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An Iradj Moini raw emerald, facetted raw ruby and faux pearl necklace and clip earrings, 1990s, signed, the massive cushion-shaped topaz stone bordered by emeralds and cabochon rubies, 43.8cm, 17 1/4in long; the matching gilt brass ear-rings with pendant cabochon emeralds (3) CONDITION REPORT: Good condition, no problems
An antique Belle Epoque diamond ring in yellow gold and platinum, comprising a central old cushion cut stone weighing approximately 1.11cts, in a row with two smaller, similarly cut stones, flanked by four rose cut diamonds in each shoulder. Estimated total diamond weight 2.35cts. Ring size 6 / M. Gross weight 2.7g.
A Citrine and Diamond Pendant on Chain, an oval cabochon citrine in a rubbed over setting and a cushion-shaped border set with eight-cut diamonds, on a fine trace chain, pendant measures 1.7cm x 1.3cm, chain length 40cm see illustration The pendant is in good condition. It is stamped '750' and in our opinion would test as gold. Total estimated diamond weight 0.05 carat approximately. Gross weight 6.8 grams. Condition Report made 11th May 2017.
An undated archaistic bronze figure of Maitreya reclining on a oval base with large cushion behind back; with bald head ad elongated ears lose robes open to reveal corpulent body; left hand holds prayer beads, right hand holds fruit. 1.43 kg, 23cm (9"). Property of a London gentleman; acquired before 1980. [No Reserve] Fine condition.
Randolph Douglas (Randini) (1895-1956); A Hallmarked Silver Vesta Case, CSG&Co, Birmingham 1912, of cushion shape, allover engine turned, inscribed "To Randin From R.S.D. 1915" (R.S.D. was Randolph's father Robert Strachan Douglas); A Folding Pocket Knife, with mother of pearl scales (damages), inset "Randin"; A Small Turned Wood Trinket Dish, with applied stylised 'H'; A Glass Picture, still life flowers in a vase, foil backed, within later plain rectangular frame, on easel back; Beedham [A]: Randini The Man Who Helped Houdini. 2009 paperback. (5) *Randolph Robert Osborne Douglas was a magician and escape artist who first appeared as Randolph The Magician, Randin, and later Randini - under the influence of his hero Harry Houdini whom he met and became friends. In 1926 Randini opened a small museum - a house of wonders in Castleton, Derbyshire.
A pair of Pearlware Bough Pots & CoversWith puce printed farm scenes.. Standing on three cushion feet , with a moulded top border and Lions heads mounted on the covers, date circa 1815, size 18cm wide, 16cm high approx Condition;Restored hairline crack to both basesOld restoration to one cover
JAMES HENRY SELLERS (1861-1954); a fine Arts and Crafts mahogany, satin wood and ebony inlaid secrétaire desk on stand, the cushion moulded top with checkered strung border and lozenge veneers, with shaped convex sides crossbanded in satinwood with ebony inlaid corners, the secrétaire drawer with fall-front enclosing an incredible detailed inlaid and fitted interior, lined with satinwood and satin birch centred with an architectural barrel backed recess, various drawers, pigeon holes, compartments and pen tray, also set with associated circular silver capstan type inkwell above a base drawer, raised on a stand with four square sectioned tapering legs joined by a platform stretcher and with four brass capped feet, height 110cm, width 94.5cm, depth 59.5cm. Inked paper exhibition label to underside, inscribed 'Partnership in Style, E30, Chapman'.PROVENANCE; James Henry Sellers (1861-1954) to his granddaughter, Betty Ann Sellers, then by descent through the family until purchased at Messrs Bonhams Auctioneers, Chester, November 2011, Lot 867.
A French gilt brass four-glass mantel clock Japy Freres, Paris, circa 1900 The circular eight-day gong striking movement with Brocot type escapement regulated by mercury capsule pendulum with rate adjustment to suspension, the backplate stamped with JAPY FRERES, MED. D HONNEUR roundel over number 8129, 5 5, the circular white enamel Arabic numeral dial with vertical numerals, Arabic five minutes to outer track and fine scroll pierced gilt hands within milled bezel, the inverted breakfront bevel-glazed case with cushion moulded cornice over slender reeded Corinthian columns flanking dial and further pair to each sides, on shaped caddy moulded skirt base incorporating bracket feet, 32c, (12.5ins) high.
A George I walnut eight-day longcase clock Henry Batterson, London, circa 1720 The five finned pillar (centre latched) inside rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch shallow break-arch dial with star decorated subsidiary seconds dial, leaf-bordered winding holes and hatched calendar aperture to the foliate edged matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced steel hands and angles applied with fine Indian mask and leafy scroll cast spandrels within herringbone border, the arch with applied silvered oval name cartouche signed Henry Battercon, Londini Fecit within serpent border and fine symmetrical foliate scroll engraved field, the walnut case with cross grain ogee moulded cornice and scroll pierced quadrant frets over three-quarter columns to the glazed hood door, the sides with arch-glazed apertures and conforming applied quarter columns against bargeboards to the rear, the trunk with concave throat moulding over rectangular herringbone banded door centred with an oval brass lenticle, the sides with two crossbanded panels, on conforming herringbone bordered plinth base with double skirt and cushion-shaped squab feet, 230cm (90.5ins) high. Henry Batterson is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in Waddesdon, Buckinghamshire in 1676 and apprenticed to William Davison in 1694, passing to Jonathon Puller in 1696 and gaining his freedom of the Clockmakers Company in 1701.
A rare and well engineered 7 ¼ inch gauge model of a LNWR 4-4-0 Class 'George the Fifth' tender locomotive No 5000 Coronation , believed to have been built from Bassett Lowke castings and restored by George Swift in 1989 with copper boiler replaced and fitted by Swindon Boilers. The model was totally re-built by Mr R S Hammond of Basingstoke between 1992 and 1994. It is believed the locomotive originally ran at the garden railway at Gunton. North Walsham. The silver soldered copper boiler with fittings including pressure gauge, water sight gauge with drains, regulator, direction control, safety valve, brake and other usual fittings. The chassis having twin inside cylinders 1 ¾ bore by 3 stroke with Joy valve gear, injectors and lubricating system. The model finished in black lined livery with cab-side number plate, 'Coronation' name plate and hand painted gartered crests to each side of six wheel tender. Fitted hand-rails, steps, vacuum hose, detailed rivet-work and cushion driver's seat. Total length 130cm. Boiler history: Boiler Identity No SB 107. No current boiler history available. Passed boiler history from the 1990 s to 2016 available for inspection at the auction rooms on view days. PLEASE NOTE: All boiler history records and references made in this catalogue are made for guidance only and the auctioneers are not able to convey any guarantee s or warrantee s as to the safety of the boilers or their present condition.
CEE-SPRING RALLI CAR by Windover and Son, Long Acre, London. This vehicle was built to order in the 1890s as a wedding present for Sir Henry Fairfax Lucy of Charlecote Park in Warwickshire. It was bought from the park's collection by Mr D.C. Rose of Sutton Coldfield during the 1960s and shown very successfully by him in private driving classes. On his death it was sold at Reading Carriage Sale.Built on a 72" cranked axle, it has very fine 16 spoke wheels, louvred sides and lancewood shafts. Painted dark blue, lined gold with restored navy melton trim (which reverses to all weather). The whip holder, dash and splash boards are finished in its original leather. It has its original floor mat and a foot board. The front seat is on an adjustable slide and the rear cushion folds double to accommodate the seat in slid-back position. Said to be beautifully balanced and giving a very comfortable ride when put to a 14:1/2hh horse.Labelled by Windover on the hubs and springs and with a patent mark on the drawbar.Not been used in the last ten years but has been safely stored.(B.P. 24% incl. VAT)
VICTORIAN MAHOGANY RECTANGULAR PEDESTAL WORK TABLE having moulded edge top, side drawer with writing surface and wells, cushion shaped frieze drawer with further drawer below, flanked by turned pilasters on a baluster turned pedestal with four boldly scrolled claw feet on brass casters. 47 x 58 x 77cm approx(B.P. 24% incl. VAT) CONDITION REPORT: A little grubby, scuffed and marked in places through wear. Minor scratches to the top, particular wear to feet.
Two pieces: the first a Jaf Kurd khorjin face, north west Persia, early 20th century, 2ft. 2in. X 3ft. 0.66m. X 0.91m. Brocaded top turned under. Overall wear; corrrosion to dark brown; small repairs and holes. The second an Anatolian yastik, possibly Nigde-Gelveri group, south central Anatolia, early 20th century, 3ft. 3in. X 1ft. 10in. 1.00m. X 0.55m. Small cobbled repairs; losses to ends. Cf. Morehouse, B. Yastiks, Cushion Covers and Storage Bags of Anatolia, pl. 64, p. 50 and p.90 for a very similar example. (2)
Rajasthan silk embroidered toran, north west India, circa 1930s-40s, 134in. X 17in. 340cm. X 43cm. Embroidered with inscriptions. Each lappet embroidered with a differing floral motif; Rajasthan beaded toran, north west India, mid-20th century, 43in. X 11in. 109cm. X 28cm. The lappets each with a differing bird, flower, human figure or animal motifs including elephants, some beads missing; and a Rajasthan embroidered, appliqued and shisha-work cushion with tassels to edges, 15in. X 11in. 38cm. X 28cm. (3)

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83806 item(s)/page