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Pablo Picasso, 1881-1973 VISAGE LA BARBICHE (AR NO. 600) stamped Empreinte originale de Picasso, Madoura Plein Feu, inscribed J117 Madoura and numbered 36/50 on the reverse painted and partially glazed terracotta tile 31 by 31cm., 12Dby 121/4in. Conceived between December 1968 and January 1969 in a numbered edition of 50.
Pablo Picasso, 1881-1973 hibou rouge sur fond noir (ar no. 399) stamped Edition Picasso, Madoura Plein Feu, inscribed Edition Picasso, N103 and numbered 62/150 on the base painted and partially glazed terracotta dish diameter: 43.5cm.; 17Bin. Conceived on 10th May 1957 in a numbered edition of 150.
Pablo Picasso, 1881-1973 LE PARTHÆ’NON signed and dated 2.7.59. coloured crayons on paper 12.5 by 19.5cm.; 4P by 7Nin. Executed on 2nd August 1959. This drawing highlights the plight of Manolis Glezos. Condemned to death in 1941 for raising the Greek resistance flag over the Acropolis during the Nazi occupation, he fought for Greek resistance movement until the liberation in 1945. After the war, Glezos, was again condemned to death no less than three times, in 1947, 1948 and 1952 for being a communist. He was sentenced to five years in prison in 1959, being released in 1962 only to be re-arrested in 1967 by the new military junta. He finally achieved liberty in 1971.
After Henry Moore- Reclining figures; lithograph, 43.8x35.4cm: together with two posters publ. by Mourlot, 'University de Geneve, Centre Culturel International, one after Chagall the other after Picasso, and a further lithograph after Miro, and an etching of a mother and child by different hand, (5), (unframed)
Laurencin (Marie, 1885 - 1956). Girl in a hammock, col. etching by Jacques Villon after Marie Laurencin, pub. Chalcographie du Louvre, image size approx. 440 x 550 mm, some staining to margins, together with a colour lithograph after Picasso, of a bullfighter on horseback, dated 1961 in the image, approx. 210 x 270 mm, mounted (2)
Picasso (Pablo, 1881 - 1923). Smiling satyr, 1956, inscribed drawing in red and blue crayon of a smiling satyr's face with horns, signed, and inscribed "Pour mon ami Frank McEwen, Cannes le 17.11.56.", drawn on the front black of Picasso à son image by André Verdet, Nice, Gallerie, H. Matarasso, 1956, approx. 180 x 135 mm (7 x 5.25 ins) (1)
Penrose (Roland). Scrap Book 1900 - 1981, Thames & Hudson, 1981, presentation copy signed by the author, plts. and illusts., orig. cloth in sl. creased d.j., 4to, together with The Road is Wider Than Long, Gallery Editions, 1939, presentation copy signed by the author, illusts., orig. boards designed by Bellmer, rubbed, 8vo, ltd. ed. 409/500, plus Picasso, pub. Paris, Grasset, 1961, presentation copy signed by the author with orig. design to title, illusts., orig. cloth, rubbed, 4to, and six others similar, incl. some presentation copies (9)
Val (Catherine & Pierre Descargues). A Comme Amitié, pub. Paris, 1993, orig. plt. by Val tipped - in at rear, orig. printed wrappers, slim 8vo, presentation copy signed by Catherine Val, together with Quinn (Edward), Picasso at Work, Allen, 1965, col. plts. and illusts., orig. boards in torn glassine d.j., 4to, plus Read (Herbert), The Philosophy of Modern Art, N.Y., Horizon Press, 1953, presentation copy signed by the author, plts., orig. cloth, rubbed, 8vo, and 12 others, similar, incl. some presentation copies (15)
Honore Daumier- 'Jules Favre', from Les Representans Representes, publ. Aubert & Cie.; lithograph, 31x21.3cm: After Henry Alken- 'Songs', publ. by Thos. MacLean, 1822; hand-coloured lithograph: together with a caricature of an Indian army officer, chromolithograph, and a contemporary reproduction print after Picasso, (4)
Grohmann (Will). Wassily Kandinsky. Life and Works, 1st ed., Thames & Hudson, 1959,. tipped?in col. plts., num. b&w illusts., orig. cloth in d.j., together with Barr (Alfred H. Jr.), Picasso. Fifty Years of his Art, 1st ed., Museum of Modern Art, New York, 1946, num. col. and b&w illusts., orig. cloth in sl. soiled d.j., both 4to, and others (16)
Picasso (Pablo). Picasso der Kubismus, 1907-917, by Josep Palau i Fabre, pub. Barcelona, 1998, num. col. and b & w illusts., orig. cloth in d.j. and slipcase, square 4to, together with Picasso at Work. An Intimate Photographic Study, by Edward Quinn, Introduction and Text by Roland Penrose, 1st ed., 1965, col. illusts. and num. b & w illusts. and photos., orig. linen?backed laminated boards, slightly soiled, folio, plus Picasso. Intimate Secrets of a Studio at Notre Dame de Vie, text by Helene Parmelin, pub. New York, 1966, num. tipped?in col. illusts., orig. canvas, a little rubbed, square 4to, with two others on Picasso (5)
After Salvador Dali- Portrait of Pablo Picasso; lithograph with gold, bears signature and numbered 90/250 in pencil, 66.5x50cm: together with a print of a circus scene signed in pencil by Marcel Marceau, a poster advertising wine dedicated to Roger Moore, a gouache by Martin Law and coloured crayon study by an unknown hand, (5), (unframed).
Larionov (Mikhael) and others. Ticket, handbill, and programme for the Grand Bal Travestie Transmental, the ticket printed in brown and ochre, the price "15" added by rubber stamp?, 222mm. x 275mm.; the handbill double-sided with portions of the same designs printed in black, Larionov's signature below the large design completed by hand, the smaller design signed with printed initials, 501mm. x 132mm.; the programme 16 pages, with illustrations by Goncharova, Picasso and others, that by Picasso coloured by hand, unbound, large 4to, Paris, 1923 (3).
Gontcharova (Natalia) and others. Large announcement and programme for the Bal Olympique, the announcement in four different sates, one on mould-made paper with a woodcut by Fotinsky after Barthe and a costume design by Gontcharova, the other three on yellow, blue and pink paper with the woodcut by Fotinsky replaced by a lineblock of the drawing by Barthe, 653mm. by 250mm, the first slightly frayed; the programme 12 pages with a large woodcut by Fotinsky after Borlin, and illustrations by Picasso and others, unbound, 4to, Paris, 1924.
Meyer (Franz). Marc Chagall, 1st English ed., pub. Thames & Hudson, 1964, num. tipped-in col. plts., b&w plts. and illusts., orig. pict. cloth, in d.j., slightly chipped to extremities, in card slipcase, together with Boeck (Wilhelm, and SabartŽs, Jaime), Picasso, 1st English ed., pub. Thames & Hudson, 1955, num. tipped-in col. plts., b&w plts. and illusts., orig. pict. cloth in d.j., some minor fraying to extremities, plus Meyer (Franz), Marc Chagall, The Graphic Work, 1st. English ed., pub. Thames and Hudson, 1957, a few col. and num. b&w plts., orig. cloth in d.j., and Buffet (Bernard), Le Circue, pub. Art et Style, 1956, col. and b&w plts., orig. cloth-backed pict. boards, a little rubbed, all 4to (4)
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12359 item(s)/page