18240 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

DAVINA OWEN "Marnie" study of a dog, pastel signed and dated 2002 lower right image size 43.5 cm x 33 cm together with "Quickie" study of a dog, pastel, titled, initialled BP and dated 1st September 59 or 1.9.59 lower left image size 44 cm x 60 cm

Diecast models by various makers including four Corgi Weetabix vehicles, Vanguards Shell-BP Tanker, five Brooke Bond Bump and Go in boxes, loose industrial vehicles and aircraft

Six Corgi Modern Trucks 1:50 scale diecast models, comprising 75501 Parcelforce Worldwide Leyland DAF Box Trailer, 75301 Q8 Leyland DAF Tanker, 75401 James Irlam & Sons Leyland DAF Curtainside, 75103 BP ERF Tanker, 75102 Shell UK ERF Tanker and 75101 Gulf Oil ERF Tanker, all boxed and sealed. (6)

Nine Corgi diecast models, including four Modern Trucks 1:50 scale and five Gold Star Special, to include 75202 Boddingtons ERF Curtainside, CC11907 BP ERF EC Petrol Tanker etc, all boxed. (9)

A collection of Corgi Shell and BP and Fuelling the Fifties Premium Edition models, comprising CC11702 Regent Oil Company, CC11502 Shell-Mex and BP, CC11604 Castrol, 22801, 16306, 11501, 24203 and 31904 Shell Petrol Pump and Attendant Set, all boxed. (8)

A collection of assorted small scale diecast models, comprising a collection of boxed Matchbox 1-75 Series Regular Wheels diecast models, comprising 8e Ford Mustang in white, 7c Ford Refuse Truck, 37c Dodge Cattle Truck, 26c GMC Tipper Truck, 28d Mack Dump Truck, with a Matchbox Major M1 BP Petrol Tanker, box S/D, and a King Size K1-2 Hoveringham Foden Tipper Truck, box S/D, with three Corgi diecast models, 51655 James Bond For Your Eyes Only Citroen 2CV, Juniors Jaguar XJ-S and Juniors Mercedes-Benz 240D, with a Guisval 27 Seat 131, Guisval 14 Renault R5, Majorette 140 Simca 1307, Crescent State Coach, Dinky 241 Silver Jubilee Taxi, Corgi 471 London Transport Silver Jubilee Bus and a Corgi 61 Four Furrough Plow, all boxed or carded, conditions vary. (17)

A collection of silver items, comprising a cased set of six grapefruit spoons, Sheffield 1964, Emile Viner, a cased set of six tea knives, Sheffield 1965, maker's mark HB, a silver purse with engraved floral decoration, Birmingham 1906, maker's mark JG., two smaller silver purses, Birmingham 1918, maker's mark BP over DC and the other Chester 1912, maker's mark T&S and two silver lidded toilet jarsCondition report: All pieces with surface scratches, knocks and signs of use, the larger purse with heavier dents and one of the glass jars with chips to the rim.

A MIXED LOT:- A Victorian ivory-handled cheese scoop, initialled "BP", by Martin Hall & Co., Sheffield 1861, an ash tray, a purse, initialled, a nut dish, a small scent bottle, a butter knife, initialled, a wine label and a plated bosun's whistle; the latter 4" (10 cms) long; 6.25 oz weighable silver (8)

Children's books and annuals, to include Knockout Annual 1959, Okay Adventure Annual, The Lone Ranger Annual, Buffalo Bill Wild West Annual, John Wayne Adventure Annual, BP Book of Motorcycle Racing edited by Murray Walker, The Okay Annual of Adventure Stories, Tiger Annual 1961, Chatterbox Annual, Stanley Matthews' Football Album, Farmyard Friends, Champio the Wonder Horse (12)

A 'Not For Resale' glass petrol pump globe by Hailware, in good condition, fully stamped 'Property of Shell. Mex & BP Ltd...'

A BP Farm Lubricants advertising sign, 15 x 19 1/2".

A tray of assorted automobilia to include Rolls-Royce toy cars, BP, Esso etc.

An unusual Shell and BP flag, 38 x 32 1/2".

A vintage BP Motor Spirit can and a small can

Matchbox Models of Yesteryear - Over 30 boxed Matchbox Models of Yesteryear. Lot includes Y3 Model T Tanker 'BP'; Y12 Model T Van 'Pepsi Cola'; Y25 Renault Type AG Van 'Tunnocks'. Models appear to be in Mint condition in Very Good - Excellent window boxes with some minor wear. (This does not constitute a guarantee)

2 vintage 2 gallon petrol cans, one marked "Shell Mex, BP" with original Shell cap. Approx. 33cm tall.

A group of ESSO and other petrol cans, to include an ESSO blue paraffin later painted tin, a Motor BP spirit petrol can, a Red Line petrol can and an ESSO red petrol can. (4)

Four two gallon petrol cans with brass caps, Shell Motor Spirit, BP Motor Spirit and 2 x Esso

A pair of Victorian novelty silver salt cellars, maker's mark BP, possibly for Benjamin Preston, London 1846, modelled as a nautilus shell mounted on the back of a tortoise, the interior with traces of gilding, one with damage, length 9.8cm, approx. weight 13oz. (2)

A box containing a copper bugle ; miniature Guinness advertising items; opera glasses; a BP badge etc.

A BP white metal Forties Field inauguration medal in Algernon Asprey case.

A VINTAGE ESSO PETROL CAN with a Brass BP cap, a galvanised bath (distorted) 55cm in diameter, three vintage oil cans and another petrol can (6)

Bachmann 'OO' Gauge Class 37418 Locomotive and 3x 'Shell BP' TTA Tank Wagons. Comprises of: 37 418 'An Comunn Gaidhealach', split from Train Set, therefore is supplied in aftermarket plain white box, with detail pack and papers, cab glazing loose on 1x side (supplied in detail pack) this model is NOT fitted with DCC Sound, 3x 37-577W TTA Wagons 'Hereford Model Centre Exclusive' - All Boxed (4)

The Healey Works sack barrow, and other garage equipment,simple sack trolley, painted yellow, some surface corrosion, with solid rubber tyres, rubber hand-grips distressed, used by the Healey Team at race events, offered together with four fuel cans (two by SM & BP Ltd), and a set of four 56lb weights by C.B.Dale, used by the Healeys to stabilise their vehicles during hillclimb events. (9)Footnotes:The original sack trolley that accompanied the Healey Team on every race and to Utah for the Speed Record events. Geoffrey Healey saved it when the Donald Healey Motor Co closed down and continued to use it at home. Roger Menadue once said to the Healey family... 'This might be the most important Healey relic you have. It was the first thing we bought for The Cape Healey works and it was the first thing I packed every time we went racing and we couldn't have achieved anything without it.'This lot is subject to the following lot symbols: ◊◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

An Edward VII half sovereign 1909, BP in Exergue - Condition: F/VF

Petrolania: Two 1930's style wall hanging pictorial advertising boards for 'National Benzol Mixture' and 'BP Ethyl', each 29 by 19cms (11.5 by 7.5ins) (2).

Liberty Blake 98k Collage on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in England in 1968, Liberty grew up in an alternative, arts-centric environment that encouraged self-expression and creativity. She attended The Looking Glass School, a small experimental school that fostered arts and the environment. This formed the beginning of her love for art, outdoor adventure, and the natural world. 
 In 1997 she moved to Utah, with her partner and son, where she co-ran the 'Art Shack' at Sundance, teaching, exhibiting, and doing graphic design for the resort. It was during this time that she made her first wilderness-inspired abstract collages. 
 In 2007 she participated in the "337 Project" in Salt Lake City, Utah, where she created the first of many large-scale 'wall collages.' The most recent of these is the collaborative 'Work in Progress Mural Project,' a 60ft collaged mural, comprised of stencil portraits of women made by members of the community in workshops that she runs with her mother and fellow artist, Jann Haworth. 
 Liberty lives and works in Salt Lake City, Utah. Her abstract collages are a document of the wild natural places and neglected urban environments of the American West. She has shown extensively in Utah, in group and solo shows, and was previously represented by The Phillips Gallery and Modern West Gallery in Salt Lake City. Her work is housed in private collections across the United States, Europe, and Canada. Her current body of work explores the impact of wildfires, their increasing severity, and growing threat. Education Primarily self-taught Exhibitions 2021 Right Here Right Now, SUMA, UT 2017 Arrangements: A survey of Utah Collage, group show. On tour https://heritage.utah.gov/arts-and-museums/tep-arrangments 2017 The Phillips Gallery, show in the main gallery 2016 'Utah 2016 Mixed Media and Works on Paper' exhibit, SLC, UT 2016 'Don't Read This Too' Springville Museum of Art, UT 2016 'Demographics' Rio Gallery, SLC, UT 2016 "Plural and Partial: Tracing the Intergenerational Self": Jann Haworth, Annie Kennedy, Amy Jorgensen, Valerie Atkisson, Liberty Blake & Shawn Rossiter, Rio Gallery, SLC, UT A4: 2013 'Utah 2013 Mixed Media and Works on Paper' exhibit Liberty Blake and Shawn Rossiter ColLaborArt at the Utah Arts Festival, SLC, UT (works of collaboration with Shawn Rossiter) 2011 Liberty Blake: Collages, Stolen & Escaped Gallery, SLC, UT 2007 337 Project, Salt Lake City, UT 2006 Cigar Box Show, Kayo Gallery, SLC, UT 2001 Utah 2001: Works on Paper & Mixed Media, Kimball Art Center, Park City, Utah 1999 Group show, Mall Gallery, London, UK 2001 Phoenix Gallery, Park City, UT 1997-2002 The Art Shack, Sundance Resort 1992 National Portrait Gallery BP Portrait Show, London, UK 2017 'The Meadow After the Climb' purchased for the Utah State Fine Art Collection 2015 Salt Lake City Weekly, Best of Utah Arts, 'Best mixed media/sculpture exhibition' About the postcard artworks In 2019 I traveled with my youngest son from Utah to visit my family in London. He was 16 at the time and very excited to visit the streetwear stores in the West End. I always collect paper bags for collage and I amassed a good collection during this trip, thanks to my son! I used an END bag as a base for these collages, I love the printed white letters and wanted to incorporate them in small collages so they could feature prominently. I use mostly found and salvaged paper, scavenging is an important part of the process.  

Liberty Blake N.D, 2021 Collage on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in England in 1968, Liberty grew up in an alternative, arts-centric environment that encouraged self-expression and creativity. She attended The Looking Glass School, a small experimental school that fostered arts and the environment. This formed the beginning of her love for art, outdoor adventure, and the natural world. 
 In 1997 she moved to Utah, with her partner and son, where she co-ran the 'Art Shack' at Sundance, teaching, exhibiting, and doing graphic design for the resort. It was during this time that she made her first wilderness-inspired abstract collages. 
 In 2007 she participated in the "337 Project" in Salt Lake City, Utah, where she created the first of many large-scale 'wall collages.' The most recent of these is the collaborative 'Work in Progress Mural Project,' a 60ft collaged mural, comprised of stencil portraits of women made by members of the community in workshops that she runs with her mother and fellow artist, Jann Haworth. 
 Liberty lives and works in Salt Lake City, Utah. Her abstract collages are a document of the wild natural places and neglected urban environments of the American West. She has shown extensively in Utah, in group and solo shows, and was previously represented by The Phillips Gallery and Modern West Gallery in Salt Lake City. Her work is housed in private collections across the United States, Europe, and Canada. Her current body of work explores the impact of wildfires, their increasing severity, and growing threat. Education Primarily self-taught Exhibitions 2021 Right Here Right Now, SUMA, UT 2017 Arrangements: A survey of Utah Collage, group show. On tour https://heritage.utah.gov/arts-and-museums/tep-arrangments 2017 The Phillips Gallery, show in the main gallery 2016 'Utah 2016 Mixed Media and Works on Paper' exhibit, SLC, UT 2016 'Don't Read This Too' Springville Museum of Art, UT 2016 'Demographics' Rio Gallery, SLC, UT 2016 "Plural and Partial: Tracing the Intergenerational Self": Jann Haworth, Annie Kennedy, Amy Jorgensen, Valerie Atkisson, Liberty Blake & Shawn Rossiter, Rio Gallery, SLC, UT A4: 2013 'Utah 2013 Mixed Media and Works on Paper' exhibit Liberty Blake and Shawn Rossiter ColLaborArt at the Utah Arts Festival, SLC, UT (works of collaboration with Shawn Rossiter) 2011 Liberty Blake: Collages, Stolen & Escaped Gallery, SLC, UT 2007 337 Project, Salt Lake City, UT 2006 Cigar Box Show, Kayo Gallery, SLC, UT 2001 Utah 2001: Works on Paper & Mixed Media, Kimball Art Center, Park City, Utah 1999 Group show, Mall Gallery, London, UK 2001 Phoenix Gallery, Park City, UT 1997-2002 The Art Shack, Sundance Resort 1992 National Portrait Gallery BP Portrait Show, London, UK 2017 'The Meadow After the Climb' purchased for the Utah State Fine Art Collection 2015 Salt Lake City Weekly, Best of Utah Arts, 'Best mixed media/sculpture exhibition' About the postcard artworks In 2019 I traveled with my youngest son from Utah to visit my family in London. He was 16 at the time and very excited to visit the streetwear stores in the West End. I always collect paper bags for collage and I amassed a good collection during this trip, thanks to my son! I used an END bag as a base for these collages, I love the printed white letters and wanted to incorporate them in small collages so they could feature prominently. I use mostly found and salvaged paper, scavenging is an important part of the process.  

Liberty Blake E., 2021 Collage on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in England in 1968, Liberty grew up in an alternative, arts-centric environment that encouraged self-expression and creativity. She attended The Looking Glass School, a small experimental school that fostered arts and the environment. This formed the beginning of her love for art, outdoor adventure, and the natural world. 
 In 1997 she moved to Utah, with her partner and son, where she co-ran the 'Art Shack' at Sundance, teaching, exhibiting, and doing graphic design for the resort. It was during this time that she made her first wilderness-inspired abstract collages. 
 In 2007 she participated in the "337 Project" in Salt Lake City, Utah, where she created the first of many large-scale 'wall collages.' The most recent of these is the collaborative 'Work in Progress Mural Project,' a 60ft collaged mural, comprised of stencil portraits of women made by members of the community in workshops that she runs with her mother and fellow artist, Jann Haworth. 
 Liberty lives and works in Salt Lake City, Utah. Her abstract collages are a document of the wild natural places and neglected urban environments of the American West. She has shown extensively in Utah, in group and solo shows, and was previously represented by The Phillips Gallery and Modern West Gallery in Salt Lake City. Her work is housed in private collections across the United States, Europe, and Canada. Her current body of work explores the impact of wildfires, their increasing severity, and growing threat. Education Primarily self-taught Exhibitions 2021 Right Here Right Now, SUMA, UT 2017 Arrangements: A survey of Utah Collage, group show. On tour https://heritage.utah.gov/arts-and-museums/tep-arrangments 2017 The Phillips Gallery, show in the main gallery 2016 'Utah 2016 Mixed Media and Works on Paper' exhibit, SLC, UT 2016 'Don't Read This Too' Springville Museum of Art, UT 2016 'Demographics' Rio Gallery, SLC, UT 2016 "Plural and Partial: Tracing the Intergenerational Self": Jann Haworth, Annie Kennedy, Amy Jorgensen, Valerie Atkisson, Liberty Blake & Shawn Rossiter, Rio Gallery, SLC, UT A4: 2013 'Utah 2013 Mixed Media and Works on Paper' exhibit Liberty Blake and Shawn Rossiter ColLaborArt at the Utah Arts Festival, SLC, UT (works of collaboration with Shawn Rossiter) 2011 Liberty Blake: Collages, Stolen & Escaped Gallery, SLC, UT 2007 337 Project, Salt Lake City, UT 2006 Cigar Box Show, Kayo Gallery, SLC, UT 2001 Utah 2001: Works on Paper & Mixed Media, Kimball Art Center, Park City, Utah 1999 Group show, Mall Gallery, London, UK 2001 Phoenix Gallery, Park City, UT 1997-2002 The Art Shack, Sundance Resort 1992 National Portrait Gallery BP Portrait Show, London, UK 2017 'The Meadow After the Climb' purchased for the Utah State Fine Art Collection 2015 Salt Lake City Weekly, Best of Utah Arts, 'Best mixed media/sculpture exhibition' About the postcard artworks In 2019 I traveled with my youngest son from Utah to visit my family in London. He was 16 at the time and very excited to visit the streetwear stores in the West End. I always collect paper bags for collage and I amassed a good collection during this trip, thanks to my son! I used an END bag as a base for these collages, I love the printed white letters and wanted to incorporate them in small collages so they could feature prominently. I use mostly found and salvaged paper, scavenging is an important part of the process.  

Liberty Blake N.D Tape, 2021 Collage on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in England in 1968, Liberty grew up in an alternative, arts-centric environment that encouraged self-expression and creativity. She attended The Looking Glass School, a small experimental school that fostered arts and the environment. This formed the beginning of her love for art, outdoor adventure, and the natural world. 
 In 1997 she moved to Utah, with her partner and son, where she co-ran the 'Art Shack' at Sundance, teaching, exhibiting, and doing graphic design for the resort. It was during this time that she made her first wilderness-inspired abstract collages. 
 In 2007 she participated in the "337 Project" in Salt Lake City, Utah, where she created the first of many large-scale 'wall collages.' The most recent of these is the collaborative 'Work in Progress Mural Project,' a 60ft collaged mural, comprised of stencil portraits of women made by members of the community in workshops that she runs with her mother and fellow artist, Jann Haworth. 
 Liberty lives and works in Salt Lake City, Utah. Her abstract collages are a document of the wild natural places and neglected urban environments of the American West. She has shown extensively in Utah, in group and solo shows, and was previously represented by The Phillips Gallery and Modern West Gallery in Salt Lake City. Her work is housed in private collections across the United States, Europe, and Canada. Her current body of work explores the impact of wildfires, their increasing severity, and growing threat. Education Primarily self-taught Exhibitions 2021 Right Here Right Now, SUMA, UT 2017 Arrangements: A survey of Utah Collage, group show. On tour https://heritage.utah.gov/arts-and-museums/tep-arrangments 2017 The Phillips Gallery, show in the main gallery 2016 'Utah 2016 Mixed Media and Works on Paper' exhibit, SLC, UT 2016 'Don't Read This Too' Springville Museum of Art, UT 2016 'Demographics' Rio Gallery, SLC, UT 2016 "Plural and Partial: Tracing the Intergenerational Self": Jann Haworth, Annie Kennedy, Amy Jorgensen, Valerie Atkisson, Liberty Blake & Shawn Rossiter, Rio Gallery, SLC, UT A4: 2013 'Utah 2013 Mixed Media and Works on Paper' exhibit Liberty Blake and Shawn Rossiter ColLaborArt at the Utah Arts Festival, SLC, UT (works of collaboration with Shawn Rossiter) 2011 Liberty Blake: Collages, Stolen & Escaped Gallery, SLC, UT 2007 337 Project, Salt Lake City, UT 2006 Cigar Box Show, Kayo Gallery, SLC, UT 2001 Utah 2001: Works on Paper & Mixed Media, Kimball Art Center, Park City, Utah 1999 Group show, Mall Gallery, London, UK 2001 Phoenix Gallery, Park City, UT 1997-2002 The Art Shack, Sundance Resort 1992 National Portrait Gallery BP Portrait Show, London, UK 2017 'The Meadow After the Climb' purchased for the Utah State Fine Art Collection 2015 Salt Lake City Weekly, Best of Utah Arts, 'Best mixed media/sculpture exhibition' About the postcard artworks In 2019 I traveled with my youngest son from Utah to visit my family in London. He was 16 at the time and very excited to visit the streetwear stores in the West End. I always collect paper bags for collage and I amassed a good collection during this trip, thanks to my son! I used an END bag as a base for these collages, I love the printed white letters and wanted to incorporate them in small collages so they could feature prominently. I use mostly found and salvaged paper, scavenging is an important part of the process.  

Timothy Gatenby Fake Charizard, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Timothy Gatenby is a contemporary British figurative artist who nostalgically paints modern imagery such as motorways and pop culture with a traditional Old Master approach. Through his limited palette and a ghostly distortion of imagery a sense of foreboding lurks behind the softly executed painting surface in Gatenby's world. His work has been displayed at the National Portrait Gallery, Royal Academy of Art, Mall galleries and Birmingham Society of Artists. In recent years Gatenby's work has been selected for the Columbia Threadneedle Prize Exhibition (2018), Royal Society of British Artists (2018), the New English Art's Club (2014), BP Portrait Prize (2012) and the Royal Academy Summer Exhibition (2019, 2012) Gatenby's paintings feature nostalgic characters from 90s television, rendered with a painterly quality more associated with the esteem of Fine Art than the amusement of light entertainment. Familiar characters, usually known for being brightly colored and fun, are depicted in washed-out hues; their smooth cartoon-like surfaces represented as textured and greyed. The usually jovial characters of popular television are stripped of their bright, happy personalities and on them, something much more sinister is superimposed. There is a sense that these characters from happy childhood memories have been lost to the passage of time; that history has forgotten them, that they have been brushed aside in the wake of newer incarnations of characters for popular amusement; washed up at the banks of the mainstream of entertainment, becoming just an afterthought no longer foregrounded, except in these paintings. The same dynamic underlies Gatenby's motorway paintings, which take the often disparaged aesthetics of concrete and tarmac from some of Britain's major roads, and sets them as the atmosphere of landscape paintings that hint at the classical discipline which they reappropriate for a brutalist, modern setting. All the while, throughout the various styles and themes that Gatenby explores, small idiosyncratic moments crop up, where, as if for his own amusement as much as anybody else's, a joke or a pun is given expression through a depicted object seen out of place, or an expectation subverted by an oddity, giving the work a touch of the absurd, since the emotional thread spun on the notion of disgraced and forgotten figures of childhood television 'and the depressing vision obscured by petrol exhaust fumes on the highways and byways of life' becomes an irony. The works thereby achieve a certain circularity of meaning, by which a tragi-comic interpretation can be pursued as far as one wishes to take it. The forgotten characters are not forgotten after all, but return under a different guise.  

Ben Edge Avebury, 2021 Oil on Canvas Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Ben Edge is a visual artist and songwriter who lives and works in North London. He grew up in Southborough, Kent, spending weekends visiting his Dad in Shoreditch, London, where he developed a passion for local history, storytelling, and folklore. Ben studied fine art at London Metropolitan University and since graduating in 2008, has exhibited in numerous group shows, including: BP Portrait Award at the National Portrait Gallery and National Gallery of Scotland, where his portrait of his grandfather, 'The Animal Handler' was shortlisted for the prize. Since his debut solo show at Hix Gallery in 2017, Ben has embarked on the 'Frontline Folklore' project, exploring the folk customs, traditions and ritual practices of the British Isles, and producing a series of twenty paintings and a full-length documentary film in response to his research, that will be going display in collaboration with the Museum of British Folklore throughout June 2021 at the Crypt Gallery, St Pancras New Church, London. Ben has also created artwork and art-directed music videos for the Fat White Family and Raf Rundell, and released his own debut solo album on Glass Modern Records, New Tradition, written simultaneously with his 'Frontline Folklore' series.   London Metropolitan University, (2005 - 2008), BA Fine Art West Kent College, (2002 - 2005), ND fine art - Foundation in Fine ArtSelected Exhibitions: UPCOMING! June 4th - July 4th 2021. 'Ritual Britain', Ben Edge and the Museum of British Folklore, Curated by Simon Costin, The Crypt Gallery, St Pancras New Church, London. 2021: Group Show, 'Queer as Folklore', Curated by Duo-Vision Arts, Gallery 46, London 2020: Group Show, 'Silent Slips', James Freeman Gallery, London 2019 - 2020: Group Show, 'A Horse's Head in the Frost', Chepstow Museum, Chepstow, Wales 2019: Art On A Postcard (Curated by Dougie Wallace & Ben Eine) Old Spitalfields market, London 2019: Solo Show + Artists talk, (Curated by David Harrison) Cubitt Studios, London 2018: Group Show, 'Lore of the land' (Curated by David Harrison) Churchgate Gallery, Somerset 2017: Group Show, Mayfair Art Weekend, Browns Hotel, London 2017: Solo Show, 'Folk Renaissance', HIX ART (Formerly CNB Gallery) London 2015: The Ruth Borchard Self-Portrait Prize, Piano Nobile, Kings place, London 2015: Two man show (with Ben Westley Clarke), 'Contemporary folklore', Leyden Gallery, London 2014: Group show, 'Nuance outcasts', Angus Hughes Gallery, London 2012: Group Show, 'Black Xmas', Signal Gallery, London 2011: Group show, 'Punk and Beyond', Signal Gallery, London 2010: BP Portrait award, National Gallery of Scotland, Edinburgh 2009: BP Portrait award, Southampton City Art Gallery, Southampton 2009: BP Portrait award, National Portrait Gallery, London   About the Postcards In these works I have painted three Neolithic monuments, Avebury, Silbury hill and Men-an-Tol, all of which I have visited in person. The theme is continuation of my ongoing interest with British Folklore.  

Ben Edge Mên-an-Tol, 2021 Oil on Canvas Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Ben Edge is a visual artist and songwriter who lives and works in North London. He grew up in Southborough, Kent, spending weekends visiting his Dad in Shoreditch, London, where he developed a passion for local history, storytelling, and folklore. Ben studied fine art at London Metropolitan University and since graduating in 2008, has exhibited in numerous group shows, including: BP Portrait Award at the National Portrait Gallery and National Gallery of Scotland, where his portrait of his grandfather, 'The Animal Handler' was shortlisted for the prize. Since his debut solo show at Hix Gallery in 2017, Ben has embarked on the 'Frontline Folklore' project, exploring the folk customs, traditions and ritual practices of the British Isles, and producing a series of twenty paintings and a full-length documentary film in response to his research, that will be going display in collaboration with the Museum of British Folklore throughout June 2021 at the Crypt Gallery, St Pancras New Church, London. Ben has also created artwork and art-directed music videos for the Fat White Family and Raf Rundell, and released his own debut solo album on Glass Modern Records, New Tradition, written simultaneously with his 'Frontline Folklore' series.   London Metropolitan University, (2005 - 2008), BA Fine Art West Kent College, (2002 - 2005), ND fine art - Foundation in Fine ArtSelected Exhibitions: UPCOMING! June 4th - July 4th 2021. 'Ritual Britain', Ben Edge and the Museum of British Folklore, Curated by Simon Costin, The Crypt Gallery, St Pancras New Church, London. 2021: Group Show, 'Queer as Folklore', Curated by Duo-Vision Arts, Gallery 46, London 2020: Group Show, 'Silent Slips', James Freeman Gallery, London 2019 - 2020: Group Show, 'A Horse's Head in the Frost', Chepstow Museum, Chepstow, Wales 2019: Art On A Postcard (Curated by Dougie Wallace & Ben Eine) Old Spitalfields market, London 2019: Solo Show + Artists talk, (Curated by David Harrison) Cubitt Studios, London 2018: Group Show, 'Lore of the land' (Curated by David Harrison) Churchgate Gallery, Somerset 2017: Group Show, Mayfair Art Weekend, Browns Hotel, London 2017: Solo Show, 'Folk Renaissance', HIX ART (Formerly CNB Gallery) London 2015: The Ruth Borchard Self-Portrait Prize, Piano Nobile, Kings place, London 2015: Two man show (with Ben Westley Clarke), 'Contemporary folklore', Leyden Gallery, London 2014: Group show, 'Nuance outcasts', Angus Hughes Gallery, London 2012: Group Show, 'Black Xmas', Signal Gallery, London 2011: Group show, 'Punk and Beyond', Signal Gallery, London 2010: BP Portrait award, National Gallery of Scotland, Edinburgh 2009: BP Portrait award, Southampton City Art Gallery, Southampton 2009: BP Portrait award, National Portrait Gallery, London   About the Postcards In these works I have painted three Neolithic monuments, Avebury, Silbury hill and Men-an-Tol, all of which I have visited in person. The theme is continuation of my ongoing interest with British Folklore.  

Ben Edge Silbury Hill, 2021 Oil on Canvas Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Ben Edge is a visual artist and songwriter who lives and works in North London. He grew up in Southborough, Kent, spending weekends visiting his Dad in Shoreditch, London, where he developed a passion for local history, storytelling, and folklore. Ben studied fine art at London Metropolitan University and since graduating in 2008, has exhibited in numerous group shows, including: BP Portrait Award at the National Portrait Gallery and National Gallery of Scotland, where his portrait of his grandfather, 'The Animal Handler' was shortlisted for the prize. Since his debut solo show at Hix Gallery in 2017, Ben has embarked on the 'Frontline Folklore' project, exploring the folk customs, traditions and ritual practices of the British Isles, and producing a series of twenty paintings and a full-length documentary film in response to his research, that will be going display in collaboration with the Museum of British Folklore throughout June 2021 at the Crypt Gallery, St Pancras New Church, London. Ben has also created artwork and art-directed music videos for the Fat White Family and Raf Rundell, and released his own debut solo album on Glass Modern Records, New Tradition, written simultaneously with his 'Frontline Folklore' series.   London Metropolitan University, (2005 - 2008), BA Fine Art West Kent College, (2002 - 2005), ND fine art - Foundation in Fine ArtSelected Exhibitions: UPCOMING! June 4th - July 4th 2021. 'Ritual Britain', Ben Edge and the Museum of British Folklore, Curated by Simon Costin, The Crypt Gallery, St Pancras New Church, London. 2021: Group Show, 'Queer as Folklore', Curated by Duo-Vision Arts, Gallery 46, London 2020: Group Show, 'Silent Slips', James Freeman Gallery, London 2019 - 2020: Group Show, 'A Horse's Head in the Frost', Chepstow Museum, Chepstow, Wales 2019: Art On A Postcard (Curated by Dougie Wallace & Ben Eine) Old Spitalfields market, London 2019: Solo Show + Artists talk, (Curated by David Harrison) Cubitt Studios, London 2018: Group Show, 'Lore of the land' (Curated by David Harrison) Churchgate Gallery, Somerset 2017: Group Show, Mayfair Art Weekend, Browns Hotel, London 2017: Solo Show, 'Folk Renaissance', HIX ART (Formerly CNB Gallery) London 2015: The Ruth Borchard Self-Portrait Prize, Piano Nobile, Kings place, London 2015: Two man show (with Ben Westley Clarke), 'Contemporary folklore', Leyden Gallery, London 2014: Group show, 'Nuance outcasts', Angus Hughes Gallery, London 2012: Group Show, 'Black Xmas', Signal Gallery, London 2011: Group show, 'Punk and Beyond', Signal Gallery, London 2010: BP Portrait award, National Gallery of Scotland, Edinburgh 2009: BP Portrait award, Southampton City Art Gallery, Southampton 2009: BP Portrait award, National Portrait Gallery, London   About the Postcards In these works I have painted three Neolithic monuments, Avebury, Silbury hill and Men-an-Tol, all of which I have visited in person. The theme is continuation of my ongoing interest with British Folklore.  

A BP Energol oil jug, one quart, 26cm tall

A vintage Shell Oil fuel can, with BP cap

Lima models - 15+ 0 gauge carriages, BP tanker and 2 locomotives, some unboxed, box of track, with 6 x 00 gauge carriages, 1 locomotive (number 205139W).

Shell Mex and BP Ltd vintage 2 gallon petrol can, together with a vintage Armstrong BSF Heli-coil kit

Eight metal advertising signs to include BSA, BP and Shell, each approximately 40 x 30cmPLEASE NOTE this lot is located at and will be sold from Cocknells Farm, Moreton Valence, Gloucester GL2 7LZ. Viewing is available on Tuesday 6th July 10am to 4pm and before the sale on Saturday 10th July from 9am to 11am, no appointment is necessary but we will limit numbers if required to ensure social distancing is observedWe are not able to offer our usual postage service for this lot

Vintage enamel advertising sign 'BP Motor Spirit', 122 x 183cmPLEASE NOTE this lot is located at and will be sold from Cocknells Farm, Moreton Valence, Gloucester GL2 7LZ. Viewing is available on Tuesday 6th July 10am to 4pm and before the sale on Saturday 10th July from 9am to 11am, no appointment is necessary but we will limit numbers if required to ensure social distancing is observedWe are not able to offer our usual postage service for this lot

Vintage enamel advertising sign 'BP Sealed Pump', 130 x 91cmPLEASE NOTE this lot is located at and will be sold from Cocknells Farm, Moreton Valence, Gloucester GL2 7LZ. Viewing is available on Tuesday 6th July 10am to 4pm and before the sale on Saturday 10th July from 9am to 11am, no appointment is necessary but we will limit numbers if required to ensure social distancing is observedWe are not able to offer our usual postage service for this lot

Six antique metal petrol cans including BP example. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: BP embossed to side of some of the cans but not all.

Henry VI (First reign), Annulet issue, Penny, Calais, mm. cross V on obv. only, 0.85g/2h (N 1432; S 1845); Edward IV, Penny, York, Abp Neville, quatrefoils by neck, 0.71g/11h (N 1649; S 2065); Henry VIII, Second coinage, Penny, Sovereign type, Durham, Bp Tunstall, mm. star on obv. only, cd by shield, 0.58g/2h (N 1813; S 2354) [3]. Second good fine but clipped, others about very fine £100-£120

Nine Peco/TMC weathered N gauge wagons, Shell/BP tankers x6, Tirpentwys x2, 10T steel open, boxed. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)Condition Report: Mostly very good condition.

A reproduction BP Motor Spirit cast iron sign

A collection of miscellaneous items to include various motor oil can caps, to include Pratts, BP, Shell, etc, a German anniversary clock under dome, a Victorian walnut box etc

Corgi diecast truck issues comprising 'classics' series - Four boxed issues including trio of tankers including Esso and Shell BP. Appear excellent with boxes.

Corgi diecast models truck duo comprising No. 11501 ERF Tanker in the livery of Shell plus Leyland Tanker in the livery of Shell BP. Both appear excellent with boxes.

Corgi diecast models truck duo comprising No. 22801 Bedford Tanker in the livery of Shell BP plus Scammell Highwayman in the livery of Shell BP. Both appear excellent with boxes.

Queen Victoria, Two Pounds, 1887, Jubilee bust l. R. St. George and dragon, date and BP in exergue, gold, weight 16g, S.3865, VF.

Eight boxed Corgi Classics diecast models to include 21301 Ferrymasters AEC Box Trailer set, 09701 ERF 8 Wheel Rigid with load set, 25201 Smiths of Eccles Leyland Artic Platform Lorry, 24501 J&A Smith of Maddiston Leyland 8 Wheel Rigid Truck with load set, 16306 Shell/BP Scammel Highwayman Tanker with diecast Petrol Pump, 13903 British Rail Foden S21 Platform Trailer, 2891 BRS Guy Warrior 4 Wheel Platform Lorry with Sheeted Lorry and CC10702 Scammel Highwayman Tanker Manbre and Garton

Nine boxed Hornby OO gauge items of rolling stock to include R739 Breakdown Crane Set 75 Ton, R633 Freightliner Wagon, R669 Shell BP 100 Ton Tanker, R667 BOC 100 Ton Tank Wagon, 2 x R233 Pullman Coach Brake 1st and 3 x R223 Pullman Coach 1st Class plus 4 x unboxed items of rolling stock and track

10 Boxed Matchbox 75 Series diecast models to include 44 Refrigerator Truck, 69 Hatra Tractor Shovel, 6 Euclid Quarry Truck, 18 Caterpillar Bulldozer, 8 Cat Tractor, 13 Dodge Wreck Truck, 1 Mercedes Truck, 25 BP Tanker, 50 Tractor and 34 Volkswagen Camper in repro box, diecast vg, boxes gd overall with some wear

A 17th century bronze skillet, the feet cast with arrow type extensions and initialled BP?, height 16cm, width 34.5cm, diameter 16.5cm.Provenance:Michael Trethewey. A Gentleman of Taste.We are delighted to be selling in this sale and over forthcoming sales, items from the estate of the collector Michael Trethewey. Michael had an unerring eye for quality. He was a frequent visitor to these auction rooms, an elegantly dressed, unassuming man who bought well and had a singular passion for old school antiques.We are honoured to be handling his estate and as well as the items in this antiques sale we will be selling further pieces from his extensive collection in our June 17th Jewellery, Silver & Watches Sale and across our range of upcoming specialist sales.

Manufacturer - Corgi | Description - BP ERF EC Petrol Tanker | Stock Code - CC11907 | Notes - None| Scale - 1:50 | Certificate - 331/2000

1997 Ducati 748 BP Registration number R505 TDV Frame number ZDM 748S005757 Engine number ZDM 748W4005835 13,845 recorded miles Present owner since 2001 From a deceased estate Will need re-commissioning before use Looks to be in original condition With single sided swing arm paddock stand With V5C

Bertram Priestman (British, 1868-1951)Cattle on the Damsoninitialled and dated 'BP 13' (lower right) and bears 20th Century Gallery label (to backboard)oil on board20 x 25.5cmARR

Boxed Pre-war Hornby 0 Gauge Tank Wagons, comprising cream 'Motor BP Spirit' (2), red 'Shell' (2), blue 'Redline-Glico' and 'Redline', buff 'Esso' (box dated 3-38), cream 'Shell-Mex/BP Motor Spirit', and uncommon deep orange 'Motor Pratts Spirit' with small drop-link couplers (circa 1930), all on T3 bases, mostly G-VG, boxes P-G (9)

Pre- and Post-war Hornby 0 Gauge Tank Wagons, all on T3 bases, comprising cream 'Motor BP Spirit' (3), rubber-stamped red 'Shell', buff 'Shell-mex/BP Motor Spirit', orange 'Pratts High Test' and another in yellow, grey 'Gargoyle Mobiloil', cream BP spirit with red underline, 'POOL' tankers in light and dark grey, together with no 0 versions (from sets and without buffers) in 'Shell' and 'Royal Daylight' (2) red finishes, all G-VG, all in stout modern boxes (14)

Ten ETS 0 Gauge Continental-market 4- and 6-wheel tank wagons, refs 460 black Shell, 462 Yellow Shell, 464 silver BP, 466 SNCF Esso, 467 DB Koln BP, two 6-wheel 470 'Teerag Aussig' (one in incorrect box), 475 Mobil Oil, 477 Leuna and 497 SNCF Total, all fitted with Märklin-style couplers, mostly G-VG, some with damages to handrails, most in original boxes, boxes G (10)