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Lot 1106
*Pablo Picasso (Spanish, 1881-1973)UNTITLEDEtching, 1949, from the 'Carmen' suite, the edition was 320, printed by Atelier Roger Lacourière, Paris, published by La Bibliothèque Française, Paris, on Montval wove paper, with full margins image 22 x 18.2cm, framed*Artist's Resale Right may apply to this lot.
Lot 1110
After Pablo Picasso (Spanish, 1881-1973)LA COMÉDIE HUMAINE:29.1.54.III;29.1.54.V;30.1.54.IIIThree lithographs printed in colours, 1954, from the book 'La Comedie Humaine', the edition was approximately 2000, printed by Mourlot Frères, Paris, published by Éditions de la Revue Verve, Paris, each on wove paper, with full marginseach image 24 x 32cm, framed (3)
Lot 1104
*Pablo Picasso (Spanish, 1881-1973)THE COLLECTION OF SMALL PICTURES (B.828)Lithograph printed in colours, 1956, signed and numbered from the edition of 50 in pencil, printed by Mourlot, Paris, on Arches wove paper, with full marginssheet 56.5 x 76.2cm, framedThis work was created by Picasso on the 1st of December 1956 by using a crayon drawing on transfer paper that was then transferred to lithographic stone.*Artist's Resale Right may apply to this lot.
Lot 1099
*Pablo Picasso (Spanish, 1881-1973)JEU DE BALLON SUR UNE PLAGE (B.1046)Linocut printed in brown, 1957, as the cover of the book 'Dans l'argile de Picasso', the edition was 200, printed by Imprimerie Arnera, Vaullauris, on wove paper, the full sheetimage 8 x 13cm, unframed*Artist's Resale Right may apply to this lot.
Lot 796
An oil painting on canvas in the manner of Picasso showing a seated figure in profile, bears remains of signature bottom right, 60 x 50 cm approx in moulded gilt frame together with three oil paintings on canvas of abstract subjects in tones of blue, black and gold, 61 x 91 cm approx, unframed, a coloured print in the manner of Stubbs showing a group of horses.
Lot 177
* DAVID CRONE RHA RUA (IRISH b 1937 - ),CLERGUE'S NUDESoil on canvas, signed and dated '96, titled verso70cm x 50cmFramed.This painting is a homage to the French photographer, and close friend of Picasso, Lucien Clergue (1934 - 2014). Clergue's body of work included 'zebra nudes' - when light coming through window blinds casts striped patterns, gracefully highlighting the female form. Note: David Crone was born in Belfast, 1937 and was educated at the Belfast College of Art in 1956 studying sculpture. One of his best-known works in sculpture is the Horse and Rider (1960) and can be seen in the Queen's University Collection. He gradually finished his education in sculpting and then slowly turned to painting which is something he had never done before. Since 1985, Crone has been lecturing at the Belfast College of Art and is viewed as one of Northern Ireland's most vital artists today, having had many solo exhibitions in places such as the Tom Caldwell Gallery, the Northern Ireland Arts Council and the Hendricks and Kerlin Galleries in Dublin. In 2000 The Ulster Museum organised a major retrospective exhibition of his work.
Lot 93
* STEVE KAUFMAN (AMERICAN 1960 - 2010),LAUREN BACALLcharcoal on yellow paper, signed and dated '9390cm x 67cmMounted, framed and under glass.Note: Steven Alan Kaufman (also known as Steve Kaufman, December 29, 1960 - February 12, 2010) was an American pop artist, fine artist, sculptor, stained glass artist, filmmaker, photographer and humanitarian. His entry into the world of serious pop art began in his teens when he became an assistant to Andy Warhol at The Factory studio. HIs collectors include Al Gore, Al Pacino, Alice Cooper, Alec Baldwin, Amsterdam Museum, Andy Warhol Foundation, Arnold Schwarzenegger, Bill Clinton, Bruce Willis, Calvin Klein, Campbell's Soup Co., Citibank, Coca Cola Inc, Cohiba Cigars, Donald Trump, Dustin Hoffman, Eddie Murphy, Francis Ford Coppola, Hugh Heffner, John Travolta, Mel Gibson, MTV, Muhammad Ali Estate, Nicholas Cage, The Picasso Estate, Saatchi & Saatchi, The Sinatra family, Spike Lee, Stan Lee, Sylvester Stallone, The White House Collection and Warner Bros.
Lot 463
A Clarice Cliff clog or sabot, circa 1930, brightly decorated in primary colours with a bold design similar to the, Picasso Flower pattern, black printed Bizarre by Clarice Cliff mark, 13cm longCONDITION: Some minor enamel scratching throughout, some crazing visible to the interior. No chips, cracks or restoration detected.
Lot 18
§ Alessandro Barbaro for Murano, a Picasso style glass head of a girl, on an elongated neck, mounted to a slate base, signed 58cm (23in) Other Notes: The glass factories on the Venetian island of Murano have been making glass for centuries. Over the years, they have pioneered techniques including crystalline glass, enamelled glass (smalto), glass with threads of gold (aventurine), multicoloured glass (millefiori), milk glass (lattimo), and imitation gemstones made of glass. The tools and techniques have changed little over the centuries, as indeed has the underlying artistic nature of the work. The old Murano quote, "Good tools are nice, but good hands are better" reflects the fact that the works are more dependent on the skill of the glass artist than the process. Alessandro Barbaro is a living artist and glass master at Vetreria Artistica Colleoni glassworks. His work is in the private collection of, amongst others, Elton John and Madonna.
Lot 283
§ Pablo Picasso (Spanish, 1881-1973) "Pour mes chers fiancés" - a signed and inscribed title page of L'Oeuvre Gravé de Picasso, dedicated to the engaged couple, Sylvette David and Tobias Jellinek, who later married in 1956 and with sketches of them dated 20.4.56 upper left and signed in pastel "Picasso" lower centre red and blue pastel on paper 27 x 21½cm (11 x 8in) Provenance: Given by Pablo Picasso to Sylvette David and Tobias Jellinek who later married; thence sold to to Eila Grahame Other Notes: "In 1956 the art periodical, VERVE, had an image of Sylvette on the cover and Sylvette and I were given a copy. We went to see Picasso that day and took the book with us, and asked Picasso if he would sign it for us. He went and found some coloured crayons and wrote the dedication, adding the little sketch of us both. The likeness of Sylvette shows how comfortable he was with producing her image, which he had previously worked with for several months. His drawing of me with my new beard is less of a likeness!" Tobias Jellinek, April 2017. Pablo Picasso had been working on a portrait of Sylvette David, aged 19, as the girl with the pony tail before doing the present cartoon sketch. "Sylvette" is the title of one of Picasso's numerous paintings featuring a young woman with a pony tail. The model for the painting, Lydia Sylvette David, also known later by her married name Lydia Corbett, was a French woman who, during the summer of 1953, worked in a pottery studio near Picasso's studio in Vallauris. Finding her appearance appealing, Picasso created 40 works inspired by her. Sylvette's portrait from 2 May 1954 is one of the last of a long series. Picasso's grandson Olivier Widmaier Picasso told the Chicago Sun-Times in 2004 that Sylvette was also the subject of the monumental "Chicago Picasso" which had been a matter of curiosity since it was unveiled. She was said to have been an inspiration for actress Brigitte Bardot and the Roger Vadim film "And God Created Woman". In 1998 Barron's published "Picasso and the Girl With a Ponytail" by Laurence Anholt - a children's book in which a shy teenager named Sylvette meets Picasso in Vallauris and becomes his model. Lydia Corbett is now an artist in her own right. Galleries exhibiting her work include Fosse Gallery Fine Art, with one exhibition being aptly named 'The Girl With the Ponytail', and the Francis Kyle Gallery. Slight damp staining along the upper right margin. Mounted and framed.
Lot 62
§ Thomas 'Sam' Haile (British, 1909-1948), a rare slipware dish, the elongated formdecorated with a fish, impressed seal mark to underside 44½cm (17in), together with accompanying publication 'Sam Haile, Potter and Painter 1909-1948, edited by Barry Hepton Other Notes: Had Sam Haile lived, he would arguably have become one of the leading figures in 20th century ceramics. Born in 1909, he studied ceramics at the Royal College of Art under William Staite Murray, a hugely influential potter. Murray was known to be a casual - bordering on disinterested - teacher who often completely ignored his pupils. Haile, however, attracted his attention, and Murray would go so far as to silently point with his stick at those few pots he felt should be saved from the soak bin. Haile and Murray continued a sporadic correspondence throughout Haile's short life. Haile painted alongside his ceramics and was hugely influenced by the Surrealist movement. His pots were decorated with symbolic figures and dream characters more than a decade before Picasso began working with clay. In 1938, he married Marianne de Trey (see lot 63) and introduced her to pottery. She became a recognised and important potter in her own right; being awarded the CBE in 2006, and died at the age of 102 in 2016. As Sam was a pacifist, they moved to the United States at the outbreak of war, returning to England towards the end of the war where he joined the British Army as a non-combatant. He left an indelible impact on the American potters. After the war, he and Marianne moved to Suffolk and started work at the Bulmer Brickyard where he had a period of making slipware. Eventually, on the advice of Bernard Leach, they settled in Dartington, where tragically after only one year, Haile was killed in a road accident. The critic, A C Sewter, wrote of Haile: '….confronted by pottery such as Haile has been making during the last ten years, even a person not normally interested in the crafts is forced to realise that pottery is an art with a range and power of expression not less than that of painting. In his hands, in fact, pottery seems to become at once painting and sculpture…here is an artist whose hands speak eloquent and varied poetry'. The Victoria and Albert Museum, London holds an extensive collection of Haile's work.
Lot 281
Pablo Picasso (Spanish 1881-1973)'Picador'Glazed earthenware plate, impressed stamps to verso 'Madoura Plein Feu, Edition Picasso' and signed 'Edition Picasso', AR160, 20.5cm diameterProvenance: Bears Sotheby's lot label, from a private Scottish collection CONDITION REPORT: Lot 281 - minor crazing and minor area of missing paint work to top of plate, small blemish/factory crazing mark to underside
Lot 282
Pablo Picasso (Spanish 1881-1973)'Toros'Glazed earthenware plate, impressed stamp to verso 'Edition Picasso' with signed and impressed 'Edition Picasso Madoura', AR161, 20.5cmProvenance: Bears Sotheby's lot label, from a private Scottish collection CONDITION REPORT: Lot 282 - minor factory crazing marks to underside, also areas of factory crazing to top of plate
Lot 702
A quantity of pictures and prints all relating to clowns and circuses including example after Picasso of a harlequin and his family, an example showing a clown violinist after Fernandez Diaz, a black and white print showing Foottit and Chocolat after Jason Westmas, signed by the artist, a black and white engraved illustration from the Illustrated Sporting and Dramatic News 1874 showing various clowns including Grimaldi, etc, various sizes, mostly framed
Lot 1814
Set of 5 Exhibition and Festival Advertising Posters. 1. Nigerian Textiles Exhibition - Commonwealth Institute. Country: UK. Year: 1984. Artist: Adire Designs. Size (cm): 59.5x42.5. Very good condition, folded as issued. 2. Paul Nash - Paintings, watercolours and prints exhibition. York City Art Gallery, York - Blond Fine Art Limited, London - Country: UK. Year: 1980. Artist: Paul Nash. Size (cm): 58.5x41. Very good condition, faint creases in margins. 3. Writing '84 - Lancaster Literature Festival. Country: UK. Year: 1984. Artist: Angus. Size (cm):64x45. Very good condition, faint creases in margins. 4. A Century of Modern Drawing, from the Museum of Modern Art, New York. British Museum - Country: UK. Year: 1982. Artist: Pablo Picasso. Size (cm): 76x51. Good condition, folds and faint creases. 5. Haydn and England - The British Library - 1989-90. Country: UK. Year: 1989. Artist: Thomas Hardy. Size (cm): 76x50.5. Very good condition, with minor creases in margins.
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12359 item(s)/page