege' (procession) verso, oil on canvas22.5 x 27cmSold with a handwritten letter from the artist dated 5 October 1966, certifying that this was painted by her three years earlier.Provenance: Galleria San Stefano, Venice.Artist Marie Françoise Gilot is best known for her ten-year relationship with Pablo Picasso. She was 21 and he was 61 when they met, and she became his lover and muse. Together they had two children, Claude and Paloma. Although an accomplished painter herself, her career was eclipsed by involvement with Picasso, and after their bitter split, he discouraged galleries from buying her work.*Artist's Resale Right may apply to this lot.Condition report: Frame size 38.5 x 44cmScratches and losses to gilding of frame.Some cracking of yellow paint in horizontal area upper centre. Some fine craquelure elsewhere. In general it appears to be in good condition, under uv light no obvious signs of retouching.

*After Pablo Picasso'Profil de Jeune Fille on Chapeau'lithograph, bears signature and dated u.l.sheet 37.3 x 28cm;and another,'Madame Trois'lithograph in colours, bears signature, published by Cercle d'Artsheet 9 x 17.5cm (2)*Artist's Resale Right may apply to this lot.Condition report: some slight time staining otherwise in good order. in good condition.

*After Pablo Picasso'Fruit press'lithograph in colours, bears signature and numbered XXI/XXXsheet 28 x 21.5cm;and another'Toros y Toreros'lithograph in colours, bears signature, published by Cerle d'Art, Parissheet 37.1 x 26.6cm (2)*Artist's Resale Right may apply to this lot.Condition report: Fruit Press: in good condition.Toros y Toreros: a few light handling creases, generally in good condition.

*After Pablo Picasso'The arena'lithograph in colours, bears signaturesheet 26.7 x 37cm, unframed*Artist's Resale Right may apply to this lot.Condition report: in generally good order

Alexandra Nechita (Romanian-American, b.1985)'Places I Want To Go' signed and dated 'Nechita '05' l.r., inscribed as titled verso, acrylic on canvas41 x 31cmNicknamed the ‘Petite Picasso’, Alexandra Nechita was a child prodigy who worked in a neo-Cubist style. Nechita’s talent at such a young age won immediate attention and she was only eight years old when she had her first solo exhibition in Los Angeles. In 1997, aged eleven, Nechita's fame skyrocketed after she designed the program for the Grammy Awards. In 2005, she created ‘Let There Be Peace’, a 16-foot high bronze sculpture commissioned as a UN Peace Monument for Asia in Singapore. The same year her design ‘Peace Is the Only Option’ was issued on commemorative coins in the UK. Nechita has continued to exhibit widely and her work is held in both public and private collections around the world and she is a UN Ambassador of Peace and Goodwill through the Arts.

Two oil on canvas's, one after Picasso and one after Vincent Van Gogh

After Pablo Picasso (1881-1973) lithograph, Head, published by Mourlot - Henri Deschamps, circa 1969, image 63 x 45cm, glazed frame

PABLO PICASSO 'Portrait of Mme Z', pint on silk, 'Dessins de Picasso', Sapdem series, 78 x 74cms, framed and glazed.

PABLO PICASSO 'Fete de l'Humanité', 1981, affiche offset, 45cm x 53cm, framed and glazed.

Set of three framed Pablo Picasso prints with authentication certificates. Le Bellier La Lione and La Biche, print size 27 h x 19cms w.Condition ReportVery good condition.

Pablo Picasso (1881 in Málaga, Spanien - 1973 in Mougins, Frankreich)Keramikteller mit Fischen, 1948, Offsettafel auf Chamoixpapier montiert, u.r. handsign. "Picasso", Tellergröße ca. 24,5x29cm, Blattgröße ca. 28x38cm, gerahmt (ca. 38x50,5cm), unten Knickspur, oben rechts kl. Läsion, Papier leicht lichtrandig u. min. fleckigZur 1. Keramik-Ausstellung Picassos 1948 erschien eine Kunstmappe mit 18 Tellern, die in der Madoura-Töpferei gefertigt wurden. Die Mappe ist auf 500 Exemplare limitiert. Einige wenige Exemplare sind von Picasso für den Herausgeber und Freunde signiert worden.Provenienz: Die Drucke stammen aus der Sammlung Irene und Peter Ludwig (Kölner Ludwigmuseum). Das Ehepaar hat diverse Werke direkt von Picasso erworben. Die Picasso-Sammlung wurde in den 1990er Jahren an den Kunstsammler Eylert Acher veräußert, welcher die Drucke in den 2000ern an den Europäischen Kunsthof in Aachen weitergab. Von dort wurden sie von einem Hamburger Kunsthändler aufgekauft.

Pablo Picasso (1881 in Málaga, Spanien - 1973 in Mougins, Frankreich)Keramikteller mit Stillleben, 1948, Offsettafel auf Chamoixpapier montiert, u.r. handsign. "Picasso", Tellergröße ca. 24,5x29cm, Blattgröße ca. 28x38cm, gerahmt (ca. 38x50,5cm), Papier min. lichtrandigZur 1. Keramik-Ausstellung Picassos 1948 erschien eine Kunstmappe mit 18 Tellern, die in der Madoura-Töpferei gefertigt wurden. Die Mappe ist auf 500 Exemplare limitiert. Einige wenige Exemplare sind von Picasso für den Herausgeber und Freunde signiert worden.Provenienz: Die Drucke stammen aus der Sammlung Irene und Peter Ludwig (Kölner Ludwigmuseum). Das Ehepaar hat diverse Werke direkt von Picasso erworben. Die Picasso-Sammlung wurde in den 1990er Jahren an den Kunstsammler Eylert Acher veräußert, welcher die Drucke in den 2000ern an den Europäischen Kunsthof in Aachen weitergab. Von dort wurden sie von einem Hamburger Kunsthändler aufgekauft.

John Richardson: 'A Life of Picasso', London, Jonathan Cape, 1991-2007, 1st edition, 3 volumes, original cloth, dust wrappers (3)

Make & Model: Citroen C4 Picasso VTR Plus HDDate of Reg: FN58 GOEColour: Browncc: 1560MoT: 15-12-2021Fuel Type: DIESELMileage: 144kTransmission: AUTOSummary: Note; Car jolts on accelerating away.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=149484

Make & Model: Citroen C4 Picasso VTR+Date of Reg: VX09 XTWColour: Bluecc: 1598MoT: 29-04-2022Fuel Type: PETROLMileage: 116kTransmission: MANUALSummary:

Make & Model: Citroen Xsara Picasso DesireDate of Reg: AO10 DDEColour: Silvercc: 1587MoT: 25-04-2022Fuel Type: PETROLMileage: 98kTransmission: MANUALSummary: Three registered keeperrs with the last keeper since April 2017

Pictures and prints to include Marilyn Monroe black and white print, map of Kent, Picasso print etc. (qty)

Nina Hamnett (British, 1890-1956)Rooftops signed 'Hamnett' (lower left)oil on canvas53.4 x 36.8 cm. (21 x 14 1/2 in.)Footnotes:ProvenanceThe Artist, from whom acquired byFrank Griffith, thence by descentPrivate Collection, U.K.Nina Hamnett was born in Wales and studied at the London School of Art and also in Paris. During, and following, her studies she forged friendships with a wide circle of the most respected creatives of the time including Henri Gaudier-Brzeska (for whom she posed nude), Ezra Pound, Pablo Picasso and Jean Cocteau, in addition to sexual relationships with Amadeo Modigliani and Roger Fry to name but two. She gained notoriety for a wildly unconventional attitude (having once danced naked on a café table in Montparnasse 'just for the hell of it'), was a heavy drinker and openly bisexual and promiscuous, all of which earned her the informal title of 'The Queen of Bohemia'. Yet in spite of her flamboyant reputation, she was a serious artist in her own right and greatly admired by Walter Sickert, who attempted (and failed) to guide her professional development. Her work was exhibited widely during the First World War at both the Royal Academy in London and the Salon d'Automne in Paris and in 1932, she published Laughing Torso (an auto-biographical account of her controversial life) which became a bestseller in the U.K. and U.S. Sadly, however, in the years that followed she was consumed by alcoholism and met an untimely end in 1956 having fallen out of her apartment window and become impaled on the railings below. One of the more interesting characters of the period, Hamnett's work is rarely seen on the open market with the present example having previously been in the collection of her artist friend Frank Griffith (1889-1979) whom she met in Paris.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

δ Pablo Picasso (1881-1973)Les Ménines et la Vie (Bloch 857, Cramer 97)Engraving with drypoint, 1958, signed in crayon arlequin, the edition was 100, printed at Atelier Lacourière, published by Éditions Cercle d'Art, Paris, on hand-made Auvergne laid paper, with full margins, loose in the original orange paper slipcase, sheet 323 x 255mm (12 ¾ x 10in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ PABLO PICASSO (1881-1973) (after)Le ClownLithograph printed in colours, 1968, signed and numbered from the edition 300 in pencil, on wove paper, the full sheet, 670 x 477mm (26 3/8 x 18 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1975) (after)Dans L'AtelierLithograph printed in colours, 1954, signed and numbered from the edition of 75 in pencil, published by Editions Verve, Paris, with their blindstamp at lower left, on Arches paper, the full sheet 281 x 370mm (11 x 14 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973) (after)L'Arlequin et sa CompagneCollotype printed in colours, c.1960, signed in blue pencil, numbered from the edition of 125 in pencil, published by Guy Spitzer, Paris, with full margins, 1026 x 731mm (40 1/4 x 28 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)La Sauterelle (Blcoh 358, Baer 605 II A/C)Aquatint with etching, 1936, a fine richly inked proof impression with the title printed and before steel-facing and the bevelling of the plate, signed in red crayon, one of 5 impressions in this stated as cited by Baer, on Montval laid paper, with full margins, sheet 444 x 335mm (17 ½ x 13 1/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973) Le Pigeonneau (Bloch 326)Linocut, 1939, signed in blue crayon, a proof aside from the edition of 226, as included in the deluxe edition of Dessins de Picasso en Marge du Buffon, on Arches paper, with full margins, sheet 355 x 280mm (14 x 11in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973)Le Bellier (Blcoh 349, Baer 579 II A/C)Aquatint with etching, 1936, a fine richly inked proof impression with the title printed and before steel-facing and the bevelling of the plate, signed in red crayon, one of 6 impressions in this stated as cited by Baer, on Montval laid paper, with full margins, sheet 444 x 335mm (17 ½ x 13 1/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973) afterPoster for the Guggenheim New York (See Czwiklitzer 141)Lithograph printed in colours, a proof before text, signed in blue crayon, the edition was 200, printed at Mourlot, Paris, on wove paper, with full margins, sheet 687 x 550mm (27 x 21 5/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973) after.Untitled from. Les Portraits ImaginairesLithograph printed in colours, 1969, numbered from the edition of 250, on Arches paper, the full sheet printed to the edges, sheet 650 x 500mm (25 5/8 x 19 ¾ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Picasso Linogravador Two Lithographic posters printed in colours, one a proof before letters, printed by Arnéra S.A., Vallauris, on smooth wove paper, with full margins, each sheet 740 x 520mm (29 1/8 x 20 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Pablo Picasso (1881-1973) (after)Le Clown et l'Harlequin (Czwiklitzer p.437)Lithograph and offset lithograph printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on Arches paper, printed by Henri Deschamps, with margins, sheet 740 x 510mm (29 1/8 x 20 1/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Pablo Picasso (1881-1973) after.Le Ronde de la JeunesseLithograph printed in colours, 1959, signed in pencil, numbered from the edition of 200, on Arches paper, with full margins, sheet 655 x 505mm (25 ¾ x 19 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)Exposition 55 Vallauris (Bloch 1268)Linocut printed in brown, 1955, signed in red crayon, the edition was 600 only a few were signed, on wove paper, with full margins, 895 x 593mm (35 ¼ x 23 ¼ in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973)A Los Toros avec Picasso, by Jaime Sabartés (Bloch 1014-47; Cramer 113)The book, comprising 4 lithographs, one printed in colours, 1961, on wove paper and 109 reproduction lithographs on smooth paper, from an edition of an unknown size, with title page, colophon and text in German, published/printed by André Sauret, Monte-Carlo/Mourlot, Paris, with full margins, bound (as issued) 335 x 260mm (13 1/8 x 10 1/4in) (overall)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Pablo Picasso (1881-1973) after.Picasso LinograveurTwo Lithographic posters printed in colours, one a proof before letters, printed by Arnéra S.A., Vallauris, on smooth wove paper, with full margins, each sheet 740 x 520mm (29 1/8 x 20 ½ in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Picasso, Pablo -Eigenh. Skizze mit Widmung. In: Pablo Picasso 1969-1970. Exposition conçue et mise au point par Yvonne Zervos. Au Palais des Papes en Avignon. Mit zahlr. Abb. auf Tafeln.Paris, Cahiers d'Art, 1970. 4°. Original-Broschur (etwas randfleckig, Signatur-Märkchen auf VDeckel).Auf dem Titelblatt in blauem Farbstift gezeichnet und gewidmet: "Pour Anita, Picasso, le 10.7.70". - Etwas feuchtfleckig im Unterrand, Katalogteil mit einigen Annotationen in Kugelschreiber.

After Picasso, a lithograph taken from publication 8.5" x 9", and a Matisse print of a bull, numbered 27/100 in pencil and with a blind stamp, 12" x 9", (2).

A group of five posters advertising exhibitions by Matisse, Picasso and other notable 20th Century artists (5).

After Picasso, a lithograph of female figures, St. Tropez le 29 Juillet 51, numbered in pencil 69/100, 15" x 11", and a further print after Picasso of a Dove, and another of a still life (3).

After Chagall, two prints from 'Derriere Le Mirroir' 15" x 10.5", a further Chagall print 12" x 9", and a print after Picasso 14" x 10", and a print after Matisse 11.5" x 8.5", (5).

Hans Hofmann 1880–1966 Birth of Taurus, 1945 Öl auf Holzplatte unten rechts signiert und datiert Hans Hofmann VII.30.45...rückseitig bezeichnet und datiert BIRTH OF TAURUS - 48 to 52 1945 130,8 x 121,9 cm Provenienz: Kootz Gallery, New York (1951)Collection Fred H. Olsen, Guilford, CT (1951–1983)Auktion Sotheby's, New York, 18.5.1983, Los 446Auktion Sotheby's, New York, 10.11.1986, Los 17 Ausstellung: Hans Hofmann, Recent Paintings, New York, Mortimer Brandt Gallery, 18.3.–30.3.1946.Hans Hofmann, New York, Whitney Museum of American Art, 24.4.1957–17.6.1958, Des Moines, Art Center, 4.7.–4.8.1957, San Francisco, Museum of Art, 21.8.–22.9.1957, Los Angeles, Art Galleries of the University of California, 6.10.–4.11.1957, Seattle, Art Museum, 11.12.1957–12.1.1958, Minneapolis, Walker Art Center, 7.2.–11.3.1958, Utica, Munson-Williams-Proctor Institute, 28.3.–30.4.1958, Baltimore, Museum of Art, 13.5.–17.6.1958, Kat.-Nr. 13. Literatur: Suzi Villiger, Hans Hofmann, Catalogue raisonné of paintings, Vol. II: Catalogue entries P1-P846 (1901–1951), London, Lund Humphries Publ., 2014, S. 314, Nr. P517, mit Abb.Edward Alden Jewell, Accent on Modernism, Sculpture by Three at Grand Central-Hofmann, Gatch, Bohrod and Others, New York Times, 24.3.1946, S. 54.A Master Teacher, Hans Hofmann Influenced Three Decades of U. S. Art, Life 42, Nr. 14, 8.4.1957, S. 74.Alfred V. Frankenstein, Hofmann Changed the Course of American Art, San Francisco Chronicle, 8.9.1957, S. 31.Elizabeth Pollet, Hans Hofmann, Art 31, Nr. 8, Mai 1957, S. 33, mit Abb. S. 30.Robert Rosenblum, Unité et divergences de la peinture américaine, la peinture américaine depuis la seconde guerre mondiale, Aujourd’hui 3, Nr. 18, Juli 1958, S. 13/14, mit Abb. S. 17.Dore Ashton, Gli inizi dell’espressionismo astratto in America, L’Arte Moderna 13, Nr. 109, 1967, S. 5, mit Abb.Harold Rosenberg, The Teaching of Hans Hofmann, Arts Magazine 45, Nr. 3, Dezember 1970/Januar 1971, mit Abb. S. 18.Elisabeth C. Baker, Hans Hofmann, Abstract-Expressionism and Color in New York 1945–65, Art News Annual 37, edited by Thomas B. Hess und John Ashbery, 1971, S. 115.Cynthia Goodmann, Hans Hofmann, Modern Masters Series 10, New York, Abbeville Press, 1986, S. 45.Robert Rosenblum, On Modern American Art, Selected Essays, New York, Harry N. Abrams, 1999, S. 63/64, mit Abb. S. 64.Hans Hofmanns Birth of Taurus ist ein energiegeladenes Bild, unglaublich reich an visuellen wie auch strukturellen Details. Die wilden, dickflüssigen, mit unbändiger Energie und wohl in einem Schwung aufgetragenen Farbwolken leuchten, strahlen und pulsieren.Das Werk ist ein Paradebeispiel für Hofmanns revolutionäre Maltechnik push and pull, die er selber als Bewegung und Gegenbewegung und Plastizität bezeichnete. Diese erfrischend unorthodoxe Technik, bei der expandierende und kontrahierende Kräfte ein Gleichgewicht der Spannungen zwischen Farbe und Form im Bildraum erschaffen, versetzt den Betrachter sofort in die Körperlichkeit von Hofmanns dynamischer und ausdrucksstarker Malerei. Seine ganz eigenen Theorien zu Farbe und Komposition setzt der Künstler in diesem Werk meisterhaft um.Hans Hofmann, 1880 in Bayern geboren, setzte sich erst mit dem Pointilismus und der impressionistischen Malerei in München auseinander. 1904 zog er nach Paris, der damaligen Weltkunst-Metropole, wo er die nächsten zehn Jahre lebte und sich mit dem Ehepaar Robert und Sonia Delaunay, Picasso, Braque, Kandinsky undMatisse anfreundete. 1930 übersiedelte er in die USA und gründete 1934 in New York eine Kunstschule, die eine Reihe später prominenter Schüler hatte wie Helen Frankenthaler, Allan Kaprow, Larry Rivers, die Designerin Ray Eames, Lee Krasner und Jackson Pollock. In den USA fand er zu seiner sehr eigenen Form der Abstraktion, für die der berühmte US-Kritiker Clement Greenberg den Begriff abstract expressionism prägte. Ohne seine Malerei und seinen Unterricht hätte es möglicherweise keine New York School gegeben, zu der Pollock, Robert Motherwell, Mark Rothko, Willem de Kooning und andere gehörten.

Pablo Picasso 1881–1973 Chouette, 1969 Keramik, bemalt auf der Unterseite bezeichnet und nummeriert EDITION PICASSO, MADOURA, 91/500und Stempel EDITION PICASSO, MADOURA PLEIN FEU H 29 cm Provenienz: bedeutende Privatsammlung, St. Gallen Literatur: WERKVERZEICHNIS Ramié, Nr. 543.

Francis Picabia 1879–1953 Talamus, 1938–1939 Öl auf Hartfaserplatte oben rechts bezeichnet Talamusunten rechts signiert Francis Picabia 75,2 x 52,2 cm Provenienz: Olga Picabia, ParisLouison Bobet, Frankreich (1973)Pascal Robaglia, ParisGalerie Gérard Lasés, Paris Ausstellung: Francis Picabia, Classique et Merveilleux, Vence, Château Notre-Dame des Fleurs, Galerie Beaubourg, Juli–Oktober 1998, S. 130, 222, Nr. 130.Abstrakt, Zürich, Galerie Haas, 29.10.–2.12.2013.Salon der Angst, Wien, Kunsthalle, 6.9.2013–27.6.2015.Francis Picabia, Paintings 1909–1950, Zürich, Galerie Andrea Caratsch, 24.9.–20.11.2015, Nr. 9. Literatur: Abstrakt, Ausstellungskatalog Zürich, Galerie Haas, 2013, o. S.Francis Picabia, Ausstellungskatalog, Berlin, Galerie Michael Haas, 2015, o. S.Ein Echtheitszertifikat vom Comité Picabia, Paris, vom 13.5.2009 mit der Registrierungs-Nr. 1846 liegt vor.Die Arbeit wird in das sich in Vorbereitung befindende Werkverzeichnis aufgenommen.Francis Picabia gehört zu den herausragenden Künstlern des 20. Jahrhunderts. Er pochte auf absolute künstlerische Freiheit und schuf dementsprechend ein sehr heterogenes Werk, das zahlreiche Stilrichtungen umfasst.Das Gemälde Talamus ist ein wunderbares Beispiel für seine Auseinandersetzung mit der Abstraktion. Sein Schaffen in dieser Kunstrichtung gilt als sehr bedeutend. Orange, rot, blau und grün leuchten die Farben. Der Pinselduktus ist dynamisch und fliessend. Prägnant und geheimnisvoll sind schwarze Flächen und Zeichen ins Bild gesetzt. Ein vor Spannung vibrierendes Werk.Picabia frönte nicht nur der Vielfältigkeit von Stilen, sondern auch der von Medien. Er ist auch als Grafiker, Lyriker, Essayist und Drehbuchautor in Erscheinung getreten. Mit Lust setzte er sich über eng gesetzte Grenzen des Kunstbetriebs hinweg. Nur natürlich erscheint es da, dass er sich als einer der wichtigsten Avantgardisten etablierte. Er pflegte häufigen und engen Kontakt zur Kunst- und Kulturprominenz seiner Zeit. Pablo Picasso, Gertrude Stein, Jean Cocteau, Fernand Léger und Marcel Duchamp sind nur einige der schillernden Namen, mit denen er Umgang pflegte.«Unser Kopf ist rund, damit das Denken die Richtung wechseln kann» – das berühmte Bonmot des Künstlers steht exemplarisch für die Begeisterung und den Schwung, die in seiner Kunst spür- und erlebbar sind.

Joan Miró 1893–1983 Picasso i els Reventos, 1973 Folge von 4 Aquatinten je unten rechts signiert Miróund unten links nummeriert XIV je ca. 24,4 x 44 cm (Platte) (4) Literatur: WERKVERZEICHNIS Dupin, Nr. 588–591.Cramer, Nr. 176.

Pablo Picasso 1881–1973 Visage au nez noir, 1969 Keramik, bemalt seitlich datiert 9.1.69auf der Unterseite bezeichnet und nummeriert EDITION PICASSO, MADOURA, 124/200und Stempel EDITION PICASSO, MADOURA PLEIN FEU H 33 cm Provenienz: bedeutende Privatsammlung, St. Gallen Literatur: WERKVERZEICHNIS Ramié, Nr. 609.

Pablo Picasso 1881–1973 Visage de profil, 1953 Keramik, bemalt auf der Unterseite bezeichnet und nummeriert EDITION PICASSO 2/150 MADOURAund Stempel EDITION PICASSO H 25 cm Provenienz: bedeutende Privatsammlung, St. Gallen Literatur: WERKVERZEICHNIS Ramié, Nr. 209.

Pablo Picasso colour print

§ Pablo Picasso (1881-1973) for Madoura pottery, an oblong dish with Goat's Head in Profile (Tete de chevre de profil), c.1952, A.R. 146from an edition of 250, impressed maker’s marks,51 cm x 31 cm. Provenance - Sotheby’s, 20th of March 1996 sale, Lot 105.

Pablo Picasso (1881-1973), lithograph on linen, Diurnes, printed in 1962, 39 x 30cm.

A large ceramic model of a bull, in the style of Picasso, length 13cm height 18cm (a.f.)

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Picasso: 172 Dessins Recents [Galerie Louise Leiris]". Medium: Original color lithograph . Date: Composed 1972. Dimensions: Overall size: 28 3/8 x 19 in. (721 x 483 mm).Lot Note(s): Signed in crayon, lower right; signed and dated in the stone. Edition of 5,250 (of which all were printed?). Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Czwiklitzer 446 (1981 ed.); Rodrigo 241. Comment(s): Apparently a scarce Picasso poster. We could not find an example at auction. Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Designed by Picasso in collaboration with Henri Deschamps. Printed by Mourlot, Paris, under Picasso's supervision. Image copyright © Artists Rights Society (ARS), New York. [10652-5-400]

Artist: Pablo Picasso (Spanish, 1881 - 1973). Title: "Le Dejeuner sur l’Herbe [Pace Columbus]". Medium: Color lithograph. Date: Composed 1972. Dimensions: Overall size: 25 1/4 x 27 3/8 in. (641 x 695 mm).Lot Note(s): Signed in pencil, lower left. Edition of 1,500. Tan wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Bloch 1023; Czwiklitzer 434 (1981 ed.); unknown to Rodrigo. Comment(s): Poster created (and exhibition held) during Picasso's lifetime, with Picasso authorizing its printing. Apparently a scarce poster; no auction records in the past 25 years located. A "black and white" version of this poster also exists. Image copyright © Artists Rights Society (ARS), New York. [26962-6-600]

Artist: George Condo (American, b.1957). Title: "Cigarette". Medium: Ink drawing on paper. Date: Composed 2006. Dimensions: Overall size: 8 5/8 x 6 1/16 in. (219 x 154 mm).Lot Note(s): Signed upper right. Drawn on light cream wove paper. Fine condition. Comment(s): "Untitled," a work comparable to our example in size and medium, sold for $21,280 (£15,000) at Phillips, London, April 11, 2018, lot #134. Condo is adept at painting, drawing, sculpture, and printmaking. He lives and works in New York City. Picasso once said, "Good artists borrow, great artists steal." Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Image copyright © George Condo. [30172-1-8000]