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Pablo PICASSO (1881-1973), nach"ohne Titel"Grafik - Giclee auf Leinwand, Sichtmaß: 28,5 cm x 24,5 cm

Marie Laurencin, 1883 Paris – 1956 ebendaVASE DE FLEURS SUR UN ENTABLEMENT, UM 1940Öl auf Leinwand.50 x 61 cm.Rechts oben signiert „Marie Laurencin“.In teilvergoldetem Profilrahmen.Ihren Gemälden, sowohl den zahlreichen Portraits, aber auch den Stillleben, wie es wir hier vor uns sehen, schwingt stets ein unverkennbar femininer Geist mit, der unter der zahlenmäßig überlegeneren männlichen Künstlerschaft ihrer Epoche einen besonderen Reiz ausstrahlen musste. Hier sehen wir ein um 1940 entstandenes Blumenstück mit einem Ausschnitt, der den Betrachter stark an die Blüten heranzieht und den Cachepot lediglich anschneidet, ihn in seiner Wichtigkeit unterminiert und vielleicht sogar eine Bewegung auf das anvisierte Objekt hin zu andeutet.Die in Paris geborene Künstlerin begann zunächst als Porzellanmalerin in der Manufaktur Sèvres im Jahr 1901. Anschließend ließ sie sich in Paris weiter unterrichten, um schließlich an der Humbert Academy zu studieren, wo sie den Maler Georges Braque (1882-1963) kennenlernte. In dessen Kreis machte sie Bekanntschaft mit Pablo Picasso (1881-1973) und dem bekannten Autor und Dichter Guillaume Apollinaire (1880-1918), der sie adoptierte und sie in seine Kunsttheorie einschloss, aus der sich später der Kubismus entwickeln sollte. Trotz aller Einflüsse bewahrte sie ihren eigenen Stil. Ihre oftmals sehr poetischen Motive, wie etwa traumverlorene Mädchen, aber auch ihre zarten eleganten Bildformen, stimmen zusammen mit ihrem fast pastelligen Kolorit. 1907 stellte sie im Salon des Indépendants, in der Folge aber auch in den Salons von u.a. Rosenberg aus. Für die Bühne produzierte sie Bühnenbilder, etwa für das Ballets Russes oder die Comédie Française.Nach einer Ausbildung zur Porzellanmalerin besuchte Laurencin in den ersten Jahrzehnten des 20. Jahrhunderts eine der vielen Akademien in Paris, die Académie Humbert, wo sie Georges Braque (1882-1963) in den künstlerischen Kreis um Pablo Picasso (1881-1973) einführte.Anmerkung:Zunächst schrieb sich die Portraitistin, Poetin und Illustratorin an der Schule von Sèvres ein, dann jedoch an der Académie Humbert – nun lernte sie Braque und Picabia kennen. Erst 1907 hatte sie das erste Mal die Chance, im Salon des Indépendants zusammen mit Picasso und Derain auszustellen. (1371537) (13) (†)Marie Laurencin,1883 Paris – 1956 ibid.VASE DE FLEURS SUR UN ENTABLEMENT, CA. 1940Oil on canvas.50 x 61 cm.Signed top right “Marie Laurencin”.

Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Öl auf Leinwand.50 x 64 cm.Rechts unten signiert.In breitem vergoldetem gekehltem Rahmen.Anbei ein Zertifikat von Monsieur Quesnel und eines von Monsieur Marumo.Dufys Bestimmung war nicht von Vornherein im künstlerischen Metier zu suchen, denn er war Außenvertreter eines Handelsunternehmens, das Überseewaren importierte und auch als Sekretär auf dem Überseedampfer „La Savoie“ angestellt, der Le Havre und New York verband. Erst eine Ausstellung, die 1906 in seiner Heimatstadt stattfand und Matisse, Derain, Marquet und Picasso zeigte, führte ihn auf den künstlerischen Weg, der für ihn bestimmt war. Besonders ein Gemälde von Matisse, nämlich „Fenêtre ouverte à Collioure“ beeindruckte ihn mit seinen leuchtenden Farben und strahlendem Licht, sodass es in seinem Werk stark nachhallte - und auch in unserem Werk in Bezug auf Farbintensität und Macht der geometrischen eingebundenen Formen immanent zu sein scheint.In unserem Bild werden Kaimauern gezeigt und kleine trapezförmige Becken, ein Leuchtturm und Lagerhäuser, hinter denen sich das Meer erstreckt. Ein Segelboot beschreibt eine große Vertikale im linken Vordergrund, dessen Segel sich messerscharf in den Wind werfen und den Betrachterraum mit dem Bildraum verbinden. Dufy, der nach seinem Wehrdienst in Paris Drain, Braque, Picasso und Apollinaire begegnete, verwandte fortan vorwiegend stumpfere Farbtöne, wie Braun, Blau und Dunkelrot, während unser Gemälde von 1907 noch in strahlenden diversen Farben leuchtet und der Darstellung zusammen mit ihren gebrochenen geometrischen Formen Dynamik verleiht. Viele seiner meist späteren Werke werden in hochklassigen Museen der ganzen Welt ausgestellt, wie im Musée national d’Art moderne und im Centre Pompoidou in Paris, in der Albertina in Wien, im Art Institute of Chicago oder im MoMA in New York. Daher ist es uns eine besondere Freude ein so frühes Werk, welches Dufys Heimatstadt zeigt, mit der er emotional verbunden war, anbieten zu dürfen.Der Künstler erhielt seine Ausbildung an der École des beaux-arts in Le Havre und folgte dann seinem Bruder Raoul Dufy (1877-1953) 1912 nach Paris. Sein Bruder stellte ihm seinen Kreis postimpressionistischer Freunde vor, darunter Georges Braque (1882-1963) und Pablo Picasso (1881-1973). 1914 wurde seine erste Ausstellung organisiert, aber die charakteristische Lebendigkeit seiner Palette und seines Pinselstrichs manifestierten erst nach dem Ersten Weltkrieg zum Vorschein. (1371535) (13) (†)Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Oil on canvas.50 x 64 cm.Signed lower right.Accompanied by an certificate by Monsieur Quesnel and by Monsieur Marumo.

Künstlerteller, Keramik, farbig bemalt, partiell glasiert, im Spiegel abstrakte Szene, reliefierte Kehle, orangerote Fahne, Ø 33,5 cm, signiert, 75 datiert Nach Beginn eines Architekturstudiums in Paris wandte sich Portanier als Autodidakt schnell der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur hatte er eine Begegnung mit Picasso und begann daraufhin seine Karriere als Keramikkünstler.Im Sommer des Jahres 1948, im südfranzösischen Keramik-Zentrum Vallauris, entdeckte der Maler Gilbert Portanier seine Leidenschaft für Ton und entwickelte hierbei einen vollkommen eigenständigen Stil. Besonders auffällig in seinen frühen Werken ist die meisterhafte Beherrschung der Zeichnung auf Keramik. In den Anfangsjahren nutzte Gilbert Portanier hauptsächlich den Pinsel, um antike, arkadische Genreszenen auf seine Keramikstücke zu zaubern, die von der Antike inspiriert waren. Während er nach neuen Farbnuancen, Farbstrukturen und Farbkombinationen suchte, begann Portanier jedoch langsam, sich von der reinen Zeichnung zu lösen und widmete sich stattdessen der freien Malerei auf Keramik. Jedes Stück von ihm gehört in ein Museum, so urteilte einst Picasso über Portaniers malerische Keramik.Gilbert Portanier (1926 Cannes)Artist's plate, ceramic, colour painted, partially glazed, abstract scene in the mirror, throat in relief, orange-red flag, Ø 33,5 cm, signed, dated 75. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. Returning to the Côte d'Azur, he had an encounter with Picasso and then began his career as a ceramic artist. In the summer of 1948, at the Vallauris ceramics center in the south of France, the painter Gilbert Portanier discovered his passion for clay and developed a completely original style. Particularly striking in his early works is his mastery of drawing on ceramics. In the early years, Gilbert Portanier mainly used the brush to conjure up ancient Arcadian genre scenes on his ceramic pieces, which were inspired by antiquity. However, while searching for new shades, color textures, and color combinations, Portanier slowly began to move away from pure drawing and instead devoted himself to free painting on ceramics. Every piece of his belongs in a museum, was once Picasso's verdict on Portanier's painterly ceramics.

Großer Künstlerteller, Keramik, farbig bemalt, partiell glasiert, im Spiegel abstrakte Szene, reliefierte Kehle, karminrote Fahne, Ø 41,5 cm, signiert, 81 datiert, verso ebenfalls signiert Nach Beginn eines Architekturstudiums in Paris wandte sich Portanier als Autodidakt schnell der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur hatte er eine Begegnung mit Picasso und begann daraufhin seine Karriere als Keramikkünstler. Im Sommer des Jahres 1948, im südfranzösischen Keramik-Zentrum Vallauris, entdeckte der Maler Gilbert Portanier seine Leidenschaft für Ton und entwickelte hierbei einen vollkommen eigenständigen Stil. Besonders auffällig in seinen frühen Werken ist die meisterhafte Beherrschung der Zeichnung auf Keramik. In den Anfangsjahren nutzte Gilbert Portanier hauptsächlich den Pinsel, um antike, arkadische Genreszenen auf seine Keramikstücke zu zaubern, die von der Antike inspiriert waren. Während er nach neuen Farbnuancen, Farbstrukturen und Farbkombinationen suchte, begann Portanier jedoch langsam, sich von der reinen Zeichnung zu lösen und widmete sich stattdessen der freien Malerei auf Keramik. Jedes Stück von ihm gehört in ein Museum, so urteilte einst Picasso über Portaniers malerische Keramik.Gilbert Portanier (1926 Cannes)Large artist's plate, ceramic, color painted, partially glazed, in the mirror abstract scene, relief throat, crimson flag, Ø 41,5 cm, signed, dated 81, verso also signed. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. Returning to the Côte d'Azur, he had an encounter with Picasso and then began his career as a ceramic artist. In the summer of 1948, at the Vallauris ceramics center in the south of France, the painter Gilbert Portanier discovered his passion for clay and developed a completely original style. Particularly striking in his early works is his mastery of drawing on ceramics. In the early years, Gilbert Portanier mainly used the brush to conjure up ancient Arcadian genre scenes on his ceramic pieces, which were inspired by antiquity. However, while searching for new shades, color textures, and color combinations, Portanier slowly began to move away from pure drawing and instead devoted himself to free painting on ceramics. Every piece of his belongs in a museum, was once Picasso's verdict on Portanier's painterly ceramics.

Künstlervase, Keramik, farbig bemalt, partiell glasiert, schlanke, konische Form mit abgesetztem Enghals, Höhe 41,5, Ø 10,4 cm, signiert Nach Beginn eines Architekturstudiums in Paris wandte sich Portanier als Autodidakt schnell der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur hatte er eine Begegnung mit Picasso und begann daraufhin seine Karriere als Keramikkünstler.Im Sommer des Jahres 1948, im südfranzösischen Keramik-Zentrum Vallauris, entdeckte der Maler Gilbert Portanier seine Leidenschaft für Ton und entwickelte hierbei einen vollkommen eigenständigen Stil. Besonders auffällig in seinen frühen Werken ist die meisterhafte Beherrschung der Zeichnung auf Keramik. In den Anfangsjahren nutzte Gilbert Portanier hauptsächlich den Pinsel, um antike, arkadische Genreszenen auf seine Keramikstücke zu zaubern, die von der Antike inspiriert waren. Während er nach neuen Farbnuancen, Farbstrukturen und Farbkombinationen suchte, begann Portanier jedoch langsam, sich von der reinen Zeichnung zu lösen und widmete sich stattdessen der freien Malerei auf Keramik. Jedes Stück von ihm gehört in ein Museum, so urteilte einst Picasso über Portaniers malerische Keramik.Gilbert Portanier (1926 Cannes)Artist's vase, ceramic, colour painted, partially glazed, slender, conical form with stepped narrow neck, height 41,5 cm, Ø 10,4 cm, signed. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. Returning to the Côte d'Azur, he had an encounter with Picasso and then began his career as a ceramic artist. In the summer of 1948, at the Vallauris ceramics center in the south of France, the painter Gilbert Portanier discovered his passion for clay and developed a completely original style. Particularly striking in his early works is his mastery of drawing on ceramics. In the early years, Gilbert Portanier mainly used the brush to conjure up ancient Arcadian genre scenes on his ceramic pieces, which were inspired by antiquity. However, while searching for new shades, color textures, and color combinations, Portanier slowly began to move away from pure drawing and instead devoted himself to free painting on ceramics. Every piece of his belongs in a museum, was once Picasso's verdict on Portanier's painterly ceramics.

Künstlervase, Keramik, farbig bemalt, schlanke, konische Form mit Enghals, Höhe 47 cm, Ø 12 cm, zweifach signiert, 81 datiert und schwerleserlich nummeriert/datiert Nach Beginn eines Architekturstudiums in Paris wandte sich Portanier als Autodidakt schnell der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur hatte er eine Begegnung mit Picasso und begann daraufhin seine Karriere als Keramikkünstler.Im Sommer des Jahres 1948, im südfranzösischen Keramik-Zentrum Vallauris, entdeckte der Maler Gilbert Portanier seine Leidenschaft für Ton und entwickelte hierbei einen vollkommen eigenständigen Stil. Besonders auffällig in seinen frühen Werken ist die meisterhafte Beherrschung der Zeichnung auf Keramik. In den Anfangsjahren nutzte Gilbert Portanier hauptsächlich den Pinsel, um antike, arkadische Genreszenen auf seine Keramikstücke zu zaubern, die von der Antike inspiriert waren. Während er nach neuen Farbnuancen, Farbstrukturen und Farbkombinationen suchte, begann Portanier jedoch langsam, sich von der reinen Zeichnung zu lösen und widmete sich stattdessen der freien Malerei auf Keramik. Jedes Stück von ihm gehört in ein Museum, so urteilte einst Picasso über Portaniers malerische Keramik.Gilbert Portanier (1926 Cannes)Artist's vase, ceramic, painted in color, slender, conical form with narrow neck, height 47 cm, Ø 12 cm, signed twice, dated 81 and numbered/dated with difficulty to read. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. Returning to the Côte d'Azur, he had an encounter with Picasso and then began his career as a ceramic artist. In the summer of 1948, at the Vallauris ceramics center in the south of France, the painter Gilbert Portanier discovered his passion for clay and developed a completely original style. Particularly striking in his early works is his mastery of drawing on ceramics. In the early years, Gilbert Portanier mainly used the brush to conjure up ancient Arcadian genre scenes on his ceramic pieces, which were inspired by antiquity. However, while searching for new shades, color textures, and color combinations, Portanier slowly began to move away from pure drawing and instead devoted himself to free painting on ceramics. Every piece of his belongs in a museum, was once Picasso's verdict on Portanier's painterly ceramics.

Künstlervase, Keramik, farbig bemalt, partiell glasiert, schlanke, konische Form mit abgesetztem Enghals, Höhe 39,5 cm, Ø 12 cm, unterseitig signiert, 29 10 86 datiert und Bochum ortsbezeichnet Nach Beginn eines Architekturstudiums in Paris wandte sich Portanier als Autodidakt schnell der Malerei und Zeichenkunst zu. Nach seiner Rückkehr an die Côte d'Azur hatte er eine Begegnung mit Picasso und begann daraufhin seine Karriere als Keramikkünstler.Im Sommer des Jahres 1948, im südfranzösischen Keramik-Zentrum Vallauris, entdeckte der Maler Gilbert Portanier seine Leidenschaft für Ton und entwickelte hierbei einen vollkommen eigenständigen Stil. Besonders auffällig in seinen frühen Werken ist die meisterhafte Beherrschung der Zeichnung auf Keramik. In den Anfangsjahren nutzte Gilbert Portanier hauptsächlich den Pinsel, um antike, arkadische Genreszenen auf seine Keramikstücke zu zaubern, die von der Antike inspiriert waren. Während er nach neuen Farbnuancen, Farbstrukturen und Farbkombinationen suchte, begann Portanier jedoch langsam, sich von der reinen Zeichnung zu lösen und widmete sich stattdessen der freien Malerei auf Keramik. Jedes Stück von ihm gehört in ein Museum, so urteilte einst Picasso über Portaniers malerische Keramik.Gilbert Portanier (1926 Cannes)Artist's vase, ceramic, painted, partially glazed, slender, conical form with stepped narrow neck, height 39.5 cm, Ø 12 cm, signed on the underside, dated 29 10 86 and with the place-name Bochum. After beginning to study architecture in Paris, Portanier quickly turned to painting and drawing as a self-taught artist. Returning to the Côte d'Azur, he had an encounter with Picasso and then began his career as a ceramic artist. In the summer of 1948, at the Vallauris ceramics center in the south of France, the painter Gilbert Portanier discovered his passion for clay and developed a completely original style. Particularly striking in his early works is his mastery of drawing on ceramics. In the early years, Gilbert Portanier mainly used the brush to conjure up ancient Arcadian genre scenes on his ceramic pieces, which were inspired by antiquity. However, while searching for new shades, color textures, and color combinations, Portanier slowly began to move away from pure drawing and instead devoted himself to free painting on ceramics. Every piece of his belongs in a museum, was once Picasso's verdict on Portanier's painterly ceramics.

Historical collection 12 assorted signed cards and album pages some great names includes Sir John Moores, Kevin Maxwell, Terence Conran, Anne Paloma Picasso, Elliot Richardson, Graham Winston, Kingsley Amis, Martin Amis, Dame Felicity Lott, Mary Quant and Aleksander Kwasniewski. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

A collection on mid-Century ceramic artwork, comprising of two glazed geometrically patterned panels, rectangular panel, 95 x 21cm; together with a ceramic sectional framed artwork in the manner of Picasso, 72 x 51cm high.

Three framed prints including Picasso. Not available for in-house P&P

PABLO PICASSO; a postcard featuring a cat bearing the famous artist's signature dated '22.5.59 Paris', 13.5 x 8.5cm, unframed.

Exhibition / Advertising Posters, more than seventy posters of various sizes with approximately half promoting exhibitions including Claude Viallat Barcelona 1983, Noori al-Rawi 1978, Museu Picasso, Iran 6000 years of Art and more with the other approximatel half being advertising posters that include Evening Standard Posters, Crunchie the Taste Bomb, Egg Promotions and more, various conditions but overall generally very good

In the manner of Pablo Picasso (1881-1973), mixed media, Surreal portrait, 45 x 38cm, contemporary gilt framed

Picasso, Pablo (1881-1973), nach "EXPO 62 - Congrès National Mouvement de la Paix". Plakat (l. Altersspuren), in der Druckplatte sign., herausgegeben von Le Mouvement de la Paix, gedruckt von Mourlot. Ca. 99x 65 cm. Beigegeben: Plakat nach Georges Braque "Trois Oiseaux". Ecken mit Montagelöchern. Editions des Nouvelles Images.

A large glass abstract Omaggio a Picasso sculpture designed by Italian artist, Walter Furlan (1931). A woman in a wide brim hat looking at her painted red nails. Applied logo and artist signature on the side. Includes certificate of commercial value declaration from New Murano Gallery S.R.L. Artist: Walter FurlanDimensions: 18"L x 15"W x 20"HManufacturer: Murano GlassCountry of Origin: ItalyCondition: Good.

A large Omaggio a Picasso owl sculpture designed by Italian glass artist, Walter Furlan (1931). Red, white, blue, and yellow glass owl perched and attached to a glass base. Applied Glass logo and artist etched signature on the side. Includes artist signed illustrated draft of the glass artwork. Includes certificate of commercial value declaration from New Murano Gallery S.R.L. Artist: Walter FurlanDimensions: 13.5"L x 12.5"W x 21.5"HManufacturer: Murano GlassCountry of Origin: ItalyCondition: Good.

Artist Unknown, in the style of Pablo Picasso (1881-1973), a pen and wash, An abstract interpretation of a bull, displayed in a laminated white frame, within a card mount, and under glass, 28cm x 38cm, & 44cm x 54cm overall Note - Though the artist is unknown, this work came from the same vendor as the Winifred Nicholson painting (lot 1222). Nicholson was known to have many artist friends and was also very exposed to works from across Europe.

PABLO PICASSO, 'The Rooster', giclee, signed 'collection domaine Picasso', numbered 101/500, 57cm x 48cm overall, framed. cetificate of authenticity verso.

Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador Dalí, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 8.52 x 11.25Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Lucien Clergue (1934-2014) was a French photographer known for his captivating black and white images, particularly his iconic photographs of the Mediterranean region. He was born on August 14, 1934, in Arles, France. Clergue began his photographic career in the 1950s and became associated with the renowned photographer Pablo Picasso and the writer and filmmaker Jean Cocteau. Throughout his career, Clergue captured a wide range of subjects, including landscapes, portraits, nudes, and bullfighting. One of Clergue's notable projects was his extensive documentation of the traditional Camargue region in southern France, where he grew up. He focused on capturing the unique landscapes, local culture, and the wild white horses that inhabit the area. These images helped establish his reputation as a master of black and white photography. Clergue's photography often emphasized strong contrasts, textures, and poetic compositions. His artistic vision celebrated the beauty of his subjects while also revealing their underlying emotions and narratives. He exhibited his work extensively in galleries and museums worldwide, and his photographs are held in prestigious collections. In addition to his photographic endeavors, Clergue co-founded the Rencontres d'Arles, an annual photography festival in Arles, France, which has become one of the most prominent events in the field of photography. Lucien Clergue's contributions to the art of photography were recognized with numerous awards and honors throughout his career. His photographs continue to inspire and captivate audiences, showcasing the power of black and white imagery and the artistic possibilities within the medium. Clergue passed away on November 15, 2014, in Nîmes, France, leaving behind a significant legacy in the world of photography. Measures 10.25 x 10.28 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.5 x 8.5Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Lucien Clergue (1934-2014) was a French photographer known for his captivating black and white images, particularly his iconic photographs of the Mediterranean region. He was born on August 14, 1934, in Arles, France. Clergue began his photographic career in the 1950s and became associated with the renowned photographer Pablo Picasso and the writer and filmmaker Jean Cocteau. Throughout his career, Clergue captured a wide range of subjects, including landscapes, portraits, nudes, and bullfighting. One of Clergue's notable projects was his extensive documentation of the traditional Camargue region in southern France, where he grew up. He focused on capturing the unique landscapes, local culture, and the wild white horses that inhabit the area. These images helped establish his reputation as a master of black and white photography. Clergue's photography often emphasized strong contrasts, textures, and poetic compositions. His artistic vision celebrated the beauty of his subjects while also revealing their underlying emotions and narratives. He exhibited his work extensively in galleries and museums worldwide, and his photographs are held in prestigious collections. In addition to his photographic endeavors, Clergue co-founded the Rencontres d'Arles, an annual photography festival in Arles, France, which has become one of the most prominent events in the field of photography. Lucien Clergue's contributions to the art of photography were recognized with numerous awards and honors throughout his career. His photographs continue to inspire and captivate audiences, showcasing the power of black and white imagery and the artistic possibilities within the medium. Clergue passed away on November 15, 2014, in Nîmes, France, leaving behind a significant legacy in the world of photography. Measures 10.25 x 10.28 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador Dalí, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 7.27 x 10.75Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 9.26 x 12 Printed circa 2000sVerso is blank.Mounted to archival quality paper.

Lucien Clergue (1934-2014) was a French photographer known for his captivating black and white images, particularly his iconic photographs of the Mediterranean region. He was born on August 14, 1934, in Arles, France. Clergue began his photographic career in the 1950s and became associated with the renowned photographer Pablo Picasso and the writer and filmmaker Jean Cocteau. Throughout his career, Clergue captured a wide range of subjects, including landscapes, portraits, nudes, and bullfighting. One of Clergue's notable projects was his extensive documentation of the traditional Camargue region in southern France, where he grew up. He focused on capturing the unique landscapes, local culture, and the wild white horses that inhabit the area. These images helped establish his reputation as a master of black and white photography. Clergue's photography often emphasized strong contrasts, textures, and poetic compositions. His artistic vision celebrated the beauty of his subjects while also revealing their underlying emotions and narratives. He exhibited his work extensively in galleries and museums worldwide, and his photographs are held in prestigious collections. In addition to his photographic endeavors, Clergue co-founded the Rencontres d'Arles, an annual photography festival in Arles, France, which has become one of the most prominent events in the field of photography. Lucien Clergue's contributions to the art of photography were recognized with numerous awards and honors throughout his career. His photographs continue to inspire and captivate audiences, showcasing the power of black and white imagery and the artistic possibilities within the medium. Clergue passed away on November 15, 2014, in Nîmes, France, leaving behind a significant legacy in the world of photography. Measures 10.25 x 10.28 Printed circa 1980sVerso is blank.Mounted to archival quality paper.

Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador Dalí, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador Dalí, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Man Ray, born as Emmanuel Radnitzky (August 27, 1890 – November 18, 1976), was an American visual artist who made significant contributions to both the Dada and Surrealist movements. He was born in Philadelphia, Pennsylvania, and initially pursued studies in architecture, but he soon shifted his focus to art.Man Ray is best known for his innovative work in photography, although he also worked in other mediums such as painting, sculpture, and film. He was a pioneer of avant-garde photography and was renowned for his experimental techniques, including photograms (or "rayographs"), solarization, and multiple exposures.During his career, Man Ray collaborated with and was inspired by many prominent artists and intellectuals of his time, such as Marcel Duchamp, Salvador Dalí, and Pablo Picasso. He became an integral part of the Parisian art scene and was associated with the Surrealist movement, contributing to their publications and exhibiting his work in their exhibitions.Some of Man Ray's most famous works include "The Gift" (1921), a sculpture combining a flatiron with tacks; "Le Violon d'Ingres" (1924), a photograph depicting a woman with f-holes painted onto her back; and "Tears" (1930), a striking image of an eye with a suspended glass tear. These works, among others, exemplify Man Ray's unique approach to art, blurring the lines between reality and imagination.Throughout his life, Man Ray continued to experiment with different art forms, embracing new techniques and concepts. He also had a significant influence on later generations of artists and photographers, leaving a lasting impact on the development of modern and contemporary art. Measures 9.9 x 7.7 Printed circa 1970sVerso is blank.Mounted to archival quality paper.

Henri Rousseau (1844 – 1910), often referred to as "Le Douanier" (the customs officer), was a French painter known for his distinctive and imaginative style. He is celebrated for his dreamlike and fantastical paintings that often depict lush jungles, exotic animals, and mysterious scenes. Despite his lack of formal artistic training, Rousseau's work had a significant influence on modern art.Key aspects of Henri Rousseau's life and work include:1. **Self-Taught Artist:** Rousseau began painting as a hobby while working as a customs officer in Paris. He had no formal art education, and much of his technique was self-taught. This contributed to his unique and unconventional style.2. **Primitivism and Naïve Art:** Rousseau's work is often associated with primitivism and naïve art, which emphasize simplicity, bold colors, and a childlike perspective. His lack of formal training led to an uninhibited and original approach to painting.3. **Exotic Landscapes:** Rousseau is best known for his lush jungle scenes, even though he had never visited the tropics. His imagination and sources like botanical gardens and illustrated books inspired his depictions of exotic flora and fauna.4. **Dreamlike Quality:** Many of Rousseau's paintings have a dreamlike quality, blurring the line between reality and fantasy. His compositions often feature juxtapositions of different elements, creating a sense of mystery and wonder.5. **Portraits and Landscapes:** In addition to jungle scenes, Rousseau also painted portraits and landscapes. His portraits often exhibit a similar naïve style, with subjects posing in a straightforward manner against imaginative backgrounds.6. **Criticism and Recognition:** Rousseau faced criticism from the art establishment during his lifetime due to his unconventional approach. However, his work also garnered the attention of avant-garde artists, including Pablo Picasso and other members of the artistic community.7. **Influence on Modern Art:** Rousseau's unique style and approach had a significant impact on modern art movements such as Fauvism, Surrealism, and Cubism. Artists admired his innovative use of color, his uninhibited creativity, and his ability to challenge conventional artistic norms.8. **Legacy:** Henri Rousseau's legacy continues to be celebrated for his contributions to modern art. His ability to create captivating and imaginative worlds through his paintings has left an indelible mark on the art world.Henri Rousseau's distinctive style, characterized by its dreamlike quality, vivid colors, and fantastical subjects, has made him a beloved and influential figure in the history of art. Despite initial criticism, his work has stood the test of time and remains a source of inspiration for artists and art enthusiasts alike.Measures 40 x 28.

Juan Gris (1887–1927) was a Spanish painter and sculptor known for his significant contributions to the Cubist movement. He was a key figure in the development of Cubism alongside artists like Pablo Picasso and Georges Braque.Gris' art is characterized by its analytical Cubist style, which involved breaking down objects and subjects into geometric forms and analyzing their multiple viewpoints. His works often featured still lifes, portraits, and interiors rendered in a distinctive and abstract manner.Some of his notable works include:1. **"Still Life with Guitar" (1913):** This painting is a prime example of Gris' analytical Cubist approach, showcasing fragmented forms and a careful arrangement of objects.2. **"The Table" (1914):** In this work, Gris deconstructs the image of a table and its objects into abstract geometric forms.3. **"The Portrait of Picasso" (1912):** This portrait of Pablo Picasso exemplifies Gris' Cubist style in depicting the subject's multifaceted nature.Gris' approach to Cubism often incorporated a sense of order and harmony, and he had a strong interest in color and texture. He was also known for his use of stenciled lettering and typography in his works.His influence on the development of Cubism, particularly in its later stages such as Synthetic Cubism, and his unique contributions to the movement have solidified his place as an important artist in the history of modern art. Juan Gris' innovative and intellectual approach to art continues to be studied and appreciated by art enthusiasts and scholars around the world.Measures 20 x 24 (image), 32 x 28 (framed).Sold "after" Gris.

This small "ink on paper" painting on cardboard depicts a woman, La Boija, in black and white. It was painted by Pablo Picasso in Barcelona in the early 20th century. Picasso's signature is in the lower right-hand corner. The work is accompanied by a certificate written by Widmaier Picasso. La Boija is an emblematic figure in Picasso's work. She is often associated with poverty and marginality. In this painting, she is depicted in a simple, uncluttered way, but exudes great strength and dignity. La Boija is an important work in the evolution of Picasso's art. It marks the beginning of his blue period, during which he devoted himself to depicting poverty and human suffering. This period is considered one of the most important of his career. La Boija is a rare and precious work. It is one of the few paintings by Picasso depicting La Boija. It also comes with a certificate written by Widmaier Picasso, giving it added value. This work is destined for a discerning collector who will appreciate the importance of Picasso's work and the uniqueness of this painting.. - Weight: 2.37 kg - Shipping unavailable - Region: Spain - Sizes: H 170 MM L 170 MM - At first glance: good condition

Cubist Charcoal with Red Fern Gallery label to reverse entitled Trois figures habilles se tenant devant une buste' by Picasso December 1961 23 x 31cm

A print of a Picasso Exposition poster in a white frame, 38cm x 31cm

Serge Mendjisky (Paris 1929 - 2017). Küste in Südfrankreich. Öl/Lw. 50,5 x 65 cm. R. u. sign. S. Mendjisky. - Französischer Landschaftsmaler. M. studierte 1947 an der École des Beaux-Arts in Paris und ließ sich 1949 in Nizza nieder, wo er u.a. mit Picasso zusammentraf. Seine spätpointillistischen Landschaften zeigen häufig die südfranzösische Küste, aber auch Stadtansichten von Paris, Chicago oder Venedig. Er stellte u.a. auf dem Salon des Indépendants und auf dem Salon d'Automne aus und hatte zudem zahlreiche Einzelausstellungen in Frankreich und dem Ausland. Mus.: Paris, Philadelphia, Moskau Lit.: Bénézit.

JEAN CASSOU Buch ¨"Picasso" (1940) mit Signatur Picassos translated from the French by Mary Chamot, 167 Seiten, mit zahlreichen, teils farbigen Abbildungen (32,5x25cm), mit ganzseitiger, eigenhändiger Widmung Picassos an Kurt-Rüdiger von Roques (1890-1966): ¨ A Monsieur F (von Picasso getilgt) Roques, Souvenir de Paris, Picasso Paris, Decembre 1943¨ (Korrekturen von Picasso beim ¨F¨ des Vor- und Nachnamens)

Nach PABLO PICASSO (1881 Málaga -1973 Mougins) Heliogravür, ¨Antipolis¨ (1948), ca. 32x24,5cm (in Passepartout), gerahmt 47,5x40cm) FR

Nach PABLO PICASSO (1881 Málaga - 1973 Mougins) Heliogravure, "Cheval et son dresseur" (nach der gleichnamigen Zeichnung aus dem Jahr 1920), ca. 38,5x48,5cm (in Passepartout), Rahmen mit Spiegel-Leiste (62x71,5cm), gebräunt FR

Pablo Picasso (1881-1973) Offset lithograph of the linocut print entitled 'Female head with necklace' published in New York circa 1970s/80s. Signed with a stamped signature. Approx frame size 21 x 17 inches.

Picasso, Pablo (1881 - 1973), Dessins Inédits (1970/71), Musee Reatu, Arles Affiche,Lithografie, gedruckt bei Mourlet, Größe d. Darst. ca. 27,5 x 40 cm, PP, hinter Glas gerahmt (ca. 75 x 65 cm). Versand nur durch externen Dienstleister möglich.

Picasso, Pablo (1881 - 1973), Le gout de Bonheur (1964), Lithografie, re u. in d. Plattesign., li u. numm.: 616/666, Blattgröße ca. 32,5 x 24,8 cm, PP, hinter Glas gerahmt (ca. 75 x 65 cm). Versand nur durch externen Dienstleister möglich.

2-teiliges Konvolut von Seidentüchern, bestehend aus: 1x Pablo Picasso, Hände mitBlumenstrauß, 1x Franz Marc, Der Mandrill, je orig. verpackt. Neuwertig.

Picasso, Pablo (1881 - 1973), Mappe mit 15 verschiedenen Reproduktionen "Picasso. FifteenDrawings", gedruckt bei Pantheon Books, Blattgröße je ca. 33 x 48 cm. Teils altersgem. vergilbt.

Losch / Schulz, Lothar (1935 - 1997), "Douce Galaxie" oder "Geburt der Galaxie" (1992),Glas-Grafik, Relieftechnik, rs. bez. u. handsign., Gesamtgröße ca. 71 x 71 cm. Lothar Schulz m. d. Künstlernamen Losch war ein Glaskünstler, d. u.a. in Paris Tokio, New York u. Blackburn ausstellte. Seinen Durchbruch hatte er in d. 80er Jahren in Frankreich, als er u.a. seinen Beitrag zur "Hommage à la Révolution Francaise" leistete und daraufhin sofort in den Kunstverein 'Société des Artistes Indépendants' aufgenommen wurde. Zu diesem Kreis zählten seinerzeit u.a. Picasso, Kokoschka u. Dali. Vgl. Ausst.kat "Losch", Autoren Angelike Machlet u. Astrid Albert, Staudt Lithographie, Bochum, m. Abb. von Losch. Versand nur durch externen Dienstleister möglich.

Pablo Picasso1881 Malaga - 1973 Mougins nach - "Le Fumeur" - Farblithografie/Papier. 55,5 x 37,5 cm (Passepartoutausschnitt). Im Druck dat. und sign. l. o.: 31.5.64. III / Picasso. Passepartout. Unter Glas gerahmt. Leicht gebräunt. Lichtrand. - "Tete de femme" - Farblithografie/Papier. 35 x 26,5 cm (Passepartoutausschnitt). Im Druck betit. und sign. l. o.: 13.1.62 / I / Picasso. Passepartout. Unter Glas gerahmt.

PABLO PICASSO 1881 - 1973 SCÈNE ANTIQUE 1956 Lithographie auf Velin. Signiert. Ex. 37/50. 46 x 35 cm (66 x 50 cm). Bloch 801. (Insgesamt gebräunt und stärker lichtrandig. Verso Montagerückstände, Ränder etwas unregelmäßig, kleinere Läsuren). Provenienz: Kunsthaus F. G. Conzen, Düsseldorf.

PABLO PICASSO 1881 - 1973 LA PIQUE (AUS: ALOS TOROS AVEC PICASSO) 1961 Lithographie auf Arches. Signiert, datiert und nummeriert. Ex. 40/50. 21 x 25 cm (38,2 x 51,5 cm). (Lichtrandig, unter Passepartout montiert, rückseitige Montagespuren).

PABLO PICASSO 1881 - 1973 JEU DE LA CAPE (AUS: A LOS TOROS AVEC PICASSO) 1961 Lithogrpahie auf Arches. Signiert, datiert und nummeriert. Ex. 40/50. 20 x 25 cm (37,8 x 51 cm). Bloch 1015. (Lichtrandig, unter Passepartout montiert, rückseitige Montagespuren).

PABLO PICASSO 1881 - 1973 FEMME DEBOUT ENTOURÉE DE QUATRE HOMMES BARBUS 1966 (1981) Radierung mit Aquatinta auf Velin. Mit Signaturstempel. Ex. 36/50. Edition Galerie Louise Leiris, 1981. 22,4 x 32 cm (37,8 x 47,5 cm). Baer 1420 II B a. (Schwache Falt- und Stauchspuren im weißen Rand; geringe Montagespuren).

PABLO PICASSO 1881 - 1973 AUS: LA CÉLESTINE 1968 2 Blatt Radierungen auf Textbögen aus Bütten mit Wasserzeichen LA CELESTINE. Je 279/350. 13,9 x 10,8 cm bzw. 8,5 x 5,9 cm (21 x 17 cm) Ganzer Bogen (21 x 51 cm). Goeppert/Cramer no. 149. (Lichtrandig, gebräunt).

PABLO PICASSO JAIME SABARTÈS: "A los toros" mit Picasso. (Aus dem Französ. übers. von U. R. Hemmerich). Monte-Carlo: André Sauret 1961. 24,5 x 31,7 cm. Mit 4 OrLithographien von P. Picasso (davon 1 farbig) und zahlr. weiteren Abb. 153 SS., 1 nn. S. OrLn. in OrSchuber. (Am Rücken im Kopfbereich gering stockfleckig. Schuber an den Kanten berieben, Rücken verblasst und l. ausgebrochen.) Goeppert/Cramer 113. Bloch 114-117.

Fieber, Olaf (geb. 1966 in Meißen) Bildplatte "Am Strand" oder "Hommage an Picasso". Farbige Unter- und Aufglasurbemalung, Gold und farbige Glasur als Gestaltungselement, so genannte "Porzellan-Grafik". Unikat aus dem Jahr 2013. Atelier Olaf Fieber, 2013. D. 44x 35 cm. Wie auch andere namhafte Kunstschaffende der Porzellanmanufaktur Meissen gründete Olaf Fieber sein eigenes Atelier für Porzellangestaltung um das Jahr 2010. Mit Dienstantritt Christian Kurzkes als Geschäftsführer im Jahr 2009 hatte man im Rahmen seiner Rationalisierungs- und Umgestaltungsmaßnahmen alle laufenden Arbeitsverträge der beschäftigten Künstler gekündigt, um zukünftig nur noch Auftragsarbeiten zu vergeben.

Fieber, Olaf (geb. 1966 in Meißen) "Badende, Hommage an Picasso". Bunt bemalt. Unikat aus dem Jahr 2000. Unikat-Nr. 276/2000 und Schwertermarke Meissen, 2000. 1. Wahl. 21x 26,5x 10,5 cm. Beigegeben: Zertifikat Nr. 6314 der Manufaktur Meissen, mit der Bestätigung der Aufnahme in die Dokumentation der Manufaktur am 12.10.2000. Lit.: Andrea C. Röber, "Zeitgeist und Tradition - Meissener Porzellan der Gegenwart", Deutsches Porzellanmuseum, Hohenberg/Eger, 2003, S. 20 mit Farbabbildung.

Quantity of hardback ballet books, relating to set designs and costume designers of the ballet world, including an autobiography Erté Things I Remember, Reade Brian Ballet Designs and Illustrations (1581-1940), Bentley Toni Costumes by Karinska, Schouvaloff Alexander The Thyssen Bornemisza Collection Set and Costume Designs for Ballet and Theatre, Pablo Picasso Designs for "The Three Cornered Hat" (soft cover), Buckle Richard Modern Ballet Design, Mary Clark and Clement Crisp Design for Ballet, Rhodos Bournonvilleana, The Folio Society Degas Dancers, Mary Clarke and Clement Crisp Ballet in Art From the Renaissance to the Present, Beaumont Cyril Ballet Design Past and Present, Coté Costume Opéra National de Paris, Beaumont Cyril Five Centuries of Ballet Design, Catherine Haill The Theatre Museum, Victoria and Albert Museum, Kendall Richard Degas and the Little Dancer, Edmonde Charles-Roux Chanel, and lastly Gran Teatro La Fenice (hard back). 

Pair of Goebel Artis Orbis  Collection Homage to Pablo Picasso "Head resting upon Hands" porcelain vases, 8.25" high (2) - ** with Artis Orbis / Goebel certificate and copy of Bucher Buchner Ars Mundi invoice for 295DM dated 1995