We found 22424 price guide item(s) matching your search

A Chinese plate with iron red dragon detail, a white metal and copper overlaid brass dish, a cloisonne dish, a white buddleia decorated cloisonne lamp, a vase and three wooden stands Condition Report: Available upon request

Antique Chinese blue and white plate, bowl and small vase (3).

A 19th century Japanese porcelain blue and white plate painted with a birds, insects and a blossoming prunus tree next to a calligraphic inscription, all in vibrant tones of underglaze blue, the base with a Chinese four-character hall mark, Meiji period, 24 cm diameter to/w a Japanese Arita blue and white floriform plate, Meiji period, printed with boys festival design encircling a central dragon roundel, 31 cm diameter, two small Japanese blue and white bottle vases, 18 cm and 15 cm high and a blue and white ginger jar and cover, 13 cm high (5)

Four Lambeth delftware dishes c.1740-50, probably William Griffith, two plates in different sizes, and two soup bowls, one with a scallop-edged rim, all painted in blue with a Chinese boy carrying a long stick and turning his head to look over one shoulder, beneath tall flowering plants, reserved on a powdered blue ground with flower sprays in imitation of bianco-sopra-bianco, some damages, 30.3cm max. (4) Cf. Michael Archer, Delftware, p.146 for a discussion of this type of decoration, sherds of which have been excavated in Lambeth. Provenance: the smaller plate and scallop-edged bowl formerly in the collection of F H Garner.

Six delftware plates or dishes c.1710-60, one Bristol and inscribed 'S W A' to the other side, a small Lambeth dish painted with a small hut and trees, a plate of primitive shape and painted with figures in an island landscape within a panelled border, another with a similar Chinese landscape in blue, one with a polychrome basket of flowers and feathered foliage, the last painted in red, green and blue with feathery foliage and floral motifs, some faults, 23.3cm max. (6)

A good delftware plate c.1760, painted in underglaze blue with a Chinese lady seated in an interior beside a latticed window and flowering plants, within a hatched border, 21.8cm. Paper label for the Gautier Collection, and a further label inscribed 'Dear Mr & Mrs Griffiths, Just a bit to add to your collection, from Young Fred, Dec. 1954'.

Five Spode stone china plates and a soup plate c.1815, decorated after the Chinese with two ladies in a garden setting, the shaped rims with an elaborate blue border of diaper, cloud scrolls and auspicious objects, with a Chinese porcelain salt in the same design, 22.7cm max. (7) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent.

Two Spode stone china plates 2nd half 19th century, one armorial within a printed Fitzhugh border, another printed in blue with a basket of flowers, together with a Chinese soup bowl painted in the same pattern, a small Copeland and Garrett transferware plate printed with Aesop's Fable of the Fox and the Tiger, and a Spode pearlware plate decorated in pattern 2383 with Oriental flowers, the Chinese plate broken and riveted, 23.5cm max. (5) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent.

Three Spode plates of Oriental design 19th century, one stone china and decorated with the Ship pattern of a mother and child in an island landscape, a Felspar porcelain plate printed and hand-coloured with Chinese figures, and another decorated with confronting dragons chasing flaming pearls among cloud scrolls, 24.5cm max. (3) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent.

An unusual European-decorated Chinese porcelain plate mid 18th century, finely pencilled and painted with a vase issuing a profusion of European flowers, raised on scrollwork with grapes and other fruit beneath, the rim with single flower sprays and scattered flying insects, 20.8cm. Provenance: the Watney Collection.

An English-decorated Chinese porcelain plate mid 18th century, painted in the Giles atelier with a spray of flowers, a moth, carrots and small sprigs below an eagle armorial crest, and a London-decorated Chinese porcelain bowl, moulded with peony and bamboo issuing from a fence, painted with flowers, a grasshopper and other insects, the bowl cracked, 23cm max. (2) Provenance: the plate from the Stephen Hanscombe Collection. Exhibited: Stockspring Antiques, Early James Giles, no.111 (the plate).

A Worcester dessert plate from the Bishop Sumner service c.1775, richly decorated in the manner of Chinese famille verte with a kylin and a phoenix to the well, the rim with six panels of birds, flowers and mythical beasts, the underside with three floral sprays, 22cm. The pattern is a direct copy of a Chinese original from the Kangxi period (1662-1722) although the palette is not true to the Chinese porcelain. There are several Bishop Sumners after whom the service could be named - perhaps the most likely are the brothers John Sumner, Archbishop of Canterbury (1780-1862) and Charles Sumner, Bishop of Winchester (1790-1874) - but as both lived in the 19th century the service cannot have been originally made for them. It is possible that a link was made when the service was sold as part of one of the bishop's estates.

A Bow blue and white octagonal plate c.1765, painted with a central Chinese landscape, the rim with four fan-shaped landscape panels and four small circular floral panels all reserved on a powder blue ground, four character script mark, 22.5cm.

A set of twelve Villeroy & Boch "Magical Fairy Tales From Old Russia" plates, a Japanese Chikaramachi teaset, a large Chinese Famille Noir vase, a blue and white plate, floral scene with peacocks to centre, scalloped rim, a Royal Doulton "Mother and Child" HN2843 group, Caithness paperweights, other decorative plates, teapots and ornaments.

Herend Chinese design dish, decorated with a stylised chrysanthemum and floral panels, pierced border, 25cm, Coalport plate painted with a view of Trafalgar Square, signed Pinter, Dresden caster and a modern Chinese blue and white vase.

A collection of of Siamese, Chinese and other novelty clips, pins and earrings, a pair of blue faced oriental brooches and matching earclips, other similar earclips and pins with ivorine faces, an Art Deco 55mm stippled yellow metal disc brooch with raised Chinese man in coolie hat, a yellow metal and enamelled jester, figure in a turban, a pair of gilt metal rectangular plate earscrews with raised white metal oriental mask, a Balinese temple dancer fur clip, Roman warrior brooch with crossed axe and sword, lady with diamante headdressand neckline.

Delft plate, painted with two figures in a landscape, 22cm, chipped a polychrome Delft plate, a blue and white Delft plate, two Chinese saucers, etc.

Wappenteller. Kangxi-Periode (1662-1722), um 1720 Dekoriert in Eisenrot, Gold, Grün und Schwarz mit dem Wappen des Thomas Pitt, Baron von Londonderry und einer Schriftkartusche mit dem Motto: AMITIE, auf der Fahne in vier runden Reserven je ein Storch unter einer Krone zwischen Blütenzweigen.Der vorliegende Teller wurde für Thomas Pitt (1717-1734), den späteren Earl of Londonderry und zweiten Sohn von Thomas Pitt (1688-1729), dem 1. Earl of Londonderry, bestellt. D 22 cmProvenienzAlte Privatsammlung, SüddeutschlandLiteraturVgl.: David Sanctuary Howard, Chinese Armorial Porcelain, Bd. I, London 1974, S. 184, B9 An armorial plate. Kangxi period (1662-1722), around 1720 Decorated in iron-red, gold, green and black at the centre with the arms of Thomas Pitt, Baron Londonderry above a banderole inscribed with the motto AMITIE, the rim with a stork beneath a baron's coronet between fronds within four oval panels alternating with gold and iron-red floral sprays.The present dish was ordered for Thomas Pitt (1717-1734), the 2nd Earl of Londonderry and second son of Thomas Pitt (1688-1729).D 22 cmProvenanceOld private collection, Southern GermanyLiteratureCompare David Sanctuary Howard, Chinese Armorial Porcelain, vol. 1, London 1974, p. 184, B9

Zwei Wappenteller mit grisaille-Dekor. Um 1740 Dekoriert in grisaille, Eisenrot, Blau und Gold im Spiegel mit dem Wappen der holländischen Familie van Herzeele auf einem bianco sopra bianco-Blumengrund, auf dem Cavetto eine vergoldete Pfeilspitzenbordüre, auf der Fahne ein mit Gold akzentuierter grisaille-Dekor aus Pfauen, Blätter-, Rocaille- und Schuppendekor, der mit einer Blumengirlande verziert ist. Je mit Sprung. (2)D 23,2 cmProvenienzAlte Privatsammlung, SüddeutschlandLiteraturVgl.: David Howard und John Ayers, China for the West, Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection, London/New York 1978, 2. Bd., S. 395, Tafel 392 Two export armorial plates. Around 1740 Painted at the center with the arms of van Herzeele of Holland against a bianco-sopra-bianco floral ground, the cavetto with a gilt spearhead border and the rim with a gilt-heightened grisaille border of peacocks, scalework panels, foliage, rocaillerie and strapwork entwined with a floral garland. Each with crack. (2)Diameter 23.2 cmProvenanceOld private collection, Southern GermanyLiteratureCompare David Howard and John Ayers, China for the West, Chinese Porcelain & other Decorative Arts for Export illustrated from the Mottahedeh Collection, London/New York 1978, vol. 2, p. 395, plate 392

Anonymer Maler . 19./20. Jh. Der große Kaiser des Östlichen Gipfels (Dongyue dadi) und fünf Höllenkönige. Tusche und Farben auf Papier. Aus der Hängerolle geschnitten und unter Glas gerahmt.Bei dieser Darstellung handelt es sich um die linke Rolle aus einem Diptychon, die zusammen die zehn Höllentribunale darstellen. Höllendarstellungen wurden bei Ritualen benutzt, die zum Totenkult gehörten. Das Konzept der Zehn Höllentribunale entstand, nachdem die chinesische Volksreligion vom Buddhismus beeinflusst wurde. Alle Verstorbenen werden auf ihrem Seelenweg ins Reich der Toten bzw. in die Unterwelt gehen, um dort die zehn Gerichtshöfe, die jeweils von einem Höllenkönig beaufsichtigt werden, zu durchlaufen. Der Zeitraum, den man dort verbringt, hängt von der Schwere der Sünden ab, die man begangen hat, und nachdem die gerechte Bestrafung erhalten wurde. 140 x 76,5 cmProvenienzSammlung Sauerbrey, WürzburgPrivatsammlung, NorddeutschlandAusstellungenAusgestellt in: Universitätsmuseum für Kunst und Kulturgeschichte, Marburg, 12.10.-23.11.1980, und im Museum für Ostasiatische Kunst, Köln, Frühjahr 1981LiteraturAbgebildet in: Jorinde Ebert, Barbara M. Kaulbach und Martin Kraatz, Religiöse Malerei aus Taiwan, Köln 1980, S.177-118, Tafel 50 Anonymous painter . 19./20. Jh. The Great Emperor of the Eastern Peak (Dongyue dadi) and five kings of hell. Ink and colour on paper. Framed and glazed.This representation is the left one of a pair, which together represent the Ten Hell Tribunals.Depictions of hell were and are used in rituals that were part of the cult of the dead.The concept of the Ten Courts of Hell was created after the Chinese folk religion was influenced by Buddhism.All the deceased will go to the realm of the dead or the underworld on their soul path, in order to go through the ten courts of justice, each of which is supervised by a hell king. The amount of time you spend there depends on the severity of the sins you committed and after the just punishment has been received.140 x 76.5 cmProvenanceCollection Sauerbrey, WürzburgPrivate collection, Northern GermanyExhibitionsExhibited in the Universitätsmuseum für Kunst und Kulturgeschichte, Marburg, 12.10.-23.11.1980, and in the Museum for East Asian Art, Cologne, spring 1981LiteratureIllustrated in: Jorinde Ebert, Barbara M. Kaulbach and Martin Kraatz, Religiöse Malerei aus Taiwan, Cologne 1980, p.177-118, plate 50

Vierkantvase vom Typ fanghu. Email cloisonné. 1. Hälfte 17. Jh. Bauchige Form auf wenig ausgestelltem Fuß und am Hals zwei Löwenmasken mit beweglichen Ringhenkeln mit graviertem lishui-Motiv. An den vier Seiten der Wandung in buntem émail cloisonné, abwechselnd, Kranichpaar zwischen Magnolien und Päonien und Pfauenpaar unter blühenden Zweigen, um den Fuß springende Meerespferde (haima) über Wellen, an der Schulter archaistische Muster, am Hals Bananenblattbordüre, alles auf blauem Grund. Boden ergänzt.H 35,5 cmLiteraturVgl. sehr ähnliche Vase in: H. Garner, Chinese and Japanese Cloisonné Enamels, London 1962, Tafel 53 und eine ähnliche Vase mit Drachenmotiv, abgeb. in: H. Brinker und A. Lutz, Chinese Cloisonné – The Pierre Uldry Collection, The Asia Society Galleries, New York 1989, Nr. 157 A cloisonné enamel square section vase of fanghu type. First half 17th century The body supported on a tall, tapered foot and with a slightly flared rim. The sides of the main section decorated with a pair of cranes surrounded by peonies and magnolia alternating with a pair of peacocks underneath flowering branches. Each side of the foot is decorated with a sea horse (haima) above waves amongst clouds. Two large gilt lion-head ring handles adorn the upper part of the body.Height 35.5 cmLiteratureCompare an almost identical vase, ill. in: H. Garner, Chinese and Japanese Cloisonné Enamels, London 1962, plate 53 and a similar vase with dragon motif, illustrated in: H. Brinker and A. Lutz, Chinese Cloisonné – The Pierre Uldry Collection, The Asia Society Galleries, New York 1989, no. 157

A large 19th Century Chinese oriental blue and white tray / plate of oval shape being hand painted with a traditional island and pagoda scene with a sailing boat and flying birds, having patterned borders. Measures 45cm x 39cm. 

A dessert plate, Chinese export porcelain, polychrome and gilt decoration with the coat of arms of Francisco António da Silva Mendes da Fonseca (1792-1831) - 1st service, Jiaqing period (1796-1820), Dim. - 20 cm

A Large Plate, Chinese export porcelain, polychrome and gilt decoration with the coat of arms traditionally attributed D. Luís Peregrino de Ataíde - 10th Count of Atouguia - 5th service, Kangxi period (1662-1722), restoration on canvas, Dim. - 33,5 cm

A pair of scalloped plates, Chinese export porcelain, polychrome and gilt «Tobacco Leaf» decoration "Phoenix and flowers", decorated rim back, Qianlong period (1736-1795), minor faults on the glaze, one plate with chip, Dim. - 23,4 cm

CHINESE IMARI PATTERN PLATE, along with other ceramics, including British dinner and tea ware

20TH CENTURY JAPANESE BOWL, 11cm diameter, along with a Chinese bowl, Chinese blue and white plate, a satsuma lid and two other lids (6)

A Chinese famille vert plate

A small Chinese plate decorated with butterfly's and flowers, character mark to base

An old Chinese bowl, Chinese plate and Chinese scent bottle.

an early 20th century Chinese export cache pot or planter having raised reliefe of village scenes and twin handles in the form of elephant head AF missing bottom plate

Nineteen items of Aynsley china having brown floral transfer pattern including cups, saucers and plates, also included is a Adams plate of hexagonal shape with Chinese pattern. Three tea cups and one saucer having cracks, all others good with age related wear

Large sized flower, Chinese bone set with a hangable wall wooden plate. Impressive rare item. Dimensions: 40X30 cm.

CHINESE FAMILLE ROSE PORCELAIN PLATES, a pair, Qianlong, decorated with a spray of peony flowers to centre accompanied with two larger Chinese Famille Rose export plates and another small plate decorated with peony and perched bird. (two larger plates with faults, restored) (5)

Masons pottery plate with Reg No. 652974, Masons Applique pattern vase and a Chinese bowl, stand and spoon, (a lot)

19th century Chinese famille verte pierced plate, damage to the rim and a Canton enamelled plate (a/f) (2)

An 18th century Chinese tankard and an Imari plate. The former 12.5 cm high.

A large group of English, European, Chinese and Japanese ceramics, including seven Japanese Imari plates, largest 22cm diameter, a similarly coloured later plate of square form with canted corners, an Imari bowl, 19cm diameter, a/f restored, a pair of flared vases, likely English, unmarked, hand painted with birds with gilded border, 9.5 by 11.5cm high, a/f one damaged and a teapot decorated in the Chinese style, 20 by 10.5 by 14cm high. (24)

A 19th century Chinese porcelain bowl decorated in underglaze blue with four clawed dragons contesting the sacred pearl of wisdom (damage and re-glued to one area of lip) together with other blue-and-white,to include one further 19th century Chinese-style octagonal platter by Copeland (late Spode) and a pair of early 20th century cut-glass table lustresCondition Report: The Chinese bowl has had breakages around the rim and has been re-glued. The octagonal platter has had a plate hanging sticker on the reverse but appears in reasonable condition. The large round, transfer decorated blue & white English bowl appears in good condition and the early 19th century English square bowl is very cracked and damaged and has been re-glued badly. The small Kangxi-style porcelain jar and cover is fairly modern. Within the lot are also two late 19th/early 20th century cut glass table lustres.

Two 18th century blue-and-white Chinese saucers, together with an 18th century Chinese famille rose porcelain plate, a late 19th century Japanese Satsuma vase (small chip to rim) and a small Chinese warrior figure (af) (5)

Een set van (2) Porseleinen gelobde bordje met lijzen decor en floraal decor. China, Kangxi, Diam. 17 cm. Restauraties. Litt; Chinese Ceramics in the coll. of the Rijksmuseum Amsterdam pag.115 db 116a/116b. Geschatte opbrengst: € 200 - € 250. A set of (2) Porcelain lobed plate with lacquer decor and floral decor. China, Kangxi, 17 cm. Restorations Litt; Chinees Keramiek in de coll. van het Rijksmuseum Amsterdam pag.115 db 116a/116b. Estimate: € 200 - € 250.

19th Century English pearl ware blue and white meat plate, L53cm, Chinese blue and white prunus pattern plate, Japanese hand painted plate etc - Condition Report

A set of four antique Chinese Famille Rose Dessert Plates, all patterned with a painted floral design, together with another Famille Rose plate, this one depicting two birds within a floral scene, enclosed by a central pink border, the floral design then continues on the rim of the plate, enclosed again by a final pink border, and another similar plate, depicting fruit and flowers, all of approximately 9in (23cm) diameter (6)

THREE 18th C. CHINESE BLUE AND WHITE TEA BOWLS, TWO COFFEE CUPS, TWO SAUCERS, LATER TEA CUP, TWO PROVINCIAL BOWLS, A TEK SING CARGO SIDE PLATE AND A SONG DYNASTY TING WARE SHALLOW BOWL. Dia. 13cms.

A Chinese Export carved padouk wall mirror, late 18th or early 19th century, the shaped plate within a bead, anthemion and scrolling foliage moulded frame, 123cm high, 112cm wide

A 19th century English blue and white transfer printed meat plate, decorated with Chinese figures fishing near a bridge, to a floral border, impressed Turner to the reverse, cracked and rivetted, maximum diameter 14.5ins, together with a blue and white oval dish, decorated with girls holding corn and a dog, in an English landscape, diameter 12.75ins

Chinese porcelainFloral blue decorationKangxi reign (1662-1722)(chips; hairline to one plate)Diam.: 37 cm

Chinese porcelainBlue underglaze decoration with central landscape with birdsOne plate of floral decoration to lip and the other of floral decoration and precious objectsDiam.: 14 cm

A group of Chinese ceramics and carved wood to include an 18th century blue and white plate together with a resin model of a horse and a Celadon vase

A mixed lot of silver and silver plate, and other metalware to include a silver framed double folding photograph frame retailed by Liberty, a cased set of silver christening spoon and fork, a pair of Ace of Spades brass candlesticks, Chinese cloisonne and other items

A group of early nineteenth century pearlware pieces, c.1800-15. To include: a blue and white hand-painted coffeepot (no lid) decorated with a Chinese landscape, an Enoch Wood shell edge and moulded grape vise soup dish (marked) and a David Dunderdale, Castleford Pottery shell edge plate (marked). Plates: 25 cm wide. (3)Condition: Dunderdale plate with 6 cm hairline in the body, coffeepot with chip to spout and 2 cm hairline in rim. Provenance: From the Jenkins Collection. 

A Spode stone china decorative plate in the Chinese style, diameter 21 cm, and a Newhall style small bowl, diameter 16 cm.

Three late 18th/early 19th century Chinese plates, one Imari and two decorated with chrysanthemum, fence and buildings. Each diameter 23 cm. CONDITION REPORT: The Imari palette plate has a small flake chip to the rim, but otherwise appears to be in good order. The plate with flowers and trellis design to centre has some loss to the enamelled decoration to centre the third plate with a view of buildings and mountains to centre again has some loss to the enamel decoration to centre, but otherwise is in a good condition.The Amari palette plate has a small flake chip to the rim, but otherwise appears to be in good order. The plate with flowers and trellis design to centre has some loss to the enamelled decoration to centre the third plate with a view of buildings and mountains to centre again has some loss to the enamel decoration to centre, but otherwise is in a good condition.

A Chinese blue and white porcelain tureen and cover, length 18cm, and 2 other Chinese blue and white meat plates (3)Tureen has 5cm crack to the body, glaze chips to rim of cover. Larger plate, glaze chips to rim otherwise good condition, smaller plate is discoloured possible tar residue from prolonged smoke exposure.

A Chinese porcelain plate with painted enamel figures, diameter 31cm

A 19th Century Chinese octagonal plate decorated with landscape and deer, approx 37.5 cm wide CONDITION REPORTS In good condition throughout with the exception of a small chip to the rim (1.2 cm). The base is a little uneven and has some firing blemishes both to the top side and underneath. See images for further detail.

A 19th Century Chinese vase converted to a table lamp, decorated with Mandarin ducks, approx 35.5 cm high including wooden base but excluding metal fitting, together with a 19th Century blue and white decorated mug set with dragon handle and chinoiserie landscape throughout, 14.5 cm high, a 20th Century ginger jar decorated with lily pads, 20 cm high and a 19th Century Chinese blue and white bowl of square form, 13 cm wide, a sauceboat and similarly decorated tea plate CONDITION REPORTS The lamp has been converted, drilled to base, neck cut down and body with crazing throughout. The ginger jar has crazing throughout but this is probably part of the original design. Otherwise appears in good condition.The blue and white mug has crazing throughout and a large crack to base and chips to rim of base and chips to rim at the top. Firing crack to handle by dragon's mouth. The deep bowl has some firing blemishes ie. bubbles into the glaze which have been broken / chipped on the surface. Some small chips / blemishes to the rim. Otherwise in good condition.The small jug appears in good condition throughout though with some dirt to the surface.The small dish appears in good condition.

Antique Chinese brass wall lanterns, brass plate decorated with bats and auspicious symbol in Chinese culture, approx 37 cms h, one of them has a chain with a pair of douter pincers, the companion has missing pincers. 

A Chinese blue and white plate decorated with buildings together with one other. Est. £30 - £50.

An 18th Century Chinese plate decorated birds and foliage; and a late 19th Century Chinese vase decorated with figures in an interior AF (2)