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GAYLORD SOLI (Dakota, USA, 1939)."Mariam, 2017.Oil on canvas.Signed, dated and titled on the back.Certificate of authenticity enclosed.Size: 67 x 61 cm; 97 x 81 cm (frame).Gaylord Soli's artistic production is imbued with a feeling of freedom and spontaneity in both image and technique. Thematically, an idea is allowed to metamorphose, expand and grow as the work is executed. The works he creates are based on his years of travels in Mongolia, Pakistan, Iran and the Amazon basin, and his lifelong fascination with primitive cultures. As the present work exemplifies, with a rich palate, he layers, sketches and textures his canvases in a unique kinship with early artistic and organic processes. His paintings show the influence of Picasso, Tamayo, Auerbach and Hans Hoffman, and are informed by a deep love of music and the spiritual.Gaylord Soli was born in 1939 on a farm in North Dakota, shortly after his parents emigrated from Oslo, Norway. At the age of three, Gaylord's family moved to Los Angeles, California. He has made Southern California his home ever since, and currently works daily in his studio in Orang County. Much of Gaylord's early years were spent on adventures around the world. These missions ranged from camera safaris to the Kalahari Desert in Africa, anthropological research on the native tribes of the Amazon River, studies of the Mayan ruins of Chitchen Itza on the Yukatan Peninsula, and the ancient world of Alexander the Great from Syria to Mongolia. All of these places and experiences have had a causal effect leading to the exotic overtones, the romantic spirit and, at times, a primitive quintessence found in Gaylord's paintings. Gaylord himself is quoted as acknowledging the profound influence these early experiences have on his art: "I have been fortunate to have travelled extensively around the world. This has allowed me to explore and experience primitive cultures. I think my art reflects these experiences. Having built a series of successful businesses around his passion for art and design, Gaylord Soli founded Clearwater Publishing in the 1980s and began producing high quality screen prints for fine artists such as Ivan Earl, Richard Diebenkorn, Mel Ramos and Peter Max.

Pablo Picasso (Spanish 1881-1973) for Madoura pottery, a Corrida aux Personnages charger (A.R.104), designed 1950, the rare reverse painted with a faun holding a branch, signed and inscribed ‘Picasso, 1st Septembre 1951’,from an edition of 50, stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' to the reverse, with letter of Authentication from Alain Ramié of the Madoura pottery, dated 25th November 1996.38.7cm diameterTypical Fine crazing to the glaze. On the front and back there are a few small remants of sticky labels which will remove fairly easily. Slight wear to the glaze on small patches on the reverse where a metal hanger (now removed) has rubbed. Small unglazed patch to the reverse above the head of the faun which appears to be in manufacture.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 38.7cm diameter

Pablo Picasso (Spanish 1881-1973) for Madoura pottery, Danseurs [A.R. 388] plaque, 1956,white earthenware plaque with black and white glaze, from an edition of 500, stamped 'Madoura Plein Feu / Empreinte Originale de Picasso' to the reverse,18.5cm wideA little grubbiness to the cream slip decoration on the front. Fine incised line to the black ground between the arms of the left-hand dancer which is definitely in manufacture and does not show on the reverse of the plaque, the reverse with some very fine crazing to the glaze. In good condition with no restoration chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 18.5cm wide

PABLO PICASSO 'Sylvette', offset lithograph, 58cm x 45cm, in a vintage French frame.

PABLO PICASSO 'Mother and Child', 1946, rare pochoir, signed in the plate, edition of 500, ref.: Carman, 35cm x 25cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

THREE BOOKS RELATING TO PICASSO

BLACK AND WHITE PRINT AFTER PICASSO, F/G, 53CM HIGH

After Picasso, three lithographs, Reclining nudes, published by Mourlot 1972, 40 x 50cm, unframed

* DONALD MORRISON BUYERS RSW (SCOTTISH 1903 - 2003),FRAGMENTS OF WINDoil on board, signed and dated '84image size 88cm x 103cm, overall size 94cm x 109cm Framed.Note: Donald Buyers studied at Gray's School of Art, Aberdeen from 1948-51. Soon after graduating he was employed as an art therapist with tuberculosis patients in the Aberdeen hospitals. While on honeymoon in Paris in 1955 he saw a retrospective exhibition of Picasso who, with Paul Klee became a lasting influence. Back in Aberdeen he made a living as a successful commercial artist for some years and then concentrated increasingly on his career as a painter. With three fellow artists, Eric Auld, Bill Baxter and Bill Ord, he formed the ABBO group in 1957 which was to exhibit extensively for many years throughout Scotland as well as in Newcastle and Birmingham. From 1963 to 1985 Buyers taught at Robert Gordon's Institute of Technology as well as being a visiting lecturer at Gray's School of Art. His work is represented in the collections of the Arts Council, Aberdeen Art Gallery and HRH The Duke of Edinburgh.

Picasso Giclée print portrait of Sylvette 109 of 595 signed by Sylvette David

A collection of pencil and pen and ink sketches with a number signed and in the style of L S Lowry (Laurence Stephen Lowry 1887-1976), another signed and in the style of Pablo Picasso with the inscription "Pour Pablo Cassalls 1959" in addition a sketch of a young woman signed and in the style of Harold Riley.

Paloma Picasso Signed postcard, Framed 23x28cm, with certificate of authenticity.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Tanzende Satyrn und Flötenspieler"Farblinolschnitt nach dem Original. Unsigniert. Edition: Cercle d'Art, Paris 1962, Spadem & Cosmopress 1962. Blatt: 29 x 35 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/. Literatur : WVZ Bloch Nr. 939.

PICASSO, Pablo(1881 Malaga - 1973 Mougins) "Suite Vollard"Verlag Arthur Niggli. Teufen Ar. 1956. 28,5 x 22 cm. Hundert Graphiken, die Picasso auf Anregung des Kunsthändlers und Verlegers Ambroise Vollard 1930-1937 geschaffen hat. XXIV Textseiten mit einer Einleitung von Hans Bolliger. 100 Abbildungen auf Tafeln. Illustrierter Leinen-Einband Buchdeckel verzogen, Schnitt verschmutzt. * Partnerauktion Bergmann. Provenienz : Ehemals Sammlung Joseph Eduard Drexel, 1896 München - 1976 Nürnberg, Verleger. 1945 Gründer der Tageszeitung: Nürnberger Nachrichten.

PICASSO, Pablo((1881 Malaga - 1973 Mougins)) "La Guerre et la Paix"Editions Cercle d'Art. Paris. 1954. 37,5 x 27 cm. Texte de Claude Roy. 153 Seiten mit zahlreichen Abbildungen. Französischer Text. Bleistift-Widmung im Vorsatz. Im hinteren Vorsatz zwei faltbare lose Tafeln. Leinen-Einband, Klarsicht-Umschlag Klarsichthülle an oberer Ecke defekt. * Partnerauktion Bergmann. Provenienz : Ehemals Sammlung Joseph Eduard Drexel, 1896 München - 1976 Nürnberg, Verleger. 1945 Gründer der Tageszeitung: Nürnberger Nachrichten.

PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke aus "La Guerre et la Paix"2 Granolithografien auf BFK Rives-Bütten. Je 444/2000, Editeur: Musée National/Maquelli, 1993. Blatt 33 x 25 cm, bzw. 25 x 33 cm, im Passepartout: 40 x 30 cm, bzw. 30 x 40 cm. Nach den Skizzen vom 19.8.52 aus "La Guerre et la Paix" Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/).

PICASSO, Pablo(1881 Málaga - 1973 Mougins) Liegender Akt und Gitarre spielender PicadorGranolithografie auf Bütten. Blindstempel "Picasso". [Nach einem Linolschnitt von 1962]. Exemplar: 190/333, Blindstempel "Pablo Picasso Spadem Edition of 333". Passepartoutausschnitt: 36 x 26 cm, im Passepartout: 50 x 40 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/).

PICASSO, Pablo(1881 Malaga - 1973 Mougins) Suite de 180 Dessins de Picasso36 x 27 cm. Mit farbig lithographiertem Titel und 12 Farblithographien. 167 Tafeln nach Zeichnungen von Picasso. Druck der Farblithographien bei Mourlot. Editions de la Verve, Paris 1954. Illustrierter Papp-Einband Rücken defekt. Picasso, eigentlich Pablo Ruiz y Picasso, Maler, Grafiker und Bildhauer. Studierte in Barcelona und Madrid. Seit 1904 in Paris ansässig. Einer der bedeutendsten Künstler des 20. Jahrhunderts * Partnerauktion Bergmann. Provenienz : Ehemals Sammlung Joseph Eduard Drexel, 1896 München - 1976 Nürnberg, Verleger. 1945 Gründer der Tageszeitung: Nürnberger Nachrichten.

Designer-Anhänger mit Opalen und Mondstein an Kette Silber 925 gestempelt, geprüft. Anhänger Ø 5,5 cm. Kette L 62 cm. 58,2 g. Picasso-Stein mit montierten, zargengefassten Opalcabochons und Mondsteincabochon an Erbskette mit Karabinerschließe

Make & Model: Citroen C3 Picasso VTR+ HDIDate of Reg: YT60 NRLColour: Silvercc: 1560MoT: 11-09-2022Fuel Type: DIESELMileage: 151kTransmission: MANUALSummary:

Make & Model: Citroen C4 G Picasso VTR+HDIDate of Reg: VA11 TMZColour: Blackcc: 1560MoT: 07-12-2022Fuel Type: DIESELMileage: 104kTransmission: MANUALSummary: Being offered due to impending retirement.

Make & Model: Citroen C3 Picasso ExclusiveDate of Reg: AP10 FVGColour: Beigecc: 1560MoT: 14-10-2022Fuel Type: DIESELMileage: 109kTransmission: MANUALSummary: Two registered keepers with the last registered keepers since April 2017. Five service stamps and a selection of receipts. Two keys (not tested)

BAKST (LEON)The Designs of Léon Bakst for the Sleeping Princess. A Ballet in Five Acts after Perrault, Music by Tchaikovsky, Preface by André Levinson, NUMBER 88 OF 1,000 COPIES, portrait after Picasso and 56 mounted colour plates by Bakst (54 full-page), light toning, untrimmed in publisher's vellum-backed cloth, soiled, small chip to one joint, folio, Benn Brothers, 1923This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

A large quantity of maps, posters etc including Picasso, Glamorgan, the West Country etc

PALOMA PICASSO; a leather shoulder bag with zip compartment to interior and Paloma Picasso logo fabric with gilt shoulder chain, a Jane Shilton burgundy leather handbag with central compartment with clasp and open compartment to either side, gilded metal design to the handles, a Loni black leather clutch bag and a Jane Shilton burnt orange leather clutch bag with red and gilt clasp (4).

Pablo Ruiz Picasso (1881-1973)-graphic, Three lithographs on paper, hand numbered and dated 1964. 33x25cm

Framed Picasso style picture of flamingo, dog, penguin, 10 x 105 cm. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A crate and box of hardback and soft back books, Painters, Picasso, Monet, Lowry etc

PABLO PICASSO 'Sur la Plage', scarce pochoir (after the watercolour), published in 1924 by Alfred Morance for L'Art D'Aujourd'hui, 20cm x 25cm, in a gilt vintage frame. (Subject to ARR - see Buyers Conditions)

PABLO PICASSO, cubist pochoir, 1929, signed in the plate, 'L'Art Cubiste' portfolio, ref: Moreau, 18cm x 25cm, in a reclined frame.

PABLO PICASSO 'Study for a Blue Ceramic Plate', quadrichrome, suite: Ceramiques, 28cm x 35cm, in a vintage French frame.

After Picasso, mixed media, Seated female nude, 22 x 16cm

Limited edition Picasso print with blindstamp, a giclee print of Turner and two modern mirrors (4)

Pablo Picasso (after). “Portrait of Madame Zâ€. Circa 1980. Embossed copper plate installed on a wooden panel. Marked "Picasso" at the bottom center. - Sizes: H: 160 mm L: 160 mm - Weight (K): 0,4kg - Condition: at first sight - good condition - no restoration - no repair - Author / artist: PABLO PICASSO (d’apres)

A framed poster advertising the Pablo Picasso: A Retrospective exhibit held at MoMa in 1980, a comprehensive exhibit of Picasso's works. H:37in(94cm) W:23in(58.4cm)

Farblithografie, ¨La colombe de la paix¨, unten rechts im Druck signiert ¨Picasso¨, ca. 64x46,5cm (in Passepartout), gerahmt (78x59cm)

Fritz Kronenberg (Köln 1901 - Hamburg 1960). Watt vor Sylt. 1946. Aquarell über Federzeichnung, 39,5 x 53,5 cm, l. u. sign. und dat. Fr. Kronenberg 46, unter Passepartout und Glas gerahmt, ungeöffnet. - Maler und Graphiker. Gemeinsam mit K. Kluth studierte K. an der Kunstschule Köln und der Karlsruher Akademie. In Paris unterhielt er 1925 ein Atelier. In Hamburg wurde er 1932 Mitglied der Sezession und schloß Freundschaft mit E. Maetzel und I. Hauptmann. Entscheidend für seine Kunst waren aber die Begegnungen mit Braque, Picasso und Juan Gris in Paris 1925. Einige seiner Arbeiten wurden von den Machthabern 1937 als 'entartet' beschlagnahmt. K. zog sich in die innere Emigration zurück und malte auf Hiddensee. Nach dem Krieg kehrte K. nach Hamburg zurück und wurde Mitglied des Deutschen Künstlerbundes und der Freien Akademie. 1958 erhielt er den Edwin-Scharff-Preis. Mus.: Hamburg, (Kunsthalle, Altonaer Mus., MK&G u.a.), Schleswig (SHLM), Flensburg. Lit.: Vollmer, Der Neue Rump, Bruhns u.a. Kronenberg, Fritz (Köln 1901 - Hamburg 1960). Mudlands off Sylt. 1946. Watercolour over pen an ink drawing, 39,5 x 53,5 cm, lo. le. sign. and dat. Fr. Kronenberg 46, matted and framed under glass, uninspected out of frame. - Painter and graphic artist. K. studied at the Cologne and Karlsruhe Academies. In 1925 he had a studio in Paris. He became member of the Hamburg secession and friends with E. Maetzel adn I. Hauptmann. Encounters with Braque, Picasso and Gris in Paris were crucial for his art. Mus.: Hamburg, (Kunsthalle, Altonaer Museum, Museum für Kunst u. Gewerbe a. others), Schleswig (SHLM), Flensburg. Lit.: Vollmer, Der Neue Rump, Bruhns a. others.

Vase en verre de Murano, Vase Picasso smile Vase en verre de Murano, Vaas Picasso smile H 37.5 cm

Pablo PICASSO (1881-1973) Print/Lithograph, signed in the plate and numbered 12/50. Print/Lithografie, getekend in de plaat en genummerd 12/50 30 x 23 cm

Pablo PICASSO (1881-1973) Lithography numbered 38/50, signed in the plate and with stamp. Lithografie genummerd 38/50, getekend in de plaat en met stempel 22 x 16.5 cm

A selection of 11 books to include : 'Catalogue du Musée Rodin' 1927, 'L'Art' Auguste Rodin 1919, 'Poets Corner' 1943, 'She-Shantic' 1930, 'The Oxford & Cambridge History of England', 'The German New Order in Poland'1942, 'British Critic' 1822, 'Picasso Early Years', 'The Art- Revival in Austria' 1904 and others.Condition ReportAll used condition. Scuffs and rips to spines, yellowing. Sellotape repair to the German new order.

Zdenek Furbacher (Czechoslovakian): after a design by Pablo Picasso: A Crystalex Glass Carafe and Six Matching Glasses, circa 1985, black enamel decoration, unmarked, carafe 23cm high largest glass 17cm high (7)

PICASSO, Pablo, NACH (1881-1973), "Torrero", Stierkampf, Serigraphie/Papier, im Druck signiert 'Picasso', HxB: Darstellung ca. 47x55 cm, Blatt ca. 58x78 cm, Außenmaße Rahmen ca. 88x108 cm. Mit Passepartout hinter Glas gerahmt. Minim. Altersspuren.| PICASSO, Pablo, NACH (1881-1973), "Torrero", Bullfight, serigraph/paper, signed 'Picasso' in the print, HxW: image approx. 47x55 cm, sheet approx. 58x78 cm, outer dimensions of frame approx. 88x108 cm. Framed with passe-partout behind glass. minimum signs of age.| BEI EINEM ZUSCHLAG ÜBER € 400 MÜSSEN 4% URHEBERRECHT AN DIE VG BILDKUNST ABGEFÜHRT WERDEN.

Pablo Picasso (1881-1973) Offset lithograph of the linocut print entitled 'Before the goading of the bull' published in New York circa 70s/80s. Signed with a stamped signature. Frame size approx 21 ½ x 18 ¾ inches (Glazed)

 Collection of 7 x prints,  Georges Braque lithograph Galerie Maeght Exposition Circa 1950's (Mourlot), Marc Chagall lithograph Salon De La Lumiere Circa 1950's (Mourlot), Henri Matisse lithograph Galerie Maeght Circa 1950's (Mourlot), Pablo Picasso print Vollard suite Circa 1956, Henry Moore Shelter sketch print circa 1940's, Eric Gill engraving from 25 Nudes Circa 1938, Elisabeth Frink lithograph Circa 1975. All mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.

λ Pablo Picasso (Spanish 1881-1973) Vieux Modele (Bloch 1404) Etching and aquatint, 1966 Stamped with signature and numbered 14/50 Plate: 22 x 32cm (8½ x 12½ in.) Provenance: Connaught Brown, London

Continental School (19th/20th century) Portrait of a lady, seated Oil on canvas 67 x 59.5cm (26¼ x 23¼ in.) Provenance: The collection of Eardley Knollys (1902-1991), friend and associate of the Bloomsbury Group, artist, critic and owner of the Storran Gallery, London, from 1936 to 1944 Bequeathed to Mattei Radev (1927-2009) and, subsequently, to the present owner Eardley Knollys (1902-1991) was born in Alresford, Hampshire. He studied at Winchester College and continued his education at Christ Church College in Oxford. Knollys interest in the arts and his reputation as an art critic grew during the 1920s and in 1936 Knollys opened The Storran Gallery, opposite Harrods with his partner Frank Coombs. The gallery exhibited renowned artists such as Amedeo Modigliani, Maurice Utrillo, Ivon Hitchens, Pablo Picasso and Victor Pasmore to name just a few. Coombs tragically passed away in an air raid during World War II in Belfast in 1941. Knollys closed the gallery shortly afterwards.   In 1945, Knollys along with music critic and novelist Edward Sackville-West and music critic Desmond Shawe-Taylor purchased a Georgian rectory in Long Crichel, Dorset. Along with James Lees-Milne, literary critic Raymond Mortimer and gay activist and eye surgeon Patrick Trevor-Roper, the house became a centre for young creatives, where these young men and their friends could immerse themselves in books, music, art and poetry. These passionate young men hosted guests such as Ben Nicholson, Duncan Grant, Sibyl Colefax and film director Anthony Asquith.   Knollys joined James Lees-Milne working for the National Trust during World War II and published diaries recording their trips to some of the most renowned British country houses.   In 1965, Knollys, a well respected art critic and member of the Bloomsbury art group inherited a collection of artworks which had belonged to Edward Sackville-West. In 1967 Knollys and Mattei Radev purchased a hunting lodge in Hampshire and they both painted and worked in the artist's studio attached to the lodge. Knollys' interest in the arts continued and he added to the collection right up until his death in 1991. Knollys' collection was bequeathed to Mattei Radev, who continued to grow the important collection.   Mattei Radev became an iconic member of the artistic and literary Bloomsbury group. Radev was a Bulgarian émigré who settled initially in Glasgow after escaping Bulgaria through Turkey. When he first arrived in London he started working at Whittington Hospital as an orderly and met eye surgeon Patrick Trevor-Roper. Trevor-Roper was a gay activist and introduced Radev to likeminded friends in London. Influenced by these new acquaintances in artistic circles Radev decided to pursue an apprenticeship in framing. In 1960 he set up his own workshop in Fitzrovia with the help of a financial loan from Eardley Knollys. Clients included John Banting, Graham Sutherland and Duncan Grant. The framers continued under Radev's management until the 1990s. Radev visited Long Crichel many times and met his life-long lover E.M. Forster, the notable novelist and literary critic.   The Radev collection represents the three strong individuals involved, Sackville-West who championed Modernism, Eardley Knollys whose passion for French Impressionism shines through and Radev for his loyalty to British artists with whom he was friends and in business with. Condition Report: Relined. Light surface dirt and fine craquelure throughout. Condition Report Disclaimer

Abstract slipware plate after Picasso (A/F), 12" diameter

NO RESERVE Cocteau (Jean) Orphée, translated by Carl Wildman, frontispiece after Picasso, previous owner's signature to front free endpaper, original yellow cloth, glassine dust-jacket, torn with some loss, 1933; Orpheus. Œdipus Rex. The Infernal Machine, translated by Carl Wildman, original printed paper wrappers, in excellent condition, housed in original postage packaging addressed to the translators brother, 1962; The Infernal Machine, first English edition, translated by Carl Wildman, original cloth, fractional bumping to spine foot, dust-jacket, lightly sunned spine, tiny 5mm. tear to spine head, 1936; and 2 others by the same, including a duplicate copy of the second, 8vo (5)

§ Pablo Picasso (Spanish, 1881-1973), Service Poisson (A.R.6) bowl, white earthenware painted in colours, painted and impressed marks7 x 19cmCondition report: With all over crazing, turning on to a forked crack at rim with a small area of restoration at the head of the crack.

§ Pablo Picasso (Spanish 1881-1973) Jacquelinelinocut, unframed51 x 40.5cm

Pablo Picasso, Friedenstaubenahezu blattfüllende, locker gezeichnete Taube mit Zweig im Schnabel, eines der bekanntesten Motive des Künstlers, Farblithographie, rechts unten im Stein signiert und datiert "Picasso 28.12.(19)61.", Papier gebräunt und zwei Knickspuren, Darstellungsmaße ca. 33,5 x 40 cm, Blattmaße ca. 39 x 58 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins, Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.

Joan Miró, Abstrakte Kompositionfarbenfrohes Arrangement, Farbsiebdruck, um 1970, rechts unten in der Darstellung signiert "Miró", Ränder leicht gebräunt, Darstellungsmaße ca. 30 x 22,5 cm, Blattmaße ca. 40 x 30 cm. Künstlerinfo: eigentlich Joan Miró i Ferrà, bedeutender spanischer Maler, Graphiker, Entwerfer und Plastiker (1893 Barcelona bis 1983 Palma de Mallorca), zunächst kaufmännische Ausbildung und Arbeit als Buchhalter, parallel Kunstunterricht, zeitweise in Mont-roig del Camp, studierte ab 1912 an der Akademie Barcelona, ab 1919 in Paris, hier Begegnung mit Picasso, 1920 an der Pariser Académie de la Grande Chaumière, 1926 zusammen mit Max Ernst Bühnenbild für „Romeo und Julia“, ab 1928 in Holland, erste Begegnung und lebenslange Freundschaft zu Alexander Calder, 1933 Zusammentreffen mit Wassily Kandinsky, ab 1939 in den USA, beschickte unter anderem mehrere Ausstellungen der documenta in Kassel, ab 1956 auf Mallorca tätig, erhielt zahlreiche Auszeichnungen, unter anderem die Ehrendoktorwürde der Harvard Universität, Quelle: Thieme-Becker, Vollmer, Wikipedia und Internet.

Pour Daniel-Henry Kahnweilerverfasst unter der Direktion von Werner Spies, eines von 800 Exemplaren (Gesamtauflage 1000 Stück), Stuttgart bei Gerd Hatje 1965, Format Lex. 8°, 311 S., mit acht originalen Lithografien als Tafeln von Picasso, Lascaux, Beaudin, Masson, Roger, de Kermadec, Rouvre und Hadengue, blauer goldgeprägter Ganzleineneinband, Unterkante und zwei Ecken etwas bestoßen, sonst guter Zustand.

Pablo Picasso, Blick in den Gartenvon oder nach Pablo Picasso, mit Palmen und Bäumen umgebenes Gartenhaus in hügeliger Landschaft, Farblithographie, 2. Hälfte 20. Jh., links unten im Stein signiert "Picasso", unter Passepartout und hinter Kunststoffscheibe gerahmt, Darstellungsmaße ca. 55,5 x 72,5 cm. Künstlerinfo: spanischer Maler, Graphiker und Bildhauer (1881 Malaga bis 1973 Mougins), studierte 1895 an der Kunsthochschule Barcelona, 1897 kurzzeitig an der Akademie San Fernando in Madrid, 1900 erster Parisaufenthalt, 1903 Übersiedlung nach Paris, tätig auch in Vallauris, Antibes, Aix-en-Provence und Mougins, Quelle: unter anderem Thieme-Becker, Vollmer und Wikipedia.

Salvador Dali, aus Dante "Die göttliche Komödie"graziler Engel vor Wolkenberg, Blatt aus Dantes göttlicher Komödie, Farbholzschnitt auf Velin, unter der Darstellung rechts von Hand mit blauem Stift "Dali" und links nummeriert "51/150", auf Rahmenrückwand maschinenschriftlicher Aufkleber "Salvador Dali Orig. Farbholzschnitt aus: Dante "Die göttliche Komödie", 1960 Paradies, Gesang 22 "Der Engel des 7. Himmels"", hinter Glas in rahmenlosen Bilderträger, Darstellungsmaße ca. 24 x 18,5 cm, Blattmaße ca. 33 x 26 cm. Künstlerinfo: eigentlich Salvador Dali y Domenech, bedeutender spanischer Maler, Graphiker und Illustrator (1904 Figueras bis 1989 Figueras), ab 1916 Unterricht im Kolleg der Maristen, ab 1922 Studium an der Academia San Fernando in Madrid und an der Escuela Catalana in Barcelona, 1928 Parisreise zu Pablo Picasso, hier 1929 Anschluss an die Surrealistengruppe um Breton, deren bedeutendster Vertreter er werden sollte, 1934 Heirat mit Gala und USA-Reise, tätig in Portlligat bei Cadaqués, nach Ausbruch des Bürgerkriegs in Spanien Reise nach London und Italien, 1940-48 Übersiedlung nach Cleveland Ohio/USA, zurückgekehrt tätig in Figueras und Púbol, Quelle: Vollmer und Internet.

After Picasso. Little girl and dog, print, 67cm x 45cm.

Indiana, RobertNew Castle/Indiana, 1928 - Vinalhaven/Maine, 201861 x 50,5 cm, R."Hommage à Picasso", 1974. Farbserigraphie auf Bütten. In Bleistift unten rechts signiert und datiert, unten links bezeichnet und nummeriert "AP 8/15" sowie mittig betitelt. Auflage: 90 Exemplare.Sheehan, 82.Privatbesitz, Baden-Württemberg.

Hölzel, AdolfOlmütz, 1853 - Stuttgart, 193429 x 23,1 cm, R.Komposition, um 1920. Pastell auf Papier, auf Karton aufgelegt. Die Authentizität der Arbeit wurde von Herrn Dr. Alexander Klee, Wien, bestätigt. Wir danken Herrn Dr. Klee für die wissenschaftliche Beratung.Galerie Döbele, Stuttgart. - Privatsammlung, Baden-Württemberg.Ausstellung: "Le Virtù della passione - La collezione Dr. Charlott et Tistou Kerstan", Palazzo Magnani, Reggio Emilia 2007, Kat.-Nr. 35 (mit Farbabb. und Ausstellungsetikett). - "Vom Impressionismus ... zur Abstraktion, Adolf Hölzel und seine Freunde - Meisterwerke der Sammlung Charlott & Tistou Kerstan und Marcar Collection , Max Slevogt Galerie / Villa Ludwigshöhe, Edenkoben 2008 (mit Ausstellungsetikett). - "Vom Leuchten der Farbe - Picasso, Beckmann, Jawlensky ..., Sammlung Charlott & Tristou Kerstan / Hommage an Horst Kerstan", Städtisches Museum Engen + Galerie, Engen 2009 (mit Ausstellungsetikett).

Tinguely, JeanBasel, 1925 - Bern, 1991Blattgröße: 76 x 56 cm, R."Viva Picasso", ca. 1973. Farbserigraphie auf festem Papier. In Bleistift unten rechts signiert und unten links bezeichnet "E. A." sowie in der Darstellung betitelt.Privatbesitz, Baden-Württemberg.