We found 12359 price guide item(s) matching your search
There are 12359 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
12359 item(s)/page
![*Picasso (Pablo, 1881-1973). The Frugal Repast, 1913 [but later], photolithographic reproduction on Van Gelder paper, circa](https://cdn.globalauctionplatform.com/b40b9620-a351-4269-aa16-a98100bcca87/d66322f7-43c2-4cfd-c7d6-d93832f825fd/468x382.jpg)
Lot 3215
Pablo Picasso (1881 - 1973), after, a folio of 4 giclee prints from the Domaine Picasso Collection; The Family; Seated Woman; Portrait of Maya with Doll; Woman with a Flower, each signed 'Collection Domaine Picasso in pencil to margin, each limited to 500 copies, giclee prints; another, Salvador Dali, facsimile signature, lithograph (5)
Lot 3216
Pablo Picasso (1881 - 1973), after, a folio of three giclee prints from the 'Domaine Picasso Collection'; The Women of Avignon, Still Life with Guitar, and Woman with a Flower, signed 'Collection Domaine Picasso' in pencil to margin, each limited to 500 copies, Giclee prints; another print after Picasso, La Pique, No. 47 of 500, Giclee print; others, Joan Miro, Salvador Dali, facsimile signatures (7)
Lot 3217
Pablo Picasso (1881 - 1973), after, two original giclee prints from the 'Domaine Picasso Collection', Woman in Hat, Orange Background, and The Women of Avignon, signed 'Collection Domaine Picasso, in pencil to margin, each limited to 500 copies, giclee prints; others, Picasso, Joan Miro, Salvador Dali, facsimile signatures (7)
Lot 3218
Pablo Ruiz Picasso (1881 - 1973), after, Jeune femme assise contemplant le Minotaure endormi derrière un rideau - 1933, No. 21 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, monogrammed red seal stamp to recto, stamped Magadelen Street Gallery, Cambridge to verso, lithograph, 19.5cm x 26.5cm; another, Quatre modeles devant une téte sculptée - 1934, No. 7 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, stamped Copie D'Epreuve and monogrammed to recto, stamped 20c Art International, Nice, France to verso, lithograph, 19.5cm x 26.5cm, [2]
Lot 2355
A Tiffany & Co Paloma Picasso gold and cabochon gemstone set pendant cross, the cabochon gemstones including pink tourmaline, amethyst and citrine, detailed T & Co 750, height 5.4cm, with a Tiffany & Co Paloma Picasso gold Brazil link neckchain, on a sprung hook shaped clasp, detailed 750. combined gross weight 25.7 gms, with a brown Tiffany & Co folding pouch case. Illustrated.
Lot 2044
Pablo Picasso (1881-1973) 'Picador' partially glazed white earthenware plate, painted in black and white, inscribed 'Edition Picasso', with the 'Madoura Plein Feu' and 'Edition Picasso' stamps, conceived in 1952 in an edition of 500, D20.5cm Condition Report Click here for further images, condition, auction times & delivery costs
Lot 1780
A diamond-set yellow gold and platinum square-link collar necklace by Paloma Picasso for Tiffany & Co, 1980s, the centre platinum link set with round brilliant-cut diamonds, the rest of the necklace formed with interlocking square-shaped yellow gold links, the clasp signed Paloma Picasso and Tiffany & Co, ©1982, stamped 18k, 82g, fitted Tiffany case
Lot 101
Pablo Picasso (after) (1881-1973)Helen Chez ArchimedeThe book, 1955, comprising 22 wood-engravings, with title-page, text and justification, this copy numbered LII, the edition was 140, on wove paper, printed by Fequet et Baudier, published by Librairie Gallimard, Paris, with full margins, the sheets loose in the original paper covered boards and red linen covered slipcase, overall size 460 x 340mm (18 1/8 x 13 3/8in) (vol)
Lot 66
δ Pablo Picasso (1881-1973) (after)Picasso et la Tauromachieoffset lithographic poster printed in colours, 1982, on smooth wove paper, printed by Mourlot, Paris, the full sheet printed to the edges, 890 x 600 mm (35 x 23 5/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 68
δ Pablo Picasso (1881-1973) (after)L'Homme a la Fraise (CZW.448)Lithographic poster printed in colours, 1973, a proof before the text, on Arches paper, printed by Mourlot, Paris, with full margins, sheet 680 x 505mm (26 3/4 x 19 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 1
19th century French small bodied guitar branded Nicolas Henry, á Mirecourt to the inner back; Back and sides; birds eye maple; Table: fine grained spruce with multi-string binding to the edges and sound hole; Fretboard: ebony, scalloped; Hardware: brass tuning strips with shaped bone buttons; Case: semi-rigid case; Overall condition: good * Previously owned and sold by the family of J.P Hodin, a European art critic and historian with major works on Edward Munch, Kokoschka, Barbara Hepworth, Ben Nicholson and others. His archive is now in the Tate and courses on his work are run at the Courtauld Institute. He left Prague in search of the greatest artists of his age and, when in Paris, spent time in discussion with Picasso, Braque, Cocteau and Matisse. He purchased this guitar on his travels and taught himself how to play
Lot 319
Walter Whall Battiss (South African 1906-1982) ABSTRACT WITH BLUE BACKGROUND signed; inscribed with the title in pencil on the reverse oil on canvas PROVENANCE Purchased from Gallery 101 in Johannesburg, thence by descent to the current owner 40 by 50cm When Battiss returned from his visit to Europe where he had met Picasso, he began to experiment with abstraction. In Abstract with Blue Background, much of the order in which Battiss created the painting is apparent and the work is a record of gestures. The canvas was first covered entirely in a uniformed, dark turquoise undercoat, then the palette knife of which Battiss was fond of using in certain parts of his oeuvre, was loaded with white paint and spread liberally in the center of the canvas, in parts mixing with the still wet turquoise paint, leaving trails as evidence of the artist’s hand movement. Many times throughout the canvas Battiss has loaded his palette knife with one or a few colours, as seen in the bottom right hand margin of the work, and pushed onto the canvas in one confident movement, revealing the layers of colour. He repeats squares and rectangles of colour throughout the canvas, and uses the bottom of his brush, the tip of the palette knife or another sharp implement to carve into the top layer of paint, exposing the blue layer beneath and accentuating the shape. He underlines the squares repeatedly, as in the white square near the top left-hand corner, as if to emphasise the point. Below the white strips of paint there are bands where Battiss has scratched round stripes into the paint, the final band of this target shape is scraped around the other groups of colour, where we can trace the circular hand movement used to create the single carving. This scratching into the paint is seen in other works where Battiss uses the technique, sgraffitto style to carve shapes onto the canvas. Much of the canvas is covered with marks that express the energy and spontaneity of the artist when he created the painting, such as the interlocking arches in the top right margin. First the left green mark was created, then the right, where echoes of the green paint remain in the right arch where Battiss barely stopped to clean his brush. But where much of the painting was produced with gusto, the final marks, a series of small, uniformed dots formed with precision where the artist has taken his time, cover the two brown and green squares near the bottom left margin. - S. D.
Lot 770
Pablo Ruiz Picasso (1881 - 1973), after, Jeune femme assise contemplant le Minotaure endormi derrière un rideau - 1933, No. 21 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, monogrammed red seal stamp to recto, stamped Magadelen Street Gallery, Cambridge to verso, lithograph, 19.5cm x 26.5cm; another, Quatre modeles devant une téte sculptée - 1934, No. 7 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, stamped Copie D'Epreuve and monogrammed to recto, stamped 20c Art International, Nice, France to verso, lithograph, 19.5cm x 26.5cm, [2]
Lot 208
Joash Woodrow (1927-2006) ''Young Woman in Blue and White'' Oil on hessian, circa 1965, 90.5cm by 71cm Provenance: 108 Fine Art, Harrogate Literature: ''Joash Woodrow Portraits'', 108 Fine Art Harrogate, p.147 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration Born in Leeds in 1927 of Polish background, Woodrow initially trained at Leeds College of Art after which he served in the army as a cartographer in Egypt 1945 - 1948. Between 1950 - 1953 he studied drawing and painting at the Royal College of Art, his fellow students including Frank Auerbach, Peter Blake and the novelist Len Deighton. Shortly after graduating from The Royal College of Art Joash returned to his home in Chapel Allerton, Leeds where he continued to paint small scale landscapes and portraits. Already well aware of the broad strands of 20th century European Modernism it was the experience of the huge Picasso show at the Tate in 1960 which provided the major catalyst for the extraordinary explosion in scale and ambition that overtook his work over the next fifteen years. ''Young Woman in Blue and White'' and ''Portrait of a Young Woman on a Green Background'' (lot 209) clearly demonstrate the the power of Picasso's influence on the artist. This fused with his upbringing in a community created through a mix of English, Jewish and Eastern European culture and the realisation that his expressive roots lay outside the British Isles are what enabled him to find his voice. Philip Vann, Galleries Magazine describes his works as ''Some of the most powerfully original and expressive works of the last decades'' ''Just as Lowry is known as the visual poet of Salford and Eardley similarly of the Gorbals, so Woodrow is now being revealed as the surely unrivalled painter of 20th century Leeds'' We are grateful to Andrew Stewart at 108 Fine Art for his assistance in cataloguing lots 208 and 209
Lot 255
In the manner of Pablo Picasso, (1881-1973), El Bandillero, coloured etching, signed G Rios to the margin, 13 x 10cm, together with a press photograph of H.R.H. The Duchess of York, (Queen Elizabeth, mother to Queen Elizabeth II), opening a new wing of the Bishop's Stortford hospital, inscribed label to the reverse, 25 x 20cm
Lot 79
NO RESERVE Modern Art.- Daix (Pierre) & Joan Rosselet. Picasso: The Cubist Years 1907-1916. A Catalogue Raisonné..., 1979 § Cooper (Douglas) Picasso Theatre, hinges reinforced, New York, 1968 § Green (C.) Cubism and its Enemies: Modern Movements and Reaction in French Art, 1916-1928, New Haven & London, 1987 § Kahnweiler (D.-H.) Juan Gris: His Life and Work, enlarged edition, 1969 § Gieure (M.) G. Braque, Paris & London, 1956, plates and illustrations, some colour, original cloth, all but the second with dust-jackets, some a little rubbed; and c.20 others on Picasso and Cubism, 4to & 8vo (c.25)
Loading...-
12359 item(s)/page