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Click here to subscribeA Chinese Porcelain Three Pavilion's Pattern Plate, circa 1750, from the Nanking Cargo, {22.2cm diameter}, ex lot 3719, original Christie's label on the reverse, sold with original purchase certificate dated 31st July 86, a copy of the sale catalogue and a copy of "The Geldermalsen" by CJA Jorg (4).
A Chinese Kangxi Famille Verte Octagonal Plate, of silver form with fluted borders painted to imitate gadrooning, the central circular reserve painted with a pair of exotic long tailed birds amongst shrubs beneath a knarled pine tree, four phoenix birds amongst peonies to the border with stippled green enamel ground, the rim underside with eight peony florets, circa 1720, {24.5cm wide} (hairline crack in rim and minor chips).
A Chinese "Famille Verte" Enamelled Porcelain Circular Plate, Kangxi period, 1662-1722, the central reserve painted with a lotus within a roundel of orange, blue and yellow flowerheads, the border with twelve half florets opposed to ogival arches, Koro mark in underglaze blue within a double concentric circle, {22.5cm diameter}; and Two Similar "Famille Rose" Porcelain Circular Plates, Qianlong, each centrally painted with a blossoming peony within pomegranate outline borders enriched with further peonies and C scroll repeat motifs, circa 1750, {32.7cm diameter} (3).
A GROUP OF CHINESE EXPORT WARE PLATES, late 18th/early 19th century, each painted in blue with birds in a wooded landscape, over painted with iron red, pink and gilding, comprising: three soup plates, two dinner plates and a meat plate, two English pottery replacements plates, together with two Chinese cups, a cup, some damage, (11)
A Catalogue of the Magnificent, Rare, and Valuable Library (Fonthill Abbey) ... also, of The Books of Prints, Galleries of Art, Curious Missals and Manuscripts, The Persian and Chinese Drawings ... Which will be Sold by Auction, by Mr. Phillips, at the Abbey, On Tuesday, the 9th of September, 1823, tall 8vo (235 x 150mm.), London, J. Moyes, engraved frontispiece plate of Fonthill Abbey, list of subscribers at end, faded King's College London library stamp on title, later red half morocco, spine lettered in gilt. Subscribers Copy
Three Davenport blue-printed plates: a dinner plate with moulded rim decorated with a "Chinese Marine" style pattern, diameter 26.5cm, printed vignette mark and impressed upper-case anchor mark, circa 1830-35; and a pair of "Florentine Fountain" pattern dessert plates, diameters 22.6 and 23.0cm, printed title marks and impressed upper-case anchor marks, circa 1840-60.
Three Davenport "Chinese Pastime" series plates, printed in blue with two different scenes, comprising a dinner plate, diameter 26.6cm, and two dessert plates, diameter 23.6cm, each with printed title mark and impressed upper-case anchor marks, the later dessert plates also with date codes for 1872-3
A blue and white miscellany: comprising an oval sauce tureen stand with the Font or Girl at the Well pattern, length 22.1cm, unmarked; a dessert plate with a design featuring a Chinese man and boy on either side of a large vase, diameter 21.5cm, unmarked; a Willow pattern arcaded tea or dessert plate, diameter 20.0cm, unmarked; and a Willow pattern dessert dish, length 24.9cm, unmarked; generally between 1810 and 1830
An English porcelain plate, decorated, possibly in the Baxter atelier, with a Chinese figure, leaning on a rail, the red ground panelled with Chinese figures, alternating with gilt flowerheads, 21cm diameter (8.25"), extensive title inblack monochrome verso 'A porter with firewood ...', circa 1810, and a Paris porcelain plate, painted with 'A man striking a small gong during an Eclipse ...' (some wear)
A modern Chinese golden rosewood Ming pattern dining room suite comprising: an extending 'D' end dining table complete with plate glass top; a set of six single and two arm solid-seat dining chairs with solid vase-shaped splats above the loose cushions, raised on square legs; and a rectangular shaped sideboard fitted three short drawers to the frieze and two pairs of panelled doors under, 66in. x 34in. high.
A group of Chinese exportwares, mostly 18th century, comprising: a Chinese Imari plate painted with birds; a Chinese Imari tankard; a Chinese Imari small bowl; a 'clobbered' blue and white small bowl; a 'famille-rose' spoon tray; a blue and white saucer dish; and a blue and white vase, damage throughout
A Chinese export blue and white tea caddy, Qianlong (1736-95) of ribbed rectangular form with rounded shoulders and decorated with temples, gilt lined, lacking cover, 4.5" high, a Nanking blue and white tea-bowl, 2 saucers and a plate, 8.5" diameter, gilt lined, early 19th century and a Chinese blue and white rice spoon, 18th/19th century (6)
An Iron Stirrup, perhaps Korean, 17th/18th century, with arched bracket pierced as two grotesque masks, oval foot plate, (15.5cm high); A Late Yuan or Early Ming Small Bronze Vase, of shaft and globe form with lion mask and ring motifs to the neck, (16cm high); An 18th Century Chinese Bronze Gu Vase, (24cm) (metal split on flared rim); and Four Other Chinese and Japanese Bronze Items, comprising a two-handled censor and three vases, 18th century and later (7)
Two Spode plates, English early 19th century, each printed and over painted with a dragon and a phoenix within calligraphy borders, together with a late 18th/early 19th century English plate decorated with stylised rose blooms and tendrils, and an 18th century Chinese famille rose plate with figures in a landscape.
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