19th century Chinese blue and white porcelain plate with figure decoration, other Oriental ceramics, Wedgwood Jasperware biscuit barrel, figure ornaments and decorative ceramicsCondition report: Chinese blue and white plate- one small chip to the rim, otherwise good condition.Chinese tea bowl- several minor chips to the rim. Some wear to the decoartion, otherwise good. Chinese blue and white lid- some minor fritting to the glaze, otherwise in good order.
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A Chinese blue and white plate, the rounded sides rising from a circular foot, the centre painted with mandarin ducks in a lotus pond, enclosed with a scrolling lotus border to rim, the underside with upright petal lappets, 23.4cm diameterCondition report: Glaze with nibbles and dirt from kiln. Surface scratches.
A collection of antique ceramics consisting of a Wedgwood Jasper ware jardiniere, 20.5cm diameter x 18.5cm high together with a Victorian soup tureen, cover, ladle and stand; a Davenport meat dish (cracked); a Worcester oval meat plate; a Delft vase converted for use as a table lamp (damages); three 18th century Chinese blue and white bowls and plates, and the lower half of a Chinese blue and white cylindrical jar; Continental dessert plates and a set of silver handled fruit knives etcCondition report: Jardiniere with minor marks but in good condition; the soup tureen with crack to the lid and further minor marks; the Chinese plates and jar with small chips and cracks; the Chinese famille verte bowl of modern make; the salt glazed Victorian jug with crack to the handle and further minor cracks; Worcester sugar bowl and saucer with cracks; most items with minor chips; silver tea knives cased and in good condition
A collection of ceramics to include a Chinese bowl Hong stamped to base 21cms d, double handled vase decorated with 3D oak leaves and acorns 24cms h, Cookie Scottorn stoneware jug with farming scene 11.5cm, Meakin cream jug, Royal Worchester silver and white cup and saucer, 2 Spode Copeland blue and white cups 6cms h, Hammersley china trinket, dish, ring tree, a lid with no base and an unnamed blue, white and gold with bird to front jug, side plate, 2 x saucers, cup and a lid with no base.Condition ReportDirt grime, very slight rubbing of patterns, chip to jug with bird to front, chip to rim of Chinese bowl and chips to leaves on the double handled vase.
A Set of Four Chinese Porcelain Plates, Qianlong, painted in famille rose enamels with peacocks amongst foliate and rockwork within arrowhead, foliate and lattice borders, 23cm diameter; A Similar Pair of Larger Plate and A Pair of Soup Plates, painted with sprays of European style flowers within arrowhead borders, plates 28.5cm diameter, soup plates 23.5cm diameter (8) CONDITION REPORT: . Set of four: one plate damaged and repaired, one with rim chip and associated hairline crack. Pair of plates and soup plates: one plate with star crack to centre, one soup plate with rim chip and associated hairline crack. Second soup plate with small rim chip. Some typical minor wear throughout.
A Chinese blue and white dish, Kangxi, the central circular medallion painted with three birds amongst foliage surrounded by ten radiating foliate panels, 30cm diameter and a Famille Rose octagonal plate, brightly painted with flowers, 24.5cm diameter (2)粉彩八角盘及康熙青花盘两件Condition Report: the kangxi dish in good condition other than rim fritsthe famille rose plate in good condition other than minor wear to gilding and possibly Samson of ParisCondition Report Disclaimer
A very fine Chinese porcelain famille verte dish, Kangxi, circa 1715, painted with the Yang family ladies practising their riding skills with other ladies seated in the pavilion looking on, with an elaborate floral border, 34.5cm diameter Provenance: From the collection of the Duchess Isabella, Lubomirska, Łańcut Castle, Poland. The plate was formerly in the Zamek Lancucki Collection and the collection of Paul-Louis Weiller. An identical dish was exhibited in the Osaka City Museum exhibition of Chinese Porcelain and Works of Art, 1992, no. 101. 清康熙 五彩杨门女将图大盘拍品来源:波兰Lancut城堡伊莎贝尔女公爵私人收藏,并曾为法国空军司令官及大十字勋章得主Paul-Louis Weiller私人收藏。类似的康熙五彩盘可参见日本大阪城市博物馆1992年《中国陶瓷及艺术品》展览,展品编号101号Condition Report: Minor wear to the gilding and enamel otherwise in very good conditionCondition Report Disclaimer
A Chinese shufu type white glazed stem cup, Yuan Dynasty (1279-1368), the cup with a slightly everted rim and standing on a high foot, the interior moulded with stylised lotus petals enclosing various floral patterns, 8.5cm high x 9cm diameterProvenance: From the collection of the late J.B. da Silva (1918-2003) and by family descent. Bought from Helen Expir (who in turn purchased it at Sotheby's, 11 December 1984, Lot 286). Previously in the R.F.A. Riesco (1877-1964) collection (label inside stem). No receipt but mentioned in collection notes. Exhibition: Oriental Ceramic Society, Hong Kong, 1979, Plate No. 70元 卵白釉模印莲瓣纹高足碗拍品来源:前英国外务部官员J.B. da Silva (1918-2003) 私人收藏,购自Helen Expir,其于1984年12月11日购自苏富比,此前曾为英国大律师及著名中国陶瓷收藏家R.F.A. Riesco收藏的一部分展览信息:香港东方陶瓷协会展览,1979年,图版70号 Condition Report: One crack of 1.3cm long to the rim, firing faults and blistering to the glaze, one chip to the foot and one shallow chip to the rimCondition Report Disclaimer
A small rare Chinese blue and white jarlet, zhou tou guan, Yongzheng (1722-1735), decorated with feathery scrolling floral elements around the body, and traditional classic scrolls around the flange, the base partly glazed, 5cm highProvenance: From the collection of the late J.B. da Silva (1918-2003) and by family descent. Bought at Phillips, for £30, 14th January 1976, lot 59. No receipt but itemised in collection notes. Compare with a very similar jarlet, with same feathery elements, from the Henry J Oppenheim collection at the British Museum, accession number 1947, 0712.201 and illustrated in, Soame Jenyns, Later Chinese Porcelain, 1951, plate IX, Fig.1c. Compare with a Ming Dynasty example of such a jarlet at the National Museum of China, see zhongguo guojia bowuguan guancan wenwu yanjiu congshu 《中国国家博物馆馆藏文物研究丛书·瓷器卷·明代》, 2007, pp41清雍正 仿宣德青花轴头罐拍品来源:前英国外务部官员J.B. da Silva (1918-2003) 私人收藏,其于1976年1月14日以30英镑的价格购自英国富艺斯Condition Report: Wear to the surface commensurate to age, the glaze on the upper half of the jarlet with kiln dust, the rim with a minute glaze chip of 3mm and several short glaze cracksCondition Report Disclaimer
* Hong Kong. An album containing 50 photographs of Hong Kong and Japan, late 19th and early 20th century, including 15 photographs of the Shanghai Riots, 1905, 7 photographs of the Hong Kong Typhoon of 1906 and 12 photographs of the Shanghai Floods of 1905, many 10 x 13.5 cm, mounted on rectos of 12 leaves with ink captions to mounts, plus two larger full-plate photographs of the Naval Brigade, Shanghai Riots, HMS Astraea's Companies and Officers' Group, HMS Astraea, plus 6 late 19th century albumen prints of Japanese people and views, all but two colour tinted, 21.5 x 27 cm and similar, contemporary half morocco gilt, slightly rubbed, folio (36 x 26 cm), together with a group of 11 full-plate albumen prints on rectos and versos of 6 loose card album leaves including views of Shanghai, Chinese temple, Chinese execution, a Chinese weaver, Chinese musicians, and a Chinese law court, plus 4 groups of European picnic and cricket watching groups in Hong Kong, images 21 x 26.5 cm and similarQty: (12)
RARE CHINESE EXPORT PORCELAIN JACOBITE PUNCH BOWL QIANLONG PERIOD finely painted to both sides with a polychrome portrait of Bonnie Prince Charlie wearing a tartan jacket, blue bonnet and white cockade, flanked with white roses, in flower and bud, on vibrant green leafy stems, the interior with a further white rose spray, the internal rim with a rui sceptre gilt border(28.8cm diameter, 12.1cm high)Footnote: Note: This punch bowl forms an important part of a small group of Jacobite Chinese export porcelain wares. So far recorded are a small number of punch bowls, with either Prince Charles or Highland figures depicted, beer jugs and a small amount of armorial porcelain with Scottish Royal arms showing Jacobite standards. A closely comparable example to this punch bowl is held in the Drambuie Collection of Jacobite Works of Art and was previously in the staunchly Jacobite family collection of the Earl & Countess of Perth (see The Jacobite’s and their Adversaries, Christie's Glasgow 12th June 1996, Lot 88 and previously on loan to National Museums Scotland, Bonnie Prince Charlie and the Jacobite’s, 2018). As with the example under discussion, it is a particularly fine example showing the highest quality of decoration in the floral sprays and borders, with the detail much finer than more often seen. The portrait also shows far more attention to detail than normal, and, while it is copying the recognisable portrait used in many forms of Jacobite art, the use of such a wide palette of colours is unusual. The portrait is a direct copy of one of the most prolifically produced and recognisable engravings of Prince Charles completed by Sir Robert Strange, an engraver from Edinburgh and member of Prince Charles’s Lifeguards regiment, during the ‘45. Sir Robert’s connection to the cause was close and he is known to have had at least two personal meetings with the Prince in Inverness just before Culloden to create the engraved printing plate for the proposed Jacobite Banknotes (now in the collection of the West Highland Museum Fort William). The print was immediately popular and can be seen in varying scales from miniatures to large-scale prints (see Lyon & Turnbull, Scottish Silver & Applied Arts, 14th August 2019 lot 468). This piece is unusual and differs from the Drambuie example in that the sprays of white roses are of undoubted Jacobite significance, rather than the more generic red/ pink sprays seen in the Drambuie work. These white or Stuart roses were a constant symbol of the Jacobite cause and their use in sprays of three with open and closed buds closely mirror the iconic use in Jacobite glasses. It has been much discussed that the large open rose head represents King James and the buds, Prince Charles and Prince Henry. The commissioning of punch bowls in support of the Jacobite cause is interesting and the connection between them and the associated and more prolific glassware is important. Whether used in private homes or in Jacobite clubs or societies, the use of punch to toast support of the cause is well recorded. The symbolic drowning of Hanoverian Kings on coins set into punch ladles or the passing of glasses over the punch bowl to symbolise the ‘King over the water’ would all have been well-understood in 18th-century society. To carry out these acts using such a fine and bold Jacobite punch bowl would have made what was already a significant act even more important to those involved. Indeed the kudos of owning such an exotic, fashionable and fine piece of porcelain suggests that a high-status Jacobite supporter would have owned this bowl. Moreover, they were comfortable demonstrating their support in an overtly public way so soon after the ’45. In 1863 a large inventory of the contents of Taymouth Castle was prepared by Christie Manson & Woods for the Marquess of Breadalbane. The punch bowl is listed in the inventory as No. 966 'A punch bowl with two medallion portraits of the Pretender'. [National Records of Scotland GD112/22/54-58]
Chinese Canton porcelain plate with four panels of figures interspersed with butterflies and birds, all in famille rose colours, 20cm diameter, another Chinese Canton porcelain plate and Japanese charger with three panels of figures, lakeside landscape and flowers, on a yellow and red ground, 33cm diameter (3)
A pair of 19th century Victorian blue and white Ashworth Bros Royal Stone China “ Allan Line “ ocean liner soup bowl circa 1860 - 1880 having Chinese decoration to the centre along with a Samuel Barker Ironstone China blue and white plate with rare mark circa 1850 and a large blue and white meat plate / plater. Measures approx.: 50cm H x 40cm W.
A collection of oriental ceramics and ornaments to include a cast bronze baluster vase of elongated form with twin handles (signed to the base), a Japanese hand enamelled plate decorated with a warrior on horseback within a landscape scene, two Chinese paintings on rice paper depicting a girl and boy in traditional dress, a carved red hardstone figurine in the form of a monkey.
A Bristol Delft plate, mid-18th century, painted in blue and white to the well with a Chinese pavilion in a lake, the rim with cartouches, against a powdered manganese ground (repaired and rim frits); together with a 19th century faience dish painted with grapes and birds. (2) 22.5cm and 23cm
A Chinese wucai plate,Kangxi (1662-1722), of circular form, the centre painted with blossoming prunus by a rock, surrounded by sprigs of foliage in shaped panels, six-character Kangxi mark to base, 21.8cm diameter 清康熙 五彩花卉纹盘 《大清康熙年制》青花楷书款Condition report: Chips to rim and foot rim. Restoration to the centre.
A collection of Chinese ceramics, comprising: a famille rose plate, painted with peony and other flowers, enclosed by a key fret border, four-character 'Ya Wan Zhen Cang' mark to base, 17.3cm diameter, a blue and white saucer, painted with buildings by a river, 13.6cm diameter, a famille rose spoon tray, with peony and a blossoming tree, 13.3cm long, an armorial coffee cup and saucer, of lobed form, painted with a coat of arms and the motto 'per industria periculo', saucer 12.6cm diameter, and eight teacups (13)Condition report: Famille rose plate - rim chipped, a hairline crack issuing from rim. Blue and white saucer with landscape - rim chipped, a hairline crack issuing from rim.Spoon tray - chips and glaze frits to rim. Armorial saucer - gilt rubbed, restored.Armorial cup - rim chipped, restored. Teacups - the large blue and white cup with precious objects with gilt rubbed but in overall good condition, the pair blue and white cups with one in good condition, all the rest with cracks or chips.
A Chinese jade plate,Qing dynasty (1644-1911), the rounded sides rising from a circular foot to a flared rim, the mottled stone of greyish-celadon tone,19.4cm diameter, anda pair of jade dishes, 20th century, 14.6cm diameter (3)Provenance: An English private collection; Bonhams Knightsbridge, London, 7 November 2011, lot 78. 玉盘 一组三件Condition report: Pair - one with minute chips to foot rim.Single plate - minute chips to rim.
A large 20th Century Chinese Republic period Xuande mark (1426-1435) Oriental porcelain blue and white hand painted charger plate bowl dish having a scalloped edge with intricate scrolling leaves and floral medallions. The central image depicting crayfish and reeds. Six character Xuande mark in unglaze Kaishu script to underside. Measures approx; 41cm. No visible damage.
A 20th Century Chinese Republic period Yongzheng mark (1723-1735) Oriental porcelain large scalloped edge charger bowl plate dish having blue and white decoration with iron red ocher depiction of an Imperial five toed dragon chasing the flaming pearl with clouds and flames. The bowl having a orange peel texture with scalloped border decorated with floral medallions and leaves. The underside decorated with Buddhist symbols and fruit. Six character Yongzheng mark to inside of bowl in underglaze blue Kaishu script. Measures approx; 38cm. Condition; no visible damage.
A 20th Century Chinese Republic period Kangxi mark (1662-1722) Oriental porcelain charger plate bowl of circular form having hand painted blue and white decoration depicting phoenix with scrolling leaves and detailed borders all having iron red ocher detailing. The underside decorated with floral medallions and scrolling leaves. Six character Kangxi mark to underside in underglaze blue Kaishu script. Measures approx; 39cm wide.
A 19th Century Chinese Guangxu period antique porcelain plate having a hand painted Famille Jaune ground with hand enamelled decoration depicting scrolls, leaves, fruit and flowers. Central cobalt Shou character medallion for Longevity and Double Happiness flanked by four white cartouche panels depicting The Precious Objects. Further decoration to the underside. Four ocher red character marks in kaishu script for the Guangxu Emperor. Measures: 23.5cm wide. Condition: One chip to rim and two hairline cracks.
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