A Corgi Toys No. 325 Ford Mustang Fastback 2+2 competition model, comprising of white body with red twin racing stripe, light blue interior, and jewelled headlights, housed in the original blue & yellow all-card box with model club leaflet and removable stickers (removable sticker sheet heavily worn)
We found 16075 price guide item(s) matching your search
There are 16075 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
16075 item(s)/page
2 Corgi Toys consisting of, No.478 hydraulic tower wagon, with metallic green body and spun hubs, with traffic light attendant figure and packing piece, missing lamp post (NM-BNM) and No. 494 Bedford tipper truck, red cab and chassis with yellow tipper, with packing piece and Corgi model club leaflet (VNM-BVNM)
Corgi Toys farming group of 4 models to include, No. 483 Dodge Kew Fargo tipper, comprising white cab, blue back and graphite grey chassis, housed in the original blue & yellow picture sided all-card box, with model club leaflet (VNM-BNM), No. 406 Mercedes Benz Unimog 406, in yellow and red body, with plastic canopy, one incorrect tyre, cellophane window punctured (NM-BG), No. 62 Farm tipper trailer (VG-BE) and No. 102 Rice's Pony Trailer in red with horse figure (E-BE)
2 Corgi Toys No. 247 Mercedes Benz 600 Pullman consisting of one in lighter metallic maroon body with off-white interior and spun hubs housed in the original blue & yellow all-card box (E-BVG) and one with darker metallic maroon body again with off-white interior and spun hubs, with leaflet in original box (NM-BVG)
2 Corgi Toys Citroen Safari ID19 models to include No. 475 in white and fitted with a blue/green interior, comes complete with a Corgi leaflet, 4 skis and poles and skier figure, housed in a good original Corgi blue and yellow picture sided box which has price label tear to one end of box (VNM-BNM), and No. 436 with yellow body and green interior, driver, passenger, roof luggage and Wildlife Preservation decal, sold in the original blue and yellow all card box, with model club leaflet (G-BVG)
2 Dinky Toys consisting of, No. 975 Ruston Bucyrus Excavator, yellow and red body, silver trim, green shovel and jib arm, black rubber tracks, (one brittle, one soft), missing exhaust, in hinged lid all card box, with leaflet (VG-BG), and No. 555 Fire Engine with extending ladder (VG-BVG). Also included is a Corgi Rockets No. 1978 Pit Stop Kit sealed blister card in the original factory outer box
Fell Types.- Specimens of Books Printed at Oxford with the Types given to the University by John Fell, one of 550 copies, tipped-in specimens, with 4pp. leaflet 'Types bought in Holland by John Fell and Thomas Yate for the University of Oxford 1670-1672' printed by Vivian Ridler in 1959 loosely inserted, book-label of John Sparrow, original cloth, gilt, upper panel of dust-jacket loosely inserted (frayed at edges), 1925 § Papers of Devotion of James II, edited by Godfrey Davies, limited edition, this copy for Capt. Edward George Spencer Churchill, original half morocco, t.e.g., others uncut, spine a little rubbed and faded, for members of the Roxburghe Club, 1925 § Bridges (Robert) & H.Ellis Wooldridge, editors. Hymns: The Yattendon Hymnal, musical notation, modern morocco-backed cloth, 1905 § Pietas Oxoniensis. In Memory of Sir Thomas Bodley, Knt. and the Foundation of the Bodleian Library, with programme for reception in the Ashmolean Museum loosely inserted, original pictorial cloth, gilt, 1902, all printed in the Fell types, plates and illustrations, uncut, a little rubbed, Oxford; and 20 others, similar, all printed in the Fell types, including a few duplicates, v.s. (24)
* Playing cards and games. Max und Moritz card game, Nuremberg: Franz Schmidt, circa 1940, complete deck of 31 chromolithographed playing cards, comprising 30 numbered cards each with illustration and text, plus an unnumbered pictorial 'Max [und] Moritz' card, and with printed instructions card, pale blue pictorial versos, each 102 x 66mm, contained in original card box (rubbed with a little wear), pictorial label to lid (dust-soiled and toned), ink manuscript ownership name to underside of lid, together with: Monopoly, John Waddington, 1930s, a boxed Monopoly set (without board), comprising paper money (with 'Pat. App. for ...' printed on notes), Community Chest, Chance & title deed cards, wooden houses & hotels, metal tokens (hat, car, ship, iron, thimble, boot), dice, Rules leaflet, Rules for Playing the New Short Game paper slip, and red paper advertising slip, housed in modern box to imitate original box, original pictorial paper label (dust-soiled, rubbed & slightly edge-chipped) adhered to lid, with 'Pat. App. for No. 3796-36' on label, 19.7 x 16.7cm, plus: Lott's Bricks [and] Lott's Tudor Blocks, 3 boxes of artificial bricks plus a box of artificial Tudor-style blocks, two of the boxes of bricks with inserted modern paper slip 'box 1' and 'box 1A', some replacement parts (mainly roofs), with accompanying booklets 'Lott's Tudor Blocks Illustrations of Models' and 'Lott's Bricks Plans and Illustrations' (some damage, loss and repairs), with an early set of 'Pit' playing cards in original card box, comprising the original 7 commodities (including flax and hay), the Bull and Bear cards, rule leaflet, and 'Bull and Bear Edition' instructions slip, also a metal and moulded plastic Fearless Freddie, and a few other game pieces or incomplete games, most early-mid 20th century, plus an 1848 copy of a Swedish book of Psalms (Swenska Psalmboken) in a decorative vellum binding with metal clasps (rubbed and dust-soiled)Qty: (a carton)
Elizabeth Emanuel signed Diana Princess of Wales commemorative Benham coin cover. Elizabeth Florence Emanuel (née Weiner, born 5 July 1953) is a British fashion designer who is best known for designing, with her former husband David Emanuel, the wedding dress worn by Lady Diana Spencer on her wedding to Prince Charles in 1981. This beautiful cover features 5 Offical commemorative stamps, three post marks dating 3rd February 1998. Also included is a certificate of authenticity stating limited edition number 3987 of 10000 plus an information leaflet for Elizabeth Emanuel. The coin is 5 Marka, Bosnia-Herzegovina.Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Tri-ang Railways 00 Gauge Catalogues No 1-11 several with Price lists and one with additional leaflet, No 1, stamped Gamages, VG, small nicks to top and bottom of some pages, very clean with price list dated March 1st 1955, No 2, F, folded with prices written in, with price list Oct 1956 and Power Units leaflet Jan 1957, No 3, F, with punch holes, probably shop copy, prices written in Francs?, Price lists Jan and Oct 1957, No 4 G, 'I want section' filled in otherwise clean, Price lists Jan (2) and May 1958, Power Units Jan 58, No 5, E, Stamped GDH, name neatly written on front, Price List Jan 1959, No 6, E, Price Lists Jan 1960 (2) and Supplement Countryside Series leaflet, No 7, E, Price List Jan 1961, No 8, E, Price List Jan 1962, No 9, E, No 10, E Price List Jan 1964, No 11, E, Rovex 1/- Margate stamped top left, Price List Jan 1965
Chad Valley 0 Gauge De Luxe Passenger Clockwork Train Set, comprising BR blue 4-4-0 10138 Locomotive and Tender, three short blood/custard bogie coaches, oval of track with joiners (packed), key, Guarantee Slip dated 1is Nov 1950 and Accessories/Building Track leaflet, in original box with red lid, VG-E, box G-VG, general wear
A Mamod Live Steam SP3 twin-cylinder Stationary Engine and Workshop, the engine on red base with whistle and a Meccano adaptation to steam regulator, long-type brass spirit burner, with original instruction leaflet inscribed 'purchased at Hamleys, Dec 1965', the engine mounted on a board together with lineshaft and 5 workshop tools, puncher, stamper, hammer, grinding and polishing wheels, mostly VG, some amateur soldered repairs to chimney end of boiler, with plastic funnel and a later Mamod products leaflet
Corgi Toys 1967 Monte-Carlo WINNER B.M.C. Mini-Copper 'S' (339). In red with white roof with rack and spare wheels, RN177, red interior, 'LBL 6D' registration numbers, example with smooth dished wheels. Boxed, (321) label adapted type, minor/some wear mainly to label, complete with leaflet. Vehicle VGC-Mint, minor wear to front registration number. £70-100
Corgi Toys 268 The Green Hornet 'Black Beauty' Crime Fighting Car, gloss black body, spun wheel hubs, with secret instructions envelope containing leaflet, rockets and spinners, display inner-stand and outer box are in good original condition, minor scuffing to box corners and damage to edge of one end flap of box
SOMMER & OCKENFUß GmbH. A LIMITED EDITION 'ONE OF ONE THOUSAND' .243 WIN 'SHORTY' PISTOLGRIP-REPEATING STRAIGHT-PULL BULLPUP SPORTING RIFLE, serial no. 1903, for 2006, 24 1/2in. unsighted nitro barrel threaded for a sound moderator and with thread protector cap (cap slightly oversized not threading), the receiver engraved 'SOMMER + OCKENFUß GmbH. .243 WIN. 1903', and fitted with a Zeiss Diavari-Z 1,25-4x42 MC telescopic sight, serial no. 2247968, bifurcated triggerguard, right-handed sculpted pistolgrip, grip-safety with integral bolt-release catch, detachable box magazine, walnut stock with coined arabesque sideplates, the left with a banner engraved 'Limited Edition No. 0022', the right with a blank banner, 17in. pull including rubber recoil pad, sling swivels, weight 10lb. 8oz., in a nylon carry bag and with original O&S 'Shorty' leaflet and original Zeiss telescopic sight box with papers. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act
Franz von Stuck 1863 Tettenweis - 1928 München Monna Vanna. Um 1920/22. Bronze mit dunkelbrauner Patina. Vorne am Sockel betitelt 'Monna Vanna' sowie bezeichnet 'Franz von Stuck'. Gesamt: 54 x 9 x 9 cm (21,2 x 3,5 x 3,5 in). Gegossen bei C. Leyrer, München (verso am Fuß des Sockels mit dem Gießerstempel). • In der Konzentriertheit der Formen und der Reduktion der Bewegung beschreitet Stuck in der Bronzeplastik neue, in Richtung Art déco weisende Wege • Die Gestalt der Monna Vanna, literarische Heldin der Renaissance und des Symbolismus vereint auf einzigartige Weise die künstlerischen Inspirationsquellen Stucks • Seit Erwerb vom Künstler in Familienbesitz und erstmals auf dem Auktionsmarkt angebotenes Exemplar der seltenen Bronze. PROVENIENZ: Privatsammlung Bayern (direkt vom Künstler erworben, seither in Familienbesitz). LITERATUR: Franz von Stuck. Maler-Graphiker-Bildhauer-Architekt, Ausst.-Kat. Museum Villa Stuck, München 1982, S. 188. Franz von Stuck. Pathos & Eros, Ausst.-Kat. Van Gogh Museum, Amsterdam 1995, S. 92, Kat.-Nr. 60 (anderes Exemplar). Claudia Gross-Roath, Das Frauenbild bei Franz von Stuck, Weimar 1999, S. 275. Thomas Raff, 'Die Kraft des Mannes und die weiche Schmiegsamkeit des Weibes': Franz von Stuck: Das plastische Werk, Ausst.-Kat. Franz von Stuck Geburtshaus Tettenweis 2011, S. 104-105 (anderes Exemplar). Schönheit-Stärke-Leidenschaft. Die Plastiken Franz von Stucks in den historischen Räumen neu präsentiert, Begleitheft zur Ausstellung Villa Stuck München, hrsg. von Margot Th. Brandhuber, München 2020, S. 8 (anderes Exemplar). Neben mythologischen Gestalten wie der Helena, Phryne oder der Amazone nimmt sich Franz Stuck hier einer weiteren literarischen Frauenfigur an, deren Geschichte sich um Liebe und Verführung dreht. Monna Vanna – altitalienischer Dialekt für Madonna Giovanna – ist die Gemahlin des Fürsten Guido Colonna von Pisa, das im 15. Jahrhundert zur Zeit der Städterivalitäten von den Florentinern und ihrem Condottiere Prinzivalli belagert wird. Zur Rettung der Stadt erfüllt sie seine Bedingung und begibt sich, nackt und nur mit Mantel und Schuhen bekleidet, in das feindliche Lager. Der Condottiere verfolgt jedoch andere Absichten, ist sie doch seine Jugendliebe. Der dramatische Höhepunkt der Geschichte, als sie im Begriff ist den Mantel abzunehmen und sich hinzugeben, löst sich auf indem der Condottiere sie daran hindert und beide die Nacht im vertrauten Gespräch verbringen. So wandelt sich Monna Vanna, ähnlich wie die biblische Judith, die Stuck ebenfalls in sein Motivrepertoire aufgenommen hat, in eine Heldin, die durch ihre Schönheit und Sinnlichkeit den Mann bezwingt. Das Drama des belgischen symbolistischen Dichters Maurice Maeterlinck wird 1902 mit großen Erfolg europaweit uraufgeführt, in Deutschland im Schauspielhaus in München (heute Kammerspiele), Eleonora Duse übernimmt die Hauptrolle. Es folgt eine Opernbearbeitung 1909 sowie mehrere Verfilmungen, darunter eine letzte 1922, gedreht in München mit der bekannten Münchner Schauspielerin Lee Parry (Mathilde Benz) als Monna Vanna. Stuck verleiht der Figur eine Renaissancefrisur, wie sie bspw. auch Giovanna Tornabuoni in den Gemälden Domenico Ghirlandaio Ende des 15. Jahrhunderts trägt, und wie er sie bereits 1901 in dem Portrait Olga Lindpainters als Florentinerin malt. Die Renaissance mit ihren großen Malerpersönlichkeiten ist für Stuck neben der Antike größte Inspirationsquelle. Der weite, am Rücken gefältelte Mantel verweist ebenso auf die Kleidung der Renaissance, seine Knöchellänge allerdings auf die Mode der 1920er Jahre. Stuck wählt den zentralen Moment der Enthüllung, die die Betrachter:innen mit Spannung erwarten, in dem Monna Vanna den Mantel in eleganter Bewegung von den Schultern gleiten lässt und dieser zu Boden fällt. Der symmetrische Aufbau der Figur mit dem langgestreckten Körper, umhüllt vom Mantel wirkt dabei kompakter und konzentrierter als die noch im vorigen Jahrhundert entstandene „Tänzerin“ beispielsweise. Die bewegten Formen des Jugendstils haben sich mittlerweile zu geometrischen, weniger raumgreifenden Formen weiterentwickelt. Beruhigt und statisch, mit nur leicht angehobenem Bein ein Vorwärtsschreiten andeutend, widmet sich Stuck vielmehr der subtilen Bewegung und der Ausgewogenheit voluminöser Formen. Auf hieratische Vorderansicht angelegt, erlangen seine späteren Plastiken so eine reliefartige Anmutung und regen eine wandnahe Aufstellung an, wie Stuck sie in Nischen oder auf Kaminsimsen in seiner eigenen Villa, bspw. im Künstleraltar, praktiziert. Monna Vanna wird so als Skulptur zum eleganten Schmuck mondäner Salons einer literarisch, theatralisch und musikalisch interessierten und gebildeten Bohème. [KT] Aufrufzeit: 11.12.2021 - ca. 16.20 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONFranz von Stuck 1863 Tettenweis - 1928 München Monna Vanna. Um 1920/22. Bronze with dark brown patina. Titled 'Monna Vanna' and inscribed 'Franz von Stuck' on front of base. Total: 54 x 9 x 9 cm (21.2 x 3.5 x 3.5 in). Cast by C. Leyrer, Munich (with the foundry stamp on the reverse of the base's foot). • Through the concentrated form and the reduced motion, Stuck pursued a path in sculpting towards Art Déco. • The figure of Monna Vanna, heroine of Renaissance literature and Symbolism, unites all of Stucks's sources of inspirations. • Ever since the rare bronze was acquired from the artist it has been family-owned and is now offered on the auction market for the first time. PROVENANCE: Private collection Bavaria (acquired directly from the artist, ever since familly-owned). LITERATURE: Franz von Stuck. Maler-Graphiker-Bildhauer-Architekt, ex.-cat. Museum Villa Stuck, Munich 1982, p. 188. Franz von Stuck. Pathos & Eros, .ex. cat. Van Gogh Museum, Amsterdam 1995, p. 92, cat. no. 60 (different copy). Claudia Gross-Roath, Das Frauenbild bei Franz von Stuck, Weimar 1999, p. 275. Thomas Raff, 'Die Kraft des Mannes und die weiche Schmiegsamkeit des Weibes': Franz von Stuck: Das plastische Werk, ex. cat. Franz von Stuck Geburtshaus Tettenweis 2011, pp. 104-105 (different copy). Schönheit-Stärke-Leidenschaft. Die Plastiken Franz von Stucks in den historischen Räumen neu präsentiert, accompanying leaflet of the exhibiton at Villa Stuck Munich, published by Margot Th. Brandhuber, Munich 2020, p. 8 (different copy). Called up: December 11, 2021 - ca. 16.20 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Corgi Toys - Two boxed vintage Corgi Toys. Lot includes Corgi Toys #485 Mini Countryman with Surfer in sea green with lemon interior, two surfboards on roof-rack, miising its surfer figure and leaflet, appears Very Good - Excellent with some light wear in a Fair - Fair Plus sullied card box with general age related wear; together with #436 Citroen Safari in yellow with driver and passenger and roof luggage missing a fastening lug appears Good Plus - Very Good with some minor wear along raised edges, in a Poor card box missing some flaps and with age related wear. (2) (This does not constitute a guarantee)
Corgi Toys - A boxed Corgi Toys Gift Set #37 'Lotus Racing Team'. The set contains #490 VW Breakdown, red trailer, with Lotus Chassis, Lotus Elan S2 Hard Top, Lotus Elan S2 Open Top, plus Lotus Climax Formula 1. Models range in condition between Good - Very Good with signs of light play. The set comes with Corgi Model Club leaflet and a set of 13 plastic traffic cones contained in a plastic bag. The set sits in a Fair Plus - Good polystyrene inner tray within a Poor box missing one side and its cellophane window, but with its retailer lid. (This does not constitute a guarantee)
Corgi Toys - A boxed Corgi Toys 1st issue #267 Batmobile. The model with gloss black body, orange 'Bat' logo on doors, with gold cast hubs with red 'Bat' logos. The model has blue tinted windows and comes with 'Batman and Robin' figures. The aerial is in in grey plastic, with pulsating exhaust flame, chrome missile launcher. The model shows signs of play but overall appears to be in Good Plus condition with some nicks mainly to raised edges, and perishing to tyres. The model is presented on a Poor - Fair inner pictorial stand with creasing, and tears to wings and is in a outer blue and yellow carded illustrated box which appears to be in Poor condition with missing flaps to both ends. The model is also comes accompanied with its original instruction leaflet in the lower tray which is contained within a Poor original opened envelope, which also contains 3 original detached missiles. (This does not constitute a guarantee)Condition Report - The headlights appear to be red but on very close inspection there are signs of over-painting in red - please refer to photographs. Whether this was done during the production stage or after is difficult to determine.
Hornby - A post war boxed O Gauge Hornby #40031 Clockwork Train Goods Set No.50. The set contains 0-4-0 steam locomotive and tender Op.No.60199 with three goods wagons, a quantity of track, clips, key, an original packet containing Hornby Lamps, together with its original Hornby Trains Layout Suggestions leaflet. The set displays signs of age and use appearing to be in Good condition overall. The set is housed in a red lift off illustrated lid box, which contains original cardboard inserts which show some small tears, together with some age wear plus two small holes to lid and general wear to edges and corners. (This does not constitute a guarantee)
Bailey, David (British, 1938), Box of Pin-Ups, thirty six half tone prints, contained in the original cardboard box and outer box, printed by Weidenfeld & Nicolson, London, with biographical details of each sitter verso by Francis Wyndham, each print 36 by 31cm, with 1999 Barbican Art Gallery leaflet and 'throw away piece'. Note: Artist Resale Rights apply
Aston Martin Lagonda Limited (published): 'David Brown Aston Martin DBS Saloon Instruction Book', 1969, 2nd issue, "Commencing Chassis Number DBS/5000", [120]pp instruction book, full page and in text illustrations from photos, folding printed warranty leaflet and Aston Martin Owners Club application form housed in front pocket, original leatherette gilt
Scarce Matchbox Lesney Famous Regimental Diecast Badges, with attachment safety pin, circa 1978, six in punched blister header card packs, 14th /20th Kings Hussars, The Royal Marines, Grenadier Guards,1st The Queens Dragoon Guards, The Coldstream Guards, Royal Air Force, plus seven regimental diecast badges, with backing cards and regimental history leaflet and two boxed heritage British Inn Signs Elephant & Castle, Dick Turpin. (16 items)
A Gentleman's 18ct gold Jaeger Le-Coultre wristwatch, manual wind, the circular silver dial with batons, sweep seconds hand and date aperture, engraved inscription to the back, with attached leather strap, instruction leaflet, guarantee and original boxCondition report: In working order but no guarantee, strap, buckle and winding crown replaced, presentation engraving to reverse, some light scratches and general wear, refer to images
A Gentleman's stainless steel Omega Seamaster Professional Co-Axial Chronometer wristwatch, the circular black dial with luminous circular batons, luminous hands, date aperture and sweep seconds hand, waterproof to 300m/1000ft, with screw down winding crown and attached stainless steel Omega bracelet, within original fitted case, outer box and instruction leafletCondition report: In working order but no guarantee, inner bracelet measures approx 18cm, two extra links present, purchased new in 2016, no obvious visible damage, appears to have never been worn, refer to images
Secret Orders Issued To Military Officers - known as ''The Castle Document'', leaflet 7 1/2" x 5", one side only, April 1916 ''The following precautionary measures have been sanctioned by the Irish Office on the recommendation of the General Officer Commanding the Forces in Ireland ... .'' - As circulated by P.J. Little, ed. New Ireland office 13 Fleet Street, Dublin, 15 April, 1916. An article published in An t-?glac -The Irish Volunteer) on 8 April 1916 called for Volunteer manoeuvres on Easter Sunday 23 April 1916. On Wednesday,15 April 1916, the IRB forged a notice supposedly decoded from a communication emanating from Dublin Castle. It was printed on a hand press by Joseph Plunkett and Rory O'Connor at Larkfield House, Plunkett's home off the Lower Kimmage Road. It excluded punctuation marks and capitalisation due to the poor supply of printing font available to them. Known as the 'Castle Document', apparently ordering the execution of Eoin Mac Neil, arrest of Volunteer leaders and occupation of Dublin by the British Army, it was shown to MacNeill. He was then easily persuaded to give an order to the Irish Volunteers 'to resist any British action.' This was the order that the IRB needed to go ahead with the Rising. On 19 April 1916 Alderman Tom Kelly read the ''Castle Order'' to a meeting of Dublin Corporation. The Nationalist weekly paper, New Ireland, edited by Patrick J. Little (1884-1963), published the text of the document, a single sheet handbill entitled ''Secret Orders issued to Military Officers'' in its issue for Saturday 22 April 1916 (vol. II no. 49), just two days before the Easter Rising began. However MacNeill discovered, sometime around 20 April that the 'Castle Document' was a fake. He put an advertisement in the Irish Independent newspaper which told all volunteers that 'No parades, marches or other movements of the Volunteers will take place.' This cancellation caused the IRB to move back the rebellion one day to Easter Monday - 24 April, 1916. Many rural Volunteers, who had come to town on Sunday only to hear the rebellion was cancelled, returned home. Although all the Rising's leaders now realised that they were doomed, they still went ahead with the plans for rebellion. There are only one or two recorded copies of this important document in public records. Very few can have survived as the printing would appear to have been small and the method of distribution via newspapers aborted. None of the textbook histories actually quote from it but rather paraphrase its content.. In terms of this identification, the only full printing of this was in the last issue of New Ireland before its suppression just prior to the Rising. The only reproduction of the handbill accompanied the Irish Press article of January 4 1937 by Hanna Sheehy Skeffington. Colm ? Lochlainn gave it an incorrect caption title in his short piece on Joseph Mary Plunkett as a printer, published in The Irish Book Lover for March 1954. Charles Townshend wrote in Easter 1916: The Irish Rebellion: ''There had been a scare from a leaked Dublin Castle document apparently planning for repressive measures to be taken in the event of introducing conscription. This led to the ramping up of tension and expectation, and seemed to offer an excuse to start the rebellion on Easter Sunday. Eoin MacNeill, of course, countermanded the orders; but as things turned out, he was not fully in control, and the rebellion went ahead, though on a smaller scale, on Easter Monday instead.'' A little browned, but a good copy of a Scarce and Vulnerable Item. (1)

-
16075 item(s)/page