We found 22424 price guide item(s) matching your search
There are 22424 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
22424 item(s)/page
Louis XV-Elefanten-KaminuhrHöhe: 42 cm. Breite: 30,5 cm. Tiefe: 18 cm.Signiert „VIGER A PARIS“.Mitte 18. Jahrhundert.Werk: Ankerwerk, Pendel an Seidenfadenaufhängung, Schlossscheiben-Schlagwerk für Halbstunden- und Stundenschlag auf Glocke. Die Werkplatine in Gravur signiert und datiert: „Viger AParis No 665“.Dass Pendulen in dieser und ähnliche Gestaltung mit exotischen Details gerade in Frankreich beliebt wurden, geht vor allem auf das erneute naturwissenschaftliche Interesse zurück. Auch die positiven kolonialen Erfahrungen, die seit der frühen Aufklärung ein neues Bild der exotischen Kontinente schufen, haben dazu beigetragen, auch in der dekorativen Ausstattung des höfischen Ambientes die neue Weltoffenheit zu demonstrieren. Nicht zuletzt hat der Chinoiserie-Stil und der Einfluss der Kenntnisse chinesischer und japanischer Porzellan- Elefanten oder -Nashörner die Schaffung solcher Objekte gefördert. Elefantenuhren gehörten nun zu den beliebten Produkten des Kunsthandwerks. Von führenden Bronziérs unter den Hoflieferanten Louis´ XV, wie Jean-Joseph de Saint Germain (1719-1791) sind solche Exemplare geschaffen worden, in unterschiedlichsten Detailausführungen. Bei dem vorliegenden Beispiel, einer selteneren Ausführung, wird in alten Verzeichnissen und Inventaren von einer „pendule à l´ échassier“ gesprochen. Ein ähnliches Exemplar - etwa mit einem Werk von Baillon - befand sich in der Sammlung Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie´s, London, Juni 1971), weitere wenige Exemplare gelangten ebenfalls nur auf namhaften Auktionen in den Handel.Der Aufbau folgt einem bewährten Schema: Der Elefant, in brünierter Bronze, steht nach links mit hochgeschwungenem Rüssel auf einem vergoldeten, steinigen, mit exotischen Blättern und Blüten besetzten Terrain-Sockel. Über den Leib zieht vertikal ein vergoldetes Sattelband, auf dem floral gestalteten Sattel das zylindrische Gehäuse, umzogen von Blatt- und Blütenwerk, bekrönt mit einer Tiergruppe: Neben einem bellenden Jagdhündchen erhebt sich ein Kranich, der mit einer Kralle einen Stein hochhält. Dieses ikonografische Bildmotiv ist Symbol für die Wachsamkeit (da das Tier bei Beginn des Einschlafens den Stein fallen lässt und somit wieder geweckt wird). So steht das Figurenmotiv, zusammen mit dem bellenden Hündchen, in sinnvollem Zusammenhang mit der Uhr und dem Glockenschlag.Das Zifferblatt mit gewölbter Glasabdeckung in weißem Email, mit schwarzen römischen- und arabischen Minuten; signiert „VIGER“ – „A PARIS“. Die Zeiger filigran durchbrochen und vergoldet. In sehr guter Erhaltung und lauffähig. A.R. (†)Provenienz: Bedeutende amerikanische Privatsammlung.Literatur:Vgl. Hans Ottomeyer, Peter Pröschel, Vergoldete Bronzen, München 1986, Bd. I, S. 124 mit Abb. (13220123) (11)Louis XV elephant mantle clock Height: 42 cm. Width: 30.5 cm. Depth: 18 cm.Signed “VIGER A PARIS”.Mid-18th century.Lever movement, pendulum on silk suspension, count wheel striking mechanism for half hour and hour strike on bell. Engraved signature and date on clockwork plate: “Viger AParis No 665”. The reason that pendulum clocks in this or similar designs with exotic details became popular in France is primarily due to renewed scientific interest. Positive colonial experiences created a new image of the exotic continents since the early Enlightenment and contributed demonstrating the new cosmopolitanism in the decorative furnishings of courtly interiors. The chinoiserie style and knowledge of Chinese and Japanese porcelain elephants or rhinos encouraged the creation of such objects. Elephant clocks were now popular artisanal products. Such specimens were created by leading bronze makers among the purveyors to the court of Louis XV, such as Jean-Joseph de Saint Germain (1719 Paris – 1791), in the most varied and detailed versions. In the present, rarer example, old directories and inventories speak of a “pendule à l’échassier”. A similar example, such as a work by Baillon was held in the collection of Anna Thomson Dodge, Rose Terrace, Grosse Point Farms Michigan (Christie’s London, June 1971), a few other examples were also only sold at renowned auctions. The structure follows a proven model: the elephant, in burnished bronze, stands to the left with its trunk raised standing on a gilt rocky base decorated with exotic leaves and flowers. A gilt saddle strap runs vertically across its body, the cylindrical case on the florally designed saddle, surrounded by foliage and flowers is surmounted by a group of animals: next to a barking hunting dog, a crane rises, holding up a rock in its talon. This iconographic motif symbolizes vigilance – if the animal starts falling asleep holding the rock will wake it up again. This figural motif, together with the barking dog, is meaningfully connected to the clock and the chiming of the bell. The white enamel dial with black Roman and Arabic minutes with a domed glass cover is signed “VIGER” – “A PARIS”. The gilt hands are in delicate openwork. In very good condition and operational. (†)Provenance: Important American private collection. Literature:cf. Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, Munich 1986, vol. I, p. 124 with ill.
A collection of Chinese porcelain,19th-20th century, comprising: a mug, of cylindrical form with a loop handle, painted with baskets of florets, 11.2cm long, a cup and saucer, each painted with a vase and cover within in blue within a gilt border, cup 11cm diameter, saucer, 14cm diameter, a jar of cylindrical form, on a circular foot, flanked by two handles, painted with blossoming peony by rocks, 11.7cm high, together with two qingbai glazed bowls, of conical form, incised with scrolls, 20 and 20.3cm diameter, a jar, 16cm high and a famille rose plate, 22.3cm diameter (8) Condition ReportMug - gilt and enamel losses. Cup and saucer - both with surface scratches, gilt and enamel losses. Cup cracked and chipped. Saucer with star crack to base.Two handled jar - fully restored, cover missing.One qingbai bowl - with chips and a crack to rim.Jar - firing cracks, small chips to rim.Plate - some enamel losses.
A collection of Chinese Canton enamelled famille rose, 19th century, comprising a vase, a tea bowl, two saucers and a plate, all decorated with figures, birds and flowers9.5 to 21.5cm diameter (5)Condition ReportVase - chipped cracked and restored, tea bowl - small chips to foot rim, saucers - one with rim chipped and cracked Plate - no obvious faults All with gilt and enamel losses
A collection of Chinese Canton famille rose,19th century, comprising: a teapot, a sugar bowl, a stand, a spoon tray, and three plates, all painted with figures, birds and flowers in shaped panels, 13.5 to 32cm (9)Condition ReportSurface scratches, gilt and enamel loss throughout.Teapot - Handle and body with cracks, restored.Plate with pierced rim - foot rim chipped.Stand - small chip to foot rim.One circular plate - a small chip to rim
A 19th century Chinese blue and white double gourd vase painted in underglaze blue with flowering branches around the upper section over elegant ladies in fenced garden landscapes and perching birds in alternating vertical panels, the base with Kangxi four-character mark but late Qing dynasty, 20.5 cm high to/w a 19th century Chinese blue and white plate painted with figures in a river landscape framed by the prunus on cracked ice border 22 cm diameter (2)The plate has a small rim chip but otherwise good condition, the vase is undamaged with glaze/firing imperfections only
An 18th century Chinese blue and white octagonal shallow bowl painted in underglaze blue with dwellings in a river landscape within diaper floral borders, late Qianlong period, 24 cm diameter Qing dynasty, to/w a blue and white plate painted with flowers in a large vase, 23 cm diameter, an 18th century blue and white tea bowl with four-character mark (Da Ming Nian Zhi) 7.5 cm diameter, Chinese Imari tea bowl 6.5 cm diameter, a blue and white coffee cup painted with floral designs, 6.5 cm high and a cloisonne box and cover with flowers and butterflies in polychrome enamels, 9 cm high Coffee cup with chips and hairline cracks, cloisonne box with small losses to enamels, blue and white tea bowl with foot-rim chips, plates both with hairlines
An 18th century Chinese famille rose plate painted in puce enamels with peonies within an iron red and gilt ring and conforming floral scroll border, Qianlong period (1736-95) Qing dynasty, 23 cm diameter to/w an 18th century Chinese famille rose floral painted tea bowl, 8.5 cm diameter (2) The plate with hairline extending from the rim, both items with wear to gilding and/or enamels
A pair of 18th century Chinese famille rose plates, Qianlong period (1736-95) Qing dynasty, painted in fencai polychrome enamels with a central montage within an iron red and gilt scroll octagonal frame draped with flowers, floral spray borders overlapping the yellow band around the rim, the reverse of each plate with three red lingzhi motif, 26 cm diameter (2)The first plate with hairline extending towards the centre from the rim, approx 6 cm, with stapled repair, the second plate with large areas or old restoration and rim chips, both with wear to enamels
Five Chinese export blue and white plates and a bowl/Provenance: The Estate of Anthony J Beeson CONDITION REPORT: 1 x eavile riveted repair and fritted rim Octagonal plate - 2 x rim chips Shallow bowl - 2 hair cracks and frits to rim.One circular plate has 2 hair cracks and frits to rim.One circular plate has a couple of chips and frits to rim.One circular plate has minor frits to rim.
A Chinese blue and white plate, 28cm diameter, two smaller plates, 23cm diameter, a pair of soup bowls, 22cm diameter, all Qianlong period CONDITION REPORT: Larger plate - lots of rivet repairs. Both shallow bowls have two hair cracks, one also has a small rim chip. One plate has three chips, one of these is deep and is issuing a hair crack.
A Chinese famille verte saucer dish decorated a dragon, 21cm diameter, a pair of Chinese famille rose plates, three other Chinese export plates, a shallow bowl and an Imari bowl, 14cm diameter and a small blue and white jar with lid, decorated with foo dogs playing among clouds, 9cm high CONDITION REPORT: Small vase and cover heavily crazed and stained.Deep bowl has firing crack to interior and tiny glaze flake to rim but overall appearance good.Pair famille rose plates overall good, perhaps some scratches and wear to enamels in line with age and usage.Larger imari plate - goodSmaller imari plate - two small hair cracksFamille rose bowl - one hair crack otherwise good One plate with rim frittingFamille verte plate - One large flat chip to rim, one smaller chip and fritting to rim as well. Wear to enamels.
A Chinese famille rose ceremonial plate, Tongzhi mark and period, decorated peaches, pomegranates and bats and with central Shou symbol of longevity, 26cm long, a small famille rose teapot decorated reserves of figures to a scrolling foliate ground, 7.5cm high and a bowl (3) CONDITION REPORT: Ceremonial plate - numerous glued repairs to sections of the border at sides and end. Bowl and teapot good.
Eight Chinese famille rose plates, Qianlong and later, various designs, the largest 23cm diameter CONDITION REPORT: Set of three - very fritted rims and one or two rim chips. One has hair crack to side of centre.Cockerels - goodPlate with vase - good, some wearPlate decorated flowers - Chips and central hair crack.Wavy rim plate - hair crack and fritting to rim Lotus petal border plate - scattered fritting to rim.
A 20th Century Chinese porcelain plate, Qinghua Youlihong, the central motif depicting Libai riding on a fish surrounded with a figure and a shrimp holding a lily pad, the base marked Daming Chenghua Nianzhi, 21cm diamater CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A SPODE 'CHINESE ROSE' PATTERN TEA SET, comprising six plates, diameter 23cm, six plates, diameter 19cm, six tea plates, diameter 16cm, six fruit dishes, an oval dish, cream jug, milk jug, large jug, height 15cm, sugar bowl, teapot, seven tea cups, seven saucers, one bread and butter plate (44) (Condition report: two saucers showing signs of medium wear, tea stains in cups and teapot, plates have had light use)
A GROUP OF CERAMICS, to include five pieces of Wedgwood jasperware including two vases heights 13.5cm and 19cm, Wedgwood Cuckoo, Crown Staffordshire Penang, Wedgwood Cornpoppy, Wedgwood Flying Cloud, and Coalport meat plates, two Wedgwood Chinese Tigers 21cm plates and a dinner plate, six Royal Worcester King Arthur plates, etc (Qty) (Condition report: pieces appear in generally good condition)
ÉLYSÉE FOUNTAIN PEN.Lacquered metal barrel and gold plate.Two-tone 18 Kts gold nib, F-point.Limited edition.No box.Dimensions: 14.8 cm in length; 10 mm in diameter.Élysée Parthenon Red Limited Edition fountain pen. Élysée fountain pen finished in chinoiserie lacquer with gold-plated trims.Created by designers for those who value the extraordinary. Chinese lacquer inlaid by hand within gold-plated decorations. Classic Chinese lacquer in a modern design. With two-tone 18-karat gold nib. Snap cap. With F-tip.
18th century Worcester Chinese Family pattern plate, circa 1765, of circular form with scalloped rim, the dished centre decorated in polychrome enamels with figures gathered around a table, within iron red line and dot borders, D19cmCondition Report:General surface wear commensurate with age, predominantly in the form of scratches and some wear to decoration.
A large Chinese famille verte and blue and white charger, Qing Dynasty, the lobed dished plate centred by a landscape, decorated in enamelled colours, the borders with blue and white stylised flowers, 42cm diameterCondition report2 x 6cm hairline cracks to edge. Two small chips (one to edge at terminal point of hairline crack
A Chinese Porcelain Plate, Yongzheng/Qianlong, painted in famille rose enamels with flowering branches within a foliate and scroll border23cm diameterA Similar Plate, painted with birds amongst peony within panelled, diaper and foliate borders23cm diameterA Similar Plate, painted with peony and bamboo within panelled, diaper and foliate borders23cm diameterA Pair of Moulded Saucers, Kangxi, painted in underglaze blue with foliageA Similar Saucer (6)2nd plate with star crack to base. 3rd plate broken in half and restored. All with typical minor flakes, wear and scratching.
A Chinese Porcelain Dish, Kangxi, painted in famille verte enamels with insects amongst flowers and rockwork within a foliate panelled border29cm diameterA Similar Dish, QIanlong, painted in famille rose enamels with peony and rockwork within an arrowhead and flowering and fruiting branch border34.5cm diameterA Similar Octagonal Plate, painted in green and brown with a flowerspray within a husk swag border23.5cm diameter (3)Kangxi - A section broken out of the rim around 6 o clock, re attached and proffesionaly restored. The rim heavily fritted. Qianlong - The dish has been in two pieces and re stuck, two further smaller pieces re stick inline with the larger break. Rim with heavy glaze fritting.Octagonal - a large flat chip to the rerar of the rim. A further two rim chips and a foot chip. Some general rim fritting and glaze pitting.
A Faience Double Gourd Vase, probably Frankfurt, late 17th century, painted in blue in Chinese Transitional style with figures in landscapes within formal borders48cm highAn English Porcelain Campana Vase, dated 1817, painted with the arms of Clan Stewart, the reverse with a classical temple in landscape12cm highA Derby Porcelain Figure of a Pug, with gilt decoration6cm highA Chelsea Derby Tea Bowl, painted with swagsA Pearlware Group of a Boy and Girl, on a stepped square base11cm highAn Octagonal Soup Plate, painted in blue and gilt with flowers, VA mark in gilt13.5cm diameter (6)Double Gourd Vase - Entire neck section re made, glaze scratches and large glaze chips around the foot.Campana vase - Later decorated with signs of re firing. Flat chip to the underside of the rim.Derby Pug - Ears slightly abraided. Some glaze pitting and gilt wear. No repair.Chelse Derby Teabowl - Gilt wear, no damage or repair. Pearlware Group - Girls right arm detached and retained. Some Edge chips, mainly to the base.Octagonal Soup Plate - Pitted, with gilt wear, no damage or repair.
A Chinese shaped rim bowl, decorated with flowers and fruit on a yellow ground with seal mark to base, 9 3/4" dia x 4 1/2" high, another smaller Chinese bowl, decorated dragon and phoenix with flaming pearl and six-character mark to base, 4 1/2" dia x 2 1/4" high, and a Chinese plate, decorated figures by a desk with six-character mark to base, 13 1/4" dia
A late 19th/early 20th century Chinese crackle glaze dish,blue and white decorated with four female figures, with bronzed Greek key impressed rim, the underside decorated with bats,diameter 29cmCondition: 2 small chips to rim, additionally further apparently repaired chip , separation to left hand figure, mark to back possibly from plate wire.
-
22424 item(s)/page