Four 19th Century Silver Vinaigrettes:A William IV silver vinaigrette by Thomas Shaw, Birmingham 1833, rectangular cushion form, cover and base engraved with trailing flowers on a matted ground, initialled "FMC", A George III silver vinaigrette by Joseph Taylor, Birmingham 1808, rectangular with rounded corners, the cover decorated with amoeba-work and base with "Greek-key" motifs around a rectangular cartouche engraved "A.HONE", and the grille set with an oval filigree panel, a George III silver and "pudding stone" set circular vinaigrette by Matthew Linwood, Birmingham 1808, (A/F); together with another vinaigrette (4)
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A William & Mary Ebony and Brass-Mounted Striking Bracket Clock:By John Constantine, London, circa 1690. The case with faceted brass handle to a cushion top, the sides with silk-backed later carved wood frets above glazed rectangular panels, with moulded base raised on later block feet, the front door with carved wood fret panel to the top rail and gilt-brass foliate escutcheons, the 6 7/8in. square brass dial with winged cherub spandrels to a silvered Roman and Arabic chapter ring signed 'J Constantine London', with sword-hilt half hour and half quarter hour markers, strike/not strike lever above 60, the matted centre with date aperture, the seven-ringed pillar movement with twin gut fusees and knife-edge suspended verge escapement (restored and with later heart-shaped back cock), with hour strike on bell and pull quarter repeat on three replaced bells, the back plate profusely engraved with foliate scrolls and signed on a central oval reserve John Constantine London, secured to the case via turn catches to the dial and a bolt through one movement pillar; with later travel box and pierced brass key13¾in. (35cm.) high to hilt of handle CONDITION REPORT: in immaculate condition, twin fusee movement with bob pendulum striking on two bells, aperture to the front for pendulum movement, case in very good condition, no damage or losses and in good working order.original quatrefoil handled key for both locks, and a later size 12 key for the movementminor loss to the fretwork section to the right side of the clock.matching bracket in good condition bearing Christies sticker for a sale 7 2 79.keeps good time and running well striking correctly to the time.
A Prince of Wales Investiture chair, designed by Antony Armstrong-Jones, Earl of Snowdon, Carl Toms and John Pound for the Investiture of The Prince of Wales on 1st July 1969, the back with gilt Prince of Wales' feathers, with a fabric seat, and matching kneeling cushion, these chairs were for the use of the invited guests at the ceremony and subsequently sold by the Ministry of Works to guests CONDITION REPORT: The seat cushion on the chair has been replaced with new fabric and filling, the one leg has a split, there is some losses and overpainting
A Cushion cut solitaire diamond ring, approximately 2ct measuring approximately 7mm wide x 8mm high x 5mm deep, to a white metal claw setting and yellow metal shank marked 18ct & Plat, CONDITION REPORT: There is an inclusion visible through the table with a 10x lens, the girdle is chipped in places, claws need re-tipping, there is a yellow tinge to the stone, ring size approximately P
TWO 9CT GOLD DIAMOND SET SIGNET RINGS, one mid 20th Century signet ring with a cushion shaped head to ribbed design shoulders, one eight cut diamond, approximately 0.04ct, finger size S, hallmarked 9ct gold, London 1964, makers mark 'W.W Ltd', gross approximate weight 7.2 grams, together with a mid 20th Century 9ct gold signet ring, with a rectangular shaped diamond set head, one eight cut diamond approximately 0.05ct, ring size Q, hallmarked 9ct gold, Birmingham 1961, makers mark 'WW&S', approximately weight 4.5 grams
Pair of good quality Chinese cloisonne enamelled baluster shaped vases, overall with relief floral decoration on a gilded ground. Wooden stands. Together with a large pair of Chinese cloisonne cushion shaped, baluster bowls and covers, decorated with chrysanthemums on a blue ground and having pierced wooden bases. (4)
16th-18th century AD. A substantial gold glove ring with round section shank inscribed at the rounded shouders with letter 'M' and 'R'; shoulder slopes to rectangular cushion bezel, inscribed to the inside with 'MDXLVII' (1547 AD); to the underside of the bezel four panels with swags of oak leaves; bezel engraved with the Traby coat of arms, being argent three bugle horns in triangle the mouthpieces conjoined in fess point Sable garnished, virolled. 65.61 grams, 27.50mm overall, 21.23mm internal diameter (approximate ring size British X 1/4, USA 11 3/4, Europe 26.29, Japan 24) (1"). From an old Munich collection; acquired on the German art market before 2000. Miko?aj Radziwi??, nicknamed The Red (Polish Rudy, Lithuanian: Radvila Rudasis) also known as Miko?aj Radziwi?? the Sixth (1512-1584 AD) was a Polish-Lithuanian nobleman, Count Palatine of Vilnius, Grand Chancellor of Lithuania, and Grand Lithuanian Hetman (from 1576) in the Grand Duchy of Lithuania and later in Polish-Lithuanian Commonwealth. Together with his cousin Miko?aj the Black Radziwi?? and the Radziwi?? family were granted title and position as Reichsfürst Prince of the Holy Roman Empire. Miko?aj Radziwi?? spent many years as a military commander. While not the most famous of Commonwealth hetmans, under king Stefan Batory he was fairly successful in defending the eastern borders of the Commonwealth against the Muscovy. His political career was marked by his alliance with his cousin Miko?aj 'The Black' Radziwi??, with whom he opposed the other notable Lithuanian families in the rivalry for the dominant status in the Great Duchy. This alliance marked the formation of a dynastic-like cooperation between Radziwi??s and showed how family interests could affect magnates relations with the Commonwealth. Miko?aj Radziwi?? became an advocate of Lithuanian sovereignty and thus a vocal opponent of political union with Poland, (Union of Lublin, 1569"). Unlike the other magnates he refused to sign the Act, as harmful to the interests of the Grand Duchy of Lithuania. He was one of the most prominent converts and advocates of the Protestant faith in Polish-Lithuanian Commonwealth and his line of the family became devoted members and defenders of the Lithuanian Evangelical Reformed Church until its demise. In the Holy Roman Empire, the Tr?by Coat of Arms was situated in the center of a Black Eagle in a golden Shield, the word Traby in Polish means 'horns' and the motif lies in the extent of lands conceded being determined by the distance a horn could be heard in all directions. [A video of this lot is available on the TimeLine Auctions website] Very fine condition. A very large wearable size.
AN UPHOLSTERED ARMCHAIR the padded back and sides within a conforming moulded frame, loose seat cushion, padded apron, on carved restrained cabriole legs; and A Cherrywood and Upholstered Armchair, the padded back within a conforming frame, curved arms on carved supports, stuff-over seat, on sabre legs (2)
A PAIR OF ROSEWOOD AND LEATHER MODUS ARMCHAIRS DESIGNED BY KRISTIAN SOLMER VEDEL FOR SOREN WILLADSEN each padded back between turned supports, padded arms on turned supports, loose seat cushion above a shaped apron, on turned tapering legs, Danish Furniture Control paper label, each chair numbered 04803 and 04802 respectively (2)
BRODIE-STYLE HELMETSGood group of three parade or construction helmets, patterned after the "Brodie"-style helmets used by the American and British armies during World War I. The first is brightly polished aluminum, and features a civilian-style "Stationary Cushion Lining" as denoted by a cloth label affixed thereto. An embroidered label bearing the name "J. Lo Bello" is also sewn to the liner. The remaining two helmets are brass, one with a rolled rim and one without, with the latter featuring a civilian-style canvas liner and a broken leather chin strap. The rolled rim helmet is the shell only. Very good. Three pieces.

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