18225 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
18225 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
18225 Los(e)/Seite
Los 138
A late Victorian/early 20th century gold and diamond three stone gypsy ring. The three graduated old-cut diamonds approx. 0.34cts, 0.17cts & 0.24cts (0.75cts total), all flush set to a tapering band stamped 'C18' and with a maker's mark '(?)BP&Co', size V, 6.9 grams gross Condition Report: Diamonds measure; centre 4.25mm x 4.1mm x 3mm; L.3.6mm x 3.4mm x 2.2mm;R.3.6mm x 3.6mm x 2.8mm;. Colour about J/K.Clarity about VS or better - mounted limitations apply..
Los 270
Quantity of Unboxed Dinky Toys Commercial Delivery Vans, 450 Trojan Van Esso, 451 Trojan Dunlop, 452 Trojan, Chivers Jellies,454 Trojan Cydrax, 455 Trojan Brooke Bond, 470 Austin A40 Van, Shell BP, 471 Austin A40 Van ‘Nestles’ 472 Austin A40 Van ‘Raleigh Cycles’ 480 Bedford CA van Kodak, 481 Bedford CA van ‘Ovaltine’ and 482 Bedford CA van ‘Dinky Toys, all in fair to good original condition. (11 items)
Los 75
Three Tri-ang Minic Articulated lorries, 40M pre-war articulated lorry with cases, petrol can and white tyres, condition: good to fair some paint chips to cab and rear slight fading to colour, pre-war 30M articulated pantechnicon, green cab with petrol can and red back with Minic Transport transfers, condition: fair, some paint loss and scratches to transfers, tyres replaced, 31M articulated Shell BP Fuel Oil tanker, blue cab and red tanker, condition: good to fair, all in working order, (3 items).
Los 76
Three Tri-ang Minic Articulated lorries, 40M pre-war articulated lorry with cases, petrol can and white tyres, condition: good to fair some paint chips to cab and rear slight fading to colour, pre-war 30M articulated pantechnicon, green cab with petrol can and red back with Minic Transport transfers, condition: fair, some paint loss and scratches to transfers, tyres replaced, 31M articulated Shell BP Fuel Oil tanker, blue cab and red tanker, condition: good to fair, all in working order, (3 items).
Los 79
Five Tri-ang Minic trucks, 49ME pre-war Searchlight lorry, condition: fair to good, tyres replaced and 15M pre-war BP Shell tanker, condition, fair some loss to transfers, 21M pre-war Transport van, blue cab and red back, condition, generally good, scratches to rear door and some rubbing to cab roof and chrome wings, two 21M Minic Transport vans, condition: one good, some small loss to transfers and other fair to poor, all working order, 20M Army tank, condition: fair lacks tracks and spring broken and an empty 40M mechanical horse and trailer with cases box, (7 items).
Los 112
Shani Rhys James Breakfast, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 113
Shani Rhys James String of Pearls, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 114
Shani Rhys James Grumpy Face, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 115
Shani Rhys James Sideways Glance, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 281
Haydn Cottam Tear Away, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Haydn Cottam's paintings often depict landscapes, which come from the experience of walking or cycling. The more recent work has an intimate feel and sometimes implied narrative created through atmospheric light, a sense of foreboding or contemplation. Scenes bear a silent witness to an event, which the viewer can direct. This may also be a formal construct, which pays tribute to the landscape that he has either journeyed through or delighted in. After graduating from St. Martins College of Art in the 80s and having worked and exhibited with painters such as Gavin Lockheart and Peter Doig in both California and London, Haydn concentrated on figurative work. In 1990 he was commended in the BP Portrait Award and in 1991 followed this success with winning the BP Travel Award. In 1995 he was the winner of The Carole Foundation at the Mall Galleries in London. The move from figure painting to landscape was gradual and reflects a general desire to be near open spaces and away from the urban environment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 282
Haydn Cottam Jonnie Walker, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Haydn Cottam's paintings often depict landscapes, which come from the experience of walking or cycling. The more recent work has an intimate feel and sometimes implied narrative created through atmospheric light, a sense of foreboding or contemplation. Scenes bear a silent witness to an event, which the viewer can direct. This may also be a formal construct, which pays tribute to the landscape that he has either journeyed through or delighted in. After graduating from St. Martins College of Art in the 80s and having worked and exhibited with painters such as Gavin Lockheart and Peter Doig in both California and London, Haydn concentrated on figurative work. In 1990 he was commended in the BP Portrait Award and in 1991 followed this success with winning the BP Travel Award. In 1995 he was the winner of The Carole Foundation at the Mall Galleries in London. The move from figure painting to landscape was gradual and reflects a general desire to be near open spaces and away from the urban environment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 300
Ishbel Myerscough Me, 2022 Oil Paint on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ishbel Myerscough is recognised for her highly detailed and meticulously observed portrayal of her subject matter, which over the past three decades has primarily included herself, her close friend and fellow artist Chantal Joffe, and their families. Myerscough combines a focused study of youth and coming-of-age with adult experiences of parenthood, desire and bereavement, evoking the complex cycle of human experience. Myerscough studied at Glasgow and the Slade Schools of Art, and works in London. In 1995 she won the National Portrait Gallery's annual BP Portrait Award competition and as a result was commissioned to paint Helen Mirren's portrait for the collection and subsequently Sir Willard White. Her portrait Two Girls (1991), was displayed in the exhibition Self at the Turner Contemporary, Margate, UK in 2015 and at the National Portrait Gallery, London, until November 2016. Her work was presented in a joint display Friendship Portraits: Chantal Joffe and Ishbel Myerscough at the National Portrait Gallery in 2015, capturing their very particular artistic collaboration; and was included in the exhibitions Only Connect, Royal Academy of Arts, Keeper's House, London; and Relating Narratives - A Common World of Women, The Horse Hospital, London, 2018. Education 1987-91 Glasgow School of Art 1993-95 Slade School of Art, London Select Exhibitions/Awards 2020 Grief, Longing and Love, Flowers Gallery, Cork Street, London 2016 Up Close, Flowers, New York 2011 Life, Flowers Central, London 2000 Drawings, Anthony Mould Contemporary, London Ishbel Myerscough, Anthony Mould, Cork Street, London 1996 A Second View, Anthony Mould Contemporary, London 1992 A First View, Anthony Mould Contemporary, London 1995-6 Robert and Susan Summers Residency, Connecticut, USA 1995 Hopkins Rootstein Foundation Travel Scholarship to New York National Portrait Gallery, BP Portrait Award, First prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Los 342
Sara Lavelle Woman in Blue, 2019 Oil on Card Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am an artist based in London. Drawing upon a fascination with human psychology, philosophy and spirituality, my work has a predominant focus on figuration. I move freely between commissioned pieces and self initiated projects. Education 2015 - 2018 BA, University of Brighton (1st Class) 2017 Artist Exchange, Minneapolis College of Art and Design 2014 - 2015 Foundation Diploma, Falmouth University (Distinction) Select Exhibitions/Awards 2020 (Postponed) Solo show, Rathbone Place, London. (Postponed) Seemingly Unfinished, Kulturfolger, Swizerland. (Postponed) Autumn Exhibition, Morgan's Gallery, Falmouth. (Postponed) Graduating in Paint, London Atelier of Representational Art, London. 2019 The anonymous heART project, Heart Research UK, Leeds A Year On; Winner of Rising Talent Exhibition 2018, Hastings Art Forum, Hastings Charity Auction, IMARA, Nottingham Residency Showcase, Cyprus College of Art, Cyrpus (Preselected) The BP Portrait Award, The National Portrait Gallery, London. Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London. The Sky Arts Portrait Artist of the Year 2019 Exhibition, Clarendon Fine Art Gallery, London. (Touring Exhibition 5th May - 23rd June - Whitewall Nottingham, Whitewall Newbury, Whitewall Stratford, Whitewall Chester, Whitewall Lichfield) Awards: 2019 (Finalist) Sky Arts Portrait Artist of the Year Award 2018 (Shortlisted - Final five artists) ACS Studio Prize 2018 (Winner) Public vote, Hastings Art Forum Rising Talent You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Los 343
Sara Lavelle The Hug, 2019 Oil on Perspex Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am an artist based in London. Drawing upon a fascination with human psychology, philosophy and spirituality, my work has a predominant focus on figuration. I move freely between commissioned pieces and self initiated projects. Education 2015 - 2018 BA, University of Brighton (1st Class) 2017 Artist Exchange, Minneapolis College of Art and Design 2014 - 2015 Foundation Diploma, Falmouth University (Distinction) Select Exhibitions/Awards 2020 (Postponed) Solo show, Rathbone Place, London. (Postponed) Seemingly Unfinished, Kulturfolger, Swizerland. (Postponed) Autumn Exhibition, Morgan's Gallery, Falmouth. (Postponed) Graduating in Paint, London Atelier of Representational Art, London. 2019 The anonymous heART project, Heart Research UK, Leeds A Year On; Winner of Rising Talent Exhibition 2018, Hastings Art Forum, Hastings Charity Auction, IMARA, Nottingham Residency Showcase, Cyprus College of Art, Cyrpus (Preselected) The BP Portrait Award, The National Portrait Gallery, London. Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London. The Sky Arts Portrait Artist of the Year 2019 Exhibition, Clarendon Fine Art Gallery, London. (Touring Exhibition 5th May - 23rd June - Whitewall Nottingham, Whitewall Newbury, Whitewall Stratford, Whitewall Chester, Whitewall Lichfield) Awards: 2019 (Finalist) Sky Arts Portrait Artist of the Year Award 2018 (Shortlisted - Final five artists) ACS Studio Prize 2018 (Winner) Public vote, Hastings Art Forum Rising Talent You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Los 101
A Royal Worcester large two handled urn and cover, hand-painted with fruit, by D Shinnie, with an ornate reticulated collar having ribbon tied swag faux handles, domed and stepped cover, terminating in flower shaped conical finial, raised on circular stepped foot, printed mark and numbered 1428 M/S, RT/BP, 13 ½in. (34.3cm.) high. * Light surface scratch to outside peach and leaf, otherwise nothing to note, good.
Los 449
A ROYAL CROWN DERBY 'CANARY' PAPERWEIGHT AND FOUR ROYAL ALBERT BEATRIX POTTER CHARACTER FIGURES, the paperweight with gold button stopper, the Beatrix Potter figures comprising 'Samuel Whiskers' BP-6a (with error Samual), 'Mrs Tittlemouse' BP-6a, 'Little Pig Robinson' BP-6a and 'Mr. Drake Puddle-Duck' BP-6a (5) (Condition report: all five items are in good condition)
Los 506
A QUANTITY OF BOXED AND UNBOXED BESWICK BEATRIX POTTER FIGURES, thirty five pieces, comprising two boxed small Peter and the Red Pocket Handkerchief figures (BP-9d), four boxed centenary figures, two each of Peter Rabbit (BP-7) and Jemima Puddleduck (BP-9a), a boxed Chippy Hackee (BP-3c), characters without boxes: Mr Alderman Ptolemy (BP-3a), Miss Moppet (BP-2a, ears damaged), BP-3b figures: Old Mr Pricklepin, Johnny Town-Mouse (pen mark to forehead), Chippy Hackee, Ribby, Cousin Ribby, Tailor of Gloucester, Thomasina Tittlemouse, and Cottontail, BP-3c figures: Old Mr Bouncer, Tom Kitten & Butterfly (chip to butterfly), The Old Woman Who Lived in a Shoe, Timmy Willie, Susan, Jeremy Fisher, Benjamin Bunny Sat on a Bank, and Chippy Hackee, BP-4 figures: Jemima Puddleduck, Mrs Tiggy Winkle, Hunca Munca, Peter Rabbit (ear repaired), Rebeccah Puddleduck, Mr Jeremy Fisher Digging, and Flopsy, Mopsy and Cottontail, together with three character jugs: Tom Kitten, Old Mr Brown and Mr Jeremy Fisher (Condition report: as stated otherwise appear in good condition) (35)
Los 1039
A GROUP OF THREE (3) LACQUERED WOODEN SHALLOW DISHES, ONE SAID TO BE BY NGUYEN SON VIETNAM, 20TH CENTURY The first one depicts a ‘Rivière Rouge’ (lit. Red River) landscape in gilt and red tones. It is signed to the base, unidentified, sometimes said to be Nguyen Son. The second one depicts a ‘River landscape’ in beautiful gilt and azur blue tones. Unsigned. The third one depicts ‘Les Poissons rouges de l’Abondance’ (lit. Goldfish of Abundance, Cá vàng dồi dào, 金玉滿堂). D (the biggest): 29,2 cm Notes (for the first dish): 1. An artist whose signature has not yet been identified and sometimes referred to as Nguyen Son. 2. For an important triptych by the same artist, please refer to Lynda Trouve Paris, France, 2018/06/21, lot 217, sold for €8.500 BP excl.
Los 698
A PSITTACOSAURUS SKELETON LOWER CRETACEOUS PERIOD, 119 - 97.5 MILLION YEARS BP with a birdlike skull and beak mouth, mounted on a naturalistic desert sand setting, in a glazed hardwood case 85cm long, the case: 64 x 95.2cm Catalogue Note Psittacosaurus (which translates literally as parrot lizard) was notable for its birdlike appearance. Despite its small stature and lack of horns, it was part of the Ceratopsia group which included iconic dinosaurs, such as Triceratops
Los 308
MAI TRUNG THU 梅忠恕 (VIETNAM AND FRANCE, 1906-1980) ECOLE DES BEAUX-ARTS DE L’INDOCHINE (INDOCHINA FINE ARTS COLLEGE), 1ST CLASS (1930) “La toilette” 1962 Print Bears a printed signature and a seal in the plate to the lower right Autographed and signed by the artist to the lower part: À Madame Lola Saint Marceau avec les compliments de l'auteur” Framed Dimensions (the sole print): 52.8 x 40.9 cm Notes: Mai Trung Thu, known as Mai Thu, was born in 1906. He came from a wealthy family, his father, Mai Trung Cat was governor of Bac Ninh and was granted the title of Baron by the French government. He studied at the French High School in Hanoi. In 1925, Mai Thu joined the first class of the Indochina School of Fine Arts, under the direction of Victor Tardieu. It is during his years of studies that he became interested in painting illustrating scenes of Vietnamese rural life. He chose to paint them on silk, an expensive material that is as delicate as the palette of colors he used. Compare with an identical print also autographed at Sotheby’s Hong Kong, China, 2015/10/05, lot 282, sold for €4.592 BP incl. MAI TRUNG THỨ 梅忠恕 (VIỆT NAM VÀ PHÁP, 1906-1980) ECOLE DES BEAUX-ARTS DE L’INDOCHINE (TRƯỜNG CAO ĐẲNG MỸ THUẬT ĐÔNG DƯƠNG), KHÓA 1 (1930) “Trang điểm” 1962 Bản in thạch bản màu trên lụa Có chữ ký và con dấu trong tấm phía dưới bên phải Được đề tên và được ký bởi họa sĩ ở góc dưới: Gửi đến Bà Lola Saint Marceau với những lời chào trân trọng từ tác giả Được đóng khung Kích thước (bản in duy nhất): 52,8 x 40,9 cm Ghi chú: Mai Trung Thứ, còn được gọi là Mai Thứ, sinh năm 1906. Ông xuất thân trong một gia đình giàu có, cha ông là Mai Trung Cát làm Tổng đốc Bắc Ninh và được nhà cầm quyền Pháp phong tước vị là Nam tước. Ông học tại trường Trung học Pháp ở Hà Nội. Năm 1925, Mai Thứ vào học khóa đầu tiên của Trường Mỹ thuật Đông Dương, dưới sự chỉ đạo của Victor Tardieu. Chính trong những năm đi học này, ông đã bắt đầu say mê vẽ tranh miêu tả cảnh sinh hoạt nông thôn Việt Nam. Ông đã chọn vẽ cảnh vật trên lụa, một chất liệu đắt tiền nhưng cũng tinh tế cũng như bảng màu mà ông đã sử dụng. So sánh với một bản in giống hệt cũng có chữ ký tại Sotheby's Hồng Kông, Trung Quốc, 05/10/2015, lô số 282, được bán với giá €4.592 bao gồm phí của người mua. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Los 319
PUBLICATION DE L’ECOLE D’ART DE GIADINH, SAIGON (GIADING SCHOOL OF ART PUBLICATION) J.G. BESSON, CONTROLLER OF INDOCHINA’S SCHOOL OF ARTS (UNDER THE DIRECTION OF) MONOGRAPHIE DESSINEE DE L’INDOCHINE COCHINCHINE (DRAWN MONOGRAPH OF INDOCHINA COCHINCHINA) ASSOCIATION CORPORATIVE DES DECORATEURS, GRAVEURS ET LITHOGRAPHES DE GIADINH (CORPORATION ASSOCIATION OF THE DECOTORS, ENGRAVERS AND LITHOGRAPHERS OF GIADINH) PARIS, LIBRAIRIE ORIENTALISTE PAUL GEUTHNER, 12 RUE VAVIN (VITH DISTRICT), MCMXXXV (1935) PREFACE BY LOUIS MALLERET TOME I: SITES ET GENS (SITES AND PEOPLES) In-folio. Title page of the publication. Title page of the Tome. Plate summary. Complete preface of the publication by Louis Malleret (11 pages). 40 plates originally. 39 plates (missing one plate, no. 40). TOME II: SITES ET GENS (SITES AND PEOPLES) In-folio. Missing title page of the publication. Title page of the Tome. Plate summary. 40 plates originally. 12 plates (missing no. 1-5, 9-16, 18-20, 26, 28-35, 38-40). TOME III: SITES ET GENS (SITES AND PEOPLES) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 40 plates originally. Complete. TOME IV: AGRICULTURE INDUSTRIE ET COMMERCE (AGRICULTURE INDUSTRY AND TRADE) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 42 plates originally. Complete. TOME V: AGRICULTURE INDUSTRIE ET COMMERCE (AGRICULTURE INDUSTRY AND TRADE) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 40 plates originally. Complete. TOME VI: AGRICULTURE INDUSTRIE ET COMMERCE (AGRICULTURE INDUSTRY AND TRADE) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 40 plates originally. Complete. One tear to the title page of the publication. TOME VII: THEATRE SINO-ANNAMITE (CHINESE ANNAMESE THEATER) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 42 plates originally. Complete. TOME VIII: CULTE (DEVOTION) In-folio. Title page of the publication. Title page of the Tome. Plate summary. 42 plates originally. Complete. [TOTAL: +/- 300 LITHOGRAPHS - ALL NUMBERS GIVEN IN THAT DESCRIPTION ARE APPROXIMATE] PUBLICATION DE L’ECOLE D’ART DE GIADINH, SÀI GÒN (TRƯỜNG XUẤT BẢN NGHỆ THUẬT GIA ĐỊNH) J.G. BESSON, TRƯỞNG BAN QUẢN TRỊ CỦA TRƯỜNG MỸ THUẬT ĐÔNG DƯƠNG (THEO CHỈ ĐẠO CỦA) Notes: 1. All the plates are lithographs. 8 tomes from a series of 13 tomes. A very rare publication. Such a lot with that many tomes has never been seen at auction previously. 2. Compare with a single tome (no. 3) of this collection of 13 tomes offered at auction at Lynda Trouve Paris, 2019/04/01, lot 190 sold for €2.000 BP excl. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Los 375
IN THE MANNER OF DO DINH HIEP (1914-1972) ECOLE DES BEAUX-ARTS DE L'INDOCHINE (INDOCHINA FINE ARTS COLLEGE) Le Fleuve Rouge, Paysans du Tonkin / The Red River, Tonkin peasants A large lacquered wooden panel Signed (unidentified) and dated to the lower right: 50 for 1950 55 x 101,5 cm THEO BÚT PHÁP CỦA ĐỖ ĐÌNH HIỆP (1914-1972) THE ECOLE DES BEAUX-ARTS DE L’INDOCHINE (TRƯỜNG CAO ĐẲNG MỸ THUẬT ĐÔNG DƯƠNG) Le Fleuve Rouge, Paysans du Tonkin / Sông Hồng, nông dân Bắc Kỳ Notes: 1. Do Dinh Diep (1914-1972) graduated from the Ecole des Beaux Arts d'Indochine (Indochina Fine Arts College) in 1937, one of his classmates being the renowned painter Luong Xuan Nhi (1913-2006). The same year he went to Paris, where he depicted the Eiffel Tower. Later on he settled in Saigon where he became the Director of The Ecole des Beaux-Arts de Saigon (Saigon's Fine Arts College). 2. Compare with a related panel by Do Dinh Diep (1914-1972) with a similar composition sold by Lynda Trouve Paris, France, 2019/10/18, lot 311 for Ôé¼128.000 BP incl. NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
Los 240
Großes Konvolut WagenMärklin, Spur H0, Kunststoff, tls. mit Blechboden, ca. 1970-1990er Jahre, insg. 83 Stk., 20x im OK, u.a. Museumswagen, dabei Tankwagen "Aral", "BP", "ESSO", Bananenwagen, Werbe-Güterwagen, Personenzugpackwagen, offene Güterwagen, Planenwagen, Langholzwagen u.v.m.. Part. leichte Altersspuren, evtl. Fehlstellen.
Los 274
DIECAST MODEL VEHICLES - to include an assortment of delivery vehicles including 1912 Rolls Royce, 1927 Talbots, 1912 Model T Fords, all with various advertisers including Colmans Mustard, Coca Cola, BP, ETC. Also a number of classic cars including 1945 MG ETC, 1920 Rolls Royce, 1936 Jaguar, 1931 Stutz Bearcat, 1928 Mercedes, ETC, approximately 41 vehicles all in original retail boxes
Los 454
A GROUP OF ELEVEN BEATRIX POTTER FIGURES, to include Royal Albert 'Jemima Puddle Duck' BP 6a, 'Tailor of Gloucester' BP 6a (no crown), and 'Squirrel Nutkin' BP 6a, Beswick 'Hunca Munca' BP 4, 'The Old Woman Who Lived in a Shoe' BP 3c, 'Jeremy Fisher' BP 3c, 'Tom Thumb' BP 3c, 'Miss Moppet' BP 3b, 'Ribby' BP 3b, 'Mr Benjamin Bunny & Peter Rabbit' BP 3b, and 'Mr Jeremy Fisher Digging' BP 4, with three troll figures (one marked Dam) (Condition report: Beatrix Potter figures appear in good condition with no obvious damage, sd to trolls) (14)
Los 3567
Ernest (Ern) Shaw (1891-1986), ink cartoon entitled 'The Indomitable Spirit' referring to Benno Pearlman (BP) civic dignitary of Hull, signed and dated '33, 37.5 x 27cm; in ebonised frame with Hull Daily Mail biographical newspaper cutting verso reporting Ern Shaw's death in 1986; together with a framed print from the Sunday Graphic October 13th 1929 entitled 'Some of Hull's Leading Citizens - As seen by Matt.' (2)Condition Report:Shaw - cartoon in very good condition. Frame showing signs of wear consistent with age and use.Matt - generally in good condition but evidence of some scribbling being erased from two top corners.
Loading...-
18225 Los(e)/Seite