δ Pablo Picasso (1881-1973) Lithographe I-IV (Cramer 55, 60, 77, 125) The four books, 1949-64, comprising seven of the eight lithographs, one printed in colours, each on wove paper, published by Editions du Livre, Monte-Carlo, Paris, volumes I,III and IV bound as issued within the lithographic wrappers, volume II cover is a facsimile, each overall size 320 x 248 mm (12 5/8 x 9 3/4 in) (4) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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δ Pablo Picasso (1881-1973)(after) La Guerre et la Paix The book, 1954, comprising six lithographs printed in colours after Picasso, on wove paper, with title-page, text and justification, published by Éditions Cercle D'Art, Paris, bound as issued in the original boards within printed paper wrappers, overall size 375 x 270mm (14 3/4 x 10 3/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) 40 Dessins de Picasso en Marge du Buffon (Cramer books 84) The complete portfolio, comprising title, facsimile dedication, table of plates, justification page, and reproductions of drawings, numbered from the edition of 226 (lacking the signed linocut), printed on Arches paper, the full sheets, in the original linen covered portfolio, 385 x 295mm (15 1/4 x 11 5/8in) (overall) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) Couple Aux Champ, Avec un putto couronne de Fleurs (Bloch 1697) Etching, 1968, signed and numbered from the edition of 50 in pencil, published by Galerie Louise Leiris, Paris, with margins, 315 x 300mm (12 3/8 x 11 3/4in) (PL) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Picasso (Pablo, 1881-1973) (after) Femme Nue, nos. 11.8.69, nos. I & VI Two lithographs, 1969, on Arches paper, with Mourlot printed stamp to verso, printed by Mourlot, Paris, each approx 395 x 500 mm (15 1/2 x 19 1/2in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)(after) L'Homme a la Fraise (CZW.448) Lithographic poster printed in colours, 1973, on Arches paper, printed by Mourlot, Paris, with full margins, sheet 680 x 505 mm (26 3/4 x 19 7/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)(after) 45 Linoléums Gravés Offset lithographic poster printed in colours, 1960, on smooth wove paper, printed by Mourlot, Paris, with full margins, the full sheet 632 x 490 mm (24 7/8 x 19 1/4 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)(after) Arles Donation Picasso c, 1971, on wove paper, printed by Mourlot, Paris, published by Henri Deschamps, Paris, with full margins, overall size 770 x 550mm (30 3/8 x 21 5/8in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (Spanish, 1881-1973) Colombe Volant (à l'Arc-en-ciel) (Bloch 172; Mourlot 214) Lithograph printed in colours, 1952, on Arches, an unsigned proof aside from the edition of 200, with full margins, 500 x 640mm (19 3/4 x 25 1/2in)(I) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) L'Atelier de Cannes (Bloch 794; Mourlot 279) Lithograph printed in colours, 1958, on Arches paper, printed and published by Mourlot, Paris, the full sheet printed to the edges, 450 x 320 mm (17 3/4 x 12 5/8 in) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Picasso (1881-1973) Les Saltimbanques (from Souvenirs d'un Collectionneur) (Cramer Books 99) Lithograph printed in black, 1959, from the edition of 2000, bound into the book as issued, printed by Mourlot, Paris, 285 x 230mm (11 1/8 x 9in) (overall) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) Nègre Portrait d'Aimé Césaire (Bloch 633) Etching with drypoint, 1949, signed in pencil, the edition was c.200, on Montval paper with the watermark 'Corps Perdu', published by Éditions Fragrance, Paris, a proof printed on a large sheet with the uncorrected title-page, with full margins, overall size 565 x 393mm (22 1/4 x 15 1/2) (unframed) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) Homage à Pablo Picasso The book, 1976, a special issue of XXe siecle, comprising one lithograph printed in colours, on wove paper, published by Ebeling Verlag, Wiesbaden, the German edition, bound as issued in the fabric-covered boards and in printed paper wrappers, 320 x 250mm (12 5/8 x 9 7/8 in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Baron Avro Manhattan 1914-1991 mixed media on paper , mounted and unframed. Signed Dated 1963. A nude study of a woman in crouching sporting pose. Baron Avro Manhattan was born in Milan to wealthy and aristocratic parents who were of American/Dutch descent. He was a Knight of the House of Savoy, as well as a Knight Templar and Knight of the Order of Mercedes. He was educated at the Sorbonne in Paris and later at the LSE. He was made a Knight of Malta for his work during WW2, having been imprisoned for refusing to fight for the fascists under Mussolini. He was a close associate of Pablo Picasso and lived with him in Paris, his influences clearly seen in Manhattan's work. He was also good friends with H.G.Wells, George Bernard Shaw and Marie Stopes. In later life he lived at 45 Henry Nelson St, South Shields. He was a prolific author and often thought of as one the 20th century`s most remarkable men.
Pablo Picasso (Spanish 1881-1973) - Signed etching - Sculpteur Et Modele Admirant Une Tete Sculptee, from The Suite Vollard 1933, from an edition of 250 examples published by Ambroise Vollard, Paris 1939 (an edition of 50 examples on paper with large margins and three examples on parchment velum also exist), signed in pencil, 26.5cm x 19cm A.R. Provenance: Bonham's 30th September 2006, sale No.15673, lot number 119 Condition: **General condition consistent with age
Pablo Picasso (Spanish 1881-1973) - Signed etching - Deux Buveurs Catalans, from The Suite Vollard, from an edition of 260 examples published by Ambroise Vollard, Paris 1939 (an edition of 50 examples on paper with large margins and three examples on parchment velum also exist), signed in pencil, 23.75cm x 29.5cm A.R. Provenance: Bonham's 30th September 2006, sale No.15673, lot number 118 Condition: **General condition consistent with age
Pablo Picasso, Spanish (1881-1973) Etching "Femme acrobate au maquillage pailleté et spectateurs from 347 series" Bloch #1739, 1968. Signed and numbered 8/50 in pencil. Good condition. Measures 7" x 9", frame measures 19" x 22". Certificate Of Authenticity included with this lot. Shipping $105.00 (estimate $6000-$9000)
Pablo Picasso (1881-1973)'Bird in Profile'Madoura clay medallion, stamp to verso 'Madoura Empreints Orignales Picasso', Catalogue Raisonne no: AR91, only 60 made, 4cm diameterProvenance: from a private Scottish collector of Picasso ephemera CONDITION REPORT: Lot 241 - small piece of clay missing to top, stress cracks to front and rim, hole for stringing. Provenance: from a private Scottish collector of Picasso ephemera
*@Picasso (Pablo, 1881-1973). Minotaure caressant une Femme, 1933, etching on laid paper, plate 84 from the Suite Vollard, watermarked Picasso towards left margin, and with additional unidentified watermark vignette to lower left, some light overall discolouration, plate size 29 x 36 cm (11.4 x 14.2 ins), sheet size 34 x 43.5 cm (13.3 x 17.2 ins) (1)
An interesting miscellaneous collection of books including a signed edition of Heavens Above by John Boulting and Frank Harvey, an autographed edition of Over My Shoulder by Jessie Matthews, The Adventures of Sajo And Her Beaver People by Grey Owl, signed to inside, a book about Picasso, various books about WWI including a damaged copy of The Western Front, with drawings by Muirhead Bone etc
* DAVID CRONE RHA RUA (IRISH b 1937 - ),CLERGUE'S NUDESoil on canvas, signed and dated '96, titled verso70cm x 50cmFramedThis painting is a homage to the French photographer, and close friend of Picasso, Lucien Clergue (1934 - 2014). Clergue's body of work included 'zebra nudes' - when light coming through window blinds casts striped patterns, gracefully highlighting the female form. Note: David Crone was born in Belfast, 1937 and was educated at the Belfast College of Art in 1956 studying sculpture. One of his best-known works in sculpture is the Horse and Rider (1960) and can be seen in the Queen's University Collection. He gradually finished his education in sculpting and then slowly turned to painting which is something he had never done before. Since 1985, Crone has been lecturing at the Belfast College of Art and is viewed as one of Northern Ireland's most vital artists today, having had many solo exhibitions in places such as the Tom Caldwell Gallery, the Northern Ireland Arts Council and the Hendricks and Kerlin Galleries in Dublin. In 2000 The Ulster Museum organised a major retrospective exhibition of his work.
Dame Laura Knight RA, RWS, RE, RWA, PSWA, DBE (1877-1970) Study of a seated female figure Signed, pencil and crayon, 27cm by 18.5cm This is a charming study of a member of the corps de ballet leaning forward as she completes her make up - although it is not known for which ballet. Here the handling of the fabric and texture of the dress captures the anticipatory presence of the dancer as she assumes her role. Laura was fascinated by costume and design and after the ballet Russes left London in 1924, she was invited to participate in a smaller ballet company run by Stanislas Idzikowski, for whom she designed costumes for the ballet ''Le Roses'' (Wilcox, pp78-81). These costumes are in strong primary colours of rose and intense blue, illustrating the influence of the avant garde introduced by the Ballet Russes by Picasso and Bakst. The drawing is likely to be from this time because it shares qualities in the handling of the figure and fabric motifs that can be seen in Laura's dressing-room portraits of Idzikowski himself and his leading ballerina Vera Savina of 1924.
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