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1956 Rolls-Royce Silver Cloud I Transmission: automaticMileage:75364The Rolls-Royce Silver Cloud was the core model of the Rolls-Royce Motor Cars range from April 1955 until March 1966. It replaced the Silver Dawn and was, in turn, replaced by the Silver Shadow. The J.P. Blatchley design was a major change from the pre-war models and the highly derivative Silver Dawn. As part of a range rationalisation, the Bentley S1 is also very similar apart from, of course, its radiator grille. The chassis was a simple steel box section, welded together and very rigid. Construction retained the traditional split between chassis and body which facilitated the provision of special bodied versions, although in practice the overwhelming majority of cars were delivered with the standard steel body shell, produced by Pressed Steel, and employing lightweight aluminium-based alloy for the doors, bonnet, and boot lid. The engine was a 155hp six-cylinder unit with inlet over exhaust valves; twin SU carburettors were added in September 1957 and standard was a four-speed, automatic transmission. First registered on 28th March 1956, the handsome Silver Cloud offered here presents beautifully in its silver paintwork and Slate Blue leather interior. The factory specification includes central front and rear armrests, Smiths gauges, a three-spoke Bakelite steering wheel, folding rear tables and manual windows. The extensive burr walnut inlays, rear tables and thick grey sheepskin over mats all present very well. Supplied by Glovers of Ripon to Dr J.F.E. Johnson of Sunderland, it is noted in a letter by the second owner, Harry Cecil Brown of Leeds, his reluctance to part with the Rolls and that the car had featured in TV series Stay Lucky starring Dennis Waterman, as well as the Judith Krantz mini-series Till We Meet Again starring Hugh Grant and Courtney Cox. Reportedly treated to a comprehensive restoration and repaint during the course of 2001, prior to it being dry stored in a Carcoon for 12 years, and then recommissioned in 2013 by Nottingham based mark experts, Riste Motor Company, with work that included the replacement of the distributor cap, rotor arm, points and condensers, drive belts, rocker cover, bushes and the battery. The car has also benefitted from having an electric cooling fan installed to help the car in modern traffic conditions. Forming part of a large private collection for the past two years, the car has always been dry stored and maintained by the vendor's personal mechanic. The vendor bought the car from a close friend of his who had owned the car from around 2015 and who also has an impressive collection that is always kept dry stored. Accompanying the car is a history file including the original Kinsman tyre pump instruction leaflet, copies of original factory build sheets, receipts, correspondence confirming the car to be genuine, historic MoT test certificates dating back to 1972 and a toolkit in the boot which includes a jack. Boasting an impressive provenance, having been featured in a couple of A list television programmes, this handsome 50's luxury saloon is not to be missed and is certainly one of the better Silver Cloud's we have seen.
Christopher Lee signed Leaflet 'The Player Discussion' National Film Theatre. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Europa. Deutschland. Siegers, Roland. Schach plus, Spiel Set mit Schachfiguren und Plättchen für das Spielbrett in einer Box. Unterschiedliche Formen und Farben. Holz. Hexagames 1986. Größe Aufbewahrungsbox, 30 x 13,5 x 6cm. (54) * Erweiterte Variante des Schachspiels, komplettes Spiel mit Spielregelfaltblatt. Zustand: Etwas angestaubt, mit geringen Benutzungs- und Alterungsspuren. / Europe. Germany. Siegers, Roland. Chess plus, game set with chess pieces and tiles for the game board in a box. Different shapes and colors. Wood. Hexagames 1986. Storage box size, 30 x 13.5 x 6cm. Extended variant of the chess game, complete game with game rules leaflet. A bit dusty, with minor signs of wear and age.
Meccano spare components & leaflets. To include Pre War tinplate flag Red / Gold mounted to a wheel, 2x Aeroplane Constructor pilots, 6x large RAF roudels, 6x medium RAF roundels, 3x tins containing various screws & nuts, 3x other empty tins - 2x with lids, bakerlite light fitting connector, various electrical connectors, Elektron Kemex 2x page leaflet, Meccano Oct 1933 reproduction fold out leaflet & Hornby Railway Company membership certificate dated Feb 1933. Conditions: Fair to Excellent (36)
Marklin Pre & Post War Catalogues, Leaflets & Price Lists. To include Marklin 1939/40 Franz Carl Weber; 1939/40 parts catalogue; D49, D50, D55; 1957 fold out leaflet; D49 supplement for D49 - New Items For 1950; D51 & D52 price leaflets; Marklin Miniature Railway - A Handbook For Marklin Railway Fans plus others. Conditions: Fair to Excellent. (18)
French Hornby 0 Gauge Le Drapeau overhaed Electric Passenger set with overhead Electric Loco SNCF Pale Blue No.BB 9201, 3-rail electric. Pair of Grand European Express Wagon-Lits Pullman Saloon and Restaurant cars, Circle of 3-rail electric Track, Track Clips, oil bottle, leaflet and tag label. Contents Excellent in Good Box.
Marklin Catenary Posts & Contact Wires. Comprising 4x ST 409 M each box contains 10x posts; 1ST 409 MA with electrical connection & leaflet; 2ST 409 MB 2x boxes containing 4x posts & mounting brackets; 20ST 409 RR paper packet containing 20x overhead contact wires; 7018 paper packet containing 36x overhead contact wires. Conditions: Excellent to Near Mint in Fair to Good boxes & packaging. (25)
A silver St Dunstan's medal, a Goldsmiths' Company medal and a commemorative replica trial plate, the St Dunstan's medal with mark of Nicola Moss and London hallmarks for Sterling silver 1988, commemorating the millennium of the death of St. Dunstan, obverse with the cross of faith around a central circular hole, verso depicting the Saint's life as an architectural wheel, 75mm diameter, 5.5ozt, presented in the original case with explanatory leaflet; the Company medal of copper colour commemorating the 650th birthday of the Worshipful Company of Goldsmiths', obverse featuring the leopard's head beside a filled speech bubble, verso, an image of Goldsmiths' hall, 45mm diameter; the trial plate of copper colour commemorating 7 centuries of the Trial of the Pyx, presented in the original case by the Royal Mint along with an explanatory leaflet (3)
Two 20th century novelty pill boxes, marks of Tiffany & Co. and Asprey & Co., the first, modelled in the form of a handbag with hinged cover, marked to the underside ©1994 TIFFANY & CO. 925, 3 x 1.5cm at the base, 4.5cm high including handle, 1.5ozt, presented with the distinctive signed blue pouch and care instruction leaflet; the second, modelled in the shape of a post box with friction fitting detachable cover, mark of Asprey & Company, London 1982, 2cm diameter at the base, 3.5cm high, 0.5ozt (2)
Nikos Hadjikyriakos-Ghika (Greek, 1906-1994)Athènes signé et daté 'Ghika 75' (en bas à gauche)tempera sur papier marouflé sur toile66 x 91.5cm (26 x 36in).Peint en 1975.signed and dated (lower left)tempera on paper laid on canvasFootnotes:ProvenanceZoumboulakis Gallery, Athens.Private collection, Athens.ExpositionsAthens, Iolas-Zoumboulakis Gallery, Nikos Hadjikyriakos-Ghika, December 10, 1976 - January 15, 1977, no. 4 (listed in the exhibition leaflet).LittératureKathimerini newspaper, December 12, 1976.H. Livas, Contemporary Greek Artists, Vantage Press, New York 1993, p. 5 (discussed).K.C. Valkana, Nikos Hadjikyriakos-Ghika, His Painting Oeuvre, Benaki Museum, Athens 2011, p. 234 (discussed and illustrated, fig. 19).A mesmerising cubist-like townscape displaying an architectural network of close-knit rhythmical structures, fragmented interlocking planes, and spatially distorted labyrinthine grids, Athènes showcases Ghika's belief that 'the character of the Greek schema, whether in antiquity, the Byzantine era or folk art, is by and large geometric.'1 The rhythmically developed and spatially distorted depictions of Byzantine towns—used as backdrops for religious subjects in much of icon painting—are here pushed to a relentless extreme, transformed into a dense web of lines, angles, and curves. As the schematic undulations of the townscape ascend in petrified waves of subdued colour, the horizontal tilts into the vertical, echoing the Byzantine backgrounds that tend to unfold upwards instead of receding in depth. As noted by Professor M. Michelis, 'Ghika's vision is akin to the Byzantine mosaics of the Chora Monastery.'2Discussing the work, art critic H. Livas notes: 'I'll record what Ghika told me—that even if the subject of his painting is not Greek, its soul always is. Yet, even when the subject is Greek, the spirit of the painting transcends the country and carries us into a new and different world. I take, as example, the painting Athènes, a geometric view of the city that makes it look filled with modern pyramids and Mayan temples. The pyramid has always been one of his favourite forms; I suspect because it suggests mystery; and, modern non- fiction tells us that the pyramid shape can cause miraculous preservation and even regeneration to objects, organic materials, and even people inside it. Ghika's Truncated pyramids of 1963 and the Pyramid triptych of 1965, lift us also to mysterious worlds that we can't quite identify with the comfortable and the familiar.'3 1 N. Hadjikyriakos-Ghika, 'On Greek Art' [in Greek], Neon Kratos journal, no. 5, January 1938.2 M. Michelis, 'N. Hadjikyriakos-Ghika' [in Greek], Zygos magazine, no. 58, September 1960, p. 10.3 H. Livas, Contemporary Greek Artists, Vantage Press, New York 1993, p. 5.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Theofilos Hadjimichael (Greek, 1871-1934)Le vendeur à crédit le vendeur au comptant titré en grec (en haut)pigments naturels sur zinc50 x 71cm (19 11/16 x 27 15/16in).Peint en 1926.titled in Greek (upper part) natural pigments on zincFootnotes:ProvenanceD. Taktikos collection, Mytilene.Christie's Athens, Greek Sale, 15 December 1998, lot 37.Acquired from the above sale by the present owner. *Veuillez noter qu'en raison de la réglementation grecque, ce lot ne peut pas être exporté de Grèce et sera disponible pour consultation et inspection à Athènes sur rendez-vous ou lors de l'exposition à Athènes, du 8 au 10 novembre 2023. Cette œuvre restera à Athènes pendant la vente aux enchères.*Please note that due to Greek regulation, this lot cannot be exported from Greece and will be available for viewing and inspection in Athens either by appointment or during the Athens Preview, 8-10 November 2023. This work will be located in Athens during the auction.ExpositionsAthens, Hellenic American Union, An Exhibition of Murals and Paintings by Theophilos, March 17 - April 10, 1970, no. 23 (listed in the exhibition catalogue).Athens, Galerie 3, Theofilos, February 1982, no. 19 (listed in the exhibition leaflet).LittératureRoptro tou Volou magazine, no. 9-10, May-August 1994, p. 64 (illustrated).Like many great masters from the past, Theofilos was by no means reluctant to draw his iconography from earlier paintings, lithographs, postcards or book illustrations, source material he nonetheless ingenuously reworked to fit his own vision. Here, his picture is based on a popular colour lithographic print that used to hang in many village stores around Greece in days of yore leaving little doubt on how their owners felt about consumer credit: he who sells for cash grows rich while he who sells on credit grows poor.Theofilos adhered closely to his model, especially in terms of space organisation, representational motifs, and compositional structure, with the man on the right enjoying his wealth while the other going bankrupt and living in sheer poverty. Despite these obvious borrowings, however, he treated the subject in his own terms, transforming the same scene into a completely new aesthetic experience. As noted by the art critic A. Xydis, 'the transformation of academic prints into true masterpieces is ample proof of Theofilos's wisdom. In most of his works he never succumbed to the conventionality of his original sources.'1 This picture was painted in 1926, the year Theofilos returned to his native island of Mytilene following a forty-year odyssey. There, his imaginary universe, which had crystallised on the walls of village houses and shops around Mt. Pelion, came back to life in a new and delightful manifestation. As noted by N. Matsas, 'on Mytilene, Theofilos enjoyed a very creative and prolific period, during which he painted some of his best works.'2 1 A. Xydis, Proposals for the History of Modern Greek Art [in Greek], vol. I, Athens 1976, pp. 36-38.2 N. Matsas, The Tale of Theofilos [in Greek], Estia editions, Athens 1978, p. 153.For further information on this lot please visit Bonhams.com
Railwayana - a quantity of luggage/package labels, Great Western Railway, Glasgow and South-Western Railway, LMSR, etc; a London & North Western and Caledonian Railways Time Tables and General Information leaflet, 1878; a collection of train tickets; British Railways uniform buttons, etc, qty
World's highest Standard of Living There's no way like the American Way - Second World War German airborne Propaganda leaflet. Front of leaflet depicts an American advertising sign above a battlefield and fallen soldier, demonstrating the total contrast between life advertised at home and those fighting on the front line. Reverse reads "Do you like billboards like this one? You can find them all along the highways of your home country" ... "now you - a mere number, a G.I. - are being carted around in a truck through bomb and shell craters, through mud, dust and sand... That's YOUR American Way!" final image on the leaflet re-imagines the billboard to display the fallen American soldier. 15cm x 21cm.
Indeed an amusing war .. - FOR THE AMERICANS - Second World War German airborne Propaganda leaflet. German leaflet dropped on English troops in Coldrogini, Italy, June 1944. From depicts a lady running from a man with no trousers to which she has stolen. Reverse describes the weak nature of American soldiers and undermines their ability to fight and their nature as people. Also commenting on the story of a British lady who tricked an American soldier into stealing his trousers. "But this is the fact - while you are stuck in the mud they are waging an amusing war in England.". 9cm x 13cm.
It's your job to die! - Second World War German airborne Propaganda leaflet. Front depicts a soldier fallen on the battle field below a large image of his wife / girlfriend with the text "It's your job to die!". Reverse reads "Kid FROM THE U.S." Anti-capitalist leaflet that explains to American soldiers their role as a commodity to the USA, "Your job is easy: You just got to die to fill their pockets. See how it works?". 15cm x 20.5cm
Allied divisions land near Rome. Second World War German airborne Propaganda leaflet. Small-scale leaflet, front reads in German and English “Allied divisions land near Rome. German coastal positions broken through. Main fighting line outflanked. Big encirclement battle is starting.” Reverse reads “The leaflet which we are showing in the original and translation on the reverse side was dropped over lines by order of your command” Remainder of leaflet debunks the claims from a German perspective. Stating troops are nor near Rome, Coastal positions not broken through, fighting lines unflanked & no encirclement. 9cm x 15cm.
To those who wonder - Second World War German airborne Propaganda leaflet. Front of leaflet depicts a flying B17 and dialogue between a grandchild and grandfather discussing the use of machinery in the war. Reverse continues the dialogue "You see, Boy, it won't be more than a years time and we'll have enough of those Flying Forts to darken the sky over Europe. Then it will be machines and not men like your Dad and Uncle Frankie who will decide the war!" ... "But Grandad, will father and Uncle Frankie still be alive then?" demonstrating the importance of life over warfare when machines will become the main protagonist. "ITS MEN and not Material WHICH COUNTS". 15cm x 20cm.
Happy days ..... gone - Second World War German airborne Propaganda leaflet. Small-scale leaflet, front depicts ghost of a soldier with his wife floating above his gravestone. Reverse reads: AMERICAN SOLDIERS! Remember those happy days when you stepped out with your best girl "going places and doing things!"?" ... "you were happy. WHAT IS LEFT OF ALL THIS? Nothing! Nothing but days and nights of the heaviest fighting and for many of you NOTHING BUT A PLAIN WOODEN CROSS IN FOREIGN SOIL!" Anti-American propaganda leaflet. 9.3cm x 15cm.
We know the day! Come on Yanks! - Second World War German airborne Propaganda leaflet. Text-based leaflet. Front reads; "They know that the material is not the deciding factor. They know that it takes streams of blood and countless lives to gain a few inches of ground. Take it from us buddy, we have not been asleep at the switch. Our screaching mimmies will tear the guts out of you. Our mortars and throwers, our mines and M.Gs. and a few new things we have up our sleeve, will reap a terrific harvest of blood and lives. We know the day! Come on Yanks!". Reverse reads; "Come on Yanks! We know that for weeks you have been preparing a new push. This time you surely expect to reach the Rhine. Tremendous amounts of guns, tanks, shells and bulldozers have been pilled up on your side and again you have been told by your officers that this time it is going to be a walkover. Most of you are rookies but those few fellows in the American 1st. and 9th. Armies who are still alive to tell the tale, know what a hell of a time lies ahead of you." 13cm x 17.5cm.
‘Men in the Shadow? No – Men in the Sun! … and they all will safely return!’ Second World War German Propaganda leaflet, in the form of a leisure camp brochure depicting what life could be like in a German Prisoner of War camp. Triple sided, with front and back cover, and internal double page spread. Folded in four, unfolded measures 49cm x 33cm.
Why Risk your life in the LAST minute? - Second World War German airborne Propaganda leaflet. Small-scale leaflet, front depicts a ticking clock and the message " Why RISK your life in the LAST minute? ", reverse reads " One who holds back has more chance of holding on! ". Dropped via German Shell to Italy in 1945. Message conveys the virtues of not leading the line and trying to safely outlast the war, in attempt to weaken the attack. 15cm x 9cm.
Jerry's Front Radio - Second World War German airborne Propaganda leaflet. Self fill-in airborne leaflet, front explains the importance of filling the form in in case of capture, to inform relative of imprisonment. It claims that Jerry's Front radio has arranged to announce the names and addresses of prisoners of war and their serial number, three times daily. "Be prepared and fill in this blank, It will be useful to you if you should be captured." Reverse is a blank form to fill in and transmit via Jerry's Front Radio. Leaflet to break down soldiers fear of being captured. 9cm x 15cm.
'30 Days on Leave.. Boy, oh boy! wouldn't that be nice?' Second World War German airborne Propaganda leaflet. Double sided leaflet, with the front depicting a soldier and lady embraced. Reverse reads '30 days on leave.' and details that American troops are given 30 days on leave whilst British troops are not, to turn the troops against their allies. 'There have never been similar leave regulations for British troops. You have always been neglected.' 'Remember! Dead men never return, but prisoners of war will immediately go home once the war is over. Germany has signed the Hague and Geneva Conventions and respects the rights of prisoners of war.' 14.5cm x 20.5cm.
YOU HAVE BEEN TRAPPED ! - Second World War German airborne Propaganda leaflet. Small-scale leaflet, front reads "YOU HAVE BEEN TRAPPED! You have landed on the Continent to face the armed might of Germany - but not for the benefit of Britain! Your country will gain ABSOLUTELY NOTHING from this struggle, no matter how well you may fight. THE BOLSHEVISTS ALONE WILL PROFIT by your sacrifices. You have been trapped into risking your life for but one purpose - the Bolshevization of Europe! Consider these points, and ask yourself WHY SHOULD YOU FIGHT FOR STALIN!" reverse reads "INVASION - WHY? - Have you any clear idea of the purpose of the attempted invasion of Western Europe? One thing is certain - the Allied casualties are and will continue to be enormous, although the amount of territory captured will be small. The only strategic effect that the invasion could have would be to lessen the resistance of the Germans in the East. If this plan succeeded, Bolshevism would triumph over Europe - and TRIUMPTH OVER BRITAIN AS WELL!" Numbered E114 / 3.44/ 11cm x 15cm.
Small selection of Second World War airborne Propaganda leaflets, to include; “Sogno a son desto?” surrender to Germany and not to America Italian small leaflet, ‘Nachrichten aus Der Heimat’ ‘Frontpost’, ‘A Man to Man Talk – The Smaller Nations and the German Imperialism’ (x2), ‘Home News’ (x4), ‘The Fight for Freedom!’, ‘Rich Man’s War – Poor Man’s Fight’ small leaflet, ‘Remember the Time’ small leaflet, ‘Safe Conduct’ (x2), ‘Killed on the last day of the war – Do you want to be the last to die?’ small propaganda leaflet & ‘Safe Conduct’ “signed” by Supreme Allied Commander in the Mediterranean Theatre of Operations. Interesting lot, most leaflets in mixed condition with toning etc. Total 19. (19)
What The Hell Is This All About? - Second World War German airborne Propaganda leaflet. Text-based leaflet, first person leaflet asking and answering rhetorical questions relating to the conflict. As the leaflet progresses the soldier convinces himself against the need to fight, "This doesn't really concern politics at all, it is not even guessing who will win or who will lose the game. It is just taking care of my wife and family's interests, and my own as well. - Rich Man's War - Poor Man's Fight - Bought Wit is Best". 13cm x 18cm.
Here lies Sam Doodle - Second World War German airborne Propaganda leaflet. Small-scale leaflet dropped on US soldiers, front depicts a tombstone that reads “ Here Lies Sam Doodle – a poor dumb ass that went poking his nose into things that weren’t no sort of business to his – This was his motto: Why live expensively in America when you can did cheap in Europe? “ reverse reads “ A gravestone somewhere in France or somewhere in Europe “ … “ And this is the result! Nobody’s sorry for Sam. Nobody weeps over him. The World goes on. “ Anti-American sentiment to dissuade American soldiers from fighting. 9cm x 12cm.
'Who Started World War II?' Second World War German airborne Propaganda leaflet. Double sided leaflet reads 'Who Started World War II? You have been told that Germany declared World War II on December 9. 1941. You're wrong. As far back as spring 1941 the English dropped pamphlets on Germany showing American factories in full swing. They called that AMERICA, ENGLAND'S ARSENAL!' With a magnifying glass putting attention to an article in the Boston Herald. Reverse reads 'GIs, that's why you have to fight this bloody war in Europe while your folks at home write in their letters to you: The most important thing for you in this damned war is to get back home safe!'. 14cm x 19cm.
Have a good look at this! - Second World War German airborne Propaganda leaflet. Front depicts an attractive cheerleader with her leg raised and reads "Have a good look at this! - Maybe it's the last good look you'll have in your life!". Reverse reads; "What are your prospects for the future? First: You may be killed outright. Second: You may be totally disabled. Third: You may wind up in a German P.o.W camp. In the last case you have a chance of having another "good look.". Leaflet attempts to use lust against troops in making them imagine the difficulty of future endeavours if they continue to fight. 10.5cm x 14.5cm
Half the job is done - Second World War German airborne Propaganda leaflet. Small-scale folding leaflet. Front depicts mass graves across France, Belgium & Germany. Interior depicts the development of the war in regards to casualties, placing emphasis on each stage of the war costing more lives than the previous. The reverse shows the final image of a single soldier marching amongst the dead with the line “Which one of you will be the last? When all is over: did it pay?” alongside a total number of British casualties, anti-British propaganda leaflet to convince soldiers to dop out. Four sides, measures 16cm x 10cm folded.
2 of the 10,000 - Second World War German airborne Propaganda leaflet. Leaflet depicts a large black and white photograph of injured / deformed children, the text beneath describes them as being "2 of the 10,000 children of Berlin, Dresden and Magdeburg maimed, slaughtered burnt by white people in the name of the Lord Jesus Christ while seeking shelter from the Bolshevik murderers." The reverse titled "THE WHITE FEATHER for Gen. Doolittle" tells of Lieutenant General James Doolittle of United States Air Force bombing Dresden sadistically, targeting people seeking refuge, of which 85% were women and children, the remaining 15% old men or badly crippled war invalids." Anti-American Propaganda leaflet. "The thousands of maimed women and mutilated children constitute a living memory to this very heroic act of a very gallant American officer and gentleman". 15cm x 20.5cm.
‘The Po is waiting for you’ (1945) Second World War Propaganda leaflet, double sided and presented like a tourist brochure, leaflet carrying the text ‘The Po is waiting for you’ shows on front a colourful scene of the Italian countryside on either side of the Po River, with the towns of Cremona, Brescia, Mantova, Verona, Padova, Rovigo, Modena and Ferrara, and in the right foreground a smiling young woman holding a large basket of grapes and oranges, whilst the reverse shows a black and white illustration of a laughing skeleton wading in the Po River with a wrecked bridge in the background, and soldiers on boats being attacked and killed by enemy shell fire. The leaflet a warning for allied troops on what was waiting for them if they tried to cross the Po river. Leaflet dropped by German Forces on 8th Indian Infantry division. 20cm x 29cm (folded in four).
CARRERA y CARRERA. A lady's 18ct. gold cased Carrera y Carrera wristwatch, the design entitled Creation & featuring around the bezel, a nude representation of Adam & Eve. The dial set with three small brilliant cut diamonds. The Etia battery movement replaced, but original identical movement retained. Original strap fixed to bezel by screws. Offered with original documents, original receipt dated 1998, a leaflet showing a similar watch & faux leather case. All watches in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any watch is in continuous working order or may not require attention. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
A .177" Diana 20 shot BB repeater air pistol, which can also fire single pellets or darts, GWO & C, in its carton with instruction leaflet, tube of BB balls and packet of "Marksman" pellets, GC (single pellet hole in lid). Purchasers please note: any air gun manufactured after 1939 must either be collected from our premises or posted to an RFD for face to face transaction.£30-50
A collection of programmes, magazines and Jazz ephemera originally from the collection of noted Jazz scholar and expert Barry McRae. To include: promo materials for Howard Rumsey's Jazz 'Musical Menu', listings leaflet for 'The Lighhouse' Hermosa Beach, California, programme for the Jazz Symposium 1967, programmes for Mike Westbrook, Graham Collier, Michael Garrick, Sam Rivers Trio, Ornette Coleman and many more.
Schuco - 2 x unboxed Micro Racer models, a number 7 racing car # 1040 and a Polizei VW Beetle # 1039. They show signs of light play use and come with one winding key and a sales leaflet. The Beetle is in working order, the racing car will not wind. They appear in Good condition. (This does not constitute a guarantee) [ba]
Louis Marx - A boxed 1960s Ford Zephyr Motorway Patrol car with flashing light. The model appears in Very Good condition with light signs of age and use, the battery compartment is clean. The box is Fair with storage wear, the inner packing piece and care leaflet are still present. (This does not constitute a guarantee) [ba]
Pedigree - Sindy - A boxed vintage Sindy 44664 'Active' ballerina doll. The brunette doll, marked to the rear of the head '2 GEN 1077' on raised rectangle, with '033055X' beneath, appears to be in Mint condition, and comes with Sindy leaflet / catalogue. The doll is housed in a Good - Very Good window box - the heart shaped decal is detached from the cellophane window but is present within the box. (This does not constitute a guarantee) (K)Condition Report - The doll itself gives the impression that it has not been played with. To the back of the head there is some hair attached between the head and the neck - please refer to additional photographs. The inner box artwork is clean and bright. The cellophane is unglued at both the end flaps. There is a small amount of sun fading to one of the ends, and the rear has a pen annotation - again please refer to additional photographs.
A boxed Fleischmann HO gauge 1337 S 'Rheingold' Bo-Bo diesel electric pantograph locomotive - E10 250 in blue and cream DB livery with silver roof, in original window box. (VG-E, box G-VG); together with a Fleischmann 1381 DB Class V200 Bo-Bo diesel locomotive in maroon and grey livery, no. V200 035, in original window box with instruction leaflet. (VG, box F-G) (2)

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16075 item(s)/page