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Click here to subscribeA collection of six 'Picasso' cushions, c.1970, by Conran, each having needlework panels depicting works by Picasso, comprising three 'Portrait de Dora Maar', two 'Ceinture Jaune', and one 'Woman with Flower',41 x 41cm (6)Condition ReportNo major surface marks. Some more noticeable wear to the corners. Please see the additional images.
***RE-OFFER February Jewellery and Antique Auction £40-£60*** David Wilde - British (1913-1974) Northern Artist "Enchanted Wood" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 55cm x 64cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply
Picasso poster, School of Paris Gallery New York exhibition, June 3-20 1975 - 'Etchings from the 347 Series', 85cm x 62cm, framedSome creases to the paper presumably from prior to being mounted and framed. No visible foxing no visible tears but it has not been removed from the frame. The frame is loose and of cheap quality.
Original vintage adverising poster for Pablo Picasso Exhibition held in the Grand Palais, Paris in 1979. The poster features Les Deux Freres - Two Brothers painting. Pablo Picasso was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. Very good condition, few creases on the image. Country: France. Year: 1979. Designer: after Pablo Picasso. Size: 60 x 40.
Original vintage advertising poster for the exhibition Apollinaire e l'Avanguardia at the National Gallery of Modern Art Rome. Poster features a Pablo Picasso painting Memory Of Le Havre from National Gallery in Prague, Czech Republic. Good condition, unnoticeable image loss in the lower left corner. Country: Italy. Year: 1980. Designer: after Picasso. Size: 98 x 67.5.
Mary Louise Coulouris (American-British, 1939-2011), six prints with Scottish and ecology themes: 1) Picasso Fish (1995), lithograph, signed, titled and numbered 1/1 in pencil to margin, image size 44 x 61cm ; 2) Tulips (1995), lithograph, signed, titled, dated and numbered 1/1 in pencil to margin, image size 49 x 69cm; 3) Fisher Lassie (1994), linocut, signed, titled, dated and numbered 5/75 in pencil to margin, image size 101 x 76.5cm; 4) Ecology Triptych 2 (1997), linocut, signed, titled, dated and numbered 3/6 in pencil to margin, image size 72 x 62cm; 5) Ecology Triptych I (1997), linocut, signed, titled, dated, and numbered 3/7 in pencil to margin, image size 67 x 47cm; 6) 'Charity' (1996), etching and mixed media, signed, titled, dated and numbered 4/7 in pencil to margin, framed, image size 10 x 11cm. (6), Some as found with minor tears and abrasions to the margins, particularly the 'Fisher Lassie'.Provenance: from a relative of the artist. Mary Louise Coulouris worked in a range of media during her prolific career, with studios in London (1962-1976), Scotland (1976-1999) and Hydra, Greece (2000-2011). Of partly Greek heritage, born in New York and growing up in Hampstead, she trained at Chelsea College of Art in the late 1950s and then Slade to 1960, specialising in printmaking under the tutorship of Anthony Gross and William Coldstream. Alongside her work in printmaking sit watercolour still lives and oil and acrylic works on canvas and board showing Scottish landscapes and cityscapes. Coulouris exhibited widely in her lifetime and examples of her work can be found in major public and private collections.
A collection of exhibition catalogues and art historical volumes; Paul Klee, Stanley Spencer, Rothko, Dora Carrington, Richard Long, Picasso, St Ives School, Otto Dix, Angelica Kauffman A Continental Artist in Georgian England, The Italian painters of the Renaissance (illustrated), Terry Frost et al (3 trays)
Großer Keramikteller, Pablo Picasso ( 1881 Malaga - 1973 Mougins), weißes Steingut, unglasiert, im Spiegel modelliertes Gesicht, in de Fahne gitterförmige Ornamente, auf der Unterseite Presstempel, MADOURA PLEIN FEU und EMPREINTE ORIGINALE DE PICASSO. Hier zudem bezeichnet und nummeriert: R= C 115, Aufkleber ''Collection Pierre Hugo'', Ø 42 cm
Neue Künstler-Vereinigung München Katalog 1910 II. Ausstellung, Turnus 1910/11, 47 S., Katalog mit 109 Nrn. von 30 Künstlern, mit Texten von David Burljuk, Le Fauconnier, W. Kandinsky, Odilon Redon, mit 23 Abb. auf Tafeln u.a.v. Bechtejeff, Braque, Derain, Erbslöh, Jawlensky, Kanoldt, Münter, Picasso, Rouault, Werefkin. 6 S. Anzeigen, Orig.-Broschur, Orig.-Ausgabe, vollständig, Einband fleckig, Rücken mit kl. Fehlstellen, innen gut erhalten
Konvolut von 53 verschiedenen Bild-Bändchen der Insel-Bücherei 165/3 Michelangelo, 269/2 Kräuterbuch, 281/2 Blumenbuch, 330/2A Vischer, 330/2B Vischer, 347/2 Sachsenspiegel, 351/2A Tropenwunder, 422/2B Kolbe, 450/1A Minne, 450/1B Minne, 452 Hausbuch, 503/1A Pilzbuch, 517 Mutter Gottes, 520 Fujijama, 535/2 Munch, 545/1A Riemenschneider, 550 Gebetbuch, 559/1A Münzen, 561 Apuleius, 560 Minne II, 565/1 Elisabethschrein, 570/1B Goya, 575/2 Altmexiko, 594 Toulouse-Lautrec, 595/1 Marcks, 604 Maillol, 611 Japanische, 630 Tafelbilder, 636/1A Pinselzeichnungen, 691 Schaefer-Ast, 721/1B Purrmann, 725 Insektenbuch, 745 Ikebana, 752 Schachfiguren, 755 Spielkarten, 765/1A Ebert, 790/1A Hegenbarth, 860 Koptische, 865 Handschrift, 871 Russische, 880/1A Picasso, 910/1A Bronzetür, 910/1B Bronzetür, 953 Sagert, 955 Münzen, 960 Dürer, 970 Cranach, 980 Vasen, 985 Terrakotten, 990/1 Amarnakunst, 1012/1 Kaplan, ges. 53 Stk.
TIFFANY & CO; a 925 silver Paloma Picasso 'Loving Heart' pendant, length approx. 1.5cm, on a fine 925 silver belcher link chain, length approx. 48cm, together with an 18ct white gold fine chain necklace, length 39cm, approx. 1.9g, a 9ct white gold fine curb link necklace, length 45.5cm, approx. 1.6g, a 925 silver five-strand beaded bracelet, length approx. 19cm and a 925 silver curb link bracelet, length approx. 20.5cm, combined approx. 1.1ozt (5).Condition Report: - Tiffany pendant stamped 'T & Co. 925' to rear of pendant and to clasp. The 18ct white gold chain stamped 'K18' to clasp. The 9ct white gold chain stamped '375' to clasps. Both bracelets stamped '925' to the clasps.
CERI RICHARDS (BRITISH 1903–1971) GIRL WITH CAT pen & ink, wash and charcoal on paper, with estate blind stamp 28cm x 20cm (11in x 7 7/8in) (Unframed) Ceri Richards’ 1930s paintings and drawings of London’s market traders – the costermen and women who on high-days and holidays would reimagine themselves as Pearly Kings and Queens – are some of the most unique and experimental works of inter-war Modern British Art. These works blend the influence of Picasso and Cubism with the poetry of the working-class of Dylan Thomas to create images that are both grounded in everyday life and yet intentionally surreal. As Mel Gooding has written, ‘In his mind’s eye, [the Pearly Kings and Queens] become fantastical, almost phantasmagorical figures – personnages – or ciphers – rather than people. It was at Hampstead Fair that Richards saw a costerman – the archetypal London street vendor – sitting at a pub table with one eye-socket sewn up. This is what André Breton would have called a ‘convulsive image’, something in the everyday that appears so extraordinary as to remind you that the marvellous is always close to the surface’. [Mel Gooding in the catalogue for Ceri Richards – The Poetic Imagination, Jonathan Clark & Co., London, 2010]Whilst Richards was as versed in French Surrealist ideas as any British artist of the 1930s, he never took Surrealism as an over-riding doctrine, more as a key to creativity, specifically the means to make form associative or changeling, turning the outlandish feathers in the costers’ hats into flowers or fountains – or all three at once, making prose into poetry.
CERI RICHARDS (BRITISH 1903–1971) GIRL WITH CAT pen & ink and wash on paper, with estate blind stamp 28cm x 20cm (11in x 7 7/8in) (Unframed) Ceri Richards’ 1930s paintings and drawings of London’s market traders – the costermen and women who on high-days and holidays would reimagine themselves as Pearly Kings and Queens – are some of the most unique and experimental works of inter-war Modern British Art. These works blend the influence of Picasso and Cubism with the poetry of the working-class of Dylan Thomas to create images that are both grounded in everyday life and yet intentionally surreal. As Mel Gooding has written, ‘In his mind’s eye, [the Pearly Kings and Queens] become fantastical, almost phantasmagorical figures – personnages – or ciphers – rather than people. It was at Hampstead Fair that Richards saw a costerman – the archetypal London street vendor – sitting at a pub table with one eye-socket sewn up. This is what André Breton would have called a ‘convulsive image’, something in the everyday that appears so extraordinary as to remind you that the marvellous is always close to the surface’. [Mel Gooding in the catalogue for Ceri Richards – The Poetic Imagination, Jonathan Clark & Co., London, 2010]Whilst Richards was as versed in French Surrealist ideas as any British artist of the 1930s, he never took Surrealism as an over-riding doctrine, more as a key to creativity, specifically the means to make form associative or changeling, turning the outlandish feathers in the costers’ hats into flowers or fountains – or all three at once, making prose into poetry.
CERI RICHARDS (BRITISH 1903–1971) LA CATHÉDRALE ENGLOUTIE, 1962 signed and dated, also signed, titled, dated and dedicated verso, oil, sand and collage on canvas 77cm x 51.5cm (30 ¼in x 20 ¼in) Sotheby's, London, 10 May 1989, lot 170;with Sandra Lummis Fine Art, London, from whom acquired by Bernard Kelly. Ceri Richards’ 1930s paintings and drawings of London’s market traders – the costermen and women who on high-days and holidays would reimagine themselves as Pearly Kings and Queens – are some of the most unique and experimental works of inter-war Modern British Art. These works blend the influence of Picasso and Cubism with the poetry of the working-class of Dylan Thomas to create images that are both grounded in everyday life and yet intentionally surreal. As Mel Gooding has written, ‘In his mind’s eye, [the Pearly Kings and Queens] become fantastical, almost phantasmagorical figures – personnages – or ciphers – rather than people. It was at Hampstead Fair that Richards saw a costerman – the archetypal London street vendor – sitting at a pub table with one eye-socket sewn up. This is what André Breton would have called a ‘convulsive image’, something in the everyday that appears so extraordinary as to remind you that the marvellous is always close to the surface’. [Mel Gooding in the catalogue for Ceri Richards – The Poetic Imagination, Jonathan Clark & Co., London, 2010]Whilst Richards was as versed in French Surrealist ideas as any British artist of the 1930s, he never took Surrealism as an over-riding doctrine, more as a key to creativity, specifically the means to make form associative or changeling, turning the outlandish feathers in the costers’ hats into flowers or fountains – or all three at once, making prose into poetry.
CERI RICHARDS (BRITISH 1903–1971) COSTERWOMAN, 1939 signed, titled and dated to stretcher, oil on canvas 51.5cm x 41cm (20 ¼in x 16in) Christie's South Kensington, The Poetry of Crisis: The Peter Nahum Collection of British Surrealist and Avant-Garde Art 1930-1951, 15 November 2006, lot 12. Ceri Richards’ 1930s paintings and drawings of London’s market traders – the costermen and women who on high-days and holidays would reimagine themselves as Pearly Kings and Queens – are some of the most unique and experimental works of inter-war Modern British Art. These works blend the influence of Picasso and Cubism with the poetry of the working-class of Dylan Thomas to create images that are both grounded in everyday life and yet intentionally surreal. As Mel Gooding has written, ‘In his mind’s eye, [the Pearly Kings and Queens] become fantastical, almost phantasmagorical figures – personnages – or ciphers – rather than people. It was at Hampstead Fair that Richards saw a costerman – the archetypal London street vendor – sitting at a pub table with one eye-socket sewn up. This is what André Breton would have called a ‘convulsive image’, something in the everyday that appears so extraordinary as to remind you that the marvellous is always close to the surface’. [Mel Gooding in the catalogue for Ceri Richards – The Poetic Imagination, Jonathan Clark & Co., London, 2010]Whilst Richards was as versed in French Surrealist ideas as any British artist of the 1930s, he never took Surrealism as an over-riding doctrine, more as a key to creativity, specifically the means to make form associative or changeling, turning the outlandish feathers in the costers’ hats into flowers or fountains – or all three at once, making prose into poetry.
CERI RICHARDS (BRITISH 1903–1971) SEATED WOMAN pen & ink with wash on paper, with estate blind stamp 28cm x 20cm (11in x 7 7/8in) (Unframed) Ceri Richards’ 1930s paintings and drawings of London’s market traders – the costermen and women who on high-days and holidays would reimagine themselves as Pearly Kings and Queens – are some of the most unique and experimental works of inter-war Modern British Art. These works blend the influence of Picasso and Cubism with the poetry of the working-class of Dylan Thomas to create images that are both grounded in everyday life and yet intentionally surreal. As Mel Gooding has written, ‘In his mind’s eye, [the Pearly Kings and Queens] become fantastical, almost phantasmagorical figures – personnages – or ciphers – rather than people. It was at Hampstead Fair that Richards saw a costerman – the archetypal London street vendor – sitting at a pub table with one eye-socket sewn up. This is what André Breton would have called a ‘convulsive image’, something in the everyday that appears so extraordinary as to remind you that the marvellous is always close to the surface’. [Mel Gooding in the catalogue for Ceri Richards – The Poetic Imagination, Jonathan Clark & Co., London, 2010]Whilst Richards was as versed in French Surrealist ideas as any British artist of the 1930s, he never took Surrealism as an over-riding doctrine, more as a key to creativity, specifically the means to make form associative or changeling, turning the outlandish feathers in the costers’ hats into flowers or fountains – or all three at once, making prose into poetry.
SIR ROLAND PENROSE (BRITISH 1900–1984) EDUCATION, 1983 collage 54.5cm x 80cm (21 ½in x 31 ½in) Sotheby's, London, 1 March 1989, lot 193;Sandra Lummis Fine Art, London, from whom acquired by Bernard Kelly. Exhibited:Gardener Centre Gallery, University of Sussex, Brighton, Roland Penrose - Recent Collages, 1984, cat.11 Roland Penrose championed Surrealism in London by organising the 1936 International Surrealist Exhibition. An art historian and writer, Penrose also created his own Surrealist collages and conceived a genre of ‘collage painting’ featuring idiosyncratic imagery painted as if it were collaged. After graduating from Cambridge University, Penrose relocated to France in 1922, marrying the surrealist poet Valentine Boué, through whom he met André Breton and Paul Éluard, who in the same year founded the First Manifesto of Surrealism. This, in turn, led to introductions to Salvador Dalí, Max Ernst, Joan Miró, Picasso and Man Ray. When these artists found themselves short of money, Penrose would help by purchasing their work, and thus he amassed a significant and important collection of Surrealist, Cubist and Dadaist work. He also arranged for his friend Picasso’s painting Guernica to tour the UK to raise funds for the Spanish Republic during the Spanish Civil War. In 1947 Penrose co-founded London’s Institute of Contemporary Arts.
1.Pablo Picasso:•This book focuses on the life and works of Pablo Picasso, one of the most influential artists of the 20th century. It likely covers his various artistic phases, including Cubism and Surrealism.2.Picasso Vol. II (Black and White Art):•A continuation of Picasso’s work, possibly emphasizing his monochromatic pieces and sketches, showcasing his abstract and surreal explorations.3.Picasso Vol. I (Color Portrait):•Another volume on Picasso, featuring his colorful and expressive paintings, including works from his Blue and Rose periods.4.Picasso: The Sculptures:•This book focuses on Picasso’s lesser-known but significant work in sculpture, highlighting his creativity beyond painting.5.Botero:•A book about Fernando Botero, known for his distinctive style featuring inflated, exaggerated figures. It showcases his colorful paintings and sculptures.6.Dalí:•A Taschen edition dedicated to Salvador Dalí, covering his surreal and dreamlike art. Dalí’s works are known for their striking and bizarre images.7.Le Cahier Dessiné:•A collection of drawings and illustrations, possibly featuring various artists. The title suggests a focus on the sketchbook or drawing aspect of art.8.Chagall:•This book covers the works of Marc Chagall, known for his poetic, dreamlike paintings. Chagall’s art often features vibrant colors and whimsical, fantastical scenes.9.Unknown Title (Warrior Mask Cover):•This book features a cover with a warrior mask, likely focusing on Asian or African art, potentially related to masks and traditional sculptures.10.Ai Weiwei:•A book about contemporary artist Ai Weiwei, known for his provocative and politically charged installations and sculptures. It likely explores his work in activism and modern art.11.Murakami:•This book is dedicated to Takashi Murakami, a contemporary Japanese artist known for his “Superflat” art style, blending pop culture with traditional Japanese art.These books together represent a broad spectrum of 20th and 21st-century art, from classic painters like Picasso and Dalí to modern artists like Ai Weiwei and Murakami.
New York: Museum of Modern Art, 1980. This book explores the life and work of Pablo Picasso, one of the most influential artists of the 20th century. It covers his entire career, showcasing key works from his Blue and Rose periods, Cubism, and other styles. The book includes high-quality images of his paintings, sculptures, and prints, along with commentary on his creative process and impact on modern art. ISBN: 0870705199Artist: William RubinIssued: 1980Dimensions: 11"L x 9.25"W x 1.25"HManufacturer: The Museum of Modern ArtCountry of Origin: New YorkCondition: Very good condition.
"Die komisch diplomatische Brautwerbung" hinter Glas gerahmte, originale Farbstiftzeichnung auf "Schoellerhammer"- 4R extra dick - Papier, aus dem Jahre 1955, Arbeit des Friedrich Schröder-Sonnenstern (Kaukehmen / Tilsit 1892 - 1982 Berlin), Abb. ca. 67,5 x 47, lichtes Bildmaß ca. 72 x 50 cm, R. beigegeben, max. AM ca. 98 x 73 cm. Aus einer Hamburger Privatsammlung. Vorder- und rückseitig vom Künstler betitelt, signiert und datiert. Künstlerinfo: E.F.S.-Sonnenstern war ein deutscher Zeichner und Maler. Er gilt als einer der wichtigsten Vertreter der "Outsider-Art" bzw. "Art-Brut". Die Surrealismus-Ausstellung in Paris 1959 - 1960 feierte ihn als den beeindruckendsten Künstler des 20. Jhd.! Ein Teil seiner Werke kauften u.a. Henry Miller, Pablo Picasso, Max Ernst und der spätere französ. Staatspräsident Georges Pompidou.
"Das Universal Gespensterwappen oder das embryonale Mondviehlosovieh" - hinter Glas gerahmte Farbstiftzeichnung des Friedrich Schröder-Sonnenstern (Kaukehmen / Tilsit 1892 - 1982 Berlin), von 1959, Abb. ca. 67,5 x 47 cm. Auf "Schoellerhammer" - 4G extra dick - Papier, lichtes Blattmaß ca. 72 x 50,5 cm, Rahmen beigegeben, max AM ca. 80 x 59 cm. Am unteren Bildrand betitelt, signiertes Künstlermonogramm und Datierung, rückseitig signiert + datier. Aus Hamburger Privatsammlung. Künstlerinfo: E.F.S.-Sonnenstern war ein deutscher Zeichner und Maler. Er gilt als einer der wichtigsten Vertreter der "Outsider-Art" bzw. "Art-Brut". Die Surrealismus-Ausstellung in Paris 1959 - 1960 feierte ihn als den beeindruckendsten Künstler des 20. Jhd.! Ein Teil seiner Werke kauften u.a. Henry Miller, Pablo Picasso, Max Ernst und der spätere französ. Staatspräsident Georges Pompidou.
Folio Society, range of Non-Fiction cased Folio Society books to include; The Folio Society Book of The 100 Greatest Paintings, The Folio Society Book of the 100 Greatest Photographs, Michelangelo by Howard Hibberd, Leonardo Da Vinci by Kenneth Clark, Picasso (1961), Renoir (1965), Rembrandt (1963), Toulouse-Lautrec (1958), Egypt Revealed, First Folio, From Atlanta to the Sea, The Hundred Years War, The Siege of Malta, The Voyage of the Frigate Pallada, The Third Crusade, Scotts Last Expedition, The Relief of Lucknow and Shakespeare’s Life and World, The London Journal, Journal of my Service in India, My life on the Plains, The New Newgate Calendar, Journal of the Plague Year, A Memoir of the Forty-Five, Lives of the Most Notorious Pirates, Life of Nelson, The Spy’s Bedside Book, A Short History of Time, Kenneth Clark Civilisation, Life by Richard Fortey, Colour by Victoria Finlay, The Wars of the Roses, The Folio book of Days, The Earth an Intimate History, A Tour through the Whole Island of Great Britain, The Making of the English Landscape, A Voyage Around the Coast of Great Britain. Total books 38. (38)
A SMALL QUANTITY OF PICTURES AND PICTURE FRAMES ETC, to include a vintage Picasso print 'Girl and Dog', approximate size 78cm x 57cm including frame, an unsigned oil on board depicting a boy playing a video game, an Anne Garstone oil on canvas depicting a market in Monaco signed verso, modern needlework pictures, a framed National Geographic map of Asia, approximate size 117cm x 90cm including frame, picture frames etc
Lithograph on wove paper printed on an ochre tint stone after an original drawing by Pablo Picasso. Entitled Bacchanale II, this exuberant scene depicts a smiling Bacchus whose frontal nudity morphs with the Bacchante who appears in absolute ecstasy. A piper plays music to the joyful scene that Picasso completed with saccades of broken and continuous black lines. This lithograph was used as the front cover to Fernand Mourlot's Picasso Lithographe, Tome III, 1949-1956. Artist: After Pablo Picasso (Spain, 1881-1973)Dimensions: 9"L x 12"HCountry of Origin: SpainCondition: Age related wear.
A Murano art glass sculpture by celebrated Italian artist Loredano Rosin (1936€“1991), renowned for his innovative approach to glass artistry and as one of the few maestros to work with pulegoso glass, a technique that incorporates tiny air bubbles to create a unique texture. This visually compelling piece features two intertwined nude figures, abstractly rendered in a dynamic array of swirling colors, including rich tones of blue, green, yellow, and violet. One figure is depicted with a head, enhancing the sculpture's emotive and thought-provoking design. The figures are mounted on a clear rectangular glass base, with the artist's signature etched on the side. The piece also bears the distinctive Murano Glass acid mark. Weighing approximately 24 lbs, this sculpture demonstrates Rosin's mastery of form, color, and light, making it a standout addition to any modern art collection. Loredano Rosin was born in Venice, Italy, in 1936 and trained under the legendary Murano master Alfredo Barbini. He quickly gained recognition for his exceptional talent and developed a signature style that blended traditional glassmaking techniques with abstract modernist aesthetics. Rosin was one of the last Murano glassmakers to use solid glass sculpting techniques, often crafting works with profound emotional depth and symbolic resonance. His work frequently explored themes of human connection, nature, and spirituality, often characterized by the use of vivid colors and dynamic forms. Rosin collaborated with other iconic artists, including Pablo Picasso and Marc Chagall, creating glass interpretations of their designs. His work has been exhibited in galleries and museums worldwide and remains highly sought after by collectors of 20th-century Italian art and Murano glass. Artist: Loredano Rosin (Italian, 1936-1992)Issued: c. 1970Dimensions: 10.5"L x 5"W x 24"HCountry of Origin: ItalyCondition: Age related wear.
Pablo Picasso (Málaga 1881 – 1973 Mougins). „Service visage noir“. 1948Weißer Steingutteller, geritzt und bemalt auf schwarzem Grund. Durchmesser: 24,1 cm (9 ½ in.). Auf der Unterseite beschriftet: EDITION PICASSO H. Dort auch die beiden Stempel MADOURA PLEIN FEU und D’APRES PICASSO.Ramié 43.–Eines von 100 Exemplaren. Dieses Exemplar hat, anders als im Werkverzeichnis angegeben, keine grüne Glasierung. [3692]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Oberfläche durch das Brennen mit minimalen Unregelmäßigkeiten. Am Tellerrand unten mittig eine punktuelle Unregelmäßigkeit in der Glasur. Unten links an der Tellerkante eine winzige Oberflächenabplatzung. Rückseitig am Tellerrand fünf winzige Oberflächenabplatzungen.Wir berechnen für Privatpersonen innerhalb der EU auf den Hammerpreis 32% Aufgeld, welches die Mehrwertsteuer beinhaltet. Käufer, die außerhalb der EU angesiedelt sind und das Werk aus der EU exportieren zahlen 27% Aufgeld. Für EU-Unternehmer, die zum Vorsteuerabzug berechtigt sind, kann die Regelbesteuerung angewendet werden. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.
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