We found 83806 price guide item(s) matching your search

A three piece bamboo and rattan conservatory suite, comprising two seater sofa, W126cm, armchair and stool, upholstered cushion seats and backrests. (3)

A farmhouse Windsor comb back beech and yew armchair with carpet saddle bag seat cushion (2).

An 18th century cushion shaped mirror with ornate edge panels, overall 54 by 71cms.

A 19th century Sheraton revival satinwood and painted work table, the square lift-up lid decorated with a central oval portrait miniature of a young lady enclosing a fitted interior with pin cushion, the body decorated with foliate swages to all sides, with pleated silk well, on square tapering legs joined by an under-tier, 32cms wide. Provenance: property of the late actor Michael Gough.

A mixed lot of mainly late 19th/early 20th century textiles to include velvet needle cases, pin cushion, silk tartan remnants, velvet etc

A 16th / 17th Century Ottoman Silk Voided Velvet Panel Or Cushion Cover, with voided crimson, gold brocade, silk and velvet pile, decorated with a bold floral medallion, flanked by fleur des lis, conforming spandrels and with outer panels each filled with stylised floral motifs, 4ft 2ins (127cm) x 2ft 1ins (63.5cm) Please see attached imageshttps://www.dropbox.com/scl/fo/0840i43mnrkz7y6si8wsk/AJjw22n-cACOOJWBiRMRNgg?rlkey=062n5cnu2mousfkgkisfewirj&st=b736in16&dl=0

A George III Oak Side Table, with cushion edge and upstand to top, fitted two frieze drawers, on square tapering legs, 54ins x 18.5ins deep x 32ins highTo the top some general scattered scratching, darker staining (watermarks/ring marks) and areas of uneven fading. Around all three front edges of the top there is some general rubbing and slight edge knocks, the left hand drawer has a new partition, which is a later addition and there is a cut to the inside of the drawer on the back and front edge to accommodate the partition, the same on the right hand side. On the left hand side where the top of the leg meets the side panel there are two vertical shrinkage lines, each around 6ins long and the same on the right hand side. General heavier wear to the legs and feet commensurate with age. Overall the item is structurally sound however there is some movement in the joints.

An Early 17th Century Ottoman Silk Voided Velvet Panel Or Cushion Cover, with voided crimson, gold brocade, silk and velvet pile, decorated with stylised palmettes and floral ornament, 3ft 11ins (119.38cm) x 2ft 1ins (63.5cm) Note: Similar example sold at Sotheby's Arts of the Islamic World sale October 2007, lot 372 and comparable cushion covers can be found in the Topkapi Palace Museum Collection, Istanbul INV. No. 13/1467, illustrated in Gursu, Nevber, The Art of Turkish Weaving, Istanbul, 1988, No. 192, P.172 and in Colnaghi, Imperial Ottoman Textiles, London, 1980, P.19.  Images are within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/0840i43mnrkz7y6si8wsk/AJjw22n-cACOOJWBiRMRNgg?rlkey=062n5cnu2mousfkgkisfewirj&st=b736in16&dl=0When inspecting the field on the top left and right hand corners, and to each of the seven floral panels and the ornaments in between and the lower right hand corner, all of which have been extensively restored and you can see the contrast between the original and the restored areas, which is that lighter cream colour, so I would say a good 70% of this piece has been restored. The bottom, top and right and left hand edges are showing signs of wear and the top edge and bottom edge and scattered areas in the centre are showing signs of wear commensurate with age. I would suggest all prospective buyers to closely study the additional images in the Dropbox. This item has been mounted on a piece of fabric which I would think occurred during restoration. Overall the item is heavily restored and the crimson velvet fabric and original silk fabric are highly faded. 

A Ray & Charles Eames for Herman Miller Rosewood Veneered and Metal Framed Lounge Chair, No. 670, and Ottoman, No. 671, the seat, back and armpads upholstered in black leather, bears Herman Miller labels to undersides Provenance: Stamford Auction Rooms Ltd - "The Estate Auction of Ken Kirkwood: Mid Century Modern", 27th May 2017, Lots 469 & 470 Note: CITES Article 10 Certificate No.25GBA10IOZULPImages are within the attached Dropbox link https://www.dropbox.com/scl/fo/eefhup46c32ap5wht9ph2/AO9-UEplcNDhQzY7oYK-yiA?rlkey=g5wbnn6xmi69rfqb19unaxhw5&st=vf029ob0&dl=0   Chair - the leather upholstery appears to be in a good overall condition with no obvious tears, rips or stains however there it is slightly distressed commensurate with age and usage. On the underside of the seat cushion on the left hand corner where the seat slots into the metal bracket there is a slight tear, the same on the right hand side. There is some general light scattered scratching to the back and very minor signs of shrinkage with a few scattered very small cracks to the veneer. Some very light minor edge knocks and pitting to the legs and general scratching to the supports commensurate with age. Overall the item appears to be structurally sound and in a good condition with no obvious signs of restoration.  Stool - the leather upholstery appears to be in a good overall condition with no obvious tears or rips, however there is distress commensurate with age and usage. On the right hand side next to the button there is a small area of scratching.  To the veneered underside there is very minor signs of shrinkage with some very small and slight cracks commensurate with age. Some general scattered scratching on the left and right hand sides and there is a small area of adhesive from a sticker. On the edge of the left hand side there is a small depression to the veneer and the same on the right had corner. General heavier wear to the four metal supports and feet commensurate with age. Overall the item is structurally sound and appears to be in a fairly good condition. 

A mixed lot, to include a treen novelty boot pin cushion, 11.5cm long; three book form money banks; a cased pair of binoculars; and others.

An unusual vintage hand embroidered cotton and silk children's 'chess style' game, comprising: a playing mat approx 120cm x 120cm; and thirty two 'pin cushion' style counters, embroidered and appliqued with butterflies, bees and emblems.

A 9ct yellow gold amethyst and diamond ring, the cushion cut amethyst 12mm x 10mm in size, flanked by three brilliant cut diamonds, ring size O, stamped .375, total weight 3.2g.

Iconic Crescent sofa in Vladimir Kagan's style, featuring luxurious red upholstery and a sleek brass base. This sculptural masterpiece embodies his signature curved aesthetic, seamlessly merging modern sophistication with inviting comfort. The channeled backrest enhances its dynamic form, while the vibrant fabric adds a bold yet refined statement. A striking addition to any contemporary or mid-century-inspired interior, this design exemplifies the style of Kagan's commitment to organic forms and innovative craftsmanship. His iconic pieces, often defined by sweeping curves and futuristic silhouettes, have become highly sought-after by collectors and interior designers alike. Artist: Style of Vladimir Kagan (German/American 1927-2016)Issued: 1970sDimensions: 70"L x 30"W x 28"HCountry of Origin: USACondition: Age related wear. Tiny puncture on the seat cushion on center left. Minor scratches on the base.

Early 20th century Birmingham 1905 925 silver elephant pin cushion. Hallmarked Sydney & Co to side, in a standing position with pin.

THREE NOVELTY SILVER MOUNTED PIN CUSHIONS To include: an Edwardian shoe shaped pin cushion by S. Blanckensee & Son Ltd., Chester 1909, 13cm long; an Edwardian boot shaped pin cushion by Henry Matthews, Birmingham 1906, 5.5cm long; and a canoe shaped pin cushion, maker's mark obscured, Chester 1907, 9cm long

A SILVER NOVELTY LADY'S SHOE PIN CUSHION GORHAM MANUFACTURING CO., BIRMINGHAM 1910 With a wooden sole 11cm (4 1/4in) long Condition Report: Marks are clear Slightly wobbles Light scratches and wear commensurate with age and use Condition Report Disclaimer

A SILVER NOVELTY BROGUE SHOE PIN CUSHION S. BLANCKENSEE & SON LTD., BIRMINGHAM 1920 With a wooden base 13cm (5in) Condition Report: Marks are clear Small dent near the heal Some rubbing Light scratches and wear commensurate with age and use Condition Report Disclaimer

A contemporary William Manson large glass paperweight, of domed form, internally decorated with a large lamp work blue flower with a central large controlled air bubble, all over an alternating pink/amethyst/green cane cushion ground, cased in clear, signature cane to the interior, scratch signed, with another similar William Manson paperweight with central purple lamp work flower on a blue ground of scrambled millefiori canes, scratch signed, both boxed, larger diameter 8cm. (2)

A pewter pin cushion, modelled as a British Bulldog, 11cmx8cm

An early 19th century citrine ring The cushion-shaped citrine, in a pinched collet-setting, citrine approx. 22.00 carats, maker's mark CD, partial UK hallmark, ring size N

A pearl and diamond choker The detachable late 19th century circular pendant set with concentric circles of old brilliant-cut and cushion-shaped diamonds, centrally set with an 11.0mm bouton pearl, suspending an 8.7mm pearl and cushion-shaped diamond drop, to a later detachable necklace setting of two strands of 6.8-7.3mm cultured pearls, diamonds approx. 4.40 carats total, lengths: pendant 5.0cm, shortest strand 39.2cmAccompanied by a report from the Gem & Pearl Laboratory stating that the two pearls in the pendant are natural, saltwater. Report number 25812, dated 30th March 2025.

A diamond shamrock brooch, late 19th century The petals and stem pavé-set throughout with cushion-shaped, old brilliant and rose-cut diamonds, cushion-shaped and old brilliant-cut diamonds approx. 13.00 carats total, detachable brooch fitting, length 4.0cm

A pearl and diamond brooch/pendant, circa 1895 The detachable fleur-de-lys surmount set with rose, old brilliant-cut and cushion-shaped diamonds, to a pierced scrolling cartouche set throughout with rose, old brilliant-cut and cushion-shaped diamonds, centrally featuring an 8.1mm pearl, to a knife-wire diamond fringe with a central 7.4mm pearl drop, old brilliant-cut and cushion-shaped diamonds approx. 8.65 carats total, detachable pendant and brooch fittings, length 10.1cmAccompanied by a report from the Gem & Pearl Laboratory that the two pearls are natural, saltwater. Report number 25802, dated 28th March 2025.

A white gold bombé diamond ring Centrally collet-set with a brilliant-cut diamond, within a surround of brilliant, old brilliant-cut and cushion-shaped diamonds, mounted in 18 carat white gold, principal diamond approx. 1.40 carats, remaining diamonds approx. 3.75 carats total, maker's mark RF, UK hallmark, ring size M½

A collection of sapphires rings Including an oval-cut sapphire weighing 2.26 carats, a cushion-shaped sapphire weighing 1.53 carats, and two oval-cut pink sapphires weighing 0.98 carat and 1.07 carats, each in a temporary sprung setting (illustrated unmounted) (4)

A diamond bracelet, brooch and earring suite The brooch of tapering form, centrally-set with an old brilliant-cut diamond, within a geometric setting highlighted throughout with similar-cut and cushion-shaped diamonds, accompanied by a tapered bracelet and a pair of earrings of matching design, diamonds approx. 9.30 carats total, originally one larger bracelet, earrings with hook fittings, lengths: brooch 4.8cm, bracelet 17.0cm, earring 1.3cm (3)

A pair of iolite and citrine pendent earrings Each cushion-shaped citrine surmount, suspending a pear-shaped iolite drop, all in collet-settings, illegibly struck assay marks, post and clip fittings, length 3.6cm

A cushion-shaped diamond cluster ring Centrally featuring a cushion-shaped diamond, weighing 4.55 carats, within a border of similarly-shaped diamonds, between shoulders engraved with scrolling details, remaining diamonds approx. 1.10 carats total, ring size Q 

A pink tourmaline and diamond brooch Of scrolling foliate form, centrally set with a cushion-shaped pink tourmaline, highlighted throughout with old brilliant and rose-cut diamonds, suspending a series of drops including a pair of millegrain collet-set oval-cut pink tourmalines, old brilliant-cut diamonds approx. 1.20 carats total, principal pink tourmaline approx. 4.30 carats, detachable brooch fitting, length 3.7cm

A sapphire and diamond line bracelet The graduated row of cushion-shaped sapphires, the largest to the centre, spaced by baton links, each highlighted by a brilliant-cut diamond, to a horizontally-set cushion-shaped sapphire concealed clasp, diamonds approx. 0.80 carat total, sapphires approx. 24.30 carats total, length 17.9cmOne sapphire, weighing 2.86 carats, has been examined by GCS and a verbal assessment given that it is of Sri Lankan origin, with no indications of heating. 

An oval shell cameo brooch/pendant, carved to depict the portrait profile of a bacchante, together with a later cushion-shaped shell cameo brooch, 9ct gold mounted, brooch/pendant length 4.8cm (2)Approximate gross weights only: first brooch 12.5gm, second brooch 9.2gm

An emerald and diamond three stone ring, the cushion-shaped mixed-cut emerald claw set between two old brilliant-cut diamonds, flanked by rose-cut diamond set shoulders, yellow precious metal mounted, total weight of old brilliant-cut diamonds approximately 0.25ct, ring size NThe emerald is heavily abraded with scuffs, chips and surface reaching fractures. This ring is untested for origin and/or treatments.

A ruby and diamond three stone ring, the cushion-shaped mixed-cut ruby framed by two pear-shaped old-cut diamonds, spaced by old-cut diamond points, above a scrolled gallery, yellow precious metal mounted, total diamond weight approximately 1.60ct, ring size NScuffs, nicks/chips and facet abrasion to ruby, with a surface-reaching fracture. Mineral inclusions, 'silk' rutile needles and colour zoning visible to ruby under magnification (see images taken under microscope with darkfield illumination). Origin of ruby untested. Dimensions of ruby approx. 7.5mm width x 6.8mm length x 3.15mm depth. Diamonds are lively and relatively bright, estimated I to J colour and SI2 to P1 clarity, assessed mounted. Dimensions of pear-shaped diamonds approx. 7.15mm length x 5.1mm width x 3.9mm depth each. General wear to mount, considerable wear to edges and tips of setting, patchy tarnishing throughout. Shank has been re-sized. Metal standard is untested. Gross weight approx. 4.5gm.

A 'Seamaster' automatic wristwatch by Omega, the circular champagne-coloured dial with black insert baton markers, date display at 3 and centre seconds hand, to a calibre 1012 automatic movement, the stainless steel case back numbered 1660203, dial, movement and case signed, on an unassociated leather strap, together with another 'Seamaster' automatic wristwatch by Omega, with cushion-shaped dial and calibre 1110 automatic movement, case back numbered 16602800 and 36608800, on an unassociated leather strap, and a further automatic wristwatch, by the same maker, first watch case width 3.5cm (3) All watches with overall wear, marks and some scratches. All straps are later and not Omega branded. Wear and some discolouration to the dials.  All watches would require attention as they are not running smoothly or have issues. Movements are not guaranteed to be in working order.The cushion shaped dial watch date aperture does not work/tick over.  The circular seamaster second hand does not run smoothly. The automatic watch does not wind/tick.

A late 19th century sapphire and diamond panel brooch, of shaped oval openwork form, centred with a cushion-shaped old-cut diamond and rose-cut diamond cluster, enclosed by oval and pear-shaped mixed-cut sapphires, within a foliate scroll surround of further graduated old and lasque-cut diamonds, gold and silver mounted, cased, total weight of old-cut diamonds approximately 0.80ct, length 3.6cm

A ruby and diamond five stone ring, alternately set with cushion-shaped old-cut diamonds and cushion-shaped mixed-cut rubies, spaced by diamond points, above a scrolled gallery, yellow precious metal mounted, (one diamond point deficient), total diamond weight approximately 0.70ct, ring size QRubies are of pinkish-red hues, both with surface-reaching inclusions and fractures, and chips and scuffs to the surface. The principal diamonds are lively and fairly bright, estimated SI1 to SI2 clarity and J to L colour, assessed mounted. The diamond points have a typically dull greyish and fractured/chipped appearance and one is missing. The ring mount has considerable wear and some of the tips to the claws require repair. The back of the shank has worn thin. Metal standard is untested. Gross weight approximately 3.3gm.

An Edwardian diamond single stone ring, the cushion-shaped old-cut diamond in gypsy style setting, 18ct gold mounted, hallmarked for London 1905, diamond weight approximately 0.85ct, ring size P½Diamond dimensions only: approximately 5.85mm length x 5.5mm width x 4.4mm depth.Approximate gross weight only 7gm.

A tanzanite and diamond cluster ring, the cushion-shaped mixed-cut tanzanite claw set within a round brilliant-cut diamond border, between pavé set shoulders of similarly cut diamonds, 18ct gold mounted, accompanied by retailer's case and guarantee card, total diamond weight approximately 0.35ct, ring size OSurface wear to tanzanite and mount commensurate for use, with scuffs/scratches, nicks and occasional small chips. The ring mount is relatively modern and marks are clear. Diamonds are well matched, fairly bright and lively, some stones with small nicks/chips and fractures. Gross weight approximately 5.2gm.

A sapphire and diamond three stone ring, the cushion-shaped mixed-cut sapphire claw set between two old brilliant-cut diamonds, white precious metal mounted, total diamond weight approximately 1.30ct, ring size O Sapphire dimensions approximately: 7.1mm length x 7mm width x 4.3mm depth. Diamond dimensions approximately 5.5mm diameter x 3.7mm depth each.Light surface abrasion and chips/nicks to facet edges and girdle of sapphire, commensurate for use. Angular whiteish colour zoning visible under close inspection to sapphire. Diamonds are well matched, lively and fairly bright, with chips/nicks and naturals to the girdle on each. Estimated K to L colour and P1 clarity, both with dark inclusions and fractures, assessed mounted. Dark solder joins visible to all angles of the setting where the claws have been re-tipped. General surface wear throughout mount, shank has been re-sized. Overall width of setting (across finger) 1.9cm. Metal standard is untested. Gross weight approximately 4.2gm.

A late Victorian diamond and gem set bird brooch, modelled as a bird with outstretched wings and tail, set throughout with graduated rose and lasque-cut diamonds, his head accented with a cushion-shaped old-cut diamond, an oval mixed-cut red stone and cabochon red stone eyes, gold and silver mounted, with later fitting, old-cut diamond weight approximately 0.15ct, width 5.1cmThe principal old-cut diamond is fairly bright and lively and assumed to be foil-backed. The rose and lasque-cut diamonds are fairly lively and bright but with variable colour and clarity, some stones with chips/nicks and surface-reaching fractures. The red stones have surface wear and nicks/chips. The mount has a dark solder repair to the bottom, to the back of the feet/claws, and general surface wear, nicks/chips and scuffs throughout. The brooch fitting is functioning but later replaced, having dark solder joins at the junctions to the mount, and the brooch pin is mis-shapen. Metal standards are untested. Gross weight approximately 14.6gm.

A sapphire and diamond clasp, designed as a navette-shaped cluster of graduated old-cut diamonds, enclosing a cushion-shaped sapphire, total diamond weight 0.50ct, length 2.35cmGross weight only approximately 2.1gm

Two 9ct gold bracelet watches by Omega, the first with cushion-shaped gilt dial with black insert baton markers, to a calibre 485 jewelled manual wind movement, on a tapered textured bracelet, case numbered 1061 and 7115686, hallmarked for London 1971, dial, movement and bracelet clasp signed, the second with circular silvered dial with baton markers, to a calibre 661 automatic movement, on a tapered lattice decorated bracelet, case numbered 1061 7515086, also hallmarked for London 1971, dial and movement signed, watch case widths 1.4cm and 1.7cm respectively (2)Approximate gross weights only (excluding movements): first watch 14.5gm, second watch 17.5gmMovements only: first watch runs when wound, second watch runs. Both movements have not been tested for time keeping and working order cannot be guaranteed.

A diamond five stone ring, the graduated cushion-shaped old-cut diamonds in claw setting, yellow precious metal mounted, together with a diamond double row half hoop ring, the graduated old-cut diamonds with diamond points between, to a scrolled gallery, (one old-cut diamond and several diamond points deficient), and two diamond dress rings, each stamped '18CT', first ring total diamond weight approximately 0.45ct, ring size M½ (4)Combined gross weight only: 10.3gm.

A pair of Art Deco natural pearl and diamond ear pendants by Cartier, each natural saltwater pearl drop surmounted by chevrons of baguette-cut diamonds and a single square step-cut diamond, signed Cartier London, on screw-back fittings, white precious metal mounted, accompanied by maker's gilt tooled red leather case with dual hinged opening, total diamond weight approximately 1.10ct, length 3cmAccompanied by a Pearl Jewellery Report issued by AnchorCert Gem Lab, stating that the half-drilled pearls are of natural saltwater origin, measuring 8.4 - 8.5 x 8.2mm and 8.4 - 8.9 x 8.0mm respectively, report no. 329465/20070745, dated 5 March 2025 The pearls have slightly different hues; one has a silvery-white base colour and the other has a more yellowish-white base colour. Both pearls have a subtle and faint pinkish/greenish orient/overtone. Both pearls are off-round with slight irregularities to the overall shape and both pearls have surface pitting, possible faint surface crazing, scuffs/scratches and shallow ridges to the nacre. The yellowish pearl has slight deeper surface pits. Both pearls also have glue residue/grease residue to the backs, at the junctions with the mounts, and one pearl has a linear imperfection to the back at the junction to the mount. Diamonds are well matched and bright, with estimated H to J colour and VS1 to SI2 clarity (one diamond has a fairly small surface-reaching inclusion). The mounts have general surface wear, scuffs and chips/nicks commensurate for use, with slight thinning to the edges of the collet settings. Both screw-back fittings have dark solder joins/repairs at the junctions to the mounts. The screw-back fittings are assumed to be original but are unconfirmed as such, and are currently functioning. There are further dark solder joins/repairs at junctions within the mounts. It is possible that these dark joins are due to discolouration of the original solder joins. We are unable to see trace of any numbered marks. Signatures are fairly crisp. Metal standard is untested. Combined gross weight approximately 9.2gm. The case is in worn condition, with loose threads and light patchy staining to the cushion and patchy wear to the interior signatures. The exterior finish is scuffed and has patchy discolouration. Length of case 7.7cm.

A sapphire and diamond cluster ring, the cushion-shaped mixed-cut sapphire claw set within an old-cut diamond border, between trios of smaller round brilliant-cut diamonds, white precious metal mounted, stamped '18CT', total diamond weight approximately 1.90ct, ring size K

A garnet single stone ring, the cushion-shaped mixed-cut garnet in millegrain collet setting, two colour precious metal mounted, stamped '18CT', together with a double strand cultured pearl necklace, with diamond set ribbon bow clasp, ring size Q (2)

An aquamarine and diamond bar brooch, the cushion-shaped mixed-cut aquamarine in claw setting, between trios of millegrain set old and single-cut diamonds, two colour precious metal mounted, length 6.3cm

A turquoise and diamond cluster ring, the cushion-shaped cabochon turquoise in millegrain collet setting, bordered by graduated old and single-cut diamonds, to a fluted shank with similarly cut diamond set shoulders, total diamond weight approximately 0.65ct, ring size KBrownish inclusions, veins and pitting to turquoise, which has surface wear, scuffs and nicks/chips. Diamonds have variable colour and clarity, some stones with chips and surface-reaching fractures, but give an overall lively appearance. The settings are very heavily worn and some of the collets have splits and missing sections, where the metal has worn down to the stone. The mount otherwise has considerable signs of wear and tarnishing, with kinks to the base of the setting and some thinning to the shank. Metal standard is unmarked and untested but possibly a gold and silver combination. Gross weight approximately 4.2gm.

AN ANGLO-DUTCH OAK AND GRAINED FRUITWOOD CENTRE TABLE EARLY 18TH CENTURY The rounded rectangular top above a sinuous cushion frieze on broken cabriole legs with pad feet 75cm high, 102cm wide, 66cm deep Provenance: Acquired from Patrick Mackintosh Antiques, Dorset, October 2007 Condition Report: Good, structurally secure with wear and tear consistent with age and use. The planked top with some shrinkage within and between boards, and of a particularly good colour. The legs and feet with some old repairs as to be expected in a table of such exaggerated form.Condition Report Disclaimer

A GEORGE III MAHOGANY AND CANED COMMODE ARMCHAIR CIRCA 1780 With an oval back, serpentine seat with loose cushion and square tapering legs 100cm high, 69cm wide, 69cm deep   Condition Report: Good, structurally secure with minor general wear and tear. The cane at the front of the seat is broken and detatched from the frame.Condition Report Disclaimer

SIX VARIOUS CUSHIONS VARIOUS DATES Comprising; three tapestry cushions with tasselled border, two green silk and lace bordered cushions and a single larger tapestry cushion the largest cushion 54cm long

A GILT METAL SEWING CASKET 19TH CENTURY IN THE 17TH CENTURY MANNER Of rectangular form, lid with engraved armorial and motto VIRTUTE ET LABORE, reverse with padded pin cushion , sides with relief descending foliage, underside stamped with balance scales, at the base 20.2 by 15cm, 14cm high with pin cushion raised

A PAIR OF HARDWOOD GARDEN BENCHES AFTER EDWIN LUTYENS LATE 20TH CENTURY Each with an arched slatted back and scrolled arms, with a loose cushion to the seat 102cm high, 166cm wide, 61cm deep   Condition Report: With weathering - colour variance from exposure, sections of this garden much damper than others leading to quite a lot of greening to wood and one much greener than the other- wear, marks, knocks and scratches as per age, handling, outdoor garden use, and cleaning Some shrinkage to wood most visible to arms and tops of back supports but roll sections still secure to tops of arms Slight size variances Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A GEORGE II MAHOGANY SIDE TABLE CIRCA 1740 With a later green marble top above a cavetto and cushion-moulded frieze on cabriole legs with pad feet 78cm high, 99cm wide, 55cm deep     

A leather tub chair with chocolate velour loose cushion, on square taper supports

An armchair with loose seat cushion and loose covers, on turned supports

+/- One hundred and eighty 12 bore shotgun cartridges, paper cased to include a large quantity of Edwin Thompson & Co Keswick, Eley, Chaplin cushion load, Winchester, Alex Martin of Glasgow Edinburgh Aberdeen and Sterling, Scotia etc. SHOTGUN CERTIFICATE REQUIRED. WE CANNOT POST AMMUNITION.

A large white painted throne chair, upholstered with a cream seat and back cushion, with lion mask head terminals.

A large Victorian mahogany bookcase, with moulded cornice above three glazed doors, the base section with three cushion drawers above four further drawers and central cupboard, width 181cm, depth 60cm, height 228cm.

An 18ct yellow gold three stone diamond ring, set with cushion cut stones totalling approx 0.35ct, size M, approx 1.8g.