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18240 Los(e)/Seite
Los 405
Bachmann 00 Gauge boxed Goods Rolling Stock (23 wagons,19 boxes) 37-225X Modelzone BR grey Steel wagons triple pack weathered, 33-527 Esso Tank wagons triple set, 37-582C Shell BP Tank, 37-582 United Dairies Tank (wrong box, lacks insert), 33-237 and 33-238 Conflats with AF Container, 33-330 Conflat with two AFU Containers, 33-325 and 33-326 Conflat with BD Container, 33-202 Fruit Van, 37-526 Brake Van, 33-825 and 33-827A Queen Mary Brake Vans, 37-080W PO Wagon, 37-150K, 37-100 /Club 2002, 37-2003, 37-125K and 37-650K, all PO Club open wagons, all in original boxes, VG-E, boxes VG (23 wagons, 19 boxes)
Los 189
Peco Unboxed N Gauge Private Owner Goods Wagons (75), tank wagons, open wagons and vent vans, in various liveries, some kit built, some weathered, tank wagons (52), Esso (9), Albion Dockyard (8), ICI (8), Shell BP (4), BP (3), Shell (6), Brotherton (2), Lofthouse Colliery (2) individual examples (11), 45 T tank wagons (14) some discoloured, plank wagons (7) includes three Parkend examples, vent vans (3), covered wagons (2), F-E, (75)
Los 146
Graham Farish by Bachmann and Graham Farish N Gauge Bogie Fuel Tank Wagons (11), mainly boxed/packaged, 3705 Shell/BP (2), 373-550 Shell/BP (3), one in plastic bubble only, 373-562 weathered Gulf (2), 373-551 Fina, 3708 BP and two unboxed repainted examples Shell/BP, G-E, packaging G-VG, (11)
Los 657
Hornby 0 Gauge and Horton mixed group of Goods wagons (12), Private owner Fyffes, Palethorpes, Huntley & Palmers, Crawfords, Royal Daylight & Motor 'BP' Tankers, Colas Tanker, SR Gunpowder van all repainted and transferred together with LMS No.0 Fish vans *3 and a SR Refrigerator van on Hornby chassis, (12)
Los 224
N Gauge Private Owner Goods Wagons (39), mainly cased/boxed, Lima (2) vans Typhoo/Homepride, Graham Farish, vans, Toflora (2), Knorr (2), Terrys, Bullcroft plank wagon, Saxa Salt wagon, Peco, covered hoppers (8), Maltsters, Abbots, White Horse, Haig (all two of each), BP tank wagons (3), vans (5), Colmans (3), Fyffes, Worthington, plank wagons (12), includes Denaby (4), Garswood (3), Kingsbury, Charringtons, Hood & Son, Mendip Quarries, Parker & Robert, G-VG, packaging F-G, (39)
Los 261
John, Penny, class Vb2, Oxford, Henri, henri on ocse, 1.25g/5h (N 970; S 1351); Edward III, Fourth Coinage, Pre-Treaty period, Halfgroat, London, series C, mm. cross 1, 2.01g/11h (N 1148; S 1574); Henry VII, Facing Bust issue, Halfgroat, Canterbury, Abp Morton, mm. tun, 1.23g/3h, Penny, Durham, Bp Sherwood, s on breast, 0.64g/10h (N 1712, 1723; S 2211, 2222); Mary, Groat, mm. pomegranate, 2.00g/9h (N 1960; S 2492); Elizabeth I, Sixth issue, Sixpence, 1584, mm. escallop, 2.38g/6h (N 2015; S 2578A); together with other hammered silver coins (9) [15]. Fair to good fine £100-£150
Los 297
Henry VIII, First Coinage, Penny, Sovereign type, Durham, Bp. Ruthall, mm. radiant star, td beside shield, 0.62g/10h (N 1777; S 2332); Second Coinage, Penny, Sovereign type, Durham, Bp. Wolsey, mm. crescent, tw beside shield, cardinal hat below, 0.52g/11h (N 1811; S 2352) [2]. Fine and nearly fine £80-£100
Los 299
Henry VIII, Second coinage, Penny, Durham, Bp Wolsey, mm. crescent on obv. only, tw by shield, cardinal’s hat below, 0.60g/6h (N 1811; S 2352); Elizabeth I, Third issue, Sixpence, mm. short lion, 2.67g/11h (N 1997; S 2562); together with other Tudor silver coins (6) [8]. Fair to about very fine £100-£150
Los 291
Edward IV, First reign, Light coinage, Groat, York, class VI, mm. sun, e on breast, quatrefoils by neck, large fleurs on cusps except above crown, 2.21g/2h (N 1583; S 2012); Second reign, Penny, Durham, Bp Dudley, local dies, d and v by neck, 0.74g/7h (N 1666; S 2123) [2]. Both clipped, otherwise first with nice portrait and fine, second about fine £60-£80
Los 484
Matchbox Gift Pack Set Box containing MG1 Service station and 1-75's: 3 Daimler ambulance, 5 London bus, 9 Cabin cruiser, 14 Iso Grifo, 29 Fire engine 32 BP tanker and 44 Refrigerator wagon (all F-G boxes F-G) in set box torn along three edges with indistinct ink stamp 'Z425' (?) (otherwise F-G) together with 10 other 1-75's and a catalogue
Los 1507
Seven Beswick Beatrix Potter's figures with gold circle mark BP-1, comprising Samuel Whiskers, Lady Mouse, Benjamin Bunny, Mrs Tittlemouse, Tom Kitten, Squirrel Nutkin and Hunca Munca, together with twenty-one Beswick Beatrix Potter's figures with gold oval mark BP-2, including Miss Moppet, Old Mr Brown, Timmy Tiptoes, Anna Maria and Goody Tiptoes (minor faults).
Los 620
Saied Dai (British, 1958), Silver Dawn, signed with monogram l.r., signed and dated 2009 verso, oil on canvas, 40 by 51cm, framed. Note: Dai trained at Bournemouth and Poole College of Art and the Royal Academy Schools, where he later taught. He has exhibited several times in the BP Portrait Award, with the Royal Society of Portrait Painters and at the Royal Academy Summer Exhibition. Note: Artist Resale Rights apply
Los 121
Eight boxed Dinky diecast models to include 921 Articulated Lorry in yellow, 124 Rolls Royce Phantom V in metallic blue, 133 Cunningham C5R Road Racer with driver, 934 Leyland Octopus Wagon in yellow cab & green trailer, Dublo 070 AEC Mercury Tanker Shell BP with windows, 771 International Road Signs (missing one), Supertoys 972 20 Ton Lorry Mounted Crane Coles and 136 Vauxhall Viva in white, diecast in a gd play worn condition, boxes fair-gd
Los 43
* DONALD MACDONALD (SCOTTISH b. 1976), WRAP 7 conte on paper, initialled mounted, framed and under glass image size 67cm x 58cm, overall size 95cm x 84cm Note: Donald Macdonald was born on the Isle of Lewis in 1976 and after a short time in the Scottish Infantry he moved to Aberdeen and gained a BA Hons degree in Fine Art. After living and painting in Denmark and Glasgow for several years he returned home to the Isle of Lewis where he is now based. His work is held in various private collections around the UK, in Denmark, Hong Kong, Israel and the USA and in 2009 he was one of only three Scottish artists to feature in the BP Portrait Prize Award Exhibition. He was also the Scottish representative for the Mead Johnson International Exhibition in Evansville, USA. In 2013 he exhibited a commissioned painting in the Imperial War Museum in Manchester and later won a place in the 7th Figurativas painting and sculpture exhibition, held in the European Museum of Modern Art, Barcelona. In 2017 he won the Public Choice Award at the Art Gemini Prize and more recently he has been invited to show at the Columbia Threadneedle Prize (2018), The Lynn Painter Stainers Prize (2019), The Scottish Portrait Awards (2019), The Westmorland Landscape Prize (2019) and The Royal Scottish Academy (2019 & 2020).
Los 268
* STEVEN HIGGINSON, ELAINE WITH BLACK BE'RET oil on canvas, titled label versounframed (as intended)overall size 31cm x 31cm Note: Scottish portrait painter Steven Higginson’s distinctive use of light and shadow and honest approach to realist art has won him international acclaim, an engaged global audience of over 50k social media followers, and hundreds of delighted clients. His paintings feature in private collections around the world, spanning America, Europe and beyond. Steven’s portraits were part of the BP Portrait Award in 2019 and 2020, during which his work was exhibited in the National Portrait Galleries in London and Edinburgh. Steven was also awarded The Aiden Threlfall Traveling Scholarship from the Goldsmith’s Company in London after graduating from Duncan of Jordanstone, Dundee, in 2004. He used the scholarship to travel Europe, studying the work of the Old Masters, which has remained a core influence in his work to this day.
Los 390
1962 British & I Lions Rugby Article, Itineraries, Card & Pennant (5): Magazine piece w/photos welcoming the Lions, attractive red 9" x 4.5" Lions '62 pennant, thank you card signed by the Lions' captain & management and two small attractive Shell and BP itinerary/fixtures cards. All in VG condition
Los 67
LOT OF 21 PHARMACY/APOTHECARY/MEDICAL JARS | EUROPE | 19th and 20th century | 15 - 21 cm (height) | Glass, painted and printed labels | Provenance: private pharmacy museum | Lot description | "NATR. SULFUR. ​​SICC.": refers to dry sodium sulfate, which is used as a laxative and choleretic. "AETHER ACETIC.": refers to acetic ether, which is used as an anesthetic and solvent. "PULV. IPECAC.": refers to ipecac powder used as an expectorant and emetic. "ACID. PHOSPHORD. DIL.": refers to dilute phosphoric acid used as a dietary supplement and in the treatment of phosphorus deficiency. "TINCT. PRUN. VIRGIN.": refers to the tincture of virgin plum tree, which is used as a sedative and antitussive. "AQUA ANETHI": refers to dill water, which is used for flatulence and indigestion. "OL. ANISI. BP": refers to aniseed oil, which is used for indigestion and as an expectorant. "TINCT. AURANTIL": refers to a tincture of orange peel used as a bitter tonic and for indigestion. "LIQ. AMON. CAUST.": refers to a caustic ammonia solution used as a strong irritant or cleaning agent. "SPIR. SINAPIS": refers to spirit of mustard, which is used in poultices and in rheumatic complaints as an irritant and warming agent. "LIQ. CAL. ACETIC.": refers to potassium acetate in solution, which is used as a diuretic and in the treatment of certain skin diseases. It also contains the "AMMON. BROMAT" and "ACID. HALLER" stands, for which it is not clear what they were used for. | Bidders are asked to inquire about the condition of the item before the auction. any complaints will not be taken into account. | condition report*In case of missing photos, please feel free to contact us.
Los 70
AN IRISH GEORGE II MAHOGANY ARMCHAIR OR 'MASTER'S CHAIR' CIRCA 1750 105cm high, 90cm wide, 70cm deep overall For a related carved mahogany library armchair, see Christie's London, Julians Park and Six Private Collections: Live (20031), 8th June 2021, Lot 238 (£30,000 incl. BP). Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The upholstery is incomplete with the seat area and side exterior sections missing, the remainder is hessian, horsehair, webbing and calico and is in aged and worn condition. The frame bears upholstery tack holes.There are some loose joints that are intact but with some movement.There is some evidence of old worm.There are some losses and restorations including some filler to what could be knot areas to the timber of the back legs and adjacent to later carved ear areas; some later blocks/corner braces/sections of timber.This impressive chair is of generous size and stylish line with quality design and depth of carving.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
Los 149
Y A GEORGE III ROSEWOOD, HAREWOOD, SABICU AND MARQUETRY WRITING TABLE IN THE MANNER OF JOHN COBB, CIRCA 1770 The front slide with an inset writing surface, a mahogany lined side frieze drawer, veneered to all sides 77cm high, 72cm wide, 45cm deepProvenance: Private Collection, Phillimore Gardens, London Pierre Langlois, introduced French designs to London, such as this table, in the 1750s and Thomas Chippendale supplied a related 'Lady's ... writing table' to Nostell Priory in 1766, in this French fashion, see Christopher Gilbert, The Life & Work of Thomas Chippendale, Cassell/Christie's, 1978. The marquetry and design of the present table suggests London court cabinet maker John Cobb (1715-1778) who made and supplied such furniture specifically with related floral marquetry in the 1760s.For a table with related woods, diagonal crossbanding, oval of flowers, foliate sprays, apron shape, crossed palms and husk swag marquetry see Christie's, London, Important English Furniture, 8th June 2006, lot 116, (£26,400 incl BP).For another example relating to the present table see Christie's, London, Important English Furniture, 4th July 2002, Lot 49, (£6,573 incl. BP). Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Various old veneer repairs - see images. Gilt metal mounts appear original. Small handles to the slide are possible old replacements. The inset baize to the slide is a replacement and has some wear and marks. One of the 'stoppers' to a rear corner of the slide is detached. No key is present but lock to side drawer is open. Some later screws to the interior of the carcass securing the base to the top. Two later screws to the underside of one frieze. All feet with small amounts of filler to the tips in the area between the timber and sabots. Top can lift from the base very slightly at one front corner.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 407
A PAIR OF GEORGE III MAHOGANY BOWFRONT BEDSIDE CABINETS ATTRIBUTED TO GILLOWS, CIRCA 1800 79cm high, 39.5cm wide, 35.5cm deep Provenance: Christie's London, Parisian Taste in London: A Private Collection and Furniture (7746), 10th September 2009, Lot 408 (£15,000 incl. BP) Property of a Gentleman, London Condition Report: Both with the marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Some more significant splits to sides, doors and fools of the interiors - see images for extent. Handles are of the period but possibly replaced. Some sun fading to timber in places - see images. Small section of inset timber adjacent to side of one to. This appears to be from where the locking bar has hit this area. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Los 381
A REGENCY MAHOGANY AND GILT BRASS MOUNTED LIBRARY TABLE IN THE MANNER OF JOHN MCLEAN, CIRCA 1815 With frieze drawers and false drawer fronts, the locks stamped Bramah 70cm high, 128.5cm wide, 76.5cm deepThe present library table is typical of John McLean's work combining richly grained mahogany highlighted by brass mounts and restrained neoclassical form.For a related library or writing table see Christie's, London, The English Collector, 19th November 2015, Lot 655, (£20,000 excl. BP). Condition Report: The measurement from the floor to the bottom of the drawers is 55.5cm Marks, knocks, scratches and abrasions commensurate with age and use Some old chips and splits. Some knocks, tarnishing and misshapen areas to the gilt metal edge to the top The tooled leather inset top is a later replacement Handles appear original One lock original, the remaining are later added 19th century bramah locks, no key is present but all are open. Some old veneer repairs (see images) One drawer is lacking a dividing fillet of timber The interior of the carcass with some shadows where previous supporting blocks satOne leg with various old metal bracing and glued repairs where it meets the frieze, this is structurally sound. One castor slightly loose and has later securing screws and some glue residue visible where it joins the leg One corner element to the frieze with various old repaired splits and plugged holes likely concealing screw or dowel repairsPlease see all additional images as a visual reference to condition. Condition Report Disclaimer
Los 146
Y A LOUIS XV TULIPWOOD, MARQUETRY, MARBLE AND GILT METAL MOUNTED COMMODE BY ANDRE-ANTOINE LARDIN, MID 18TH CENTURY Stamped 86.5cm high, 108cm wide, 57cm deepProvenance: Private Collection, Phillimore Gardens, LondonAndré-Antoine Lardin (1724-1790) was received maître in 1750.For related commodes by André-Antoine Lardin see Christie's, European Noble and Private Collections, London, 17th April 2014, lot 216, (£8,750 excl. BP) and Bonhams, Fine European Furniture, London, 13th December 2021, lot 95, (£6,250 incl. BP).
Los 406
A PAIR OF FRENCH ORMOLU TWIN BRANCH FIGURAL WALL LIGHTS BY HENRY DASSON, DATED 1889 Each modelled as a caryatid figure, possibly Minerva and Mars, supporting two scrolled branches terminating in foliate drip pans and nozzles, one signed 'Henry Dasson et Cie 1889', later fitted for electricity 59cm high Provenance: Christie's London, The Opulent Eye - 500 Years: Decorative Arts Europe (1113), 14th March 2013, Lot 180 (£8,750 incl. BP) Property of a Gentleman, London Henry Dasson (1825-1896) established his business at 106, Rue Vieille-du-Temple, Paris and was one of the most celebrated Parisian bronzier ébénistes. Specializing in producing copies Louis XIV, XV and XVI furniture, Dasson often used to incorporate his own taste and designs into these works- and always with the highest quality metalwork and cabinet making. Successes at the Paris Expositions Universelles in 1878 onwards brought his work into demand on the Continent and in England where he established an elite clientele including the Royal family. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per cataloguing- both have been later wired and fitted for electricity- drilled to accommodate this. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Rubbing to gilding- stress fault to one branch at front of Minerva, small old mounting holes, Some variance to casting techniques and finishing as per the making- provenance is as stated in the catalogue: Christie's London, The Opulent Eye - 500 Years: Decorative Arts Europe (1113), 14th March 2013, Lot 180 (£8,750 incl. BP) Property of a Gentleman, London https://www.christies.com/en/lot/lot-5658203 Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Los 139
A WORCESTER TURQUOISE-GROUND LONDON DECORATED SPARROW-BEAK JUG AND COVER, PROBABLY THE ATELIER OF JAMES GILES, HARLEQUIN SERVICE CIRCA 1770 Painted with two gilt-lined panels of exotic birds and a fiddler in a landscape, Meissen style crossed swords mark and paper collection labels 14cm highProvenance: The Earls of Lonsdale and thence the Leonard Fuller CollectionThe 5th Earl of Lonsdale (1857-1944), also known as 'The Yellow Earl' for his love of that colour, inherited enormous wealth in part from his late father's coalmines in Cumbria. He was a great sportsman, master of both the Quorn and the Cottesmore in his time, as well as having associations with racing and boxing. His extravagance and the closure of the mines in the 20th century meant he had to sell many an estate and upon his death in 1944, his brother the 6th Earl was forced to sell Lowther Castle, the Lonsdale seat in Cumbria. In 1947, the contents were put up for auction in what was to be the largest house sale of the 20th century. Though pure speculation, it is possible that this Giles decorated jug was purchased at that sale by the Fullers. For a closely related example see Christie's, New York, Property From the Collection of Mrs. J. Insley Blair (1618), 21 January 2006, Lot 603, ($132,000 incl. BP). This teapot became the fourth item of this type to become known. Condition Report: Some minute chips to the gilt flower finial. Slight wear to gilt line rim of jug. Areas of fritting to the cover. Small tear to paste where the rim joins the body 3mm long. Please see additional images available from the Dept. upon request.Condition Report Disclaimer
Los 238
A PAIR OF MINTON PÂTE SUR PÂTE TWO HANDLED VASES BY ALBOIN BIRKS, EARLY 20TH CENTURY Carved in low relief with scenes after designs by Louis-Marc Solon, classical maidens, one emblematic of music with a tambourine, the other with brazier, reverses with beehive and flaming torch, blue ground with gilt floral detailing, signed A Birks, gilt globe marks and impressed MINTONS mark, shape number 2449, date mark 1910 30cm high Provenance: The Estate of a deceased Gentleman For a similar pair of vases decorated by Birks on the same body shape, see Sotheby's New York, Wedgwood and Beyond: English Ceramics from the Starr Collection, 23rd October 2019, Lot 228, ($35,000 incl. BP) and Christie's New York, Minton Pâte-Sur-Pâte Masterworks from a Distinguished Private Collection, 21st October 2008, Lot 24 (£18,750 incl. BP). Literature: See Bernard Bumpus, Pâte-sur-Pâte, The Art of Ceramic Relief Decoration, 1849-1992, London, 1992, p. 115 for a pair of plaques by Solon, titled 'Papillons' (butterflies) and 'Abeilles' (bees) the likely inspiration for designs. Condition Report: Probably missing covers. Slight wear to the gilding. Please see additional images available from the Dept. upon request. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer
Los 298
A PAIR OF BALTIC MAHOGANY AND BRASS MOUNTED SIDE CHAIRS LATE 18TH OR EARLY 19TH CENTURY The woven horsehair upholstery fabric edged with twisted cord 92cm high, 50cm wide, 50cm deepFor a closely related armchair see Christie's, The Collector, New York, 19th April 2023, Lot 474, ($9,450 incl. BP)
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18240 Los(e)/Seite