We found 34832 price guide item(s) matching your search
There are 34832 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
34832 item(s)/page
A Third Reich Nazi German SA dagger, by Tiger, Solingen, the 22.25cm pointed double-edged blade etched Alles fur Deutschland, wooden grip with inset Reichsadler and swastika, and Sturmabteilung insignia, patinated scabbard, 37.5cm long overall, leather hanger; a Third Reich Nazi German NSDAP pennant, 160cm long, c.1933-45 (2)Provenance: Brought back to England by Trooper G Whitworth 14390927 15th Scottish Reconnaissance Regiment Royal Armoured Corps. Whitworth sailed to France on 28/06/1944 and returned to England on 28/02/1945. The regiment ended up in the Nijmegen area having spent most of the winter in the Netherlands.
Marvel comics in excellent condition including She-Hulk #1, X-Force 1 (sealed), Star Trek #1, Spider-man #26 (foil cover), Marvel Knights Elektra #1, Red Sonja #1, Spider-man #6 (Hobgoblin), Amazing Spider-man #583 (Obama variant cover), Cloak and Dagger, The Saga of Crystar Crystal Warrior #1 thru 11, plus Iron Man, Namor, Daredevil, Weapon X, Siege, Avengers invaders sketch variant, 10 Fleer 1995 Ultraprints, etc.
17th-18th century AD. A bronze ritual dagger with central bulb forming the vajra three radiating grotesque heads with crowns forming the pommel, triangular-section point with serpentsin low relief. 785 grams, 28cm (11"). Property of a North West London gentleman; part of his father's collection formed during the 1980s. [No Reserve] Fair condition.
2nd-1st millennium BC. A group of two bronze daggers, comprising: one dagger with a central midrib, hilt with lateral flanges on both faces to accept organic inserts, and lobed pommel; one dagger with a central midrib, penannular guard, hilt with lateral flanges on both faces to accept organic inserts, and lobed pommel. 534 grams total, 42.7-44.5cm (16 3/4 - 17 1/2"). Property of a London gentleman; acquired on the London art market in the 2000s. [2] Fine condition.
13th-6th century BC. A slender bronze leaf-shaped dagger with lozenge-sectioned midrib, and square-sectioned tang with right-angled termination; hexagon-sectioned neck, decorated with incised lines including a downward facing triangle where the neck meets the shoulder, a band of crosses around the base of the neck contained within a border, and additional hatching continuing up the neck. 141 grams, 30.5cm (12"). Private collection, Cambridgeshire, UK; acquired prior to 2000. Fine condition.
Mid 1st millennium BC. A small bronze dagger with tapering triangular double-edged blade and midrib; the hilt is round in cross-section flaring at the top into a domed terminal and decorated with two raised collars above the guard. 153 grams, 26cm (10 1/4"). Private collection, Cambridgeshire, UK; acquired prior to 2000. Fair condition.
9th century BC. An iron flanged dagger formed from one hammered piece of iron, hilt indented to fit fingers and with pointed top, destined to receive a bone or bronze pommel, a separated bronze band, now absent, originally placed around the short sides of the hilt projecting like a flange, still in place the three iron rivets which secured the band to the hilt, one at the top of the pommel, a second in the middle of the tang, the other at the height of the guard. Cf. Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.54ff, no.54. 344 grams, 46.5cm (18 1/4"). Ex important Dutch collection; acquired on the European art market in the 1970s. This dagger belongs to a large group of similar swords and daggers, primarily of iron, with a variety of hilt and blade types, excavated in the Middle East and especially in Hasanlu. Iron daggers are mentioned in Assyrian texts by the thirteenth century BC, and even in the Iliad, but evidence for their common use appeared more evident from 9th century BC. This kind of dagger appears in the hands of Assyrian warriors on Assyrian sculpted and painted monuments. Fine condition.
14th-15th century AD. A hand-forged iron scale-tang dagger with flat triangular blade, inset silver hook motif to one face, round-section crossguard. See Bashford, D., Catalogue of European Daggers 1300–1800, Metropolitan Museum of Art. New York. 1929. 240 grams, 40cm (15 3/4"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent. The dagger was one of the most widespread weapons in Europe during the late Middle Ages. The dagger was such a successful weapon that it earned its place in the fencing treatises of the greatest masters, including Fiore dei Liberi (1350-1420) who in his Flos Duellatorum presented himself to the readers with these words: 'Magistro Primo son de daga (= I am Master first of the dagger)'. Fine condition.
2nd millennium BC. A bronze dagger with lentoid-section leaf-shaped blade, double-waisted grip with transverse ribbed collars, the pommel formed as two crescentic lobes with a domed boss to the centre of each face. See Khorasani, M.M., Arms and Armour from Iran. The Bronze Age to the End of the Qajar Period, Tübingen, 2006, for discussion. 669 grams, 40.5cm (16"). From a private UK collection, acquired on the London art market 1990-2000. Fine condition.
14th-15th century AD. An iron single-edged dagger blade in two pieces with the associated but detached bronze quillon, wood hilt and bronze rosette pommel. 219 grams total, 2-17.5cm, 34cm assembled (3/4 - 7"). Found in the London Borough of Hillingdon by the vendor's father, before 1996. [No Reserve] Fair condition; as found. Rare.
9th century BC. A Period IV iron flanged dagger, formed from one hammered piece of iron, hilt indented to fit the fingers, with pelta-shaped pommel, a separate bronze band now missing, two iron rivets which secured the band to the hilt still present, one at the top of the pommel, the other at the height of the guard. See Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.54ff, no.54. 265 grams, 41cm (16"). From a private Netherlands collection; previously in an old collection since before 1980. This dagger belongs to a large group of similar swords and daggers, primarily of iron, with a variety of hilt and blade types, excavated in the Middle East and especially in Hasanlu. Iron daggers are mentioned in Assyrian texts by the thirteenth century BC, and even in the Iliad, but evidence for their common use appeared more evident from 9th century BC. This kind of dagger appears in the hands of Assyrian warriors on Assyrian sculpted and painted monuments. Fine condition.
2nd millennium BC. A bronze dagger with leaf-shaped blade and raised midrib, double-waisted grip with ribbed collars and wide guard, pelta-shaped pommel. 528 grams, 31.3cm (12 1/4"). From the private collection of a North West London lady; previously with a central London gallery; formerly acquired before 1990. Fine condition.
2nd millennium BC. A bronze dagger with lentoid-section leaf-shaped blade, grip with transverse ribbed collars, the pommel formed as two crescentic lobes with three domed bosses. 351 grams, 35cm (13 3/4"). From the private collection of a North West London lady; previously with a central London gallery; formerly acquired before 1990. Fine condition.
13th-14th century AD. A hand-forged iron scale-tang dagger with lentoid-section triangular blade, tang pierced in two places, two-lobed pommel. 348 grams, 38cm (15"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent. Fine condition.
6th-5th century BC. A bronze dagger with lozenge-section narrow blade, the guard with scrolls; rectangular handle with zig-zag borders, short tubular pommel. 112 grams, 22cm (8 3/4"). Property of a European collector; formerly in an old European collection formed in the 1980s. [No Reserve] Fine condition.
3rd-2nd millennium BC. A bronze dagger with double-edged tapering triangular blade with penannular guard; the tang is short, rectangular in cross-section and pierced at the terminal; on both faces the broad central midrib is decorated with a series of shallow incised lines and dots, forming a motif along the length of the midrib: a rectangle hatched with vertical lines, followed by an elongated 'X' with a series of dots in the two flanks. 289 grams, 34.2cm (13 1/2"). Private collection, Cambridgeshire, UK; acquired prior to 2000. Fair condition. Rare.
13th-14th century AD. An iron two-edged dagger with lentoid-section tapering blade, quillons with scrolled ends, narrow tang, large segmented wheel-pommel. 570 grams, 52cm (20 1/2"). From an important private family collection of arms and armour; acquired on the European art market in the 1980s, and thence by descent. Fine condition.
13th-6th century BC. A bronze dagger with lentoid section blade tapering to a point; the hilt hollowed both sides to receive wood or bone scales. Cf. Khorasani, Manouchehr Moshtagh, Arms and Armour of Iram, Germany, 2006, cat.7 for similar example. 300 grams, 38.5cm (15 1/4"). Private collection, Cambridgeshire, UK; acquired prior to 2000. Fair condition.
5th-4th century BC. An iron two-edged dagger in its scabbard; the pommel of classic Celtiberian dual-antenna design, with biconvex lobe finials; columnar grip with median collar; slightly curved guard; lentoid-section parallel-sided scabbard with open slot to the lower end of each face, flared terminal; three suspension points, one with penannular ring in place; with Guttmann collection label 'AG/219'. See Harding, D.W., The Archaeology of Celtic Art, London, 2007, p.203, for discussion of the artefact type.376 grams, 31.5cm (12 1/2"). Property of a European collector since the early 2000s; formerly in the Axel Guttmann (1944-2001) collection of Ancient Arms & Armour; collection number AG219 - W150; exhibited at the Guttmann museum on the outskirts of Berlin, Germany; accompanied by a copy of a photograph of this item within its display case; accompanied by an archaeological expertise from Dr. Raffaele D’Amato.Fair condition. Rare.
2nd-1st century BC. An iron pugio military dagger of Type I from the Republican period, comprising a short triangular blade with thick midrib and swept edges, narrow point, triangular guard with chamfered upper edges, grip with facetted bulb displaying a bronze stud and disc pommel; frame of the accompanying scabbard with C-section outer edges and three flat transverse bracers, chape with disc finial, four attachment loops for mounting straps, to the obverse of the mouth an applied repoussé silver portrait bust with Julian hairstyle. See Fischer, N.L., Iron Men: Roman Masculinity and the Roman Military Dagger, Cornell University PhD thesis, 2017; also Bishop, M.C. and Coulston, J.C.N., Roman Military Equipment From the Punic Wars to the Fall of Rome, London, 1993, p.134-5.311 grams total, 34cm (13 1/2"). From an important English collection; acquired in the 1990s; accompanied by an academic report by Dr. Raffaele D’Amato. Type I pugio daggers are typically 28-30cm in length, the earliest and shortest of the type. The two discs that form the grip and pommel confirm its origins among a class of combat knives found on the Iberian Peninsula before the first Roman military invasion. The overall design was borrowed from the contemporary Celtiberian double-disc-handled dagger. These may initially have been taken from defeated local warriors as battlefield booty from the Numantine and Sertorian Wars (153-133 BC and 75 BC respectively"). They were then copied by Roman military smiths, and formed part of the standard legionary's kit by the time of the battle of Alesia (52 BC"). The pugio was used for close-quarters fighting and for dispatching fallen enemies. Many examples are very decorative, suggesting that it was considered a valuable back-up armament suited to certain types of combat where it was primarily used as a stabbing weapon. Fine condition.
Neolithic, 7th-4th millennium BP. A beautifully knapped and very lightly polished bifacial dagger blade of pointed oval form with razor-sharp edges; in a rich and deep red-brown chert or flint. Cf. Glob, P. V., Danske Oldsager II, Yngre Stenalder, Copenhagen, 1952, nos.505-508, for very similar blade forms.50.8 grams, 11.9cm (4 3/4"). Property of a London gentleman; formerly in a 1960s UK collection.Fine condition, hilt chipped in antiquity.
9th-11th century AD. A silver pendant formed as a lozenge-shaped dagger with bevelled edges, scrolled guard, recurved loop twisted around the handle; punched annulets to the blade and guard, with a cross motif to each side. 4.5 grams, 42mm (1 3/4"). From a London W1, UK, collection; acquired on the German art market before 2000.[No Reserve]Very fine condition.
A Siamese “elephant” dagger, plain SE blade 10½”, elaborate brass hilt, the floral embossed crossguard with prominent downturned dragon’s head quillons, divided knucklebow with upturned elephant’s trunk lower part and downward trunk upper part from elephant’s head pommel with red glass eyes, ivory grips, in its brass scabbard with painted panelled top, middle band and chape. GC .
Giganti (Nicoletto). Scola, overo Teatro, nelquale sono rappresentate diverse maniere, e modi di parare, e di ferire di spada sola, e di spada, e pugnale; doue ogni studioso potra? essercitarsi, [et] farsi prattico nella professione dell' Armi, 1st edition, Venice: Gio. Antonio & Giacomo de Franceschi, 1606, [16], 95, [1] pp. (page [96] blank), wood engraved printer's device to title and with engraved Medici armorial to verso, engraved portrait of author and 42 full-page engraved illustrations by Odoardo Fialetti, woodcut decorative initials, some show-through from illustrations and few illustrations slightly shaved at fore-edge, toning and spotting throughout, 20th century half vellum, green skiver title label to spine, slim oblong 8vo (16.5 x 23.8 cm) (Qty: 1)NOTESThimm p.115; Gelli p.112; Vigeant p.60. The first edition of this influential work on the use of the rapier and the dagger. Nicoletto Giganti was a highly experienced and influential representative of the Venetian school of fencing and a rapier fencing master during the 17th century. The frontispiece of the above work names him as “Nicoletto Giganti, Venetian”, although it is possible he or his family came from the town of Fossombrone, in Le Marche, Central Italy and later moved to Venice.
* Mitford (Nancy Freeman, 1904-1973). A good collection of 17 Autograph Letters Signed and 8 postcards, signed variously 'Nancy Mitford', 'Nancy Rodd', 'Nancy' & 'NM', primarily from Paris, 1967-72, the letters a total of 30 pages, some scattered spotting and creasing, 4to/8vo (Qty: 25)NOTESThe wit for which Mitford was so well known as a correspondent shows through these letters, even when she was in great pain and most desperately ill with the cancer which was shortly to end her life. ‘... I’m fascinated by what you say of the archives of St G[ermain] des Prs - what a lot of French stuff there is in Russia. I've just done an essay on Carlyle & F[rederick] the Great & remarked, though it's perhaps not very original, that whereas modern historians put everything down to economic trends the 19th cent English ones put everything down to religion. I suppose it's because the modern ones despise this attitude that they avert their eyes from the Wars of Religion. …' ‘… You might go & see Mr Buchanan at the bookshop [Heywood Hill] … . Sometimes they print little things in limited editions for sophisticated customers (a few dirty words if there are any might be a help!!). …’ ‘… The awful thing about being ill nowadays is that nobody takes an interest in you - all the doctors spend their time either I suppose transplanting hearts or else patching up road accident victims. When I was young the Dr used to pop in to see how you were. It was more comfortable. In 5 weeks I've only seen doctors twice - my own & the specialist. I hope they are praying for one but doubt it! …’ [After reading Washington Square :] '... My view about marrying for money is that people must have a reason for falling in love & that is often money, but doesn't prevent a marriage from being as happy as when founded on other reasons: sex, power & so on! I would like to have had a word with the doctor! But I think he was one of those fathers unable to bear the idea of his daughter marrying at all. …’ ‘… Misprints. I was thinking, while reading for Frederick, how old books never have them. They are among the wonders of progress. Partisan for artisan is rich. The worst is that the reader NEVER twigs.’ ‘… Noel Coward really was I.S. here (in a cloak & dagger flat with 3 entrances) but I am NOT (far too deaf & dotty I fear). …’

-
34832 item(s)/page