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Pablo PICASSO (1881-1973), d’Après.Contemplation (1979)Lithographie éditée en 1979 par le Studio d’Arte Perna , Milano.Numérotée en bas à gauche en chiffres romains “/ CC” ( /200 exemplaires)Signée dans la planche.Accompagné d'un document notarial et d'un certificat d'édition.Dimensions : 48 x 34 cm.

Tiffany & Co, Paloma Picasso, heart shaped pendant on a chain, together with a Tiffany & Co double heart tag pendant on a chain, 6g

Tiffany & Co, Paloma Picasso 925 silver cufflinks with a pouch, together with a Gucci, 925 silver ring, M, 43g

Elss Peretti, for Tiffany & Co, a 925 silver and brilliant cut diamond dress ring, S, with a pair of 925 silver Paloma Picasso for Tiffany & Co earrings with scroll backs, 13g

AFTER PABLO PICASSO (1881-1973) 'Antipolis' from the Antibes suite, heliogravure print, 23cm x 29.5cm; together with another example from the same suite (2)Provenance: Acquired from the Bath Decorative Fair.

*ISABEL LAMBERT RAWSTHORNE (NÉE NICHOLAS) (1912-1992) Double portrait circa 1960s, oil on canvas, 60cm x 50cmProvenance: The picture was inherited by descent from mother to daughter. The mother was friends with both Constant Lambert and Alan Rawsthorne (two of Isabel's husbands), as part of the same music circle. She remained friends with Isabel right up her twilight years when she lived in a cottage in Essex. Indeed the daughter vividly recalls visits, and the kind donation of old canvases to her brother as a young artist.Note: Isabel has been subjected to relative obscurity, probably due to her name changes from three marriages, and from being dismissed by society as merely the striking studio model, lover or muse of artistic icons such as Alberto Giacometti, Pablo Picasso, and Francis Bacon. Despite highly acclaimed exhibitions in the 50s and 60s, she has only recently received serious renewed recognition, which is now gaining pace and several paintings have entered public collections as a result.From a humble background she studied at the Liverpool College of Art, later winning a scholarship to the Royal Academy in London. After working with Jacob Epstein she moved to Paris to study at the Academie de la Grande Chamiere and associated with Giacometti, Tristan Tzara and the Surrealist Circle. Throughout her life she was within leading artistic circles, be they composers, dancers, artists or writers. It is notable that she became a respected scenery and costume designer for ballet and opera productions at the Royal Opera House.From 1949 she and Bacon showcased their figurative brand of modern art at the Hanover Gallery and exhibited in the ICA and British Council. Indeed the critic David Sylvester ranked her alongside Bacon, Lucien Freud, John Craxton and Peter Lanyon.It was during the 1960s and 1970s, with the deaths of Giacometti and her third husband, that the ethereal double portraits emerged and where the distinctive dead and sculpted likenesses evolved. This painting is almost certainly one of a portrait series of her late husband Alan Rawsthorne and his sister Barbara. The spectral faces dissolve into a void-like background, capturing the fragility of the human body. The doubling effect suggests the mirrored ballet studios in which she drew dancers at their craft. The grainy texture, created with sand highlighted with hints of pink, yellow and white, emphasises the shafts of light and the window behind.

Christopher Wood (1901-1930) 'á Madame Laloy amicalement' signed, inscribed with title, and dated 'Christopher Wood/1926' u.l., pencil 49 x 32cm Provenance: Sotheby’s, London, ‘Drawings and Watercolours from the Collection of the Late Sir John and Lady Witt', 19 February 1987, lot 393. This portrait depicts Madame Laloy, the wife of musicologist Louis Laloy, and most likely dates from the spring of 1926, when Christopher Wood was most friendly with them. In a letter to his mother in March 1926, Wood expressed an ambition to design a ballet with Laloy and, later that year, he met Laloy and the French composer Georges Auric in London, to discuss designing scenery for a Chinese play. Previously, Wood had been commissioned by Diaghilev to create designs for his 1926 production of 'Romeo and Juliet', however, these were later replaced with designs by Miró and Ernst. This period marks a shift in Wood's work. His view of his French connections began to change and he began to turn his attentions away from the ballet. It was at this moment that the character of Wood's work would start to develop, moving away from the modernist influences of Cocteau, Picasso and Diaghilev. By August 1926, Wood's work was influenced by his friendship with Ben and Winifred Nicholson. This new outlook would shape his work in Cornwall and Brittany over the next four years. The drawing offered for sale showcases Wood's minimalist approach to line, capturing form with just the essential details. Condition ReportFramed: 66 x 47cm Time staining. Creasing around the edges. A little dirt and discolouration along the top edge. Not viewed out of glazed frame.

PABLO PICASSO Malaga 1881 - 1973 Mougins: Cavalier et Cheval. Henkelkrug, weißer Scherben, mit Engobenbemalung (in Schwarz, Braun, Blau und Grün) und Ritzungen, teils glasiert, 1952. A. Ramié 137. - Expl. 48/300. Mit der Bezeichnung „Edition Picasso“ in Schwarz sowie den Prägestempeln „Madoura Plein Feu“ und „Edition Picasso“ Höhe: 22 cm. Breite: 18,5 cm. Tiefe: 14 cm. Geringfügig angestaubt. Picasso, der 1946 eine Keramikausstellung in Vallauris besuchte, lernte dort die Eigentümer der Madoura Manufaktur kennen. Das Ehepaar Ramié lud ihn ein, ein paar Keramiken zu modellieren. Dies war der Beginn einer langen und fruchtbaren Geschäftsbeziehung, in der zahlreiche Unikate und Editionen mit Tiermotiven und teils der Antike nahe stehenden Darstellungen entstanden. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Vase de Fleurs. Farblithographie 1957. Bloch 841. Mourlot 305. Rau 659. - Abdruck außerhalb der numerierten Auflage. Mit dem Datum „7.12.57“ im Stein. Auf kräftigem chamoisfarbenem Vélin de Rives. 63 x 43,5 cm (Blatt: 65 x 50 cm). An den Rändern schwach fleckig. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso. Un demi-siècle de Livres illustrés (Portrait de Jacqueline). Ausstellungsplakat der Galerie H. Matarasso, Nizza 1956/57. Farboffsetlitho nach einer 1956 entstandenen Zinkographie Picassos, um 1956. Czwiklitzer (dtv) 126. Vgl. Bloch 1274. - Mit dem Datum „4.12 56“ in der Darstellung sowie typographischem Plakattext, Druckeradressen von Devaye, Cannes und J. Berto, Marseille. Auf Vélin. 70 x 50,4 cm. Mit leichten Randlknickspuren. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso. Sueño y Mentira de Franco. Traum und Lüge Francos. Mit 2 Bll. Orig.-Aquatintaradierungen mit 18 Einzeldarstellungen sowie faksimiliertem handschriftlichem Gedichttext von Picasso mit typographischer Transkription in Spanisch, Französisch und Englisch. (Paris, Eigenverlag des Künstlers, 1937/39). Qu.-Gr.-Fol. Lose in illustr. OPp.-Umschlag. Goeppert 28. Bloch 297 und 298. Baer 615, II und 616, V, jeweils, B, e (von C). - Expl. 699/850 (Gesamtaufl. 1000). Beide mit der Stempelsignatur (etwas verblichen) sowie mit dem seitenverkehrten Datum (Bl. 1 zweifach) in der Platte. Auf Papier de Montval. Je 31,7 x 42,2 cm (Blatt: jeweils 38,8 x 57 cm). Hauptsächlich an den Rändern teils gering gebräunt, schwach wellig und vereinzelt fleckig. Bl. 1 mit Eckfehlstelle rechts unten. Umschlag gering angestaubt und mit wenigen Gebrauchsspuren. Die vorliegenden Graphiken entstanden zeitgleich mit dem Gemälde „Guernica“ und spiegeln wie dieses die Zeit des Spanischen Bürgerkriegs wider, in der sich die Armee der zweiten spanischen Republik gegen die nationalistischen Putschisten um General Francisco Franco stellte. In seinem Gedicht wie auch in den 18 als Folge auf zwei Platten angeordneten Szenen - die ursprünglich als Postkarten gedacht waren - zeigt Picasso seinem Unmut gegenüber dem faschistischem Regime. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: La petite Corrida. Farblithographie 1957. Bloch 839. Mourlot 302. - Mit dem Namenszug und Datum „23.11.57“ im Stein. Auf Vélin. 29,8 x 23,5 cm. Linker Rand mit Spuren der Klebebindung. Erschienen in „XXe Siècle“. Ränder gering unfrisch und mit zwei winzigen, schwachen Eckknickspuren. [ms]

ARDENGO SOFFICI Rignano sull’Arno 1879 - 1964 Vittoria Apuana di Forte dei Marmi: Soffici e Picasso. Kuratiert von Luigi Cavallo in Zusammenarbeit mit der Galerie Michaud. Mit 5 Orig.-Holzschnitten (einschl. 3 Vignetten) 1903-27 und 4 Orig.-Kaltnadelradierungen mit Plattenton 1928 sowie Faksimiles von 6 Briefen und 7 (Post-) Karten Picassos an Soffici aus den Jahren 1909-15 und ital. Text. Mailand,Giorgio Upiglio & C./Edizioni d’Arte Grafica Uno, 1966. Qu.-Fol. Lose Bogen in HLwdbd. 77 SS. Expl. 76/100 (Gesamtaufl. 130). Im Impressum numeriert und von der Witwe Maria Soffici signiert. Auf kräftigem C. M. Fabriano-Vélin. 4,2 x 4,2 bis 30,3 x 24,2 cm (gefalteter Bogen: je ca. 28,7 x 35 cm). Einband schwach fleckig. Enthält die Holzschnitte Vaso di Fiori (1911), Bottiglia e Bicchiere (1927), Bagnata (1922), Figura seduta (1903) und Tre Figure con l’Asinello (1903, mit ligiertem Monogramm im Stock) sowie die Kaltnadelradierungen (sämtlich mit dem Namenszug in der Platte) Marina e Forte dei Marmi, Cabina e Barche, Barche e Forte dei Marmi und Nudo sulla Spiaggia. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Fleurs dans un Verre N° 6. Frontispiz aus „Lithographe II“, 1950. Lithographie auf der linken Seite eines rechts gefalteten Bogens 1947. Bloch 450. Mourlot 98. Rau 208. - Mit dem Datum im Stein. 23,5 x 15,5 cm. An den drei ungefalteten Papierrändern gering gebräunt. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Nu au Collier. Planche II aus Maurice Toesca, „Six Contes fantastiques“, Paris 1953. Kaltnadelradierung 1944. Bloch 365. Baer 692, B, 5. Aus Goeppert 66. - Auf kräftigem chamoisfarbenem Vélin. 32,5 x 22 cm (Darstellung; Blatt: 33,5 x 25,5 cm). Abdruck mit spürbarem Grat. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Céret-Picasso. Ausstellungsplakat des Musée municipale d’Art moderne, Céret 1958. Farblinolschnitt 1958. Czwiklitzer (dtv) 33. Bloch 1283. Baer 1048, B, c, 2. - Eines von 875 Expl. Mit der gedruckten Druckeradresse von Arnera, Vallauris und Text in Blau. Auf Vélin. 67 x 49,8 cm. Mit leichten Randknickspuren. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Affiche Exposition Céramique Vallauris 1959. Plakat für die Association des Potiers de Vallauris. Linolschnitt in Schwarz und Rotbraun 1959. Czwiklitzer (dtv) 35. Bloch 1286. Baer 1216, B, a (von b). - Expl. 49/175. Signiert sowie mit dem Namenszug, Datum und Text im Stock. Auf kräftigem chamoisfarbenen Vélin d’Arches. 64,2 x 53 cm (Blatt: 76,5 x 57 cm). Ränder schwach gebräunt. [ms]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Raphaël et la Fornarina XVI: Le Pape est toujours sur son Pot, Songeur. Radierung mit leichtem Plattenton aus der Folge „347 Gravures“ 1968. Bloch 1791. Baer 1808, B, b, 1 (von C). - Expl. 38/50. Signiert sowie mit dem seitenverkehrten Datum „4.9.68“ und Bezeichnung „II“ in der Platte. Auf kräftigem Vélin. 14,4 x 20,8 cm (Blatt: 28,2 x 34,7 cm). Zwischen dem 16. März und dem 15. Oktober 1968 schuf Picasso in einem wahren Arbeitsrausch 347 Graphiken. Die Drucker Aldo und Piero Crommelynck besorgten die Ätzungen und lieferten die Probedrucke oft noch am Tag des Entstehens der Platte. Sämtliche Radierungen wurden 1969 in einer Auflage von 50 Expl. von der Galerie Louise Leiris publiziert. [bg]

PABLO PICASSO Malaga 1881 - 1973 Mougins: Affiche Exposition Vallauris 1961. Plakat für die Association des Potiers de Vallauris. Linolschnitt in Hell- und Kaffeebraun 1961. Czwiklitzer (dtv) 43. Bloch 1295. Baer 1274, B, a (von b). - Expl. 119/175. Signiert sowie mit dem Namenszug, Datum und Text im Stock. Auf kräftigem chamoisfarbenen Velin d’Arches. 63,8 x 53,1 cm (Blatt: 75,3 x 62 cm). Mit wenigen kurzen Knickspuren am rechten Rand. [ms]

J.M. Barrie Peter Pan and Wendy Decorated by Gwynedd M. Hudson, Hodder and Stoughton (poor), Ewing Matherson works in iron, Max Ernst, Roulault, Picasso, modern Italian sculpture, other art books approximately 21:- Two Boxes.

Theatre.- Cogniat (Raymond) Décors de Théatre, one of 600 copies, plates and illustrations by Bakst, Gontcharova, Larionov, Picasso, Leger & others, 13 plates and some illustrations with pochoir colouring, plates captioned in pencil, small marginal stains to plate 58, later cloth, slightly mottled, 4to, Paris, 1920.

Lithograph Pablo Picasso 1881 - 1973. Depiction: owl. Lithograph on paper. Dimensions: H 20 x W 15 cm. In good condition.

A striking limited edition giclee print titled Seated Woman with Red and Blue Hat, inspired by the works of Pablo Picasso, one of the most influential Spanish artists who revolutionized artistic expression through his innovative use of form, color, and perspective. This abstract portrait embodies the bold Cubist style and vibrant color palette reminiscent of renowned compositions by Picasso. The print is hand signed and numbered 83 of 500 by Collection Domaine Picasso and is accompanied by a Certificate of Authenticity issued by Collection Domaine Picasso. Framed.Artist: After PicassoDimensions: 40"W x 49"HCondition: Age related wear.

This print features Pablo Picasso's renowned Portrait of Marie-Thérèse Walter, capturing the essence of his muse and lover from the 1930s. Marie-Thérèse's classical features are delicately portrayed, reflecting the profound influence she had on Picasso's work during this period. The composition showcases Picasso's mastery in blending realism with abstract forms, characteristic of his neoclassical and surrealist styles. This print is a testament to the intimate and transformative relationship between the artist and his muse. Measures 21.75"L x 28.75"H.Artist: Pablo Picasso, After, Spanish (1881 - 1973)Dimensions: See DescriptionCondition: Age related wear.

A striking limited edition engraving on Paper titled Standing Woman (Femme Debout) after Pablo Picasso, featuring an abstract and highly stylized figure, dated 5.7.38 within the image. Rendered in a dynamic linear style, this work embodies Picasso's experimental approach during the late 1930s, a period marked by his engagement with Surrealism and political expressionism. The composition showcases a fragmented, geometric form with radiating lines, evoking movement and an almost celestial aura. Stamped with the estate embossing of the Pablo Picasso Estate, this piece originates from a posthumous limited edition authorized by the artist's estate. The print is noted for its bold, expressive line work, reminiscent of his wartime studies and explorations into Cubism and abstraction. Signed in pencil Collection Marina. Signed in pencil from the Collection of Marina Picasso. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate Collection. The lithographs were meticulously created after the original works (Oil Paintings, Watercolors, Pastels, Charcoal Drawings, etc.) by Master Chromist Marcel Salinas, who worked closely with Picasso in his lifetime. They are printed in an edition of 500 on first-quality Arches paper. To ensure authenticity, each print is signed and numbered in pencil by Marina Picasso and embossed with the estate and chromist's seals.Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: 1982Dimensions: 21.50"L x 29.50"HCountry of Origin: SpainCondition: Age related wear.

A limited edition lithograph by renowned Navajo artist R.C. Gorman (1931-2005), titled Reflection. This artwork, numbered 206/225, features Gorman's signature depiction of a Native American woman draped in a flowing red shawl, gazing at a traditionally decorated pottery vessel against a serene desert landscape. R.C. Gorman (1931–2005) was a celebrated Native American artist known for his distinctive and vibrant depictions of Native American women. Born in Chinle, Arizona, on the Navajo Nation, Gorman belonged to the Navajo (Diné) tribe and is often considered one of the most important Native American artists of the 20th century. Gorman's work primarily focused on portraying the strength, beauty, and grace of Native American women, often shown in relaxed, sensual poses. His signature style was characterized by bold, flat colors, rich textures, and an emphasis on form. He often used gouache, lithography, and other mediums, combining traditional Navajo motifs with modern techniques. Gorman was also known for his large-scale paintings and drawings. In addition to his art, Gorman became an influential figure in the art world, opening galleries in Santa Fe, New Mexico, and contributing to a broader understanding and appreciation of Native American art. His works are included in collections around the world, and his influence extended beyond visual art to cultural advocacy. Gorman, often referred to as the Picasso of American Indian Art, was celebrated for his bold use of color and fluid line work, particularly in his portrayals of Indigenous women. Signed and numbered in pencil by the artist, the piece is elegantly matted and framed. Artwork can be unframed and rolled for shipment.Artist: R.C. Gorman (Navajo 1931-2005)Issued: 1950Dimensions: 46.25"L x 41.25"HCountry of Origin: United StatesCondition: Age related wear.

A Life of Picasso 1907-1917: The Painter of Modern Life by John Richardson. Hardback book. Charity book auction. We combine shipping on all lots. Single book £5.99 UK, £7.99 Europe, £9.99 ROW. We can ship a parcel up to 20kg which will take approx. 40 books in UK £12, EUROPE £39.99, ROW, £59.99

DUCLAUD, Gilberte & Pablo Picasso (illustrator), Ces Peintres Nos Amis. Large folio, Cannes, Galerie 65, 1960. Vol II only. Comb bound. Black and white illustrations, original wrappers, upper cover with coloured lithograph. Additionally this copy was signed by Vernet-Bonfort in October 2009

After Pablo Picasso (Spanish, 1881-1973), Block Head,Bronze limited edition sculpture, Signed and numbered 10/30, On marble base, Height 22cm.

Pablo Picasso (1881-1973), a 20th century etching with remarques from the illustrated book titled 'Les Métamorphoses' in a glazed gilt frame with an inscribed Zwemmer Gallery label to the reverse. H.58.5 W.45cm

After Pablo Picasso (1881-1973) - "Nature mode a la tete antique, figure and musical instrument", coloured print with Pallas gallery blind stamp, Max Jaffe of Vienna copyright, 63cm x 52cm

Folio society - Tolkien, J R R "The Lord of the Rings", 3 vols within original slip case, Folio Society 1977, green and gold patterned boards with pictorial pastedowns to each volume and other volumes to include Ingelow, Jean "Poems", illustrations engraved by the Brothers Dalziel, Longmans Green, Reader & Dyer 1867, blue full pictorial gilt cloth, Puffin Storybook, Grimms Fairytales, Pan Publications Alice in Wonderland and Through the Looking Glass, "Little Women", pictorial boards, "Poems of Childhood by Eugene Field", illustrated by Maxwell Parrish, pictorial front board, pastedown is worn and scratched, catalogue "Art of Our Time, the Saachi Collection at the Royal Scottish Academy", Beleck, Paul "Picasso" 1881-1973, published in 1976, 2nd impression, d-w and other volumes and a brass doorstop/half of a bookend (1 box) 

Pablo Picasso lithograph La Maja  The Artists Sketch Book, Paris 21/11/55 - IS 40cm x 25cm

James Boswell (New Zealand, 1906-1971) - Satire of industry, crayon and pencil on paper, inscribed 'To Corin from James Boswell after Tintoretto Ingres Delacroix Millais Lord Leighton Steinberg Picasso and other old pals not forgetting William Etty' lower right, 41.5 x 53cm

Picasso, Pablo (1881 Malaga - 1973 Mougins, nach) - Motiv aus "Le Goût Du Bonheur", Farblithografie, im Druck datiert, Darstellungsmaße: 16,5 x 10,5 cm, Blattmaße: 32,5 x 25 cm, unter Glas freigestellt gerahmt, Gesamtmaße: 42 x 34,8 cm

A collection of 1960's and 70's original french art and film posters including Vingt Mille ans à la Française directed by Jacques Forgeot, Rembrandt "Dessins" exhibition at the Louvre 1970, Kandinsky and Picasso

A Picasso print on canvas of a woman seated against a green background, numbered 320/10,000 -66cm x 81cm

After Pablo Picasso (1881-1973) Spanish "Tête de femme au chapeau" Etching, 37.5cm by 28.5cm

BOOKS, MODERN ART. A selection in FINE condition generally. PICASSO, Franz MARC,, MODIGLIANI, KANDINSKY, ALBERS, MOHOLY-NAGY, HOCKNEY, Anselm KIEFER ('Fur Paul Celan'), GAUGUIN.

A Picasso Suzanne Ramie Madoura Pitcher Jug circa 1948, white faience with thick iridescent enamel by Suzanne Ramie Madoura from a Pablo Picasso model, incised deep stamp Madoura Plein Feu to the underside, 29.5cm high x 23cm wide, together with a postcard If there is no condition report shown, please request

An amber bracelet and necklace, together with a collection of Scottish Picasso glass beaded necklaces and bracelet. (B.P. 21% + VAT)

pair of platinum earrings, model ‘Graffiti’, created by Paloma Picasso for ‘TIFFANY & CO’ in 1985, set with brilliant-cut diamonds weighing approximately 1.50 ct. Hallmarks: ‘PT 850’, ‘1985’, signed ‘TIFFANY & CO’2 x 1.5 cmgross weight: 8.78 gr.Inspired by the legendary graffiti found on New York buildings, this expressive collection is signed in Paloma Picasso’s own handwriting. These X earrings charmingly display the universal symbol of the kiss.Upon the buyer’s request, we are pleased to provide a general condition report for the Lot described above. However, as we are not professional conservators or restorers, we strongly advise prospective buyers to conduct their own inspection or consult a specialist or restorer of their choice for a comprehensive professional assessment. Any condition descriptions provided in the catalogue or through any correspondence are for guidance only and should not be considered a substitute for a firsthand evaluation.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD ‘AS IS’ IN ACCORDANCE WITH THE GENERAL TERMS AND CONDITIONS OF SALE PUBLISHED IN THE CATALOGUE.

Pablo Picasso (1881-1973)"La Danse des Faunes", 1957Lithograph on Arches paper,Edition of 1000 with printed signature (paper oxidation)40,9x52,7 cm (mancha/image)48x60,5 cm (papel/sheet)

CERAMIQUES DE PICASSO: ART BOOKS

Picasso porcelain trinket tray after "L'Horloge de Fleurs", together Picasso Buste de Femme au Chapeau á Pompons flask and a mid-20th century footed fruit bowl approx 33 x 13 x 9 cms. 

PABLO PICASSO. Jaqueline with Cross Arms. Lithographic Proof, 27cms x 17cms, inscribed in pencil with signature in crayon, framed. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO. QUADRICHROME PRINT AFTER THE CERAMIC PLATE BY PICASSO. Suite: Ceramiques - 1959, French vintage frame 26cm x 24cm. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO. LE REVE. Giclee on Silk, 52cms x 46cms, signed in stone.Framed. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO. COTE D'AZUR. LIthograph, 110cms x 89cms, Framed. (Subject to ARR - see Buyers Conditions)

Pablo PICASSO (1881-1973), D’APRES.Tête,1963.Monotype sur papier, porte une signature au crayon et numéroté en bas à gauche P.A48 x 33 cm

Pablo PICASSO (1881-1973)Assiette « Vase au bouquet », 1955Terre de faïence blanche à décor incisé et peint d'oxydes métalliques sur émail noir, Marques en creux dessous : 'Madoura Plein Feu' et 'EMPREINTE ORIGINALE PICASSO' et Daté 29.1.55 et numéroté 124/300.Diamètre : 26 cm environ.

Pablo PICASSO (1881-1973), D’APRES.Tête,1963.Monotype sur papier, porte une signature au crayon et numéroté en bas à gauche 2/20.48 x 33 cm

Two posters Donation Picasso and Klee 60 x 40cm and 75x 50cm

Pablo Picasso (spanisch, 1881 - 1973), Don Quixote, Lithographie auf Velin (Wasserzeichen Widderkopf oben rechts), 1955, unten rechts in blau signierter Abzug ohne Text vor der Verwendung als Plakat. Werkverzeichnis Picasso et la Presse Nr. 240, Maße: 52 x 36 cm. Guter, altersbedingter Zustand.

Picasso, Pablo, *25. Oktober 1881, Malaga, +8. April 1973 , Mougins: Erotisches Paar mit Putto und Betrachtern 19.5. 68 /1 Nr. 34 von 50Aquatinta- Radierung und Kaltnadel auf Rives Bütten, Plattengrösse 354,7x30cm mit Bleistift signiert und limitiert 34/50. Passe Partout, Museumsglas und moderne Galerieleiste. Aus der Folge von 347 Radierungen in verschiedenen Tiefdrucktechniken, die Picasso zwischen dem 16. März und dem 5. Oktober 1968 in Mougins (Südfrankreich) ausführte, jede mit Bleistift signiert und mit 50 limitiert . Es wurde bei Aldo und Piero Crommelynck gedruckt und von der Galerie Louise Leiris, Paris, herausgegeben. WV. Baer 1986-96 / Picasso Peintre-Graveur, 7 Bände und Nachtrag (1596.Bb1) Bloch 1974-9 / Pablo Picasso, Catalogue de l'oeuvre gravé et lithographié, 3 Bände (1580) In der Platte spiegelverkehrt bez: 19.5.68. I.

3 Picasso-MedaillenSilber 999 vergoldet, poliert, 150g. Front je mit Portät von Picasso, Rückseite mit untersch. Motiven. In Schatulle.

Picasso, Pablo, *25. Oktober 1881, Malaga, +8. April 1973 , Mougins: "Carnet de Californie" 299/500, Skizzen von 1955Kopie des Skizzenheftes von 1955. Div. Farblithographien und Seriegraphien von Mourlot/Duval. Bei DuMont Köln - Deutsche Ausgabe Nr. 299 von limitierten 500. Mit Beiheft, Mappe und Schuber, 28 x 44cm, Z1-2.

Picasso, Pablo (1881 Málaga - Mougins 1973) Nach "Le Faune". Aquatintaradierung auf festem Japan, re. u. mit Bleistift sign. und li. u. nummeriert Ex. 9/200, um 1958. Herausgegeben vom Atelier Crommelynk mit deren Trockenstempel unten links. Ca. 30,2 x 25,3 cm (54,8 x 42,8 cm). PP., R. Vgl. Verzeichnis Maeght 2101.

Pablo Picasso (Spanish, 1881-1973) Le Dormeur 1942 Lithograph Signed and dated in the print From the personal collection of Mandy-Rice Davies (1944-2014) Dimensions: (Frame) 27 in. (H) x 30 in. (W)  (Paper) 14 in. (H) x 17.75 in. (W)

Picasso: Fifty-Four Designs, with fifty-four plates, Tokyo, soft cover; Picasso- 'Fifty Years of His Art' by Alfred H Barr Jr 1946, and 'Picasso Y El Cubismo', Chiantore, 1945 (spine absent). (3)