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18ct white gold tanzanite and diamond cluster ring with a central cushion shape tanzanite of 3.25ct partially surrounded by twelve round brilliant diamonds and flanked by two baguette diamonds either side leading to the shoulders, total diamond weight 0.70ct, approximate clarity VS2/SI1, colour G/H. The ring is as new. The diamonds are bright and lively. Finger size UK N and a half, US 7.
18ct white gold aquamarine and diamond ring with a central rectangular cushion shape aquamarine of 19.4ct flanked either side by three baguette cut diamonds, total diamond weight 0.64ct, approximate clarity VS1/2, colour G/H. The ring is as new. The diamonds are bright and lively, there are minor inclusions to the aquamarine visible vaguely with magnification. Finger size UK N and a half, US7.
A gold mounted cushion shape citrine set ring, with an intaglio depicting the initials RB surmounted by a lion and then a further ribbon design banner which reads 'iioreat majestas'. Weight-11.39 grams. Length of citrine-1.9cms, width-1.7cms. The ring is in a reasonable condition, there is slight abrasion to the outer edges of the citrine and scratches to the top, there are also some minor scratches and dents from general wear and tear to the shank. Finger size UK U and a half, US 10.5.
18ct white gold tanzanite and diamond cluster pendant with a central cushion shape tanzanite surrounded by twelve collet set round brilliant diamonds on a 16inch (41cm) square snake link chain, approximate total diamond weight 1.20ct clarity VS2/SI1, colour H/I. The pendant is as new. The diamonds are bright and lively.
* 18ct bi-colour gold three stone amethyst and pink sapphire ring with a central collet set cushion shape amethyst cabochon flanked either side by a square pink sapphire. The ring is in good condition however the amethyst has a large fracture to the one corner. Finger size O and a half, US 7.5.
** A 19TH CENTURY FRENCH PORCELAIN CASKET of cushion form highly gilt against a pink ground, the slightly domed hinged cover painted en grisaille with a classical figural landscape within a floral cartouche, cast foliate clasp, the interior painted with sprays of summer flowers, faux Sevres mark in blue, 9cms high, 21cms wide, 14cms deep.
A PAIR OF 19TH CENTURY POTTERY STAFFORDSHIRE EQUESTRIAN FIGURES of the Duke and Duchess of Cambridge, she with a flower sprigged gown, each highlighted in colours, moulded title to plinth, 33cms high; together with a Staffordshire porcellaneous figure of a Turk, seated on a cushion, 11cms high (3)
Late 19th century walnut library bookcase, the carved dentil cornice over glazed doors enclosing adjustable shelves, the base with two cushion drawers applied with copper strapwork handles over panelled cupboard doors carved with Art Nouveau stylised floral motifs and upon splayed bracket feet, 53" wide
A Victorian carved walnut marine sympiesometer Joseph Hughes, London, circa 1860. With foliate carved crest to the cavetto moulded cornice above glazed rectangular silvered scale applied with sulphuric acid and hydrogen gas filled syphon tube against a Fahrenheit temperature scale with a separate scale calibrated for the barometric inches adjusted via an ivory disc to the right-hand upright of the case, to the left is a Fahrenheit scale mercury thermometer above signature J. HUGHES, Ratcliff, London, Improved Sympiesometer with sector for the rotating recording disc beneath, the case with cushion moulded surround and conforming scroll carved apron to base, 60cm high, B.C. Ref. 110. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 218. Joseph Hughes is recorded by Banfield as working from Ratcliff Cross, London 1822-78. The sympiesometer was patented by Alexander Adie in 1818 and is essentially an improved version of Robert Hookes thermobarometer which he described in a paper presented to the Royal Society in 1668. The hydrogen gas in the syphon tube is affected by both temperature and pressure so the instrument has to be first calibrated by adjusting the moveable barometric scale against the temperature calibrations so that the pointer lines up with the temperature reading on the mercury thermometer to the left of the syphon tube before a reading can be taken from the top of the fluid level. The sympiesometer was conceived as an alternative to the mercury marine barometer as it was smaller thus more portable.
A mahogany Admiral Fitzroys Barometer Unsigned, circa 1880. With shallow canted pediment above full-height rectangular paper scales annotated with Admiral Fitzroys observations above Fahrenheit scale alcohol thermometer and visible bulb cistern, in glazed front cushion moulded case, 90cm high, B.C. Ref. 114. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 227.
A mahogany Admiral Fitzroys Barometer M.E. Solomons, Dublin, circa 1890. The full-height paper scales annotated with Admiral Fitzroys observations and with brass sliding pointer above Fahrenheit scale mercury thermometer and visible bulb cistern, signed M.E. SOLOMONS, OPTICIAN, NASSAU ST. DUBLIN to left of cistern tube towards the base, in a simple glazed front rectangular mahogany case with cushion moulded surround, 89cm high, B.C. Ref. 117. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 231. M.E. Solomons are recorded by Banfield as working from 19 Nassau Street, Dublin and were Opticians to the Royal Family.
Assorted Mauchlin ware items including cylindrical needlecase with 'The Old Village Shanklin', a pin cushion in the form of an umbrella - 'Ryde Pier, Isle of Wight'; a notebook with 'Shanklin'. a lozenge shaped pin cushion 'Salisbury Cathedral'; a letter opener 'Burns Cottage', and a pencil box 'Wellington Statue, Aldershot' (6)
* Gold leaf. Six books of 22 Carat deep gold leaf, each leaf approx. 80 x 80mm (3 x 3 ins), together with four books of gold leaf, each leaf approx. 140 x 140mm (5.5 x 5.5 ins), together with a home-made gold cushion & knife, plus two agaite burnishers (with 2 spare agaite ends), four pasting brushes, plus a collection of bookbinding handtools, including paring knives & band nippers etc. (a carton)
A LATE VICTORIAN MAHOGANY BREAK FRONT BOOKCASE, the cushion moulded cornice with carved Persian style roundels and above six glazed doors flanked by four further glazed doors below enclosing further adjustable shelving, fluted pilasters, plinth base, a paper label attached printed 'Arthur Cribb, Upholder, Cabinet Maker, Decorator, 38 Soho Square', 132" wide, 91" high.
A VICTORIAN MAHOGANY TRIPLE WARDROBE of breakfront form with cushion moulded cornice over leaf carved frieze, mirrored door with arched bevelled plate enclosing hanging space and flanked by a pair of deep panelled doors with astragal glazed upper part having carved scrolling foliate crest and gadrooned base and enclosing slides, brass drop handles, on plinth, 68 1/2" wide, 85 1/2" high

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83805 item(s)/page