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Lot 119
ASSORTED LOCKETS comprising 9ct gold heart locket on 9ct gold chain, six further heart lockets stamped '9ct Bk & Ft', two further lockets '9ct Bk & Ft' (29.3gms gross), and thirteen other various metal locketsProvenance: private collection DenbighshireComments: misshapen, wear and tear overall, viewing recommended
Lot 161
ASSORTED GOLD JEWELLERY & WATCHES, including 4x 9ct gold chains, 31.6g, small gold coin-set ring 2.6g, 9ct white gold band 2.8g, gold plated ladies' Tissot bracelet watch, gold plated Thomas Russell & Son hunter pocketwatch.Provenance: private collection mid WalesComments: albert chain NOT included in this lot.
Lot 370
Three items: a solid rope chain in hallmarked 9ct gold, length 38cm, weight 7.52g; a hollow rope bracelet in hallmarked 9ct gold, length 19cm, weight 3.51g; and a band ring in hallmarked 9ct gold set with six cubic zirconia. Ring size I, weight 1.21g. Condition - bolt ring clasp on bracelet is broken, ring shank is misshapen and stones worn
Lot 2018
1983 Honda ATC (all terrain cycle). 250R Trike. The trike is original and has had no modifications made to it. Runs on 2 stroke air cooled 247cc, 5 speed manual clutch, the final drive is chain driven.Has a 12volt lighting system in working order. Headlight included but damaged and is not attached. With hydraulic disc brakes and hill start assist. Four previous owners. It has age related marks and patina. It starts and runs well at idle and at high speed in all gears. Brakes need an overhaul and general service is needed. Tyres are in good condition. This Honda ATC was built from 1982 to 1986. Please note that buyers premium on cars and motorbikes in this sale is at 10% plus VAT (total 12% inc. VAT) and subject to a minimum of £100 plus VAT, on this lot. To satisfy your knowledge of the vehicles condition please come down to our viewing days as follows before the auction on day on 8th December. Saturday 2nd December: 10am - 2pm, Monday 4th December: 9am - 5pm, Tuesday 5th December: 9am-7pm, Wednesday 6th December: 9am-5pm, and Thursday 7th December: 9am-5pm.
Lot 45
A hand painted yellow purse-shaped box decorated with colorful flowers. The brass chain represents as the handle of the purse. Peint Main Chamart Exclusive Limoges France handwritten inside the box. Dimensions: 1.75"L x 1.5"W x 1.25"HManufacturer: ChamartCountry of Origin: FranceCondition: Age related wear.
Lot 122
I AM A FUGITIVE FROM A CHAIN GANGLobby Card (11" x 14")Near Mint Warner Bros., 1932Not only is this the extremely rare title card from the film but also features a terrific image of wrongly imprisoned man Paul Muni.A lobby card in exceptional condition with only a few minor creases and a couple of scattered blemishes in the borders that can only be seen from close-up. Paul Muni stars as a wrongly convicted man sentenced to hard labor and escapes from his chain gang. Based on an autobiography by real convict Robert Elliott Burns, the movie's popularity helped get him released the following year.This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.
Lot 23
BATMAN (196Final Production Scripts (2), 65 & 67 Pages (8.5" x 11") Autographed by Burgess Meredith (Episode 3; Fine Feathered Finks) (Beckett COA.). 20th Century Fox TV, 1965 & 1966Offered in this lot are two great rainbow scripts for two of television's most famous cult favorites. One script is from Fine Feathered Finks, dated November 19, 1965, and is signed by Burgess Meredith to Mark. Meredith played the villain Penguin throughout the series and was iconic. This episode was the first to star Meredith and aired within the first season. The other script is Death in Slow-Motion and is dated March 7, 1966. This episode stars Frank Gorshin as the Riddler and also aired in the first season. The autograph is authenticated and includes an additional COA from Beckett Authentication Services.When Hugh Hefner screened all 15 chapters of the 1943 Batman serial at the Playboy Mansion in 1964, he could hardly have known that he was setting off a chain of events that would lead to the development of one of the most iconic TV shows of the 1960s. Starring Adam West and Burt Ward as Batman and Robin, the show was a crazy, colorful, campy adaptation of the character, one that was instantly embraced by a public already enthralled by the work of Andy Warhol and Roy Lichtenstein, and setting off a wave of "Batmania" that would sweep the world. This lot will be auctioned on Thursday, December 7th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on December 8th.
Lot 615
BINDINGS - Punch's Snapdragons for Christmas, London, 1845, 8vo, 4 wood-engraved plates by John Leech, FINELY BOUND in contemporary red morocco gilt by Riviere. With 2 other books in attractive morocco bindings; and 2 others. (5)BINDINGS - Punch's Snapdragons for Christmas. London: Published at the Punch Office, 1845. 8vo (164 x 105mm). Half title, wood-engraved frontispiece and 3 plates by John Leech (frontispiece spotted, title lightly browned). Attractively bound in 19th-century full red morocco gilt by Riviere, the covers with triple gilt fillet borders, the spine with a green morocco lettering-piece in one compartment and the five other compartments elaborately decorated in gilt, marbled endpapers, gilt edges (corners very lightly rubbed), with the original wrappers, printed in green, bound in at the end. Provenance: John [?]Parkin (old signature on the upper original wrapper). With 3 other books, namely Johann Georg Zimmermann's Solitude Considered, with Respect to its Influence upon the Mind and the Heart ... Translated from the French of J. B. Mercier ... The Seventh Edition (London, 1797, 8vo, attractively bound in contemporary straight-grained morocco gilt), Rhymes and Roundelays. In Praise of a Country Life. Adorned with Many Pictures (London, 1857, 4to, wood-engraved illustrations by various artists, attractively bound in contemporary black morocco elaborately decorated in gilt) and The Book of Common Prayer (Oxford, 1866, small 8vo, in a richly-embossed silvered metal binding illustrating four biblical scenes and 12 small portraits of the Apostles, with a chain (clasps defective); together with an early [?]19th-century burgundy morocco folio binding (375 x 245mm) elaborately decorated in gilt on the upper cover (without contents). Sold as a collection of bindings, not subject to return. (5)
Lot 194
A 9ct Rose Gold Curb Link Double Albert Chain, to 9ct gold swivel style clasp and a non gold swivel clasp, suspending T-bar and an 1896 South Africa 1/2 Pond, with applied scroll pendant mount; together with a polished hardstone inset seal fob pendant.ALBERT CHAIN INCLUDING ½ POND - 39.5GRAMS, SEAL/FOB - 8GRAMS, 31CM LENGTH, CLASPS GOOD, OVERALL GOOD CONDITION
Lot 236
A Victorian Hallmarked Silver Hunter Cased Pocket Watch, the white enamel dial with black Roman numerals and seconds subsidiary dial, the movement signed "R.B. Stevenson Liverpool" and numbered "8939", within engine turned case, London 1855; Together with A Graduated Curb Link Albert Chain, to a (later) swivel style clasp, suspending T-bar, hallmarked silver medallion pendant engraed "DBS 1914" and two pocket watch keys.
Lot 67
An Antique Cross Pendant, collet set, with filigree decoration (closed back settings / dents / lacking brooch fitting), on an antique chain stamped "9c" (non gold clasp); together with a pair of matching antique drop earrings, teardrop collet set (closed back settings (dents), on hook fittings, in original fitted case (case damage).Dents to reverse of cross and earrings, earrings - 6 grams, cross and chain - 12.8 grams
Lot 72
EMERALD AND DIAMOND PENDANT/NECKLACE, EARLY 20TH CENTURYThe step-cut emerald within a cushion-shaped diamond and emerald surround, suspending a detachable shield-shaped emerald and cushion-shaped diamond drop, on a cable-link chain, lengths: pendant 5.6cm, necklace 43.5cmFootnotes:Accompanied by a report from GCS stating that the emeralds are of Colombian origin, with minor clarity enhancement (oil). Report number 80264-46, dated 23rd June 2020. Accompanied by a report from AnchorCert Gem Lab stating that the emerald is of Colombian origin, with evidence of minor clarity enhancement. Report number 20026642, dated 10th December 2015.Please note, one of these reports is over five years old and may require updating.For further information on this lot please visit Bonhams.com
Lot 135
LALIQUE: ENAMEL, PÂTE DE VERRE, SAPPHIRE AND DIAMOND BROOCH/PENDANT, CIRCA 1900The oval-cut sapphire, weighing 7.75 carats, set among white opalescent pâte de verre flowering buds and blossoms with blue enamel stamens, the cushion-shaped diamond stems issuing green to dark green enamel foliage, suspending from an associated chain with enamelled twisted baton links, signed Lalique, French assay mark (partially obscured), chain with French assay mark and maker's mark (partially obscured), later brooch fitting and pendant loop, some enamel loss, lengths: pendant/brooch 6.8cm, chain 47.5cmFootnotes:René Lalique (1860-1945) was the undisputed master of Art Nouveau jewellery design. Nature was a pivotal theme in his work, his appreciation stemming from time spent sketching in the French countryside during his childhood holidays. His work incorporates botanically correct depictions of plants and flowers, often representing less conventional aspects such as buds, stamens and contorted vines and branches, with a unique focus on the ephemerality of nature with wilting, humble wild flowers or seasonal decay. Here, the use of white anemone flowers, symbols of sincerity and fragility, frame the sapphire, enhancing the quality of this exquisite jewel. During the 1880's, Lalique worked for various manufacturers and passionately studied sculpture, marrying the daughter of a sculptor in 1890. It was around this time that he undertook experiments in glass, a natural development from his enamelling techniques, and from here his work begins to take on a strongly sculptural form. The pâte de verre, pioneered in the 19th century, is a painstakingly delicate process of cold-moulding glass and later vitrifying it with heat, and yields a uniquely translucent, quasi-ceramic quality, which can later be carved to achieve high definition and fine detail. This incorporation of an intrinsically valueless material into jewels with precious gemstones and metals demonstrates Lalique's desire to create an entirely new kind of jewel. For a similar example previously sold by Bonhams, please see Lot 20, a pâte de verre and sapphire anemone brooch, from the London Fine Jewellery Sale, 12th December 1997. See also Becker, V., 'The Jewellery of René Lalique', (Goldsmiths Company: 1987), ill.p. 33, 50, 82, 93 for similar examples by Lalique.Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 50
CARTIER: YELLOW SAPPHIRE, SAPPHIRE AND DIAMOND NECKLACEThe oval-cut yellow sapphire between sapphire cabochon finials, pavé-set with brilliant and baguette-cut diamonds, on a fancy-link chain accented with brilliant-cut diamonds, mounted in 18 carat gold, diamonds approximately 2.15 carats total, signed Cartier, maker's mark GF for Gay Frères, numbered 230418, French and Swiss assay marks, European convention mark, length 39.0cmFor further information on this lot please visit Bonhams.com
Lot 118
PEARL AND DIAMOND RING,The 10.2mm pearl, within a brilliant-cut diamond surround, issuing a fringe of fine-link chain swags and tassels with single-cut diamond terminals, pearl untested, ring size K½Footnotes:Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 58
FARAONE: GEM-SET AND DIAMOND FRINGE NECKLACE, BRACELET AND EARRING SUITEThe necklace with eight spherical pendants, each inset with a rose-cut tourmaline, of either pink or blue hue, in cabochon ruby, sapphire and single-cut diamond swivel settings, suspended from a trace-link chain decorated to the front with single-cut diamonds, the bracelet and earrings of matching design, diamonds approximately 8.30 carats total, bracelet and earrings signed Faraone, necklace unsigned, bracelet deficient one diamond, lengths: necklace 40.0cm, bracelet 18.7cm, earrings 2.8cm (3)For further information on this lot please visit Bonhams.com
Lot 105
LALIQUE: TOURMALINE, DIAMOND AND PLIQUE-À-JOUR ENAMEL PENDANT NECKLACE, CIRCA 1905Set with two cushion-shaped tourmalines, accented by old brilliant and rose-cut diamonds, decorated with green enamel, between green plique-à-jour enamel wings, suspended from a chain of twisted baton-links decorated with green enamel, mounted in gold, pendant signed Lalique, pendant length 6.0cm, later fitted caseFootnotes:Provenance:Sold Sotheby's London, 3rd December 1998, lot 102.Literature:For a pendant of similar design, see S. Barten, René Lalique Schmuk und Objects d'Art 1890-1910, Munich, 1977, ill.p.344, no.733.René Lalique (1860-1945) was the undisputed master of Art Nouveau jewellery design. Nature was a pivotal theme in his work, his appreciation stemming from time spent in the French countryside during his childhood holidays. Here, Lalique has used plique-à-jour enamel to represent the delicate transparency of dragonfly wings. This intricate process of placing glass between fine windows of metal was initially used in the Middle Ages, but saw a resurgence in the second half of the 19th century and was used masterfully by Art Nouveau jewellers, who elevated the technique to the highest level of quality. Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 111
ERNESTO PIERRET: RENAISSANCE REVIVAL EMERALD, RUBY, PEARL AND ENAMEL PENDANT AND EARRING SUITEThe table-cut emerald in closed-back setting, between polychrome enamel sea serpents, issuing a pair of similarly-cut rubies within a drilled pearl and black enamel surround, suspending a pearl drop via a detachable table-cut emerald and pearl quatrefoil pendant, decorated throughout with rope-twist, wirework and beaded detail, the earrings en suite, maker's mark EPRT, pearls untested, later chain, later earring fittings, some enamel loss, lengths: pendant 9.0cm, chain 67.0cm, earrings 7.5cm (2)Footnotes:Ernesto Pierret (1824-1898) was born in Paris but moved to Rome as a young man where he trained as a goldsmith. It is possible that he may have been an apprentice in the workshop of Castellani, an idea supported by the clear similarities in styles and subject matter. In 1846 he opened his own shop in Florence, later moving to a Renaissance palazzo at 20 Piazza di Spagna, next to the Spanish Steps in Rome. Today the building is a national monument and regarded as one of the most important historic buildings in Rome. Renamed Palazzo Pierret, his name can still be seen above the entrance. His pieces are marked either with a monogram or signature, both of which are applied to the piece on a small gold plaque or tab.Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.Saleroom notices:Please note, this lot should be dated circa 1870.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 130
ENAMEL INSECT PENDANT WATCH, CIRCA 1865Realistically modelled as a scarab, with fine engraved detail throughout and applied legs to the reverse, the spring-loaded enamelled wings opening to reveal a circular dial with Roman numerals, outer minute markers, blued steel hands, mounted in gold, with cabochon ruby eyes, suspended from a fancy-link chain, with winding key, some enamel loss, lengths: pendant 4.7cm, chain 65.5cm, Footnotes:Pocket and fob watches have taken many shapes forms since their conception. In the 16th century there was a trend for unusually shaped watches and clocks shaped like books, animals, insects, flora, fauna and even skulls (Death's head watches). In the late 17th century, with the invention of waistcoats, the pocket watch evolved into its 'typical' flattened circular form. However, in the mid-late 19th century, a taste for the novelty returned and various whimsical designs began to appear. As a sacred symbol and talisman in Ancient Egyptian culture, 'Scarab amulets' became increasingly popular as expeditions to Egypt brought a wealth of visual culture to jewellery designers and casemakers. In ancient Egyptian religion, the sun god Ra was said to roll across the sky each day, and as such the scarab beetle was a symbol for the heavenly cycle, and the concepts of rebirth and regeneration.Please note, this lot has VAT at a preferential rate of 5% on the Hammer Price and VAT at the prevailing rate on Buyer's Premium.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 292
Southern Italian carved coral and enamel figural pendant, probably Trapani, 18th or 19th century, modelled as a monk or monastic Saint, perhaps Albert of Trapani, (c. 1240-1307) of the Carmelite Order, with tonsure and robes, arms outstretched and kneeling in sublimation, applied with yellow metal tied rope belt, enamelled armlets at the elbows connected to a short belcher-link chain as pendant, with further enamelled link and single seed pearl drop, the underside with enamelled sunburst matrix as seal, the figure 39mm high, the pendant 64mm inclusive of chain and suspension loop, in original fitted plush-lined hinged cruciform case, 87mm Formerly the property of Sidney John Alexander Churchill MVO, (1862-1921), and thence by descent. Churchill researched the history of gold and silver work in Italy, especially the Two Sicilies, and wrote a number of reference works on Italian Goldsmiths in both English and Italian, when British Consul in Palermo (1898-1909) and Consul-General in Naples (1912-18).
Lot 490
19th century Coco-de-mer begging bowl (Kashkul), engraved with Arabic calligraphic register over foliate banding and figural scroll medallion to underside with conforming decoration enclosing the scallop-edge mouth, with metal suspension chain, 24cm wideFormerly the property of Sidney John Alexander Churchill MVO, (1862-1921), as pictured in the last image (scan of original image retained by the family), and thence by descent.In 1880, Sidney Churchill joined the Persian Telegraph Department of the Indian Civil Service, serving as British Consul in Persia (1886-94). During this entire 14-year period, Churchill collected Middle Eastern manuscripts for the British Museum and objets d'art for the Victoria & Albert Museum.
Lot 612
Early 19th century mahogany twin fusée bracket clock with pull repeat, Barrauds, Cornhill, London, No. 563, the signed 7-inch break-arched painted Roman dial with Strike / Silent ring to the arch, the chain fusée movement numbered and engraved to backplate, having shouldered plates with scroll borders, the case with carry handle and moulded arch over brass fish-scale side frets and pull repeat cord on brass ogee bracket feet, 38cm high (handle down), sold with original engraved adjustable pendulum, and two windersPaul Philip Barraud (d. 1820) was Master of the Clockmakers Company in 1810 & 1811. His sons Frederick Joseph (free 1806), John (free 1813) and James (free 1815) continued the family business and their clocks were signed 'Barraud & Sons' after 1813.
Lot 616
Late 19th century silvered metal ecclesiastical hanging lantern or censer, in the Gothic Revival taste, the central pierced corona uniting four shaped panels with pierced lettering and scrollwork and tendril terminals, enclosing reserve with pierced quatrefoil finial, suspended on two hanging chains, 38cm wide x 59cm high (excluding chain)
Lot 360
A PAIR OF CARTIER BLACK AND GOLD CUFFLINKSeach cufflink set with two antique cut diamonds measuring approx. 3.5mm, stamped 'Cartier Paris' and '750', set in a box marked Dildin & Co Ltd 189 Sloan street SW1, c.0.60 carat total diamond weight, each cufflink approx. 15mm diameter, with chain fastening (c.16.44g gross weight)
Lot 255
A GOLD STYLISED PRINCE OF WALES LINK CHAIN WITH A HEART SLIDERthe lariat style necklace terminating in tasselled ends, the heart shaped slider set with turquoise coloured beads, a soldered jump ring bears the French lyre stamp, purity stamp indistinguishable, total length approx. 42cm (c.34.61g gross weight)
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