We found 16075 price guide item(s) matching your search

Lego Technic No.8422 Motorcycle, built example in the original card box with leaflet

Lego Technic No.8862 Backhoe, housed in the original card box with instruction leaflet, model is constructed and appears complete

Lego No.5580 Model Team Highway Rig, appears complete in the original card box, with leaflet

A Sega Megadrive 32X console add-on, housed in the original card box, with instruction leaflet

A Phillips digital video on CD-I Mad Dog Mcree shooting game, and The Peace Keeper revolver, housed in the original plastic sliding tray box, with game instruction leaflet and hand gun

A Sega Master System interactive video entertainment system boxed console, comprising of power base system, two control pads, various leads together with a quantity of leaflets and instructions and a Hang-On/Astro Warrior game cartridge with leaflet, housed in the original polystyrene tray type box with outer card packaging, polystyrene tray is in fair condition, would benefit from being replaced

A Sega Multi-Mega console unit, housed in the original two-tier card Road Avenger box, comprising of console, various leads, instruction leaflet, control pad, a factory-sealed Road Avenger Mega-CD game, together with various other associated components, console appears unused in original plastic wrapping

An Atari Jaguar CD Multi Media Player, housed in the original card box with two polystyrene packing pieces, leaflet, power lead, must demo, and two cased Jaguar CD games, to include Blue Lightning, and VID Grid, appears to be in good clean condition

A Sega Megadrive boxed Menacer hand gun, complete with six game cartridge and instruction leaflet, housed in the original box with card packing pieces

A Bandai Playdia Quick Interactive Gaming System, housed in the original card box, appears complete with inner sliding tray plastic compartment, with instruction leaflet, possibly unused

An original Nintendo NES entertainment system power glove, loose example, but appears complete with original instruction leaflet

An RCA Studio 2 home TV programmer console, loose example together with a quantity of RCA boxed games and instruction leaflet

A Limited Edition Glenfiddich Single Malt Scotch Whisky, The Snow Phoenix, commemorating the warehouse roof collapse of 2010 due to heavy snow, bottle comes complete with commemorative tin and leaflet, 70cl 47.6% vol

A Limited Edition Glenfiddich Single Malt Scotch Whisky, The Snow Phoenix, commemorating the warehouse roof collapse of 2010 due to heavy snow, bottle comes complete with commemorative tin and leaflet, 70cl 47.6% vol

A Tri-ang tinplate Frog Interceptor Fighter, mark IV model single seater fighting aeroplane, in camouflage livery, complete with instructions, boxed.in excellent condition, complete with accessories and instruction leaflet, box good with some minor scuffing and staining.

MG - 'O Wad Some Power the Giftie'. A rare 1929 large format 12pp brochure, having a tipped-in depiction of the Abingdon factory overlaying an image of Edmunds Road in Oxford. Discussed is the Capt. Samuelson success in the Monte Carlo, Chiesman in the L to L, tributes from Malcolm Campbell and others, monochrome images. Some creasing to the cover edges, some soiling, editorial with a little foxing, otherwise sound. Also, 'Adventures in France', a 1929 12pp leaflet discussing the use of a 14/40 through France, Good, clean condition. (2)

WW2 Kent 54 (Chistlehurst) Home Guard Badges and Ephemera. A framed group comprising: Badges Printed Home Guard KT 54. Royal West Kent Cap Badge 54th Kent Home Guard headed paper Recruiting leaflet for the same unit. Mounted into a glazed frame, PAYMENT BY BANK TRANSFER ONLY

Cyprus Emergency 1957-58 British Army Maps etc. Comprising: Map June 1958 Nicosia Within the Walls Ink stamp Ops Room Headquarters 50 Indep Inf Brigade. Map June 1958 Nicosia. Double Sided Propaganda leaflet British Serviceman booklet May 1956 Why We Are In Cyprus. GC (4 items) PAYMENT BY BANK TRANSFER ONLY

WW1 142nd Machine Gun Corps January 1918 Map. This linen backed map shows the enemy organisation as of the 3rd January 1918 and shows the area north of Hayrincourt. Has been used with service wear. The back with an ink stamp for the 142nd Machine Gun Company. Accompanied by a leaflet POLICE WARNING what To Do when the Zeppelins Come. Also Call to Arms leaflet. Some age wear (4 items) PAYMENT BY BANK TRANSFER ONLY

British WWII selection of ephemera (6) including Welcome to His Majesty's Army leaflet, N.A.A.F.I. Programmes, Army Welfare Services "Almost a Honeymoon", Royal Alhambra Palace balcony pass, Going Home leaflet and selection of Greek banknotes, a tine of RAF buttons and Silver Jubilee Crown in a mount.

British WWII Leaflet "The Long Road to Victory - A Historical Narrative…", reprinted from The Times May 8, 1945 and republished by The Times, London: Printing House Square 1945. A good wartime leaflet.

A Conway Stewart fountain pens, maker's gold nib marked 14k, leaflet guarantee and box and a similar De la Rue lady's fountain pen (2) De la Rue pen lacking top of cap

Mid 20th century lady's Omega 9ct gold wristwatch, the rounded square champagne face with integral mesh bracelet, 1968, 30.8g total including movement, boxed, with guarantee and leaflet 

Yamaha Clavinova CLP-130 electric piano in dark wood stained case and the matching black-topped Yamaha stool, with owner's manual and leaflet (2) Please note all furniture purchased must be collected by 4pm Friday 16th December

Aurum parcel gilt silver St Paul's Cathedral 1981 Royal Wedding Goblet, ltd ed. no. 354/1000, Hector Miller, London 1981, 12oz, c/w paperwork and leaflet

PIMENTEL, Manuel.- Arte de navegar, em que se ensinão as regras praticas, e os modos de cartear, pela Carta plana, e reduzida, o modo de graduar a Balestilha por via de numeros, & muitos problemas uteis á Navegação; & roteiro das viagens, e costas maritimas de Guinè, Angola, Brasil, Indias, & Ilhas Occidentaes, e Orientaes.- Agora novamente emendado, & accrescentadas muitas derrotas novas.- Lisboa: Na Officina Real Deslandesiana,1712.- [12], 575, [1] p.: il.; 29 cm.- E., Second edition, the first illustrated, with additions and corrections, of two works by Manuel Pimentel's father, Luís Serrão Pimentel, published respectively in 1675 and 1681 and, both together, in 1699. Both authors held the position of Chief Cosmographer of the Realm. In addition to what is indicated on the title page, it also includes a description of «das sondas que se achão assim no canal de Inglaterra», a tour of the coast of Spain and another of the Mediterranean Sea, from Cadiz to Malta. The edition is illustrated with several figures in the text (among which a beautiful compass rose), three numbered engravings (one leaflet) and 18 separate engravings, numbered 1 to 18, representing 35 plants of harbours and shores, the majority with two illustrations per page (incorrectly numbered: Apparently, engraving 5 is missing, but there are two with the number 3, which occurs in all copies). Small restored wormhole, on the lower margin of the nine leaves after the title page. Large crossed-out but legible ownership on the inside endpaper: Antonio de Mello Callado. Very clean copy with good margins. Contemporary binding, full sheepskin, slightly worn, with new label. Inocêncio, VI, p. 82. Edition not mentioned in the main consulted catalogues, including Samodães, Ameal, Palha, etc., except Auvermann (161).

MURPHY, James.- Plans, elevations, sections and views of the church of Batalha, in the province of Estremadura in Portugal, with the history and description by Fr. Luis de Sousa; with remarks. To which is prefixed an introductory discourse on the principles of Gothic Architecture.- London: I. & J. Taylor, 1795.- [2], II, [2], 61, [1] p.: [27] gravuras; 53 cm.- E., A monumental work, especially appreciated for its magnificent copperplate engravings (burin and etching), of large dimensions, containing the architectural survey of the Monastery of Batalha and some reconstructions. James Murphy (1760-1814), Irish architect and traveller, born in Blackrock (Cork), was in Portugal during the years 1789 and 1790, in the service of William Burton Conyngham, with the mission of studying and drawing the architecture of the Monastery of Batalha. The work includes the following typographic texts: List of subscribers [2 p.]; Preface (II p.); Introduction (p. 1 a 26); A history and description of the Royal Monastery of Batallha... / by Father Luis de Sousa ([2], p. 27 a 61, [1] p.). The engraved sheets are as follows: title; dedication to William Conyngham; five engravings at the end of the introduction; and 20 engravings at the end of the volume, two of which are double-leaf, with the architectural survey. The copy also includes, bound at the end, a small leaflet (4 p.) with a catalogue of architecture books, by the same publisher. The copy, complete (according to the bibliography and the engraving index) and uncropped, is very clean up to the engraving [12] (The effigies...) which has a slight semi-circular water stain (of tide), in the upper third, which is accentuated until the last engraving. Half leather binding (single), from the 19th century, with the original Whatman paper endpapers. Duarte de Sousa, 510.

SVMMARIO | DAS INDVLGENCIAS, PRI | VILEGIOS, CONSERVATORIAS, INDVLTOS | Fauores, letras & graças, Sprituaes & Temporaes, concedidas pello Sanctissimo | em Christo Padre Gregorio XIII, Nosso Senhor, ora na Igreja de Deos Preside[n] | te, aos irmãos & Confrades da irmãdade & cõfraria de Sancta Maria Magdalena, | instituyda na Parochial Ygreja da mesma Magdalena desta Cidade de Lix | boa, per participação & cõmunicação in specie da principal Con | fraria da Charidade da Cidade de Roma. | [gravura xilográfica].- [Em Lisboa]: Com licença impressa, em casa de Marcos Borges, s.d. [1579].- [16] p.; 29 cm.- E., 16th century specimen unknown to bibliographers, including Anselmo and Simões. The title page includes a woodcut depicting Saint Mary Magdalene in Heaven, supported by four angels. Text composed in round and gothic characters. The last seven pages are part of a list of “Estações da Cidade de Roma, e de fora della”. At the end, an interesting block of text, composed in Gothic: «¶ E por quanto vos (blank space filled in by hand by the slave brother Augustine) ficais assentado no liuro desta Confraria de Sancta Maria Magdalena, participais & gozais de todas as graças, indulgencias, & priuilegios, contheudos neste Summario». Uncropped leaflet, very clean. Parchment cover (modern?). We are only aware of the existence of one copy in Portugal, at the National Library. (RES 3176 A.).

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Titelvignette zum Programm der Künstlergruppe 'Brücke'. 1906. Holzschnitt. Gercken A-27. Dube H. 695. Unten mittig im Holzstock monogrammiert. Eines von 6 bekannten Exemplaren. Auf Bütten. 7,5 x 4,2 cm (2,9 x 1,6 in). Papier: 13,3 x 9,6 cm (5,2 x 3,8 in). [SM]. • Von sechs bekannten Exemplaren sind vier in Museumsbesitz. • Äußerst selten. • Seit 60 Jahren wird erstmals wieder ein Exemplar auf dem internationalen Auktionsmarkt angeboten (Quelle: artprice.com). PROVENIENZ: Sammlung Hermann Gerlinger, Würzburg (mit dem Sammlerstempel Lugt 6032). AUSSTELLUNG: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2017-2022). LITERATUR: Hans Bolliger, E. W. Kornfeld, Ausstellung Künstlergruppe Brücke. Jahresmappen 1906-12, Bern 1958, S. 24, 29a (m. Abb., anderes Exemplar). Heinz Spielmann (Hrsg.), Die Maler der Brücke, Sammlung Hermann Gerlinger, Stuttgart 1995, S. 99, SHG-Nr. 38 (m. Abb.). Hermann Gerlinger, Katja Schneider (Hrsg.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, S. 290, SHG-Nr. 657 (m. Abb.). Neben der ersten Drucksache 'Unser Programm' (S. 19) konzipieren die Künstler ein Faltblatt, für das Kirchner drei verschiedene Holzschnitte herstellt. Hierbei wird auch der Begriff 'Künstlergemeinschaft' verworfen und zukünftig bleibend in 'Künstlergruppe' geändert. Zudem konzentriert Kirchner sich hier auf die Gestaltung des für die 'Brücke'-Künstler emblematisch werdenden Schriftzuges, gerahmt von einer geisterhaft anmutenden Gestalt einmal von vorne (unten) sowie einmal von hinten und auf dem Kopf stehend (oben). Eine neue 'Marke' ist kreiert. [MvL] Aufrufzeit: 10.12.2022 - ca. 16.32 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Titelvignette zum Programm der Künstlergruppe 'Brücke'. 1906. Woodcut. Gercken A-27. Dube H. 695. Monogrammed in wooden block in bottom center. From an edition of 6 known copies. On laid paper. 7.5 x 4.2 cm (2.9 x 1.6 in). Sheet: 13,3 x 9,6 cm (5,2 x 3,8 in). [SM]. • Of the six known copies four are museum-owned. • Extremely rare. • The last time a copy was offered on the international auction market was 60 years ago (artprice.com). PROVENANCE: Collection Hermann Gerlinger, Würzburg (with the collector's stamp Lugt 6032). EXHIBITION: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022). LITERATURE: Hans Bolliger, E. W. Kornfeld, Ausstellung Künstlergruppe Brücke. Jahresmappen 1906-12, Bern 1958, p. 24, 29a (with illu., different copy). Heinz Spielmann (ed.), Die Maler der Brücke, Collection Hermann Gerlinger, Stuttgart 1995, p. 99, SHG no. 38 (with illu.). Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 290, SHG no. 657 (with illu.). In addition to the first printed matter 'Unser Programm', the artists conceived a leaflet for which Kirchner produces three different woodcuts. Here the term 'Künstlergemeinschaft“(artist community) was discarded and changed to 'Künstlergruppe' (artist group). In addition, Kirchner concentrated on the design of the lettering that should become emblematic for the 'Brücke' artists, framed by a ghostly-looking figure from the front (below) and from behind as well standing on its head (above). A new 'brand' was created. [MvL] Called up: December 10, 2022 - ca. 16.32 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Jahresbericht für 1910–1911 der Künstlergruppe 'Brücke'. 1911. Holzschnitt. Gercken A 61. Dube H 709. Eines von 5 bekannten Exemplaren. Auf Velin. 6,3 x 7,5 cm (2,4 x 2,9 in). Papier: 15,5 x 23,9 cm (6,1 x 9,4 in). [SM]. • Das einzige nicht im Museum befindliche Exemplar. • Die vier weiteren Abzüge befinden sich im Brücke-Museum, Berlin, im Kupferstich-Kabinett Dresden, in der Kunsthalle Hamburg und im Museum of Modern Art, New York. • Inspiriert von den Kabarettbesuchen in Dresden und Berlin. • Wichtiges historisches Dokument, das die Organisationsstruktur der Künstlergruppe aufzeigt. PROVENIENZ: Barbara Wentzel, Stuttgart (wohl 1975 durch Erbschaft von Prof. Dr. Hans Wentzel erhalten). Sammlung Hermann Gerlinger, Würzburg (1984 von der Vorgenannten erworben, mit dem Sammlerstempel Lugt 6032). AUSSTELLUNG: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2017-2022). LITERATUR: Hans Bolliger, E. W. Kornfeld, Ausstellung Künstlergruppe Brücke. Jahresmappen 1906-12, Bern 1958, S. 26, Nr. 39 (m. Abb., anderes Exemplar). Heinz Spielmann (Hrsg.), Die Maler der Brücke, Sammlung Hermann Gerlinger, Stuttgart 1995, S. 119, SHG-Nr. 80. Hermann Gerlinger, Katja Schneider (Hrsg.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, S. 321, SHG-Nr. 722. Der Bericht über die Jahre 1910/11 zeigt sich in Form eines einfachen Faltblattes mit typografisch gestaltetem Text sowie einer von Ernst Ludwig Kirchner geschaffenen Vignette mit tanzenden Figuren und einer eingeschriebenen Initiale B. Der Text listet nach gewohntem Schema: Erwähnung der Ausstellungsaktivitäten, die Bestückung der Grafikmappe und Mitgliedskarte, die Bitte um Einzahlung des Mitgliedsbeitrages. Erwähnt werden 20 neu gewonnene passive Mitglieder und der Geschäftsführer Erich Heckel mit seiner neuen Adresse Dresden-Altstadt 7, Falkenbrücke 2a. [MvL] Aufrufzeit: 10.12.2022 - ca. 16.44 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Jahresbericht für 1910–1911 der Künstlergruppe 'Brücke'. 1911. Woodcut. Gercken A 61. Dube H 709. From an edition of 5 known copies. On wove paper. 6.3 x 7.5 cm (2.4 x 2.9 in). Sheet: 15,5 x 23,9 cm (6,1 x 9,4 in). [SM]. • This is the only copy not in possession of a museum. • The four other copies are at the Brücke-Museum, Berlin, the Kupferstich-Kabinett Dresden, the Kunsthalle Hamburg and the Museum of Modern Art, New York. • Inspired by cabaret visits in Dresden and Berlin. • Important historic document illustrating the artist group's organizational structure. PROVENANCE: Barbara Wentzel, Stuttgart (inherited from Prof. Dr. Hans Wentzel, presumably in 1975). Collection Hermann Gerlinger, Würzburg (acquired from the above in 1984, with the collector's stamp Lugt 6032). EXHIBITION: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001). Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022). LITERATURE: Hans Bolliger, E. W. Kornfeld, Ausstellung Künstlergruppe Brücke. Jahresmappen 1906-12, Bern 1958, p. 26, no. 39 (with illu., different copy). Heinz Spielmann (ed.), Die Maler der Brücke, Sammlung Hermann Gerlinger, Stuttgart 1995, p. 119, SHG no. 80. Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 321, SHG no. 722. The report for the years 1910/11 appears in the form of a simple leaflet with typographically designed text, as well as a vignette created by Ernst Ludwig Kirchner showing dancing figures and inscribed with the initial B. The text lists as follows: exhibition activities, the print portfolio and membership card, the request for payment of the membership fees. It also mentions 20 new passive members as well as Erich Heckel as managing director and his new address Dresden-Altstadt 7, Falkenbrücke 2a. [MvL] Called up: December 10, 2022 - ca. 16.44 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

Walter Dexel 1890 München - 1973 Braunschweig In der Gartenstadt. 1918. Öl auf Rupfen. Wöbkemeier 123. Links unten wohl nachträglich signiert und datiert „W DEXEL 19“. Verso auf dem Keilrahmen signiert, datiert „18“ und betitelt sowie verso auf der weiß überstrichenen Leinwand erneut signiert, datiert „18“ und teils über einem anderen Schriftzug liegend betitelt. 60,2 x 50,2 cm (23,7 x 19,7 in). [AM]. • Frühe Komposition in nuancenreicher Farbigkeit. • In eindrücklicher Formgebung abstrahierte Stadtansicht. • Spannungsreiche Komposition unter wirkungsvollem Rückgriff auf kubistische Stilprinzipien. • Reiche Ausstellungshistorie. Wir danken Frau Dr. Ruth Wöbkemeier für die wissenschaftliche Beratung. PROVENIENZ: Aus dem Nachlass des Künstlers. Galerie Valentien, Stuttgart. Privatsammlung Norddeutschland. AUSSTELLUNG: Walter Dexel, Städtisches Museum, Braunschweig, 25.2.-25.3.1962, Kat.-Nr. 22. Walter Dexel. Bilder 1917-1930, Kunst Kabinett Klihm, München, 18.2.-19.3.1964, Kat.-Nr. 2. Walter Dexel, Städtisches Museum, Trier, 9.2.-4.3.1965, Kat.-Nr. 8. Walter Dexel, Staatliche Werkkunstschule und Staatliche Kunstsammlungen, Kassel, 9.5.-7.6.1965, Kat.-Nr. 8 (m. Abb.). Walter Dexel, Wilhelm-Lehmbruck-Museum, Duisburg, 12.3.-11.4.1966, Kat.-Nr. 8. Walter Dexel, Galerie Charles Lienhard, Basel, 1970, Kat.-Nr. 9. LITERATUR: Deutsches Kulturzentrum, Goethe-Institut, Paris, ab 15.2.1972, Faltblatt Nr. 4 (hier datiert 1919). Arrigo Lora-Totino, Walter Dexel. Evoluzione costruttivista, in: Walter Dexel 1890-1973. Xilografie e serigrafie, Turin 1973, o. S. Werner Hofmann, Der Maler Walter Dexel, Starnberg 1972, S. 15 (m. Abb. S. 25). Kunsthaus Lempertz, Köln, 613. Kunstversteigerung, 1986, Los 248 (m. Farbabb. Tafel 8). Aufrufzeit: 10.12.2022 - ca. 19.22 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONWalter Dexel 1890 München - 1973 Braunschweig In der Gartenstadt. 1918. Oil on burlap. Wöbkemeier 123. Lower left presumably belatedly signed and dated 'W DEXEL 19“. Verso of the stretcher signed, dated '18“ and titled, once more signed, dated '18“and partly titled over another inscription on the reverse of the canvas. 60.2 x 50.2 cm (23.7 x 19.7 in). [AM]. • Early composition in rich colors. • An abstract townscape in a striking formal conception. • Fascinating composition, making effectful use of stylilistic principles of Cubism. • Rich exhibition history. We are grateful to Dr. Ruth Wöbkemeier for her kind expert advice. PROVENANCE: From the artist's estate. Galerie Valentien, Stuttgart. Private collection Northern Germany. EXHIBITION: Walter Dexel, Städtisches Museum, Brunswick, February 25 - March 25, 1962, cat. no. 22. Walter Dexel. Bilder 1917-1930, Kunst Kabinett Klihm, Munich, February 18 - March 19, 1964, cat. no. 2. Walter Dexel, Städtisches Museum, Trier, February 9 - March 4, 1965, cat. no. 8. Walter Dexel, Staatliche Werkkunstschule und Staatliche Kunstsammlungen, Kassel, May 9 - June 7, 1965, cat. no. 8 (with illu.). Walter Dexel, Wilhelm-Lehmbruck-Museum, Duisburg, March 12 - April 11, 1966, cat. no. 8. Walter Dexel, Galerie Charles Lienhard, Basel, 1970, cat. no. 9. LITERATURE: Deutsches Kulturzentrum, Goethe-Institut, Paris, from February 15, 1972, leaflet no. 4 (here dated 1919). Arrigo Lora-Totino, Walter Dexel. Evoluzione costruttivista, in: Walter Dexel 1890-1973. Xilografie e serigrafie, Turin 1973, no p. Werner Hofmann, Der Maler Walter Dexel, Starnberg 1972, p. 15 (with illu. p. 25). Kunsthaus Lempertz, Cologne, 613th auction, 1986, lot 248 (with color illu. on plate 8). Called up: December 10, 2022 - ca. 19.22 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Ernst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Signet der Künstlergruppe 'Brücke'. 1905/06. Holzschnitt. Gercken A-26 I. von II., Dube H. 694 I. Eines von zwei bekannten Exemplaren ohne Monogramm. Auf feinem Maschinenbütten (mit Wasserzeichen). 12,6 x 5 cm (4,9 x 1,9 in). Papier: 18,6 x 12,3 cm (7,3 x 4,8 in). [SM]. • Frühdruck vor dem Monogramm. • Äußerst selten. • Erstmals auf dem internationalen Auktionsmarkt angeboten (Quelle: artprice.com). PROVENIENZ: Sammlung Hermann Gerlinger, Würzburg (mit dem Sammlerstempel Lugt 6032). AUSSTELLUNG: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 1995-2001). Expressiv! Die Künstler der Brücke. Die Sammlung Hermann Gerlinger, Albertina, Wien, 1.6.-26.8.2007, Kat.-Nr. 114, S. 402. Kunstmuseum Moritzburg, Halle an der Saale (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (Dauerleihgabe aus der Sammlung Hermann Gerlinger, 2017-2022). LITERATUR: Heinz Spielmann (Hrsg.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, S. 99, SHG-Nr. 37a (m. Abb.) Hermann Gerlinger, Katja Schneider (Hrsg.), Die Maler der Brücke. Bestandskatalog Sammlung Hermann Gerlinger, Halle (Saale) 2005, S. 290, SHG-Nr. 656a (m. Abb.). Zu dem Faltblatt 'Programm der Künstlergruppe Brücke' gehört eine weitere Vignette, hier in zwei unterschiedlichen Druckzuständen. Wiederum schneidet Kirchner den Holzschnitt, eine Landschaftsszene mit einer in der Ferne über ein Gewässer gespannten Brücke, die er mit dem Schriftzug der Gruppe einfasst. Das Motiv mit Gruppennamen ist hier deutlich hervorgehoben und eignet sich zum Druck etwa auf einem Vorsatzblatt. So benutzten die Künstler diesen Holzschnitt für die ersten Ausgaben ihres 'Programms', eine unterschiedlich bedruckte Faltkarte. [MvL] Aufrufzeit: 10.12.2022 - ca. 16.36 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONErnst Ludwig Kirchner 1880 Aschaffenburg - 1938 Davos Signet der Künstlergruppe 'Brücke'. 1905/06. Woodcut. Gercken A-26 I. of II., Dube H. 694 I. One of two known copies without monogram. On fine machine-made laid paper (with watermark). 12.6 x 5 cm (4.9 x 1.9 in). Sheet: 18,6 x 12,3 cm (7,3 x 4,8 in). [SM]. • Early print without the monogram. • Very rare. • For the first time on the international auction market (source: artprice.com). PROVENANCE: Collection Hermann Gerlinger, Würzburg (with the collector's stamp Lugt 6032). EXHIBITION: Schleswig-Holsteinisches Landesmuseum Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001). Expressiv! Die Künstler der Brücke. Die Sammlung Hermann Gerlinger, Albertina, Wien, June 1 - August 26, 2007, cat. no. 114, p. 402. Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017). Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022). LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 99, SHG no. 37a (with illu.) Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 290, SHG no. 656a (with illu.). The leaflet 'Program of the Brücke Artists' Group' includes another vignette, here in two different printing states. Kirchner cut the woodcut again, a landscape scene with a bridge over a body of water in the distance, which he frames with the group's lettering. The motif with the group's name is clearly highlighted here and is suitable for printing on a flyleaf, for example. Thus, the artists used this woodcut for the first issues of their 'Program', a printed folding card. [MvL] Called up: December 10, 2022 - ca. 16.36 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.

A gold-plated Omega Genève Automatic gentleman's Wristwatch, circa 1977, the silvered dial with gilt/black baton markers and date aperture, 24 jewel 565 movement number 27560409, Omega crown, on corresponding gold-plated bracelet with Omega clasp, watch 35mm diameter, complete with instruction leaflet and guarantee booklet dated 05.03.1977.

A gold-plated Omega Genève Automatic gentleman's Wristwatch, circa 1977, the silvered dial with gilt/black baton markers and date aperture, Swiss movement number 34335610, on leather strap, watch 35mm diameter, complete with instruction leaflet and guarantee booklet dated 05.03.1977.

Britains 2064 155mm Gun with plastic shells and leaflet and 1292 RA Gun; Dinky 931 Leyland Comet and 422 Fordson Flat; Benbros 14 Centurion tank and Herald Swoppets Cowboy on horse back (all boxed) and three unboxed models

A HERMES 2010 BLACK BIRKIN 35 HANDBAG the pebbled leather exterior with dual rolled handles, top flap and strap closure, polished palladium turn lock fastening, detachable padlock and keys, with a black leather lined interior, with dust bag, care leaflet with it's own dust bag Condition Report:Available upon request

A group of Second World War Home Front ephemera including a WVS Civil Defence "Housewives Service" printed window card, commercial and official ARP and similar handbooks, together with a 1918 "Coal - Urgent" leaflet

BREITLING 'CALLISTINO': A LADY'S STAINLESS STEEL BRACELET WATCH with quartz movement, the white dial with gold Arabic and baton numerals, gold luminous hands and date aperture, with stainless steel and gold bezel and gold crown, circa 1995, ref. no. B520458, no. 10738, the case c.25mm diam., in the original Breitling watch box and outer box, with instruction booklet, International Warranty leaflet and Breitling tag.

Tudor; A Modern Princess Oysterdate Lady-Sub Automatic Ladies Wristwatch, the signed black dial 200m=660ft with centre seconds and date aperture, (movement unseen) to integral Tudor bracelet, complete with guarantee numbered "B441264" and Watches of Switzerland service Guarantee leaflet purchase date 28.09.01, in original box. Lot 178 - The tudor wristwatch is currently running and the crown working as should, but no guarantee on accuracy or timekeeping. Also bracelet is very stretched.

Rare German D-Day Leaflet, using an allied leaflet for safe conduct, the Germans have added a response in English and air dropped it back to the allied troops! First time we have come across this rare leaflet.

A Symington’s Soup Panda hand puppet premium, with white and black artificial silk plush, orange and black plastic eyes, black stitched nose and mouth, felt hands, original postal box and leaflet, 1950s —9in. (23cm.) high - No.3372 purchased fro Newent Auctions 6th December 2013

A gentleman's stainless steel and gold Rolex Oyster quartz Datejust wrist watch, gilt batons and date facility to a champagne dial, case diameter 36mm, to a Rolex bi coloured bracelet numbered 17.013 B18, inner and outer boxes, tags and leaflet.

AMANDA BRISBANE - a sand casted art glass vase, signed and dated 2005 23 cm high x 18 cm wide, together with Susan Megson Gallery, Stow on the Wold information leaflet on the artist

PURCHASER MUST BE 18 YEARS OF AGE OR OVERA Webley Premier Mk.II .177 Calibre Air Pistol, numbered 747, with chequered black plastic grip scales, in original pictorial box with tin of Wasp pellets and instruction leaflet; an Olympic 6 Blank Firing Eight Shot Revolver, with a tin of blank cartridges.

Singer hand sewing machine with bentwood case and instruction leaflet for Nos 127K and 128K. (B.P. 21% + VAT)

Nerys Anne Johnson (contemporary) watercolour on paper, Palazzo Campo San Boldo Venice, 22 x 25 cm, two etchings, exhibition leaflet and signed greetings card (5). Not available for in-house P&P

Nerys Anne Johnson (contemporary) watercolour on paper, Palazzo Campo San Boldo Venice, 22 x 25 cm, two etchings, exhibition leaflet and signed greetings card (5). Not available for in-house P&P

Secret Orders Issued To Military Officers - Known as ''The Castle Document'', leaflet 7 1/2" x 5", one side only, April 1916 ''The following precautionary measures have been sanctioned by the Irish Office on the recommendation of the General Officer Commanding the Forces in Ireland ... .'' - As circulated by P.J. Little, ed. New Ireland office 13 Fleet Street, Dublin, 15 April, 1916. An article published in An t-?glac -The Irish Volunteer) on 8 April 1916 called for Volunteer manoeuvres on Easter Sunday 23 April 1916. On Wednesday,15 April 1916, the IRB forged a notice supposedly decoded from a communication emanating from Dublin Castle. It was printed on a hand press by Joseph Plunkett and Rory O'Connor at Larkfield House, Plunkett's home off the Lower Kimmage Road. It excluded punctuation marks and capitalisation due to the poor supply of printing font available to them. Known as the 'Castle Document', apparently ordering the execution of Eoin Mac Neil, arrest of Volunteer leaders and occupation of Dublin by the British Army, it was shown to MacNeill. He was then easily persuaded to give an order to the Irish Volunteers 'to resist any British action.' This was the order that the IRB needed to go ahead with the Rising. On 19 April 1916 Alderman Tom Kelly read the ''Castle Order'' to a meeting of Dublin Corporation. The Nationalist weekly paper, New Ireland, edited by Patrick J. Little (1884-1963), published the text of the document, a single sheet handbill entitled ''Secret Orders issued to Military Officers'' in its issue for Saturday 22 April 1916 (vol. II no. 49), just two days before the Easter Rising began. However MacNeill discovered, sometime around 20 April that the 'Castle Document' was a fake. He put an advertisement in the Irish Independent newspaper which told all volunteers that 'No parades, marches or other movements of the Volunteers will take place.' This cancellation caused the IRB to move back the rebellion one day to Easter Monday - 24 April, 1916. Many rural Volunteers, who had come to town on Sunday only to hear the rebellion was cancelled, returned home. Although all the Rising's leaders now realised that they were doomed, they still went ahead with the plans for rebellion. There are only one or two recorded copies of this important document in public records. Very few can have survived as the printing would appear to have been small and the method of distribution via newspapers aborted. None of the textbook histories actually quote from it but rather paraphrase its content.. In terms of this identification, the only full printing of this was in the last issue of New Ireland before its suppression just prior to the Rising. The only reproduction of the handbill accompanied the Irish Press article of January 4 1937 by Hanna Sheehy Skeffington. Colm ? Lochlainn gave it an incorrect caption title in his short piece on Joseph Mary Plunkett as a printer, published in The Irish Book Lover for March 1954. Charles Townshend wrote in Easter 1916: The Irish Rebellion: ''There had been a scare from a leaked Dublin Castle document apparently planning for repressive measures to be taken in the event of introducing conscription. This led to the ramping up of tension and expectation, and seemed to offer an excuse to start the rebellion on Easter Sunday. Eoin MacNeill, of course, countermanded the orders; but as things turned out, he was not fully in control, and the rebellion went ahead, though on a smaller scale, on Easter Monday instead.'' A little browned, but a good copy of a Scarce and Vulnerable Item. (1)

Grace (Seamus), Volunteer.  An extensive archive concerning his service with ‘C’ Company Irish Volunteers, 1916 and subsequently, including his part in the celebrated ‘Battle of Mount Street Bridge’.  In a large A-3 document folder, with his medals in a separate box.  The folder includes: -       A colour-printed certificate of his service, designed by Leo Broe, signed by Eamon de Valera and others;  -       His ‘1916’ armband and epaulettes. -       A photograph in Volunteer uniform, a few earlier photos, and some photos of the aftermath of the Mount Street engagement; -       Two service ribbons, dated 1942, to be worn when medals are not used; -       Press cuttings concerning the Mount Street fight; -       A five-page manuscript statement (4 sheets) headed ‘I don’t forget’, by a brother of Seamus, concerning events in 1916, Easter Monday morning etc., with a photocopy of same; also a 6p (5 sheets) continuation of same, 1916/22; -       Other press cuttings and photos; -       Typescript (carbon copy) 18 pp of statement by Seamus Grace, 1949, concerning the Mount Street engagement and subsequent events; -       Typescript (top copy) 8 pp of the ‘I don’t forget’ ms. by Seamus Grace’s brother; -       Six large sheets (12 pp) manuscript of what appears to be a list lof Seamus Grace’s Volunteer engagements, 1916-1923, signed James J. Grace; -       Oglaigh na hEireann, C. Co., 3u Cath. Ath Cliath, reunion programme 1954, signed by various participants; -       A large sheet apparently listing members (Volunteers?) and their subscriptions,  and a black rexine notebook with pencilled notes,  1916-20; -       Typescript (carbon copy, 2 copies) of a statement by A.F. Cooney in support of a disability claim by Seamus Grace, 1938; -       A certificate under the Military Service Pensions Act, listing Seamus Grace’s qualifying service, with associated envelope; -       Two letters of condolence on Seamus Grace’s death, 1959; -       TLS on Dail notepaper from Eamon de Valera,  3 Dec. 1954, to Breda Grace (sister of Seamus), regretting she was not admitted to see him when she called some years ago, with a second letter dated 7 May 1956 about her memoirs; -       History of C Company,  1913-1922, cyclostyled typescript, compiled by Sean Prendergast, former Company Commander; -       O’Donovan  Rossa memorial programme 1954 and other programmes; -       Letters from various persons (mostly secretarial) in response to requests or representations from Ms. Grace (details unclear); -       A worn copy of the Dolmen Press edition of the Breastplate of St. Patrick, no. 45 of 275 copies, 1954, inscribed by Seamus Grace to his sister Brighid; -       A Cumann na mBan leaflet ‘To Foreigners Visiting Our Country’, August 1931; and various other leaflets and documents. The medal box includes: -       Seumas Grace’s  1916-22 ‘Comhrac’ medal on ribbon; -       His miniature medal, do.; -       His 1939-46 medal (F.C.A.) on ribbon in original box; -       A second 1939-46 medal (Defence Forces) on ribbon in original box; -       An assortment of other medals, St. John’s Ambulance,  Feis Ceoil, Eucharistic Congress etc. (some of these may relate to his sister Breda or perhaps his brother); -       Also (finally) a borrowed copy of Paul O’Brien’s book Blood on the Streets: 1916 and the Battle for Mount Street Bridge, 2008. An important archive, including significant manuscript material, relating to a man who took part in what was probably the most significant 1916 engagement outside the GPO itself, where British reinforcements trying to get into the city were held up for a full a day by a handful of stubborn men, vastly outnumbered but determined not to yield while they could still fight. ‘When Malone and Grace in No. 25 Northumberland Road opened fire, the effect was devastating’ (Townshend, Easter 1916), and there were significant British casualties. As the years pass, archives of this nature and significance come to hand more and more rarely. Provenance:  Mr. Sean Kearney (nephew of Seamus Grace) purchased from him and by descent to the present vendor.

With an unrecorded Joyce Item? Joyce (James).  A Portrait of the Artist as a Young Man.  L., Egoist [1917], First English Edition (from American sheets, with the Huebsch copyright imprint (1916) on rear of t.p. Orig. green cloth stamped in blind, spine cloth separating at lower hinge, but the hinge holding firmly. A little spotting to upper edge.  S. & C. 12. Laid in is a leaflet (4pp, single folded sheet) with ‘Extracts from some Press Notices’, printed in Harlesden, dated 1916 and quoting more than 30 notices by reviewers including Ezra Pound, H.G. Wells, Ernest Boyd, The Freeman’s Journal, Irish Times, Irish Book Lover, and various English, Irish, American and Continental journals, one in Greek lettering. Fold marks, a little scuffed. We have not seen this leaflet before. Its authorship is not stated, but it is certainly possible that it was drafted or approved by Joyce and his associates. The publisher (Harriet Weaver) subscribed to a clipping service for Joyce (see S. & C. p. vii), which may explain the great range of reviews. These clippings are now in the Yale University Library. The leaflet is not recorded by S. & C. (1)

A MARCONIPHONE 4310 IN TEAK CABINET, GARRARD DECK with instruction leaflet, 1960s 119cm wide (not tested)

BUREN; a vintage gentleman's 9ct yellow gold Grand Prix wristwatch with Arabic numerals to the circular dial with subsidiary seconds hand and seventeen jewel movement, diameter excluding winding crown 30mm, presented with Buren leaflet and in box.Additional InformationThe gold case has minor surface scratches and a couple of tiny dents but overall in good condition. Ticks when wound but no guarantee of working order. Replacement strap and buckle.

A 1990s silver scuplture by Patrick Mavros, the 9cm wide carved ebony base inset with initial PM and supporting a silver leopard, sold with invoice from 1996 and small leaflet (3)

A small 1990s silver sculpture by Patrick Mavros, modelled as a splat hippoptemous, 3cm long, marked to belly, with small PM leaflet, see previous lot for invoice together with a small silver plated hippo (3)

Voor Electrische Kracht. Leaflet with on verso 'De 10 Geboden voor Electrische Huisinstallaties', Heemaf, 1930. 28 x 20 cm.

Fold. leaflet for 'De Keuring van Chauffeurs', 1931. 29.5 x 42 cm.Added: Gerard Kiljan (1891-1968), J.P. van Eesteren. Blotter mei/juni/juli, ca. 1932. 24 x 17.5 cm. (total 2)

Wooden archive box, 37 x 18 x 12 cm, containing 414 stamped artists' postcards.Collaborative project of Boumans in Amsterdam and Olbrich in Kassel, who asked stamp artists to contribute their favourite stamp for a travelling exhibition in a box. Two identical sets were assembled, presented in a display box designed to be send and exhibited around the world. The first presentation venue for Olbrich's box was the High School in Kassel, Boumans' box featured at the AKI art academy in Enschede and then travelled to the Jewish Museum in Amsterdam (the museum laminated the cards).The project was a work in process, cards were added until 1986. This lot contains Boumans's box. Added is an information leaflet about the project with a list of participants (in 1983), and some extra documentation. Artists' contributions by Metallic Avau, Vittore Baroni, Guy Bleus, Paulo Bruscky, Sonja van der Burg, Robin Crozier, Pier van Dijk, Galantai, Claudio Goulart, Klaus Groh, Hetty Huisman, Jupitter-Larsen, Graciela G. Marx, Ruggero Maggi, Willy Scholte, Vigo et al.

Event card 'pass this card to your neighbour', 10 x 4.5 cm, typed text on bright orange stock. This copy was actually used in the Flux Festival Rotterdam Nov. 23 1964. Provenance coll. Frans Haks (see Silverman p.231 'Card piece No.1). Text reads 'wilt u a.u.b. zo snel mogelijk dit kaartje aan uw buurman overhandigen- dank u- willem de ridder'. (2) Mounted b/w picture of interior of a 'PK kijkdoos', verso picture of women looking into the box, text on card by De Ridder, 9 x 12.5 cm. Provenance coll. Henk Peeters. (3) Copy of newspaper Kunst van Nu. Fluxus issue Sept/Oct 1966, including a Do It Yourself model voor a PK. (4) How to be satisfluxdecolant? Folded sheet, 26 x 16 cm, containing one sheet with 4 mounted versions of Willem de Ridder's 'Open/Close'. (5) Invitation leaflet for De Ridder show at Galerie A 1979. (total 5)

Incl. lithogr. leaflet "Naar Engeland. Goedkoope biljetten naar London via Vlissingen-Harwich" by A. Mouron-Cassandre. Amst., Print L. van Leer. 23 x 13.5 cm.Added: (2) Talens & Zoon. Carbon paper. Unopened box. Des. G.J. van Lerven (?), ca. 1930. 35 x 23 cm. (3) 4 poster stamps: Joy (des. Kiljan), 2 copies; Droste; De Vries Robbé; and Nederlandsche Nijverheids Tentoonstelling. Rott., 1928. Sample paper bag. (total 3)

De meest economische wijze om groote oplagen te drukken (...) Steendruk voor kleine oplagen (...). Vloeiblad No. 3, 1929. Blotter. 20.2 x 14.3 cm. Printed in black and red. Photomontage and typography Paul Schuitema. (=Dick Maan, p. 62).Added: Leaflet for dictionaries "Wat gij bij de hand wilt hebben", 1934. 16 x 28.3 cm. (total 2)