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Click here to subscribe19th Century School, Floral Still Life, watercolour, together with a Dutch School engraving of windmill and man, signed indistinctly 'Margot Pflaum', 28cm x 21cm, framed, also after Pablo Picasso, Bullfight II and III and Rider IV, prints, 30cm x 42cm, framed and a 19th century gilt framed mirror, bevelled glass, 61cm x 45cm (6)
δ Pablo Picasso (1881-1973)Composition au verre a pied (Bloch 431; Mourlot 77)Lithograph, 1947, a proof aside from the book edition, on wove paper, as included in Dans l'Atelier de Picasso, with margins, sheet 445 x 330mm (17 1/2 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)L'Homme a la Fraise (CZW. 448)Lithographic poster printed in colours, 1973, a proof before the text, on Arches paper, printed by Mourlot, Paris, with full margins, sheet 680 x 505mm (26 3/4 x 19 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)Avignon Prolongation (Rodrigo 252)Offset lithograph printed in colours, 1973, on Arches wove paper, printed by Henri Deschamps, Paris, with full margins, sheet 705 x 575mm (27 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
* Lydia Corbett [b.1934]- Antique Greece,:- signed bottom right further signed Sylvette David bottom left watercolour, pen and ink drawing 47 x 40cm. * Notes 'I'm always grateful to Picasso for his huge kindness. He gave me confidence in life and I have followed in his footsteps. I was very lucky. There were lots of beautiful girls around and he encouraged me to be a painter'. Lydia Corbett * Notes In 1954, the pony-tailed teenager, Lydia Corbett was introduced to Pablo Picasso at Vallauris on the French Riviera when the artist was separating from his wife Francois Gilot. Her presence brought a new energy to his work and she became the favoured model for various works of art, including The Heads of Sylvette, a series of moulded metal sculptures produced by Picasso. She was known then as Sylvette David, and changed her name to Corbett during this period.. In 1968, Lydia moved to England and gave her creative energy to painting. She has since exhibited in London, Europe and Japan. The Anthony Petullo Foundation in America has a collection of her watercolours. In 1993 the Tate Gallery staged a major exhibition of Picasso's sculpture and paintings to coincide with a documentary film on Lydia and Picasso shown on BBC2. In 2014 parallel exhibitions in London and Germany showcased the work of Corbett and Picasso. Corbett's fluid lines bring life to familiar themes and her 'assured and gentle approach to the human figure', recalls the work of Marc Chagall.
• Catherine’s design is inspired by the traditional clown who has mystical associations with night time and the moon, and was a muse for famous artists including Picasso and Cézanne. Harlequin’s costume is better known than his ancient origins, and this softer, more painterly version is based on his early roots as a mythical being who could travel between different worlds. • Catherine Digman is a Kent based painter and writer. She is actively involved with Special Educational Needs, Autism, and Mental Health work in Kent. She has previously exhibited at Brew in Folkestone and The Beaney in Canterbury. Her interests include folklore and mythology. She has previously worked as a commercial designer for companies including TopShop and AllSaints. She is currently studying English Literature as a mature student at the University of Oxford.
Art. A carton. Includes: 'Alexander Calder: Performing Sculpture'; London: Tate, 2015. 'Pablo Picasso 1881-1973'; Koln: Taschen, 2006. 'Dante's Inferno: translated and illustrated by Tom Phillips'; London: Thames and Hudson, 1985. 'The Complete Work of Michelangelo'; London: Macdonald, 1966. Two volumes. Housed in slipcase. And, 8 others. (12)
An 18 Carat Gold Citrine Pendant, on Chain, designed by Paloma Picasso for Tiffany & Co, a citrine drop to a smooth mount, on an 18 carat gold trace chain, pendant measures 2.8cm long, chain length 44cm, with box and bag see illustration . The pendant is in good condition. It is stamped with marker's mark for Tiffany and Co and signed Paloma Picasso, London, 2011. Gross weight 9.0 grams. Condition Report made 2nd November 2018.
* DONALD MORRISON BUYERS RSW (SCOTTISH 1930 - 2003), FIELDS AND TREES, ABERDEENSHIRE oil on board, signed 60cm x 122cm Framed. Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating he was employed as an art therapist with tuberculosis patients in the Aberdeeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.
PAIR OF DIAMOND 'KISS' EARRINGS, PALOMA PICASSO, TIFFANY & CO. each designed as a cross set with a row of channel set brilliant-cut diamonds, signed Paloma Picasso, T&Co Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
A group of ceramic jewellery in the style of Picasso by the artist Raymond John Coutu comprising a five-panel bracelet and matching earrings, signed Jack Coutu 1955, six pairs of earrings and a brooch, some signed and dated 1955, brooch 4.5cm, a box containing various glass and other decorative beads together with a leather box containing various studs (qty)
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