A RARE CHINESE "HUANG HUALI" WRITING BOX, late Ming Dynasty, the lid with ruyi head silhouette brass angle strengthening mounts and studs, the interior with four compartments (one lidded), with side carrying handles, 35.5cm wide x 23cm deep x 8cm high. This box is an exceptionally rare and early example of a Chinese made wooden box in the Dutch colonial style and was almost certainly made for the Dutch East India Company (VOC). It belongs to a small and rarefied group of boxes made by Chinese woodworking masters in the 17th century Tao/Confusion tradition. The wood exhibits a lustrous and rich patination and the brass mounts are finely engraved. The best Huang Huali furniture was produced by cabinet makers in China's lower Yangtze River basin during the Ming Dynasty. The wood was much prized and it was reserved for furniture constructed for the court and for the wealthy and elite literati. Cf: Jacobsen, RD & N Grindley: Classical Chinese Furniture: In the Minneapolis Institute of Arts, Paragon Publishing 1999. Condition report: Attractively patinated overall. The side opening up of divide line between centre panel and border panels on the lid. The lock plate appears to be a later replacement. Aging crack to base panel. Otherwise in good condition
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A SET OF FIVE CHINESE BLUE AND WHITE EXPORT PORCELAIN OCTAGONAL PLATES decorated after a Dutch Delft tile with two large hounds by a merchant's house by a river, floral border, 22cms wide, and two soup bowls ensuite, 22.5cm wide (8). Condition report: Plate 1: Small flake on rim, small chip and slight scratching and staining. Plate 2: 2 chips and one bruise. Plate 3: 2 small chips. Plate 4: 2 small chips and 2 small flakes. 5. First bowl|: 4 small chips/flakes and one small repair. 6. Second bowl: small flake on rim underside. COND REP OF EXTRA PLATE NEEDED
A 19th century Chinese famille rose cup and saucer, and a similar plate (a.f.) Condition report Report by GHTwo hairline cracks down the sides of the saucer, approx. 3 cm each. Nibbles to the foot-rim of the larger plate and one rim chip. Cup apparently undamaged. All three pieces with some rubbing to paint.
A LARGE CHINESE POTTERY NEOLITHIC VASE, C.2000 BC The ovoid body tapering to a narrow foot, with lug handles to each side, painted in black and red earth pigments with a concentric circular design, 46cm. Cf. Oriental Ceramics, The World’s Great Collections, The British Museum, London, Monochrome plate 2 for a related example.
Chinese archaistic turquoise-inlaid bone dagger in the form of a tiger, 16.8cm long; together with a oracle bone with inscriptions, 12.8cm long; and a jade carving of a stag, 9cm long; Shang Dynasty and later. (3) Literature: Palmer, J. P. , Jade, 1967, p. 40, plate 4 where a similar example is illustrated.
Jin Dynasty (1115 – 1234 AD) This mirror is heavily cast in high relief with two carp swimming on top of a swell of waves. The large twisting bodies in an almost square configuration, fill the entire space surrounding the knob. There is a very naturalistic appearance to the twisting movement. The body surface are cast to resemble fish scales. The fish have prominent heads and large powerful fins along the ridge of the bodies and at the end of the tails. The waves of the sea are well depicted especially where they churn around the large central boss. There is heavy green patina, and on the front the silver is well preserved. The double carp design was one of the auspicious symbols in use from the Han dynasty onwards. Among these, the carp, thought to transform itself into a dragon, carried a particular congratulatory meaning. Dimensions: diameter: 19cms, Rim 0.5cms, weight 1070 grams References 1. See the similar mirror illustrated in the book Circles of Reflection by Ju-his Chou p89, no 86. Twin fish motif typical during the Jin dynasty, probably based on the same design on the Song dynasty mirrors. 2. Compare related mirror of same size illustrated in Ancient Bronze Mirrors from the Shanghai Museum, Shanghai, 2005, p350 – 1, no 236. 3. Also see Circles of Reflection p89, no 86. 4. See Chinese Bronze Mirrors by o J Todd. 1935, p 212 plate X1X. 5. Robert Ellsworth Collection see Luminous Perfection sale Christies New york March 2012 Lot 1466. 6. Bronze mirrors from Ancient China donald H Graham. p43. 7. World in Mirror: Selected Bronze Mirrors from Lloyd Cotsen’s Donation p136 pl 59.
Western Han dynasty 2nd – 1st century BC. A bronze plaque from the Dian culture in Yunnan province dating from late Warring States to early Western Han. It shows a wild boar attacking one of the hunters who is holding a small animal. Both hunters wear the typical tunics head coverings of the Dian period. The base of the plaque consists of a long snake. Dimensions: Length 18cms, height 10cms, weight 340 grams References 1. See identical example from yunnan provincial Museum: Hunting pig 2. http://hua.umf.maine.edu/china/bronzes/index.htm 3. Also see book The Chinese Bronzes of Yunnan p213 plate 247.
Western Han dynasty 2nd – 1st century BC. A Dian culture bronze plaque of dancing jugglers. Both energetic male dancers wear tight fitting costumes with long sleeves. They have long swords buckled to the waists with stretched out hands holding two plates. They dance vigorously with heads held high and knees flexed. They trample on a long snake which is biting one of the dancer’s legs. The kingdom of Dian in Yunnan province, which reached its height during the second and first centuries BC, was one of the richest ancient civilizations in southwestern China. The frank realism and exotic imagery of the bronzes from the Dian kingdom illustrate the foreign heritage of its people and the huge distances, both culturally and artistically, that separate them from the Han court. Dian bronzes were cast using the lost-wax technique, which allows intricate, highly sculptural designs. Dimensions: Length 15cms, height 10cms, weight 225 grams References 1. Similar bronze in the yunnan provincial museum. it is called dancing jugglers and is cast gilded bronze. See below quote and picture: 2. Also see Chinese Bronzes of Yunnan p214 plate described as Western Han.
Liangzhu period (3400 – 2250 BC) This jade bi disc is of exceptional size and decoration. The inner and outer edges are smooth. There is a chip on the inner hole which has been smoothed down. It is drilled from both sides with a slightly uneven join, characteristic of Liangzhu period discs. The decoration comprises of lightly incised birds on pedestals, sitting on four round objects which may represent eggs. There are two parallel lines above and below monster masks with oval eyes and headdress, and a distinctive trapezoidal inlay plate. This has been developed from the shaped crown worn by a deity or ancestor and is an iconic decoration used by the Liangzhu people. The design is repeated on both side. The stone is light and dark green, cream, orange, and dark brown, with semi- translucent light green areas. Many decoration details appear to be worn away or were lightly incised. Geological condition The stone is nephrite, which under magnification, shows numerous crevices, weathering, colour change, loss of translucency, loss of lustre, whitening in grooves, crystal formation, crystal enlargement, surface dissolution, and porosities. Dimensions: diameter 37cm, thickness 1cm reducing to 3mm at edge, weight 3060 grams References 1. british Museum had a large disc with similar bird design on display until 2015 when it was removed. 2. Chinese Jade Neolithic to Qing Jessica Rawson p132. 3. Chinese Jades, Study of Jades of the Liangzhou Culture. Colloquies on Art and Archeology No 18, 1997. Rosemary Scott 4. See Teng Shu-ping, Chinese Jades Edited by Rosemary Scott p19.
A pair of late 18th / early 19th Century Chinese polychrome decorated plates, the centre field decorated with a woman at a loom CONDITION REPORTS One plate has wear to the enamel and paint work, general firing faults, surface scratches etc. Discolouration and significant dirt to plate. Second plate has been badly broken and re-glued in many places as well as wear to the enamel and paint work. Surface scratches, discolouration, firing faults and dirt. see images for further details.
Five pieces of 19th century Chinese Canton famille rose ware, two teapots, a dish, vase and barrel box and cover (5) CONDITION REPORT: Small vase - two chips at foot rim otherwise appears good.Small teapot - lid gilding worn, small chips to spout, gilding rubbed, otherwise appears good.Barrel box - small star crack to base. Lid has been in half, chip to rim and tiny flat chip to top front of cover (rim).Large teapot - lid appears ok, gilding rubbed knock to glaze at shoulder around 1mm x 8mm.Plate - repaired chip at rim, piece is loose. Plate hanger to plate. Some rubbing to gilding, scrapes at rim.
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