18240 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

ALBERT GOODWIN, RWS (1845-1932). THE CITADEL, CAIRO. Signed and dated 1903, inscribed with title, watercolour with pen and ink, 27 x 37cm., Exhibited: London, Royal Society of Painters in Water Colours (property of F. A. Govett), Provenance: London, The Leger Galleries Ltd, October 1966 (purchased December 1966). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

ALBERT GOODWIN, RWS (1845-1932). THE DAY'S END. Signed and dated 1916, inscribed with title, watercolour and pastel, 42 x 59.5cm., Provenance: London, Albany Gallery, purchased March 1970. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

ALBERT GOODWIN, RWS (1845-1932). VENICE. Signed and dated 92, watercolour and pencil, 26.5 x 37.5cm., Exhibited: London, Guildhall, 1896, Provenance: London, The Leger Galleries Ltd. * A little pale foxing. **BP 22.5% inc VAT + Lot Fee of £8

ALBERT GOODWIN, RWS (1845-1932). PISA. Signed, inscribed with title, watercolour and pencil heightened with white, 14.5 x 23.5cm. * Faded. **BP 22.5% inc VAT + Lot Fee of £8

ALBERT GOODWIN, RWS (1845-1932). ABOVE THE FALLS, NIAGARA. Signed, inscribed with title, watercolour and pencil heightened with white, 22.5 x 34cm., Provenance: London, Walker's Galleries Ltd. * Faded. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). MANCHESTER: CROMFORD COURT LOOKING ACROSS CORPORATION STREET TO BULL'S HEAD YARD; NEAR THE ROYAL EXCHANGE. (d) Two, both signed and dated 1922, pencil, 42 x 23cm. and 43 x 30.5cm. (2). * Each in need of a clean. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). MR REEVES, A SUPER TRAMP. (d) Watercolour and gouache, 76.5 x 56cm.;, with a coloured etching of the same sitter, signed, 24.5 x 20cm. (2). * Some pale foxing upper right in watercolour; etching more foxed. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). THE OLD COUNTRYMAN. (d) Signed, watercolour, gouache and charcoal, 55.5 x 75.5cm. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). DEAD TREES. (d) Signed, watercolour over traces of pencil, 54 x 76cm. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). FIGURES BY A HARBOUR ON A SUMMER DAY. (d) Signed, watercolour, 61.5 x 47cm. * Very slight fading. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). THE GIANT'S STAIRCASE, PALAZZO DUCALE, VENICE. (d) Signed, watercolour, 48 x 45.5cm. * Slight fading. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). VENICE: MOONRISE AT SUNSET. (d) Signed, watercolour, 49 x 46cm., Exhibited: London, Royal Institute of Painters in Water Colours, no date (label verso). * Slightly faded. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). TUGS IN A PORT. (d) Signed, watercolour and pencil, 45 x 61cm. * Needs a light clean to lift slight time-toning in paper. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). ASCOT. (d) Signed, inscribed and dated Ascot 1928, watercolour and pencil, 32.5 x 42cm. * A little time-toning of the paper in the sky. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). FIGURES SEATED IN A PARK. (d) Signed, watercolour over traces of pencil, 32 x 45cm. * Very slight fading. **BP 22.5% inc VAT + Lot Fee of £8

ARTHUR HENRY KNIGHTON HAMMOND (1875-1970). A STORMY DAY, WALES. (d) Signed, watercolour, 20 x 29cm.;, with another by the same hand, figures in a landscape, signed, 23 x 30cm. (2), Exhibited: (`Stormy Day`) London, Royal Institute of Painters in Water Colours, no date (label on backboard). * Each in satisfactory condition. **BP 22.5% inc VAT + Lot Fee of £8

MAURICE CANNING WILKS, ARHA (1910-1984). AT MATON HEAD, CO. DONEGAL; DONEGAL. (d) A pair, both signed, watercolour and pencil, Each 25.5 x 36.5cm. (2), Provenance: London, Frost & Reed. * Each a little faded. **BP 22.5% inc VAT + Lot Fee of £8

SIR HUGH CASSON, CH, PRA (1910-1999). TRINITY COLLEGE, OXFORD. (d) Signed, inscribed with title and dated 1990, watercolour with pen and ink and pencil, 19 x 33cm., Provenance: A gift to the former owner from British Alcan Aluminium, May 1991. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

SIR HUGH CASSON, CH, PRA (1910-1999). THE QUEEN'S HOUSE, GREENWICH. (d) Signed, inscribed with title and dated 1991, watercolour with pen and ink and pencil, 20.5 x 30.5cm., Provenance: A gift to the former owner from Alcan Aluminium Ltd, April 1991. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

ENZO PLAZZOTTA (1912-1981). NUREYEV, 3RD STUDY. (d) Bronze, 1969, cast by Fonderia Tommasi, Pietrasanta, Italy, with stamp indicating that this is the 5th cast from an edition of 9, 81cm plus 10cm plinth, Provenance: Purchased from the artist, May 1969, £400. * Dark brown patina; good condition. **BP 22.5% inc VAT + Lot Fee of £8

ENZO PLAZZOTTA (1912-1981). HANDS. (d) Bronze, 1968, cast by Fonderia Tommasi, Pietrasanta, with with stamp indicating that this is the 11th cast from an edition of 12, 36cm plus 15cm plinth, Provenance: Bruton, Bruton Antiques & Gallery, May 1970 (purchased for £425). * Varied light brown and dark brown patina. **BP 22.5% inc VAT + Lot Fee of £8

ENZO PLAZZOTTA (1912-1981). MOTHER AND CHILD. (d) Bronze, 1966, with stamp indicating that this is the 2nd cast from an edition of 9, 43cm plus 2.5cm plinth, Provenance: Collection of Mr and Mrs I Rydzewski, circa 1967; Bruton, The Bruton Gallery (purchased June 1972). * Mid-brown patina. **BP 22.5% inc VAT + Lot Fee of £8

ENZO PLAZZOTTA (1912-1981). SCHERZO. (d) Bronze, 1973, cast by Fonderia Mariani & Belfiore, Pietrasanta, with stamp indicating that this is the 4th cast from an edition of 9, 35cm plus 2cm plinth, Provenance: Purchased from the artist, March 1974, via Fine Art Distributors in Bruton (£660). * Dark brown patina. **BP 22.5% inc VAT + Lot Fee of £8

ENZO PLAZZOTTA (1912-1981). THE BULL. (d) Bronze, 1978, cast by Fonderia Mariani Artistica, Pietrasanta, Italy, with stamp indicating that this is the 2nd cast from an edition of 12, 47cm high plus 3cm base, Provenance: London, Chasepoint (Sales) Ltd, purchased February 1981 (£3450). * Weathered from having been outdoors. **BP 22.5% inc VAT + Lot Fee of £8

BERNARD GANTNER (1928-2018). SEINE BRIDGE. (d) Signed and dated 59, oil on canvas, 31.5 x 44.5cm., Provenance: London, The Piccadilly Gallery. * Needs only a light clean. **BP 22.5% inc VAT + Lot Fee of £8

JACQUES VOYET (1927-1910). GRANDE BARQUE. (d) Signed, oil on canvas, 63.5 x 79.5cm., Provenance: London, Frost & Reed. * Needs only a light clean. **BP 22.5% inc VAT + Lot Fee of £8

JACQUES VOYET (1926-2010). BARQUES SUR LE LAC BLANC. (d) Signed, oil on canvas, 52.5 x 71.5cm., Provenance: London, Frost & Reed (label verso), purchased May 1966 (£400). * Needs only a light clean. **BP 22.5% inc VAT + Lot Fee of £8

LORNE HOLLAND BOUCHARD (CANADIAN, 1913-1978). ST. PAUL STREET FROM PLACE JACQUES CARTIER (MONTREAL). Signed, also signed and inscribed with title and dated March 13th 1977 verso, oil on board, 29.5 x 39.5cm., Provenance: Montreal, Galerie Walter Klinkhoff (purchased September 1989, $3300). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

LORNE HOLLAND BOUCHARD (CANADIAN, 1913-1978). AFTERNOON, BAIE ST PAUL (QUEBEC). Signed, also signed titled and stamped verso, oil on thin panel, 20 x 24.5cm., Provenance: Quebec, Galerie Zanettin, purchased May 1989 ($1400). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

PETER BARRACLOUGH (B.1938/9). LOW TIDE, CAM RIVER. (d) Signed and dated 89, oil on canvas, 75 x 100cm., Provenance: Deakin, Canberra, Beaver Galleries (purchased May 1990). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

CHARLES HORWOOD (1908-1975). SPEAKERS' CORNER, HYDE PARK, LONDON. (d) Signed, oil on Masonite, 19 x 29cm. * Needs only a light clean. **BP 22.5% inc VAT + Lot Fee of £8

PETER HEARD (1939-2021). THE POTTERIES. (d) Signed; also signed, inscribed with title and dated 1986 verso, pencil sketch of bottle kilns verso, 39 x 49cm., Provenance: London, Portal Gallery, purchased September 1986 (£977.50). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

BERNARD CARTER (1920-2014). FIVE PICTURES. (d) Comprising `Owl on a Fence` (1990), 22 x 29.5cm.; `Swans by the Ruin`, 23 x 27cm.; `Herons on the Islet` (1979), 19 x 24cm.; `Look Dear, Adam & Eve`, 19.5 x 24cm.; and `Fishing from a Punt` (1983), 9.5 x 13.5cm., each signed, oil on Masonite (5), Provenance: London, Portal Gallery, purchased December 1977-May 1990. * Each in good condition; `Swans..` needs a clean to remove spattered marks. **BP 22.5% inc VAT + Lot Fee of £8

BERNARD CARTER (1920-2014). WHITE COCK NEAR A STREAM (1977). (d) Signed, oil on canvas, 40 x 54.5cm., Provenance: London, Portal Gallery, purchased May 1978 (£540). * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

PETER BROOK (1927-2009). PENNINE VALLEY OF WHITE FARMS. (d) Signed, inscribed with title, oil on canvas, 30 x 38cm., Provenance: London, Thos. Agnew & Sons Ltd (stock 43684). * A few small spattered marks. **BP 22.5% inc VAT + Lot Fee of £8

SCOTTIE WILSON (1891-1972). BIRDS IN A TREE, c.1950. (d) Ink and coloured crayon on board, 67 x 43cm., Provenance: London, Gimpel Fils Gallery, purchased March 1986 (£1800). * Good condition; very slightly faded. **BP 22.5% inc VAT + Lot Fee of £8

MARCEL DYF (1899-1985). BLES AU HEZO. (d) Signed, oil on canvas, 44.5 x 53.5cm., Provenance: London, Christopher Wade Ltd, Marcel Dyf Exhibition, no.19, (purchased September 1981, £4100). * Some slight craquelure. **BP 22.5% inc VAT + Lot Fee of £8

JOHN PIPER, CH (1903-1992). PWLL STRODYR. (d) Signed, inscribed with title and dated 29.VI.72, watercolour with pen and ink, 36 x 56cm., Provenance: London, Marjorie Parr, purchased March 1973 (£400). * Slight blistering of black pigment lower centre. **BP 22.5% inc VAT + Lot Fee of £8

EDWARD SEAGO, RWS (1910-1974). A STREET CORNER, ROME. (d) Signed, watercolour and pencil, 26.5 x 36cm., Provenance: London, P. & D. Colnaghi & Co. Ltd, Exhibited: Norwich, Castle Museum, `Paintings by Edward Seago`, July-September 1962, no.75. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

EDWARD SEAGO, RWS (1910-1974). THE STRAND, JUNE 1953. (d) Signed, watercolour with pen and ink, 18.5 x 27cm., * Seago was appointed one of the official artists for the Coronation on June 2nd 1953, endorsing a distinguished association with the Royal family which continued up to his death. This subject was drawn during the artist's visit to London for that event. HM The Queen later selected one of Seago's works as the most successful depiction of the Coronation procession. , , Provenance: London, P. & D. Colnaghi & Co. Ltd. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

EDWARD SEAGO, RWS (1910-1974). BARGES BY THE PONT ST. MICHEL, PARIS. (d) Signed, watercolour and pencil, 27 x 37.5cm., Provenance: London, P. & D. Colnaghi & Co. Ltd. * Good condition. **BP 22.5% inc VAT + Lot Fee of £8

EDWARD SEAGO, RWS (1910-1974). OCTOBER MORNING, UPPER HORNING. (d) Signed, inscribed with title verso, oil on Masonite, 29 x 39.5cm., Provenance: London, P. & D. Colnaghi & Co., Ltd. * Needs a clean. **BP 22.5% inc VAT + Lot Fee of £8

GIOVANNI BATTISTA PIRANESI (1720-1778). CARCERI D'INVENZIONE: STAIRCASE WITH TROPHIES (Hind 8). Etching, c.1749-1750, 54 x 39.5cm. * Horizontal crease as issued; wear in left margin; grubby. **BP 22.5% inc VAT + Lot Fee of £8

A FOLIO OF ENGRAVINGS. Comprising nine subjects by Giovanni Battista Piranesi (Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta.., 37.5 x 60.5cm.; Avanzi del Tempio del Dio Canopo nella Villa Adriana in Tivoli, 44.5 x 58cm.; Veduta interna del Tempio della Tosse, 62 x 45.5cm.; Veduta interna dell Antico Tempio di Bacco, 40 x 60cm.; Veduta interna della Basilica di S. Maria Maggiore, 42.5 x 67.5cm.; Veduta interna della Villa di Mecenate, 47 x 62cm; Arco di Settimio Severo, 35.5 x 58.5cm.; Veduta di Piazza a Navona.., 38.5 x 54cm.; Veduta della Basilica di S. Sebastiano, 41 x 65cm.), two by Domenico de Rossi (Disegno e Prospetto del Romano Campidoglio Moderno.., 48 x 65cm; and Piazza e Tempio di Santa Maria della Rotonda Gia l'Antico Panteon, 47 x 66cm.) and one by Gomar Wouters (Prospetto del Palazzo Pontificio nel Quirinale, 40 x 69cm), all unframed (12). * Fair only; generally stained, grubby, worn, cut down etc; one laid down. **BP 22.5% inc VAT + Lot Fee of £8

JAMES ABBOTT MCNEILL WHISTLER (1834-1903). BILLINGSGATE (Kennedy 47). Etching and drypoint, 1859, 14.5 x 22cm. * Evident foxing. **BP 22.5% inc VAT + Lot Fee of £8

ANTONIO VISENTINI (1688-1782). Follower of. ELEVATION OF A DOMED BASILICA. Pen and brown ink and grey wash, top corners cut, unframed, 29 x 27cm. * Grubby; ink stains or similar in upper quarter; creasing and foxing. **BP 22.5% inc VAT + Lot Fee of £8

MICHAEL ANGELO ROOKER, ARA (1743/6-1801). ST JOHN'S COLLEGE, OXFORD, FROM ST GILES. Blue and grey wash over pencil, unframed, 25 x 40cm. * Some slight creasing; needs a light clean. **BP 22.5% inc VAT + Lot Fee of £8

FRANCIS DODD, RA (1874-1949). A FOLIO OF NINE ETCHINGS. Comprising `Gavin Bone` (three impressions); `The Garden Door` (Susan Isabel Dacre), damaged lower right; `Muirhead Bone Drawing`, signed by artist and sitter; `Miss Ingle`; Child sketching; Man and Newspaper; and a unique impression of the artist's mother, each signed in pencil, various sizes (9). * Fair; generally with some staining, foxing or other faults. **BP 22.5% inc VAT + Lot Fee of £8

FRANCIS DODD, RA (1874-1949). MUIRHEAD BONE DRAWING. Etching with drypoint, 1931, signed by artist and sitter, Image 27.5 x 22cm.; plate 30.5 x 23cm. * Slight creases in margins. **BP 22.5% inc VAT + Lot Fee of £8

FRANCIS DODD, RA (1874-1949). HORSE AND CART ON A LONDON (?) STREET. Signed, watercolour, 22 x 25.5cm.;, with `Villa at Tivoli`, 22 x 30.5cm.; and a crayon drawing of the artist's mother, 24.5 x 21.5cm (3). * Principal item good; `Villa` faded; drawing satisfactory. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). EPHEMERA. (d) A quantity of assorted ephemera, photographs, exhibition catalogues, reproduction prints etc. * Fair condition. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). A FOLIO OF SKETCHES AND BRIEF STUDIES. (d) Approximately 40 leaves, comprising Folkestone, Portsmouth, Mull, Provence, Venice and Torcello, Sweden, Algiers, Spain (Merida, Arevalo, Avila, Medina and Santiago,a gift to Gertrude in 1933); and a signed etching `Rhenish Evangelarium`, some very slight. * Generally satisfactory condition. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). THREE FRAMED WORKS. (d) Comprising `Zahara`, 1935, a gift to Gavin and so inscribed, pencil, 17 x 32.5cm.; `Malpas on the Fall`, pencil and wash, 11 x 17.5cm.; and `Mounting a Big Gun`, offset lithograph, signed and titled, 35 x 53cm. (3). * Lithograph stained. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). STUDY FOR `WINTER MINE-LAYING OFF ICELAND`, 1942. (d) Charcoal on blue-grey paper, Sight 32 x 24cm. * Slight creases not affecting main image; some handling marks. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). THE OLD COURTHOUSE, GLASGOW (CD272). Etching, 1912, signed in pencil, annotated `XXX` in margin lower left and `V.F.P.` in margin lower right, unframed, 13 x 19.75cm. * A good impression; a little pale foxing. **BP 22.5% inc VAT + Lot Fee of £8

SIR MUIRHEAD BONE (1876-1953). AYR PRISON (Campbell Dodgson 179). (d) Drypoint, 1905, a signed proof (one of 41 impressions), 12 x 17.5cm., Exhibited: New York, Harlow, McDonald & Co; London, The Arts Council of Great Britain, `Drawings and Dry Points by Sir Muirhead Bone`, nd, no.63; London, New English Art Club (each of the last two lent by Stephen Bone), * This is generally considered to be Bone's masterpiece in this medium. It has been much admired for its composition; its subtle use of shade and light; its attention to detail (without fussiness); its capture of atmosphere (without resort to tricksy motifs); and the sense of the quiet and foreboding grandeur of the prison itself. In 1900, Bone had kept a studio very nearby, on Wellington Square in Ayr. * Some slight foxing and small graze in lower margin. **BP 22.5% inc VAT + Lot Fee of £8

GAVIN BONE (1907-1942). A FOLIO OF VARIOUS DRAWINGS, WATERCOLOURS AND PRINTS. Comprising approximately 43 portraits, landscapes, still lifes etc in watercolour, pencil, pastels etc; and approx.10 woodcuts and etchings. * Fair; some handling marks, foxing etc. **BP 22.5% inc VAT + Lot Fee of £8

GAVIN BONE (1907-1942). FOUR FRAMED DRAWINGS. Comprising `Posy in Jar`, 24 x 19cm,; `Night Milk`, 24 x 14.5cm.; Still Life, 1934, a gift to Stephen Bone and so inscribed, 27.5 x 21.5cm.; and `The World as Known in 1300 to Marco Polo` (1919), all signed, various media (4). * Some foxing. **BP 22.5% inc VAT + Lot Fee of £8

STEPHEN BONE (1904-1958). A GROUP OF FOUR WATERCOLOURS AND DRAWINGS. (d) Comprising a clearing sky scene, signed, gouache, 23.5 x 31.5cm.; `The Quirinal Palace, Rome`, signed, 22.5 x 18cm.; `The Rotterdam Gate, Delft`, signed, coloured crayons, 32 x 44cm.; and a `Souvenir de Bedales`, ink and pencil, 16.5 x 24.5cm. (4). * Generally good condition; the Rome subject faded. **BP 22.5% inc VAT + Lot Fee of £8

STEPHEN BONE (1904-1958). CANTERBURY. (d) Inscribed CANTERBURY APRIL 1920, watercolour and pencil, 24.5 x 34.5cm.;, with a small folio of assorted sketches and writings (2 items). * Canterbury a little faded; folio fair condition. **BP 22.5% inc VAT + Lot Fee of £8