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Click here to subscribeδ Pablo Picasso (1881-1973) (after)Femme Nue (Czwiklitzer 397)Lithograph printed in colours, 1969-1971, signed and inscribed 'H.C.' in pencil, a hors d'commerce impression aside from the edition of 200 (with text), on Arches paper, with full margins, sheet 485 x 356mm (19 x 14in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Pablo Picasso (1881-1973)Jamie Sebartes. A los Toros Mit Picasso (Bloch 1014-47; Cramer 113)The book, comprising four lithographs, one printed in colours, 1961, on wove paper, and 109 reproduction lithographs on smooth paper, from an edition of an unknown size, with title-page, colophon and text in German, the lithographs printed by Mourlot, Paris, published by André Sauret, Monte-Carlo, bound (as issued) and housed within the original red paper covered slipcase, overall 335 x 260mm (13 1/8 x 10 1/4in) (vol)
δ Pablo Picasso (1881-1973) (after)Les Dessins D'Antibes de Pablo Picasso, four platesFour offset lithographs, 1958, from the French edition of 200, on Richard de Bas wove paper, printed by Daniel Jacoment, Published by Au Pont des Arts, Paris, each the full sheet, 505 x 655m (19 7/8 x 25 3/4in) (unframed) (4)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)FauneLithograph printed in colours, 1956, the edition was 200, on Richard-de-Bas wove paper, as included in the portfolio 'Femmes et Faunes', published by Au Vent D'Arles, Paris, with full margins, sheet 514 x 410mm (20 ¼ 16in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Au Théâtre: Déclaration D'Amour (Baer 1390Ba; Bloch 1479; Cramer Books 146)Aquatint, 1966, a very rare proof on watermarked Richard de Bas paper aside from the signed editions of 12 on Arches and 12 on Romani Filigrane, there was also an edition of 263 on Romani Filigrane included in 'El Entierro del Conde de Orgaz,' printed by Atelier Gustavo Gili SA, Barcelona, the full sheet, 333 x 464mm (13 x 18 1/4in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1891-1973)Repos du sculpteur (Bloch 174)Etching, 1933, signed in pencil, from the edition of 260, on Montval laid paper with the Picasso Watermark, published by A. Vollard, Paris, with full margins, plate 193 x 268mm (7 5/8 x 10 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)Bouquet de Fleurs (Czwiklitzer 147)Lithograph printed in colours, 1958, signed in blue crayon, a proof before the text, on wove paper, published by Éditions Combat pour la Paix, Paris, with their blindstamp, with full margins, sheet 555 x 380mm (27 7/8 x 15in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)Tete d'homme barbuEtching printed in colours, 1967, signed and numbered from the edition of 200 in pencil, on Arches paper, withmargins, sheet 675 x 521mm (26 1/2 x 20 1/2in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)Grand MaternitéLithograph printed in colours, 1963, signed and numbered from the edition of 200 in pencil, on wove paper, published by Éditions Combat de la Paix, Paris, with full margins, sheet 895 x 630mm (35 1/4 x 24 3/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ David Hockney (b.1937) Made in April (M.C.A. Tokyo 188) Etching with aquatint printed in colours, 1976-77, signed and numbered from the edition of 200 in pencil, on wove paper, as included in the portfolio The Blue Guitar, published by Petersburg Press, London and New York, with full margins, sheet 525 x 456mm (20 5/8 x 18in) (framed) In 1976, Hockney spent the summer in New York where he discovered a collection of poems by Wallace Stevens. He found the poem 'The Man with the Blue Guitar' particularly captivating. This poem was in fact inspired by Steven's encounter with Pablo Picasso's famous The Old Guitarist in 1936. For the poet, the blue guitar and its music become symbols for artistic creativity. It is of little surprise then, that the young Hockney drew rich inspiration from both iconic works. Shortly thereafter he produced ten drawings that interpreted both the poem and Picasso's style in his own way. The present portfolio is the result, which bears the fitting title: The Blue Guitar, etchings by David Hockney, who was inspired by Wallace Stevens, who was inspired by Pablo Picasso. δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Pablo Picasso (Spanish 1881-1973,), 'Bacchanale (10.10.55)', lithograph, Richard de Bas watermarked paper, signed and inscribed 'Epreuve d'artiste' in pencil, sheet 40 x 49.5cm with full margins. Provenance: The Estate of Cecilia Green (1931-2003), favoured model of Sir William Russell Flint, and her husband John Simmons (d. 2009). Thence by descent.
dating: third quarter of the 20th Century provenance: Europe, Made with craquelet effect, in pale yellow color. Featuring two characters painted in black, in style tending to synthesis and abstraction. Some decorative, green and brown brush strokes. A barely readable stamp and Pablo Picasso signature on the bottom. height 30,5 cm.
Swinburne, Algernon Charles; Buckland-Wright, John (artist) Hymn to Proserpine. The Golden Cockerel Press, 1944. 8vo, org. burgundy cloth; seven wood engravings to text, printed in Caslon Old Face on their Tree and Serpent watermarked paper. Limited edition, numbered 79/350. Lucas, F.L. (trans.); Severin, Mark (artist) Homeric Hymn to Aphrodite. The Golden Cockerel Press, 1948. 4to, org. morocco-backed buckram by Sangorski and Sutcliffe, upper board with Aphrodite design in gilt, t.e.g.; wood engraved frontis. and title-vignette with ten large head-piece engravings and tail-piece colophon cockerel device, printed in Poliphilus Roman and New Hellenic Greek on Arnold's Mould paper. Limited edition, numbered 368/750. The Golden Cockerel Press is one of the twentieth century's most regarded presses, credited with a significant contribution to the revival of English woodcut illustration. The two works here showcase both the quality of artists and the quality of book production for which the press was justly famous. John Buckland-Wright was a New Zealander who helped William Hayter found Aetelier 17 in Paris, at which he worked with artists such as Matisse, Chagall, Picasso and Dali. Mark Severin was a Belgian artist and graphic designer. He specialised in miniature work, producing hundreds of bookplates, many erotic. The press frequently found expression through the ancient world, drawing on both the sensuous nature of myths for their content, and their classical status to distance themselves from accusations of obscenity.
[§] SCOTTIE WILSON (SCOTTISH 1889-1972) BUTTERFLY SUMMER - 1927 Signed, gouache and ink on paper 34cm x 26cm (13.5in x 10.25in) Exhibited: Cyril Gerber Fine Art, Glasgow; Mercury Gallery, Edinburgh Note: Scottie (Robert) Wilson was born in Glasgow. He joined the army at the age of sixteen, serving in India and South Africa and also lived in Canada for fifteen years from 1930. A self-taught artist, Wilson began to draw in the 1930s and held his first solo exhibition in Toronto in 1943. On returning to Britain, he became a well-known character on the London art scene. Wilson’s distinctive drawings are decorative and fantastical. His favourite motifs include stylized fish, birds, flowers, trees, self-portraits and totem pole-like symbols. Preferring to use crayon, pen and ink as they allowed him to work quickly, he also experimented with gouache. Wilson’s work was admired by the Surrealists and by Jean Dubuffet and Picasso.
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![[§] SCOTTIE WILSON (SCOTTISH 1889-1972) BUTTERFLY SUMMER - 1927 Signed, gouache and ink on paper 34cm x 26cm (13.5in x 10](https://cdn.globalauctionplatform.com/2cf487da-1f6e-4783-ab7b-a927009eaef2/716d587c-a104-468f-dad2-71bb0da09aba/468x382.jpg)
