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'Picasso Flower' a Clarice Cliff Bizarre Clog, painted in colours printed factory mark, 13cm. wide

‡ Pablo Picasso (1881-1973) Service Visage Noir, a Madoura pottery charger, designed 1948 in an edition of 100 impressed Madoura Plein Feu and Picasso Editions mark, painted edition Picasso, restored 42cm. diam. Literature A.Ramie Picasso Catalogue de l'Oeuvre Ceramique Edite 1947-1971, Madoura, catalogue number 35. Please note this lot may be eligible for Artist's resale right, droit de suite.

20th Century Design - a novelty cylindrical biscuit barrel, conical cover, knop finial, hand painted in monochrome with Picasso-esque female nude figures, 23cm high

LOREDANO ROSIN - GLASS BUST OF A HORSE, MURANO a wonderful glass sculpture of a Horses head, mounted on an oval block of glass. The glass cut and polished. Signed, Loredano Rosin. 15ins (38cms) high *Rosin was a Murano glass maker who collaborated with many famous artists such as Picasso and Chagall. He exhibited widely in Europe, Japan and North America. This bust probably dates to the 1960's.

•FERNAND LEGER (1881-1955) COLOURED FIELDS; LA TOUR EIFFEL Two, colour lithographs, 1954-1955, from `La Ville` portfolio, each with printed signature and numbered 156/180 in pencil, published by Teriade, Paris and printed by Mourlot Freres, Paris Sight 46.5 x 62cm. and 52 x 38.5cm.; with an unframed offset lithograph after Picasso, 1955, printed signature, 26.5 x 42.5cm. (3) ++ Each in generally good condition

BLACK PEARL AND AMETHYST SILVER NECKLACE made by Dower Hall, hallmarked; together with Picasso by Tiffany Zig Zag necklace, hallmarked

AFTER PICASSO, SCREEN PRINT, Pierrot, 20 x 13

A ceramic bull by E Murray Pottery, decorated in the style of Picasso, signed to back feet, 24cm high

ART BOOKS:1. Picasso (Illustrator): Cahiers d'Art. 1948, 23e ann‚e. Folio, leather backed. CONDITION: VG;2. Picasso in Antibes. L, Humphries, 1960, 1st. edn. Oblong folio; slipcase. CONDITION: VG;3. Bevan, R A: Robert Bevan 1865-1925. A memoir by his son. L, 1965, 1st. dw. Inscribed Êto J LË by the author, October 1965; 4to. CONDITION: VG+;4. Ireland, G; Laurie Lee (intro): Epstein 1956. A Camera Study of the Sculpture at Work. L, Lion and Unicorn Press, 1956, limited edn. of 200 (this out of series); signed by Jacob Epstein (below his portrait) and by L Lee (at the end of the introduction). Folio, original cloth. CONDITION: Spine faded; o/w VG;5. Ruskin, John: Praeterita. Outlines of Scenes and Thoughts perhaps worthy of memory in my Past Life. Three volumes. George Allen, Orpington, 1887-89. Half leather. CONDITION: scuffed; o/w G+/VG;6. Plus six others (13)

A print after Picasso, another similar and an Oriental study of two birds

* ALAN DAVIE CBE RA HRSA RWA (SCOTTISH 1920 - 2014), EL TERREMOTO gouache on paper, signed, titled and dated 89 56cm x 77cm Framed and under glass Note: Scottish painter, trained as a painter at Edinburgh College of Art from 1938 to 1940, initially favouring poetic imagery and coming into contact with modernism at exhibitions held in London of works by Picasso (1945; V&A) and Paul Klee (1945; Tate). He explored a diverse range of activities, however, before returning to painting from 1949 to 1953 he earned his living by making jewellery and in 1947 he worked as a jazz musician, an activity he continued in later life. He wrote poetry during the early 1940s. From 1953 to 1956 Davie taught in London at the Central School of Arts and Crafts, where he became interested in African and Pacific art. As early as 1958 Davie emphasised the importance in his work of intuition, as expressed in the form of enigmatic signs. During the 1960s, both in paintings and in coloured lithographs, he represented such images with increasing clarity at the expense of gestural handling. In 1971 he made his first visit to the island of St Lucia, where he began to spend half of each year and which brought Caribbean influences to bear on his suggestive imagery, as in Bird Gong No. 10, Opus 730 (1973; London, Brit. Council). Taking on the role of a disinherited shaman, Davie created a synthesis of mythologies from a variety of cultures for a modern civilisation devoid of its own village myths.

Mary Piercy (20th Century British). A folio of mostly watercolour landscape studies and illustrations including Alpine and beach views (approx 33). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). A folio of figurative studies, some preparatory sketches (Qty). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). A folio of layouts for childrens books and animation cells including the original studies for the illustrations in "Our Lady's Fool: Life of Father Maximilian Kolbe" Published by St Paul Publications, illustrated by Mary Piercy. (Qty). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). A folio of still lives (approx 18). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). A folio of figurative studies (37 ). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Coffee drinkers, mixed media, signed. 50 x 40cm f/g. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Adam and Eve, oil on board, signed, framed. 44 x 89cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Modernist seated boy and girl sur l'herbe, signed, oil on board, framed. 75 x 91cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Nude sunbathers, oil on canvas, signed dated 85, framed 53 x 53cm together with reclining figures in deck chairs, oil on board and a group family portrait, oil on board (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Nuns, oil on board, signed, dated 71, framed. 49 x 39cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Modernist portrait of two elderly Spanish women, oil on board, signed, framed, 70 x 91cm together with full length portrait of a beggar woman holding a child, signed and another of two girls feeding doves, both oil on board (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Portrait of a woman standing next to an oil lamp, oil on canvas, signed dated 59, 51 x 76cm together with oil on board sketch of market scene and other figurative study (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Bath Time, oil on board, signed, framed. 47 x 78cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Portrait sketch, 'Wrestler Standing', oil on board, signed andf dated 57, 46 x 61cm and two other sketches (3). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Abstract Madonna and child, oil and mixed media on board,signed 59, framed. 71 x 75cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Modernist portrait of a seated woman, oil and mixed media on board, signed, framed. 61 x 76cm. Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Figurative studies, a watercolour and an abstract, oil on board (5). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Still life oil on board together with six others, unframed (7). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). A guitar player, oil on canvas, signed Piercey 85 together with preparatory oil on board together with six other figuratives, oils on canvas and board (8). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

Mary Piercy (20th Century British). Still life, oil on canvas together with three other sill lives, oils on board and a framed pastel (5). Notes Mary Piercy grew up in Hampstead, and in the late 1950s attended Hornsey College of Art. She provided illustrations for the 1959 first issue of "Ambit" literary magazine, which continues to be published today. In the 1960s she had a solo exhibition in Oxford; as a member of the Hampstead Artists' Council, she was closely involved with organising and exhibiting at the "Open-Air Art Exhibitions" in Hampstead; she also sold works in Canada at this time. Later she made props for various leading ballet companies, including the Royal Ballet Covent Garden and also for television, notably on early episodes of "Dr Who". She experimented with a range of styles in her art and was particularly influenced by Gauguin and Picasso, but her pictures always have a bold, forceful, expressive quality that is distinctively her own.

PICASSO PABLO: (1881-1973) Spanish Painter. Signed 10 x 8 colour lithograph by Picasso, featuring a bullring scene (1946). Signed (`Picasso´) in black ink with his name alone to the lower white border, also bearing a stamp of Galerie Beyeler Paris. VG. £600-800

PICASSO PABLO: (1881-1973) Spanish Painter. Signed 8 x 10 colour lithograph by Picasso, featuring a masterwork of the painter (1946). Signed (`Picasso´) in black ink with his name alone to the lower white border, also bearing a stamp of Galerie Beyeler Paris. VG. £600-800

PICASSO PABLO: (1881-1973) Spanish Painter. Book signed, a paperback edition of Los Papeles de Son Armadans, being a First Edition of a special publication of the monthly magazine dedicated to Picasso, edited by Camilo José Cela and printed by Mossen Alcover, Madrid, April 1960, in Spanish. One of a Limited Edition of fifty copies with an individual printed inscription (this copy being numbered 18 and presented to Don Jose Maria Garcia-Cernuda). Signed ('Picasso') by the artist in bold blue crayon with his name alone to the limitations page. Together with a loosely inserted original small 8vo printed invitation card to an exhibition of Picasso´s drawings at Palma de Mallorca, 1st-15th July 1960. Some light age wear and slight bumping to the corners of the covers. About VG. £600-900. Camilo Jose Cela (1916-2002) Spanish Novelist, Nobel Prize winner for Literature in 1989.

PICASSO PABLO: (1881-1973) Spanish Painter. Book signed and inscribed, an 8vo edition of Picasso Documents Iconographiques, First Edition, published by Pierre Cailler, Geneva, 1954. The French text edition features over 200 black and white illustrations of Picasso, his art & his family, etc. Boldly signed and inscribed by Picasso to the half title page in black ink, (`Pour Alfred Rosset, Picasso´), and dated Paris, 4th March 1955 in his hand. Also signed by Jaime Sabartes to the title page, with a lengthy inscription in Spanish, also to Alfred Rosset and also dated Paris, 4th March 1955 in his hand. Attractively bound in red leather with gilt stamped title to the spine. An excellent signed book with a good association, VG £800-1200 Alfred Rosset was one of the translators, along with Felia Leal of the present book. Jaime Sabartes (1881-1968) Catalan Spanish Artist, Poet & Writer, a close personal friend of Picasso who later became his secretary and administrator.

AFTER PABLO PICASSO (SPANISH 1881-1973) LA DANCE. COLOUR LITHOGRAPH. 26X23 AND ANOTHER AFTER SALVADOR DALI

AFTER PABLO PICASSO. A POSTER ENTITLED TOROS. SIGNED LIMITED EDITION 125/200, 74 X 54CM.

GERTRUDE STEIN: PICASSO, Paris, Librairie Floury 1938, 1st edn + JOHN RICHARDSON: A LIFE OF PICASSO, L, Jonathan Cape, 1991, 2007, 1st edns, vol 1 1881-1906 and vol 3 1917-1932 + JAIME SABARTES: PICASSO LES MENINES ET LA VIE, Trans from Spanish to French by Alfred Rosset, Paris, Editions Cercle D'Art [1958], 1st edn, 58 plts compl, orig pict bds, glassine d/w, (lacks lower wrap) + WILLIAM RUBIN: PICASSO AND PORTRAITURE REPRESENTATION AND TRANSFORMATION, L, Thames & Hudson (1996), orig cl silvered, d/w + PICASSO ARTIST OF THE CENTURY, L, Helly Nahmad Gallery 1998, orig pict wraps (6)

Exhibition poster for The Sketchbooks of Picasso, Kunsthaus Zurich Graphisches Kabinett 18th Januar bis 5th Marz 1989, 123cm x 90.5cm (48.25" x 35.5"), another exhibition poster 'Aus Den Schatzkammern Eurasiens', Kunsthaus Zurich 29th Januar - 2nd Mai 1993, 99cm x 69cm (39" x 27") and exhibition poster 'Tresors De L'Islam', Musee Rath, Geneve 25 Juin-27 Octobre 1985, 99cm x 69cm (39" x 27")

Artist: Stephen McKay Design: Dazzle Bus About the artist Liverpool based artist Stephen likes to work in public and uses a large studio space in his old home town near Sheffield where passers-by can see him create his very public artworks. A qualified development chemist, Stephen enjoys experimenting with new materials and decorating techniques. He devised a method for his partner Janet Fishwick to paint over 4,000 individual pearl buttons onto her Pearly Mandeville for the 2012 Olympic Mascot Trail. About the design On the 100th anniversary of World War One, Stephen has taken inspiration from the Dazzle camouflage which was invented by artists for protecting ships from attack. Unlike other forms of camouflage, Dazzle works not by offering concealment but by making it difficult to estimate a target's range, speed and heading. Over 2,000 'Dazzle Ships' were painted and no two designs were the same. Picasso later claimed Cubists had invented Dazzle techniques; this is disputed but Dazzle Ships still inspire artists like Stephen today. Location: London Bridge City Pier Trail: Around the River   Dimensions: Length- 2.4m Width 0.5m Height- 0.95m

PABLO PICASSO, 'Minotaur' 1946, lithograph and pochoir, 1946, 28cm x 36.5cm, signed in the stone and framed.

PICASSO PABLO: (1881-1973) Spanish Painter. Ink signature ('Et Picasso') on a slim oblong folio card, also signed and inscribed in French in bold green ink by his wife, Jacqueline Roque, with her first name. Roque has also added the date, Cannes, 2nd April 1961, in her hand. Picasso's signature is weak, although legible. A few heavy vertical folds and one tear to the lower right corner, very slightly affecting the signatures, inscription and date. About G Jacqueline Roque (1927-1986) French Muse and second wife of Picasso from 1961-73. During their eleven year marriage Picasso created over 400 portraits of his wife, more than any of the artist's other lovers. The present signatures are dated exactly a month after the couple married in Vallauris on the Cote d'Azur on 2nd March 1961.

An original drawing for his nurse PICASSO PABLO: (1881-1973) Spanish Painter. Book signed and inscribed, with an original drawing by Picasso, being a folio paperback edition from a series entitled Chefs-D'Oeuvre De L'Art Grands Peintres, Picasso, (premiere partie), published by Hachette, 1966. The French text edition features 16 colour plates of different works by the artist. Attractively signed and inscribed by Picasso in bold black ink to a clear area at the head of the first page, 'Pour Madame Boccard, Picasso' and dated 4th May 1969 in his hand. Immediately beneath his signature Picasso has drawn a sketch of a bearded man in a head and shoulders profile pose, wearing a hat, and with a flower held between his teeth. Some very light, minor age wear to the covers, otherwise VG The present book was apparently presented to Picasso's nurse and is accompanied by a certificate of authenticity signed by Claude Picasso, the artist's son, dated 19th March 2013.

STEIN GERTRUDE: (1874-1946) American Writer. Brief A.L.S., Gertrude Stein, on one side of her correspondence card printed with the circular quotation Rose is A Rose is A Rose is A Rose, Rue de Fleurus, n.d., to 'My dear Georges' [Hugnet]. Stein writes, in full, 'Alright Friday, about three. Best to you always'. Some very light, minor age wear and a couple of light creases and one small tear to the upper edge, not affecting the text or signature. G Georges Hugnet (1906-1974) French Graphic Artist, a figure in the Dada movement and Surrealism. Stein's home at Rue de Fleurus became the legendary meeting place of the Stein Salon on Saturday evenings when regular attendees including Pablo Picasso, Ernest Hemingway and F. Scott Fitzgerald would congregate. It is interesting to note therefore that, in the present letter, Hugnet was invited on a Friday!

After Picasso, a 23.5cm diameter plate, transfer decorated with a female face, hand and dove of peace, the reverse with facsimile signature.

PICASSO, Pablo (1881-1973) - CÔTE D'AZUR lithographic poster in colours, 1962, printed by Mourlot, Paris, cond B-, not backed 39 x 26in. (99 x 66cm.)

A pair of watercolours depicting tropical marine fish 1920s-30s, one depicting Lion fish, Angel fish etc., the other detailing Picasso fish, Discus fish etc., swimming amidst coral, signed indistinctly (Chevazlanes?) and inscribed 'Tahiti', 28½ x 20in. (72.5 x 50.75cm.). -2

#21; Pablo Picasso (Spanish, 1881-1973). Pintor Rembranesco con su modelo" etching on paper from the 347 series 1968 signed and numbered 17 of edition of 50 in pencil to lower margin. 31 x 41 cm plate (45.5 x 56 cm sheet). Unframed. With certificate of authenticity Jordi Vilafranca Del Castillo."Artists Resale Right maybe payable on this lot

#21; Pablo Picasso (Spanish, 1881-1973). Etching on paper from the 347 series, 1968, signed and numbered 33 of edition of 50 in pencil to lower margin. Inscribed with numbers and block 1775" in pencil verso. 17 x 20 cm plate (25 x 32 cm sheet). Unframed."Artists Resale Right maybe payable on this lot

#21; Pablo Picasso (Spanish, 1881-1973). Etching on paper from the 347 series, 1968, signed and numbered 38 of edition of 50 in pencil to lower margin. Inscribed with referenced numbers, dated 19/6/68 and block 1645" in pencil verso. 20 x 15 cm plate ( 32 x 25 cm sheet). Unframed."Artists Resale Right maybe payable on this lot

A coloured print after Andy Warhol showing the Marilyn Diptych published by The Tate Gallery 2000, 60 x 80 cm in simple black frame together with a coloured poster from the Musee Picasso, Paris showing a female portrait, 70 x 50 cm (unframed)

A collection of modern day art books including Andy Warhol 'Giant' Size and further books on Warhol, further works on Picasso including a Picasso domino set in a pine box

A SET OF FIVE LIMITED EDITION 'WINNIE THE POOH' PRINTS, Hockerty Teddy Bear, Lines and Squares, Happiness and the Kings Breakfast together with three prints after Wright, a Picasso print, two Susan Pear Meisel modern prints of Washington scenes etc. (12)

PABLO PICASSO (Spanish, 1881-1973), 'Harlequin and Boy', 1946, lithograph and pochoir, 25cm x 18cm, signed in the plate and framed.

Two volumes, 'The Household Calvary regiment' by Roy Manser and 'A Corner of a Foreign Field illustrated poetry of 1st World War' together with a large square cubist head Scarf signed Picasso, 40" x 40" plus a Sharp electronic printing calculator and Phillips pocket memo 390 with mini cassettes and seven Rugby related Photographs

Approximately 22 gentleman's ties to include Lloyd, Chicken Run, Looney Tunes, Picasso and similar

PABLO PICASSO, LINOLEUM CUT, C. 1959, H 20", W 25", "FEMME COUCHEE ET HOMME AU GRAND CHAPEAU": Pablo Picasso, [Spanish,1881-1973]. Titled: "Femme Couchee et Homme au Grand Chapeau". Linoleum cut printed in brown, black, and ocher on arches wove paper. Signed in pencil, numbered. From the edition of 50. Registration No. 91742. Image size: 20 7/8" X 25 1/4". Paper size is 24" x 29 1/2". Certificate of authenticity by Park West Gallery.

Pablo PICASSO (1881-1973) Coloured Print ‘Maternite’ (Maternity) Inscribed and dated 29.4.1963 on label to verso (translates Maternity Fighting for Peace Print Editions in France) 19.75” x 15.25” plate size (50.2cm x 38.7cm)

A sterling silver heart pendant, by Paloma Picasso for Tiffany and Co, on a Brazilian snake chain

A Taiwanese batik panel; together with an exhibition poster - "Pablo Picasso, Guggenheim Hermitage Museum", in clip frames. (2)