We found 14408 price guide item(s) matching your search

Fritz Kronenberg (Köln 1901 - Hamburg 1960). Violetter Dschungel. 1955. Öl/Lw. 100,5 x 140,5 cm. L. u. sign. und dat. F. Kronenberg 55. - Provenienz: Aus dem Besitz eines Neffen des Künstlers, durch Erbgang an dessen Tochter - Maler und Graphiker. Gemeinsam mit K. Kluth studierte K. an der Kunstschule Köln und der Karlsruher Akademie. In Paris unterhielt er 1925 ein Atelier. In Hamburg wurde er 1932 Mitglied der Sezession und schloß Freundschaft mit E. Maetzel und I. Hauptmann. Entscheidend für seine Kunst waren aber die Begegnungen mit Braque, Picasso und Juan Gris in Paris 1925. Einige seiner Arbeiten wurden von den Machthabern 1937 als 'entartet' beschlagnahmt. K. zog sich in die innere Emigration zurück und malte auf Hiddensee. Nach dem Krieg kehrte K. nach Hamburg zurück und wurde Mitglied des Deutschen Künstlerbundes und der Freien Akademie. 1958 erhielt er den Edwin-Scharff-Preis. Mus.: Hamburg, (Kunsthalle, Altonaer Mus., MK&G u.a.), Schleswig (SHLM), Flensburg. Lit.: Vollmer, Der Neue Rump, Bruhns u.a.

Fritz Kronenberg (Köln 1901 - Hamburg 1960). Grüner Dschungel. 1955. Öl/Lw. 101 x 140,5 cm. R. u. sign. und dat. F. Kronenberg 55. - Provenienz: Aus dem Besitz eines Neffen des Künstlers, durch Erbgang an dessen Tochter - Maler und Graphiker. Gemeinsam mit K. Kluth studierte K. an der Kunstschule Köln und der Karlsruher Akademie. In Paris unterhielt er 1925 ein Atelier. In Hamburg wurde er 1932 Mitglied der Sezession und schloß Freundschaft mit E. Maetzel und I. Hauptmann. Entscheidend für seine Kunst waren aber die Begegnungen mit Braque, Picasso und Juan Gris in Paris 1925. Einige seiner Arbeiten wurden von den Machthabern 1937 als 'entartet' beschlagnahmt. K. zog sich in die innere Emigration zurück und malte auf Hiddensee. Nach dem Krieg kehrte K. nach Hamburg zurück und wurde Mitglied des Deutschen Künstlerbundes und der Freien Akademie. 1958 erhielt er den Edwin-Scharff-Preis. Mus.: Hamburg, (Kunsthalle, Altonaer Mus., MK&G u.a.), Schleswig (SHLM), Flensburg. Lit.: Vollmer, Der Neue Rump, Bruhns u.a.

Pablo Picasso (1881-1973) Spanish"La Sieste: Couple" from La Series 347 (1968)Signed and numbered 11/50, etching, 21cm by 26cm

After Pablo Picasso (1881-1973) Spanish"Le Concert" from "Femmes et Faunes" (1947)Collotype and pochoir printed by Daniel Jacomet of Paris, signed by Daniel Jacomet and numbered 130/200, 44cm by 54cm Provenance: Goldmark Gallery, Rutland

Pablo Picasso signed poster - Lithograph , colour after the original poster for a tribute to Spanish poet Antonio Machado (1875 - 1939), signed to lower border in pencil by Pablo Picasso (1881 - 1973). With letter of authentication. Provenance: from the estate of John Geary. John was illustrator and artist who worked for a number of design agencies and produced work for brands including Johnnie Walker, Chivas Regal, Coca-cola, Nike, Russian Standard and Levi Strauss.

A watercolour of a coastal scene indistinctly signed, together with three framed prints, Little Bo Peep, Pablo Picasso (4)

Ecker, Franz (1943-1999)Sally was a good old Girl, (19)82(?)Farbkreide auf PapierMonogrammiert und datiert rechte Bildkante, betitelt mittig unten24 x 32,5 cmAls Inspirationsquelle für Franz Ecker zählen unter anderem die Künstler Cézanne und Picasso, als Lehrer aber auch Martin Polasek. Die flächenbetonte abstrakte Malerei kreiert durch eine exakte farbliche Abstimmung und strenge Komposition eine besondere räumliche Erfahrung. Die stärksten Momente erlebt Franz Eckers Schaffen bei der Grenze zwischen Gegenständlichkeit und Abstraktion.

Ecker, Franz (1943-1999)Ohne TitelFarbkreide auf PapierMonogrammiert rechts oben24 x 32,5 cmAls Inspirationsquelle für Franz Ecker zählen unter anderem die Künstler Cézanne und Picasso, als Lehrer aber auch Martin Polasek. Die flächenbetonte abstrakte Malerei kreiert durch eine exakte farbliche Abstimmung und strenge Komposition eine besondere räumliche Erfahrung. Die stärksten Momente erlebt Franz Eckers Schaffen bei der Grenze zwischen Gegenständlichkeit und Abstraktion.

Ecker, Franz (1943-1999)Zwei Köpfe, 1985Farbkreide auf PapierMonogrammiert und datiert links unten24 x 32,5 cmAls Inspirationsquelle für Franz Ecker zählen unter anderem die Künstler Cézanne und Picasso, als Lehrer aber auch Martin Polasek. Die flächenbetonte abstrakte Malerei kreiert durch eine exakte farbliche Abstimmung und strenge Komposition eine besondere räumliche Erfahrung. Die stärksten Momente erlebt Franz Eckers Schaffen bei der Grenze zwischen Gegenständlichkeit und Abstraktion.

Ecker, Franz (1943-1999)Ohne Titel, (19)84Farbkreide auf PapierMonogrammiert und datiert links unten24 x 32,5 cmAls Inspirationsquelle für Franz Ecker zählen unter anderem die Künstler Cézanne und Picasso, als Lehrer aber auch Martin Polasek. Die flächenbetonte abstrakte Malerei kreiert durch eine exakte farbliche Abstimmung und strenge Komposition eine besondere räumliche Erfahrung. Die stärksten Momente erlebt Franz Eckers Schaffen bei der Grenze zwischen Gegenständlichkeit und Abstraktion.

After Pablo Picasso, 2 linocuts, circa 1960, siesta and faunes, plate 27cm x 32cm, framed (2)

After Pablo Picasso, young man and child, pochoir, 1928, 24.5cm x 18cm, mountedGood condition

Howard Carter, Borrowed Image Series No. XIII, a three dimensional study, 'Pablo's Violin', Transposition of Part of a Picasso Sketch - 'Violin, Glass & Bottle', 58cm high.

After Picasso The Sower mixed media, 19cm x 28cm.

Art Books - Henry Moore, Sculptor, with an appreciation by Herbert Read, published by A. Zwemmer, 1934; Picasso, drawings and watercolours since 1893; Romney Marsh, illustrated and described by John Piper, a King Penguin book; Paul Klee, Ben Nicholson, Mary Potter, etc, (16).

After Picasso An abstract sketch,watercolour, bearing signature, dated ‘67, 21cm x 14.5cm.

Paar Kunstdrucke Pablo Picasso1881 Málaga - 1973 Mougins, „La Ronde de La Jeunesse“, Hochformate, 71 cm x 50 cm, hinter Glas im Leistenrahmen (Versandhinweise beachten)

Paar Vasen Göbel Artis OrbisPorzellan, Gegenstücke, Göbel Picasso Edition, "Homage Collection to Pablo Picasso", teilweise Beschädigung der Glasur, H. 21 cm

Picasso, Pablo (1881-1973) "Maison de la Pensée Francaise... Exposition de Ceramiques" 1958, Farblithographie, Aufl. 500, Wasserzeichen "Arches" und "Mourlot", Mourlot 313, BM 66,5x49cm, verso Montagereste

Picasso, Pablo (1881-1973) "Carnet de la Californie" 1959/1960, 24 (6 farbige) lithographische Tafeln auf 13 unnum. Blättern (November 1955), num. "D 326/500" (deutsche Ausgabe), spiralgebundene Originalbroschur in illustrierter Originalleinenmappe, mit einer Einführung als Beiheft von Georges Boudaille, Verlage Cercle d'Art/ Paris und M. Dumont Schauberg/ Köln, 43x28,5x1,5cm, Dezember 1955 fehlt, Einband kleine Defekte, min. Alters- und Gebrauchsspuren

Tiffany & Co Perlen Collier„Paloma Picasso“ aus 10 apricotfarbenen Süßwasserperlen Strängen an Silber 925 Ringschließe, sign., mit Etui und Box, 212g, L. 44,5cm, Ø 6,6x4,5mm

Pablo Picasso (Spanish 1881-1973) "Composition (1948)" Signed and dated 7.10.48 within the plate, titled on label verso, lithograph in colours on wove paper from an edition of 3,000.47 x 74.5cm (framed 65 x 91.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some very light time staining and browning around the edge of the print in some areas, near the mount board. There are one or two minor scuffs and spots of foxing found across the sheet. The print is framed and glazed.

§ After Pablo Picasso (1881-1973) The Painter and His Model, 1964lithograph, unnumbered from the Monte-Carlo, Sauret Edition of 300031.5 x 24cmIn nice overall condition; with some light and uniform toning throughout and with some minor acid mat burn to the outermost edges.

§ After Pablo Picasso (1881-1973) a group of three Estate-issued and numbered giclée prints, to include: Jacqueline avec Fleurs, numbered 140/500; Bullfight I, numbered 82/500; and The Sculptor, numbered 126/500, each inscribed 'Collection Domaine Picasso' and bearing their blindstamp, unframed66 x 50.5cm

Twenty one assorted art books, including Eric Ravilious, Edward Bawden, Wyndham Lewis, Edward Wadsworth, Graham Sutherland, Matisse, Braque, Picasso, Ben Nicholson, John Piper, Edward Seago, W. Barns Graham etc (21)

Cecil Beaton, sixteen titles by or relating to him, or with dust wrappers or illustrations by him, including: 'The Best of Beaton', intro. Truman Capote, London, Weidenfeld & Nicolson, 1968, 1st edition, 8 colour plates from photographs and over 300 b/w illustrations from photographs by Beaton complete, large 4to (30.5 x 23cm), original cloth lettered in silver, dust wrapper; 'Cecil Beaton's Fair Lady', London, Weidenfeld & Nicolson, 1964, 1st edition, colour frontis + 32 ills. from photographs + b/w ills. in text complete, original cloth gilt, dust wrapper; Cecil Beaton & Kenneth Tynan: 'Persona Grata', London, Allan wingate, 1953, 1st edition, 78 mainly full page b/w illustrations from photographs by Cecil Beaton as called for, being society portraits including Judy Garland, Greta Garbo, Nancy Mitford, Colette, Pablo Picasso, Graham Greene, Laurence Olivier, Truman Capote, Jean cocteau, Marc Chagall, Noel Coward, Katharine Hepburn, Henry Moore, Graham Sutherland, Osbert, Edith and Sacheverell Sitwell etc etc, b/w frontis, colour illustrated title page + b/w decorations, head & tail pieces etc by Beaton, original pictorial cloth silvered, wraparound pictorial dust wrapper by Beaton (21s price intact); 'Photobiography', L, Odhams, 1951, 1st edition, frontis + 60 b/w plates from photographs complete, original cloth gilt, dust wrapper; 'Images', L, Weidenfeld & Nicolson, 1963, 1st edition, illustrations from photographs throughout, orig. cloth gilt, d/w; Paul Cohen-Portheim: 'The Spirit of Paris', L, Batsford, 1937, 1st edition, colour frontis + b/w ills. from photos throughout, orig. cloth gilt, d/w by Cecil Beaton; 'Quail in Aspic: The Life Story of Count Charles Korsetz, as tape-recorded to Cecil Beaton', L, W & N, 1962, 1st edition, b/w ills. from photos throughout, orig. cloth gilt, d/w; Hugo Vickers (Intro.), 2 titles: 'Beaton in the Sixties', NY, Knopf, 2004, 1st US edition, 'The Unexpurgated Beaton', NY, Knopf, 2003, 1st US edition, each orig. boards, dust wrappers; Richard Buckle (ed.): 'Self Portrait with Friends: The Selected Diaries of Cecil Beaton 1926-1974', L, W & N, 1979, orig. cloth gilt, d/w; R.B. Sheridan: 'The School for Scandal', L, Folio Society, 1949, 9 colour costume plates + 5 monochrome decor plates by Cecil Beaton complete, orig. cloth gilt, d/w; plus 5 others (16)

'Matisse Paintings 1939-1946', intro. Denys Sutton, London, Lindsay Drummond Ltd, 1946, 1st UK edition, 16 tipped in colour plates of works by Matisse complete, folio, original spiral bound printed wraps, mounted colour illustration of Matisse work on front cover, scarce; plus 'Braque Paintings 1909-1947', L, Lindsay Drummond, 1948, 1st UK edition, 16 tipped in colour plates + mounted colour illustration on cover complete, folio, orig. printed wraps; together with 2 other similar format works with tipped in colour plates on Pierre Bonnard and Henri Matisse, plus a Japanese art publication, 1975, 34 mainly colour prints of artists including Chagall, Dufy, Klee, Leger, Miro, Picasso, Nicholson etc, 4to, orig. printed wraps, and 5 Guy Arnoux pochoir style colour plates (10)

A collection of pictures to include Picasso print, etching of a girl. map, frames a poster of The Alamo Film etc 

PALOMA PICASSO FOR TIFFANY & CO - A heavy 18k gold groove band ring. Signed 'Paloma Picasso, Tiffany & Co.', the band width is 9mm, the thickness is 2.5mm, size N, weight 25g.

PierrotMischtechnik. Unsigniert. 20. Jh. 49,5 x 40 cm. Gerahmt : 56,5 x 47,5 cm (Goldstuckrahmen); 2 kg. Durch Picasso inspiriertes Bildnis eines Harlekins vor grünem Hintergrund. Leichte Kratzer. Aufrufzeit 01. | März 2025 | voraussichtlich 11:23 Uhr (CET) PierrotMixed media. Unsigned. 20th century 49.5 x 40 cm. Framed : 56.5 x 47.5 cm (gold stucco frame); 2 kg. Picasso-inspired portrait of a harlequin against a green background. Slight scratches. Call time 01 | March 2025 | probably 11:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A STAMPED 2004 .925 STERLING SILVER TIFFANY & CO X PALOMA PICASSO SPOONWeight: 26gms

A collection of Tiffany rings and a small tag heartfeaturing a pair of Paloma Picasso stone set green agate and orange agate rings, a soft square ring, a duo ring and a belt ring with 750 yellow gold feature.(6) total approx. weight 26.5g total approx. finger size of stone set rings 'M-N' total approx. weight of duo ring 'L' total approx. weight of belt ring 'N'Condition: All in good condition,

Pablo Picasso (Spanish, 1881-1973) 'Quatre Profils Enlaces' Ceramic Plate 1949, stamped 'Madoura Plein Feu,' 'Empreinte Originale de Picasso' and having a figure verso, reference A.R. 84 in 'Picasso, Catalogue of the Edited Ceramic Works' by Alain Ramie, made from white earthenware, using a slip application and enamel underglaze in black, white and blue, an abstract depiction of four interlaced profiles Property from: a Private Collector, Beziers, France Diameter: 10 5/8 inches Condition: examined under UV lighting, no restoration or inpainting noted, crazing overall, some minor discoloration on backside, underside of edge having surface irregularities from trimming after de-modeling, several glaze skips and a glaze chip Disclaimers: surface and production inconsistencies typical in this form of art Category: Fine Art > Sculptures Estimated Sale Time: 10:10 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8Photograph #9

Pablo Picasso (1881-1973) after, Boy Leading a Horse / Jeune Garçon au Cheval,Colour lithograph,With blind stamp to lower right. Framed and glazed. 50cm x 32cm, frame measures 53cm x 35cm.

Chrysler, Peugeot & Citroen brochures/leaflets, 1970s-1990s, with Chrysler & Hillman Imp including Van, Avenger & Hunter, 1994 Citroen Range & Xsara Picasso, Peugeot Range, 206 & 307, etc., generally excellent to good, some duplication. Contents appear complete but unchecked. Viewing recommended. Proceeds to Rootes Archive Centre Trust charity. Qty approx. 30

A large quantity of unframed and rolled lithographic posters, art and music, etc, including gallery prints, Picasso, Pink Floyd, etc. (1 box)

A large quantity of vintage reproduction prints of paintings, to include: a print mounted on masonite after Picasso's Guernica, 124 x 57 cm; After I. Clark - 'Muskat Harbour', 'Shinaafs from the Sea' and 'A View of Mutra from the East' (approx. 20 copies of each); Tretchikoff - 'Green Lady' mounted on masonite; Herbert Beecroft - Portrait of Christ on board; Sir Gerald Kelly - Burmese Dancers; Marcel Dyf; C. Kluge; Jacques Bleny; Claude Monet; Pablo Picasso; Russell Flint (3 folders and other loose sheets)

TIFFANY & CO PALOMA PICASSO SILVER HEART RING SIZE L

TIFFANY & CO PALOMA PICASSO SILVER CHAIN & PENDANT

PICASSO LAMERT STUDIOS PLATE

David Wilde - British (1913-1974) Northern Artist "Great Barrier Reef" Abstract Oil on board - unframed. Signed and titled lower left and right. 54.5cm x 69cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply

David Wilde - British (1913-1974) Northern Artist "The Green Days Song" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 55cm x 74cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply

David Wilde - British (1913-1974) Northern Artist "Enchanted Wood" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 55cm x 64cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply

David Wilde - British (1913-1974) Northern Artist "In The Fire of Spring" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 55cm x 64cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note: Artist Resale Rights may Apply

David Wilde - British (1913-1974) Northern Artist "Advent of Summer Spanish Chestnut" Abstract Oil on board - unframed. Signed and titled lower left and right. Artist notes and translation by David White to verso. 51.5cm x 76.5cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights Apply

David Wilde - British (1913-1974) Northern Artist "Natures Cosmos" Abstract Oil on board - unframed. Signed and titled lower left and right. 52.5cm x 62.5cm Provenance from the collection of David White David Wilde was born in Manchester in 1913 as Norman Shacklock. It was a name that he did not like and, once successful, he adopted the pseudonym David Wilde. He took David from his good friend David White and Wilde because he thought it summed up his lifestyle. He was a genius of erotic art and had work featured in Paris alongside that of Dali and Picasso. As an antidote to the heady world of erotic art he painted bright surreal landscapes depicting his native Manchester and beloved Wales. His surreal works were kept hidden away for over 30 years and are only now coming to the marketplace. Note Artist Resale Rights may Apply

A Tiffany & Co Paloma's Picasso Graffiti X Cuff, made of Sterling Silver. Size Small. Signed Paloma Picasso Tiffany & Co. 925. Accompanied by the Original Tiffany & Co Blue Pouch. Free Express International Delivery for orders over $1000 AUD. Free Express Delivery With Insurance Australia Wide. RRP $995

Pablo Picasso (Málaga 1881 – 1973 Mougins). „Femme dans l‘atelier“. 1956Farboffsetlithografie auf Arches-Velin. 47,4 × 56,7 cm (63,7 × 79,2 cm) (18 ⅝ × 22 ⅜ in. (25 ⅛ × 31 ⅛ in.)). Signiert.Eines von 350 nummerierten Exemplaren. Paris, Guy Spitzer, 1956 (mit dem Prägestempel sowie rückseitig mit dem Editionsstempel mit nochmals eingetragener Editionsnummer). Nach dem gleichnamigen Gemälde von 1956 (Zervos XVII 61). [3414]Zustandsbericht: Ex. 208/350. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Fehlstellen. An der Oberkante mittig ein geschlossener und hinterfaserter Einriss (2,2 cm). An der Unterkante rechts der Mitte ein kleiner Einriss (0,5 cm) sowie im Schöpfrand entlang der Ober- und Unterkante jeweils mehrere winzige, unbedeutende Einrisse. Das Papier unregelmäßig gebräunt. Die Randkanten leicht angestaubt und stellenweise, insbesondere an der Oberkante, bestoßen. Die untere linke Ecke sowie der Randbereich außerhalb des Motivs stellenweise mit leichten Knickspuren (max. 30 cm). Unten rechts vereinzelt winzige Stockfleckchen. Rückseitig der rechte Rand schwach berieben sowie entlang der linken Randkante stellenweise braune Kleberückstände einer ehemaligen Montierung.Wir berechnen für Privatpersonen innerhalb der EU auf den Hammerpreis 32% Aufgeld, welches die Mehrwertsteuer beinhaltet. Käufer, die außerhalb der EU angesiedelt sind und das Werk aus der EU exportieren zahlen 27% Aufgeld. Für EU-Unternehmer, die zum Vorsteuerabzug berechtigt sind, kann die Regelbesteuerung angewendet werden. Für zusätzliche Informationen lesen Sie bitte §4 unserer Versteigerungsbedingungen.

PABLO PICASSO. MOTHER & CHILD. (d) Rare lithograph & pochoir - 1946 Signed in the plate Printed by Albert Carman 34 cm x 23 cm French Montparnasse frame.

PABLO PICASSO. A SET OF 16 QUADRICHROME PRINTS AFTER THE CERAMIC. (d) plates by Picasso. Suite: Ceramiques 1959, 37 x 27 cm each. (Subject to ARR - see Buyers Conditions).

PABLO PICASSO. LES CERISES - 1957. (d) Off set lithograph Suite: Dans L'Atelier de Picasso Small edition of 275 -printed by Atelier Mourlot French Vintage frame 16 x 27 cm.

PABLO PICASSO. A PAIR OF RARE CUBIST POCHOIRS (AFTER THE 1920 WATERCOLOURS). (d) signed in the plate. Edition:700, published by Zervos 1926, 22 cm x 17 cm each, French vintage frames. (Subject to ARR - see Buyers Conditions).

AFTER PABLO PICASSO (1871-1973); two unsigned etchings, 'Luis de Gongora y Artgote' and 'Vingt Poemes', 37 x 27cm, framed and glazed (2).

Four Japanese prints, a Picasso print and a printed plaque

Farbige Aquatinta-Radierungnach Pablo Picasso 1881 Malaga - 1973 Mougins "Bacchanale" 1955 u. re. sign. Picasso Exemplar 146/300, auf BFK-Rives 47,5 x 56,4 cm (Darstellung) 56 x 76,5 cm (Blattmaß) Herausgegeben von Atelier Crommelynck, Paris (mit dem Trockenstempel). lichtrandig, gebräunt, verso stellenweise mit Montageresten, verso am oberen Rand mit dünnen Stellen.

Pablo Picasso (1881-1973) Petit Vieux flatté, la Célestine, laut Rückseite Exemplar Nr. 313, Éditions de l'Atelier Crommelynck, Paris, Januar 1971, 6 x 8,5 cm / Pablo Picasso (1881-1973) Petit Vieux flatté, la Célestine, No. 313, Éditions de l'Atelier Crommelynck, Paris, Januar 1971 (see reverse), 6 x 8,5 cm

Kassak, Lajos (1887 Érsekújvár - 1967 Budapest, ungarischer Schriftsteller und Maler, in Paris traf er Guillaume Apollinaire, Cendrars, Robert Delaunay und Pablo Picasso, publizierte 1922 das Manifest Bildarchitektur),"Bildarchitektur (1922)",Öl auf Karton, monogrammiert unten links LK, 36 x 30.5 cm, unter Glas gerahmt.Ausstellung: Kassák Lajos.1887-1967. Gedenkausstellung, Ungarische Nationalgalerie, Budapest 1987, Nr. 237, S. 204 (Abb.);Von Kandinsky bis Tatlin. Konstruktivismus in Europa. Schwerin/Bonn, Staatliches Museum/Kunstmuseum, 2006. S. 115 (mit Abbildung),L'abstraction en Europe. Le choix d'un collectionneur allemand. Saint-Paul-de-Vence, Fondation Marguerite et Aimé Maeght, 2011. Nr. 61 (mit Abbildung),Constructivism in Europe. From Malevich to Kandinsky. Beijing, National Art Museum of China, 2012. Nr. 64 (mit Abbildung),Die Revolution entlässt ihre Bilder. Von Malewitsch bis Kandinsky. Münster, Kunstmuseum Pablo Picasso, 2014. Nr. 20 (mit Abbildung) ; Astrattismo in Europa. Bard, Forte di Bard, 2015. S. 58 (mit Abbildung).Provenienz: Rückseitig gestempelte Ausfuhrgenehmigung von 1953, erteilt durch die Experten des Szepmuveszeti Muzeum Budapest G1-38, sowie eine handschriftliche Adresse in Blei: "Wien, Amalienstrasse 26".Sammlung Schlégl, Zürich (vgl. Kat. 1991), (ab 1953), Sammlung Dr. Gerhard Cromme, Essen (1990er bis etwa 2015), seither rheinische PrivatsammlungLajos Kassák, ein herausragender ungarischer Maler, Dichter und eine zentrale Figur der europäischen Avantgarde, schuf mit dem hier angebotenen Werk ein Beispiel für die Bildarchitektur, die er 1922 in seinem Manifest formulierte. Kassák, der in Paris mit Persönlichkeiten wie Guillaume Apollinaire, Blaise Cendrars, Robert Delaunay und Pablo Picasso in Kontakt kam, entwickelte eine Kunst, die stark von den Prinzipien des Konstruktivismus und der Abstraktion beeinflusst war.Das Gemälde „Bildarchitektur“ ist ein faszinierendes Zeugnis dieser revolutionären Denkweise. Mit klaren Linien und geometrischen Formen, die die Struktur eines Bildes neu definieren, zeigt Kassák eine Vision von Kunst, die Architektur und Malerei miteinander vereint. Die reduzierte, kontrastreiche Farbpalette und die präzise Formensprache sprechen für die Klarheit und Rationalität der konstruktivistischen Ideale, denen Kassák als einer der führenden Vertreter treu blieb. Kassák hinterließ mit seiner Kunst nicht nur in Ungarn, sondern auch international einen bleibenden Einfluss und trug entscheidend zur Entwicklung der modernen abstrakten Kunst in Europa bei.

Picasso, Pablo (Malaga 1881 - 1973 Mougins, Studium an der KA Madrid, Maler, Grafiker und Bildhauer),"Paix Désarmement pour le Succès de la Conférence au Sommet", Lithografie auf Papier, bezeichnet im Druck Picasso 10.10.1960, bezeichnet mit Bleistift mittig A2552, 119.5 x 80 cm (BM), ohne Rahmen, Riss unten, Knicke und Altersspuren

M.F. Husain, "Untitled (Pavan Putra)", Watercolour on Paper (1913-2011).This painting depicts Hanuman, the revered monkey god from Hindu mythology, carrying the mythical Sanjeevani mountain. The composition features bold outlines and fluid brushwork, capturing the dynamism of Hanuman in mid-flight. The earthy tones of his figure contrast against the soft blue sky, while the green foliage of the mountain adds a vibrant focal point. The figure is minimally detailed yet striking, emphasizing movement and spiritual strength. Signed in the lower right, this piece embodies Husain’s modernist reinterpretation of Indian mythology with a sense of energy and devotion.Maqbool Fida Husain (1913–2011) was one of India’s most celebrated modern artists, often referred to as the "Picasso of India." A pioneering figure in Indian contemporary art, Husain was known for his bold, expressive style, which fused traditional Indian themes with modernist influences. His works, characterized by fluid lines, vibrant colors, and fragmented forms, often depicted themes from Indian mythology, rural life, and urban modernity. He was a founding member of the Progressive Artists' Group, which sought to break away from colonial artistic traditions and establish a new, independent identity for Indian art. Husain’s career spanned over seven decades, during which he gained international recognition, but also courted controversy for his depictions of Hindu deities in unconventional forms. Despite facing political and religious opposition, he remained an influential force in the art world, leaving behind a legacy that continues to inspire artists and collectors globally.Approximately 66 x 44cmProvenance: From a distinguished collector based in the United States.

M.F. Husain, "Sawari", Hand-Painted Wooden Toy (1913-2011).A hand-painted wooden toy sculpture by M.F. Husain, depicting a stylized horse and rider in bold geometric patterns. The composition is rendered in vibrant colours with sharp angular forms, evoking a sense of dynamic motion and traditional folk art influences. The back is signed "Husain."Maqbool Fida Husain (1913–2011) was one of India’s most celebrated modern artists, often referred to as the "Picasso of India." A pioneering figure in Indian contemporary art, Husain was known for his bold, expressive style, which fused traditional Indian themes with modernist influences. His works, characterized by fluid lines, vibrant colours, and fragmented forms, often depicted themes from Indian mythology, rural life, and urban modernity. He was a founding member of the Progressive Artists' Group, which sought to break away from colonial artistic traditions and establish a new, independent identity for Indian art. Husain’s career spanned over seven decades, during which he gained international recognition, but also courted controversy for his depictions of Hindu deities in unconventional forms. Despite facing political and religious opposition, he remained an influential force in the art world, leaving behind a legacy that continues to inspire artists and collectors globally.Approximately 30 x 19.2cmProvenance:From a distinguished collector based in the United States.